Celebrate the art of living loud with the sassiest, smartest, hottest gift book From Erin Smith—a hip, irreverent visual artist with a nationally distributed gift line and a unique, pitch-perfect look—comes a mash-up of art, essays, and laugh-out-loud observations designed to find humor in the everyday mundane. Includes hilarious make-your-day quotes like: "The super girl cape is in the laundry...you'll just have to take my word for it." "I'm so damn happy it's like discovering blue cheese olives all over again." "As much as I try to be an easygoing, stretch-your-wings–and-fly type, I just can't stop trying to burst people into flames with my mind." ...and many more!
Fiction or nonfiction? Externally, Erin had plenty going on for her. She was pretty and smart enough, but not enough to compel her to fulfill her potential. All she recognized in the mirror were faults and deep-cutting insecurities. Through debatable luck and questionable life choices she almost lost it all. Or did she? Though the bullet slowed her down she never seems to learn the right lesson. Is this cautionary tale founded in truth, or is it a reflection of a lonely girl’s musings? Either way, Erin loses her faculties, friends, and youth to discover introspection and a broader perspective, leading her towards what she always needed: peace of mind and a semblance of control. Control of self, situation, and most importantly, control of how she views herself. Still on her quest to achieve her potential, she is making strides. About the Author Erin Smith was born in Houston, Texas, and was raised somewhere between Houston and Louisiana. Though she isn’t particularly noteworthy or famous, she has survived her life with hope. With eyes open to life as she stumbles through self-constructed hurdles. She has two dogs and one nephew and lives in Montgomery, Texas, where she continues to face self-inflicted obstacles.
Tortoises disappear from a Madagascar reserve and reappear in the Bronx Zoo. A dead iguana floats in a jar, awaiting its unveiling in a Florida court. A viper causes mayhem from Ethiopia to Virginia. In Stolen World, Jennie Erin Smith takes the reader on an unforgettable journey, a dark adventure over five decades and six continents. In 1965, Hank Molt, a young cheese salesman from Philadelphia, reinvented himself as a “specialist dealer in rare fauna,” traveling the world to collect exquisite reptiles for zoos and museums. By the end of the decade that followed, new endangered species laws had turned Molt into a convicted smuggler, and an unrepentant one, who went on to provide many of the same rare reptiles to many of the same institutions, covertly. But Molt soon found a rival in Tommy Crutchfield, a Florida carpet salesman with every intention of usurping Molt as the most accomplished reptile smuggler in the country. Like Molt, Crutchfield had modeled himself after an earlier generation of natural-history collectors celebrated for their service to science, an ideal that, for Molt and Crutchfield, eclipsed the realities of the new wildlife-protection laws. Zoo curators, caught between a desire for rare animals and the conservation-minded focus of their institutions, became the smugglers’ antagonists in court but also their best customers, sometimes simultaneously. Crutchfield forged ties with a criminally inclined Malaysian wildlife trader and emerged a millionaire, beloved by some of the finest zoos in the world. Molt, following a string of inventive but disastrous smuggling schemes in New Guinea, was reduced to hanging around Crutchfield’s Florida compound, plotting Crutchfield’s demise. The fallout from their feud would result in a major federal investigation with tentacles in Germany, Madagascar, Holland, and Malaysia. And yet even after prison, personal ruin, and the depredations of age, Molt and Crutchfield never stopped scheming, never stopped longing for the snake or lizard that would earn each his rightful place in a world that had forgotten them—or rather, had never recognized them to begin with.
In this concise, lively look at the past, present, and future of voting, a journalist examines the long and continuing fight for voting equality, why so few Americans today vote, and innovative ways to educate and motivate them; included are checklists of what to do before election day to prepare to vote and encourage others. Voting is a prized American right and a topic of debate from the earliest days of the country. Yet in the 2016 presidential election, about 40 percent of Americans—and half of the country’s young adults—didn’t vote. Why do so many Americans choose not to vote, and what can we do about it? The problem, Erin Geiger Smith contends, is a lack of understanding about our electoral system and a need to make voting more accessible. Thank You for Voting is her eye-opening look at the voting process, starting with the Framers’ perspective, through the Equal Protection amendment and the Voting Rights Act, to the present and simple actions individuals can take to increase civic participation in local, state, and national elections. Geiger Smith expands our knowledge about our democracy—including women’s long fight to win the vote, attempts to suppress newly enfranchised voters' impact, state prohibitions against felons voting, charges of voter fraud and voter suppression, and other vital issues. In a conversational tone, she explains topics that can confuse even the most informed voters: polling, news literacy, gerrymandering and the Electoral College. She also explores how age, race, and socioeconomic factors influence turnout. Ultimately, Thank You for Voting offers hope. Geiger Smith challenges corporations to promote voting, and offers examples of how companies like Patagonia and Walmart have taken up the task in a non-partisan way. And she reveals how get-out-the-vote movements—such as television star Yara Shahidi’s voting organization, Michelle Obama’s When We All Vote campaign, and on-the-ground young activists—innovatively use technology and grassroots techniques to energize first-time voters.
A fascinating look into America’s voting history that will inspire young people to get involved! This young readers’ edition of Thank You for Voting, from debut author and journalist Erin Geiger Smith, presents its information in clear, interesting chapters. Broken into three sections—The Stories of How We Got the Vote, Know Before You Vote, and How to Get People to Vote—this is a book that will appeal to kids 8 to 13 who are politically engaged. But it will also help a middle grader who is more focused on just finding good resources for history and social studies reports. Voting is a privilege and a right, but it hasn’t always been for many people. From the founding fathers to Jim Crow to women’s suffrage to gerrymandering—and everything in between—readers will get a look at the complex history of voting and become empowered to ask BIG questions like: —What can I do to support my favorite leader? —Who can I talk to about the issues I believe in? —How can I make a difference in my community? Every citizen has the right to vote. Let each one count!
Since the late nineteenth century, religiously themed books in America have been commercially popular yet scorned by critics. Working at the intersection of literary history, lived religion, and consumer culture, Erin A. Smith considers the largely unexplored world of popular religious books, examining the apparent tension between economic and religious imperatives for authors, publishers, and readers. Smith argues that this literature served as a form of extra-ecclesiastical ministry and credits the popularity and longevity of religious books to their day-to-day usefulness rather than their theological correctness or aesthetic quality. Drawing on publishers' records, letters by readers to authors, promotional materials, and interviews with contemporary religious-reading groups, Smith offers a comprehensive study that finds surprising overlap across the religious spectrum--Protestant, Catholic, and Jewish, liberal and conservative. Smith tells the story of how authors, publishers, and readers reconciled these books' dual function as best-selling consumer goods and spiritually edifying literature. What Would Jesus Read? will be of interest to literary and cultural historians, students in the field of print culture, and scholars of religious studies.
Erin Elizabeth Smith's The Naming of Strays is on fire in the best possible way--the poems sizzle with sensuality, celebrating all the senses in the way that the best blues music tips us from sadness into full-throated joy. The poems keep moving, shifting, defying expectations, singing the literal and the dream world, exalting the narrative and the experimental. I will recommend this book for poetry workshops as a primer on what poetry is and can do. And for seasoned readers, Erin Elizabeth Smith's work reminds us of why we fell in love with poetry in the first place. -MARILYN KALLET, Director, Creative Writing Program, University of Tennessee/ Erin Elizabeth Smith's poems are delicious - it is hard to resist them. But they bite back, and that is the thing: they're painful, too. And gorgeous, always. The Naming the Strays is luminous, intimate, and never afraid. - PAUL GUEST, author of My Index of Slightly Horrifying Knowledge / Erin Elizabeth Smith's poetry is the impossible love child of a young Jorie Graham and a old bottle of Jack Daniel's. -T.A. NOONAN, author of Petticoat Government & The Bone Folders
Ten personal narratives reveal the shared and distinct struggles of being Black in the Church, facing historic and modern racism. It’s uncertain that Howard Thurman made the remark often attributed to him, “I have been writing this book all my life,” but there is little doubt that he was deeply immersed in reflection on the times that bear an uncanny resemblance to the present day, which give voice to the Black Lives Matter movement. Our “life’s book” is filled with sentence upon sentence of marginalization, pages of apartheid, chapters of separate and unequal. Now this season reveals volumes of violence against Blacks in America. Ten Black women and men explore life through the lens of compelling personal religious narratives. They are people and leaders whose lives are tangible demonstrations of the power of a divine purpose and evidence of what grace really means in face of hardship, disappointment, and determination. Each of the journeys intersect because of three central elements that are the focus of this book. We’re Black. We’re Christians. We’re Methodists. Each starts with the fact, “I'm Black,” but to resolve the conflict of being Christian and Methodist means confronting aspects of White theology, White supremacy, and White racism in order to ground an oppositional experience toward domination over four centuries in America. “The confluence of the everyday indignities of being Black in America; the outrageous, egregious, legalized lynching of George Floyd; and the unforgivable disparities exposed once again by COVID–19 have conspired together to create a seminal moment in America and in The United Methodist Church—in which we must find the courage to say unambiguously ‘Black Lives Matter.’ To stumble or choke on those words is beneath the gospel,” says Bishop Gregory Palmer, who wrote the foreword to the collection. Praise for I'm Black. I'm Christian. I'm Methodist. “This book made me shout, dance, rage and hope—all at once! As a "cradle Methodist," I have deep love for my church and bless it for nurturing my walk with Christ and my passion for social justice. At the same time, I lament that my church is also the place where I have witnessed and been most wounded by virulent racism, sexism, heterosexism, and ageism. Yet, I stay and struggle for the soul of the church because I am a Black Christian woman fired by the love of God-in-Christ-Jesus. I stay because this is MY church and the church of my ancestors. Although I regularly question my decision to remain United Methodist, it is stories like these—from other exuberant love warriors—that remind me that I am called by God to stay, pray, fight, and flourish!” —M. Garlinda Burton, deaconess and interim general secretary, General Commission of Religion and Race, Washington DC “Racism continues to be the unacceptable scandal of American society and the American churches. In spite of some gains such as the diversity of supporters for “Black Lives Matter,” even the best intentioned among us remain largely ignorant of the actual life experience of those who are other than ourselves. This collection of testimonies, edited by Rudy Rasmus, helps remedy that by simply recounting personal stories of being Black, Christian, and Methodist in the United States. White Methodist Christians in particular need to read these stories and take them to heart so that racism and its divisiveness is countered by shared experience and recognition of common humanity across difference. More White Methodists need not only reject racism in our society and church but become active anti-racists willing to do the hard work to create the beloved community, dreamed about by Martin Luther King in the 1960s civil rights movement. —Bruce C. Birch, Dean Emeritus and Professor Emeritus of Biblical Theology Wesley Theological Seminary, Washington DC “This book is a powerful collection interweaving personal stories, denominational and intercultural practices, and Black lives bearing hopeful witness. Readers will have their consciousness raised, and they will think more deeply about the meaning of beloved community and the embodiment of the justice of God.” —Harold J. Recinos, Professor of Church and Society, Perkins School of Theology/SMU, Dallas, Texas “For hundreds of years, we have not listened. This book is our chance to hear the words of the Black leaders in our church. They will change us, remake us, and reform us. Get ready to be transformed by painful truth and deep love. —Rev. Dr. Dottie Escobedo-Frank, Lead Pastor, Catalina United Methodist Church, Tucson, Arizona "I’m Black gives readers a clear picture of the diversity and value of Black culture in church and society. After reading the dynamic stories told by these faithful, transformative church leaders, Black lives will be cherished, and systemic change for the better will take place.” —Joseph W. Daniels, Jr. , Lead Pastor, Emory United Methodist Church, Washington, D.C. "Dr. Rudy Rasmus and others give an insightful look into what it means to be black, Christian and Methodist in America. Their perspectives on the status and plight of being black in America are both engaging and riveting. If you are looking for ways to better understand the nuances and many faces of African American Methodist evangelical life in America, this book is a must-read!" —The Reverend J. Elvin Sadler, D.Min., General Secretary-Auditor, The A.M.E. Zion Church Assistant Dean for Doctoral Studies, United Theological Seminary, Dayton, Ohio "I endorse this powerful book of Essays conceived and edited by my friend Pastor Rudy Rasmus. It is a book for our current and future realities facing the Black Church a must read." —Deborah Bass , Vice-Chairperson, National BMCR
Prolonged Exposure for PTSD in Intensive Outpatient Programs (PE-IOP) presents an innovative PTSD treatment model for the use of prolonged exposure (PE) in residential and intensive outpatient programs, which increases access to care and retention in care while providing transformational symptom outcomes. Drs. Rauch, Rothbaum, Smith, and Foa present the elements of the PE protocol along with all the logistics for how to provide PE in an intensive outpatient program. PE is the most widely studied treatment for PTSD, with over 100 studies showing its efficacy for PTSD and comorbid patient populations-from single incident and multiple incident traumas of all types (e.g., combat, sexual assault, etc.) Variations and considerations for implementation are presented to allow providers designing programs to consider what best fits their patient population and setting. Patient and provider forms are included for use. As leaders in clinical practice, training, and research in the field of PTSD treatment, Drs. Rauch, Rothbaum, Smith, and Foa provide concise but thorough description of the key components of the program, how to implement them, and when and how to consider adaptations.
Erin Elizabeth Smith's Down is immediately a delight. Refreshing in its take on Alice's Adventures in Wonderland, the reader discovers here the odd world and new experience that Smith draws them "down" into. The fall that seems endless takes us into Tennessee, where "petals doodle lawns / like the drawings of girls" or where "grey squirrels / chase themselves into their trees." This isn't exactly Lewis Carroll surrealism, but the narrator of these poems takes us into her incantations and dreamscapes, where suddenly she looks at her spouse lying on the sofa and sees "a foreign // thing, a stammering king / made kitten in the shaking." Waking does not necessarily relieve the narrator, nor us. Rather, she writes, "I am still falling / through the slippery leaves / every bit of anorexic ice, / still waking like a child roused / in the backseat, unsure where I am / in the fragile, new dark." And, like Alice, curiouser and curiouser, the trip down means we may rise up, that "it can heal us again.
Teacher, Scholar, Mother advances a more productive conversation across disciplines on motherhood through its discussion on intersecting axes of power and privilege. This multi- and trans-disciplinary book features mother scholars who bring their theoretical and disciplinary lenses to bear on questions of identity, practice, policy, institutional memory, progress, and the gendered notion of parenting that still pervades the modern academy.
For anyone going through a difficult time, this journal was designed for you or someone you know. The Heartbreak Hybrid Journal was created for your entertainment, healing, and creativity. This journal is both a collection of heart wrenching short stories and an intensive writing space for your thoughts and reactions. Each character endures their own experiences with life's inevitable occurrences such as loss, break ups, death, failure, and hardships that will have readers deep diving into a sea of emotions. The fictional short stories are partnered with inspirational quotes, writing prompts and activities to help readers embark on a journey of healing and restoration. As you make your way through this journal, you will create pieces that will eventually become the foundation for your own story. The Heartbreak Hybrid Journal is the perfect gift for a person who is trying to cope with a heartbreaking life experience or someone supporting a loved one during a difficult experience. Paperback 165 pages
Trager’s The Law of Journalism and Mass Communication provides a clear and engaging introduction to media law with comprehensive coverage and analysis for future journalists and media professionals. The Eighth Edition brings the law to life with cutting-edge research, the latest court and legislative rulings, and a wealth of new content.
Written by Janice Gorzynski Smith and Erin R. Smith, the Student Study Guide/Solutions Manual provides step-by-step solutions to all in-chapter and end-of-chapter problems. Each chapter begins with an overview of key concepts and includes key rules and summary tables.
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