Under Corporate Skies is about what happens to communities when they stand in the way of corporate profits. It is the story of a tiny town pitted against a strong corporate neighbour. With the help of international campaigner, Erin Brockovich, the small town of Yarloop in Western Australia is preparing a civil class action against Alcoa World Alumina. The struggle is over social, health and environmental concerns surrounding Alcoa's Wagerup alumina refinery. This story will resonate with national and international communities facing similar clashes amidst ongoing industrialisation. As we live under expanding corporate skies, this book shows that profits matter, but not more than people and place.
Seventeen-year-old Annabeth prefers the fantasy of her books and paintings to reality—because in reality, her mom is dead, and it was all her fault. When she accompanies her father to the funeral of some family friends who drowned, she’s surprised to find her grief reflected in the face of Griffin Bradford, the son of the couple who died. Griffin is nothing like the carefree boy she once knew. Now he’s irritable, removed, and he’s under police investigation for his parents’ deaths. One night following the memorial service, Annabeth’s dad goes missing in the woods, and she suspects Griffin knows more about the disappearance than he’s letting on. He refuses toanswer her questions, particularly those related to the mysterious “expedition” his parents took to Ireland, where they went missing for seven months. Annabeth fears her father isn’t lost, but rather a victim of something sinister. She launches her own investigation, tracing clues that whisper of myth and legend and death, until she stumbles upon asecret. One that some would die to protect, others would kill to expose—and which twists Annabeth’s fantasy and reality together in deadly new ways.
Something is rotten in the state of Spain. The uninterred corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy’s Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939–75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain’s transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch’s persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain’s ongoing transition towards democratic pluralism, Patriarchy’s Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to haunt Iberian society.
A cool girl who's secretly a major geek has to figure out how to be true to herself in this relatable, funny, feminist novel from Erin Dionne. Sarah Anne loves lacrosse and the MK Nightshade series that everyone was obsessed over in grade school. The problem is that she's still obsessed, which is way too nerdy for a popular kid like her. So she hides her geekiness with a set of rules meant to keep her geek and jock selves separate.Except when she's offered a spot in a Nightshade fandom contest, where the winner gets to see the new movie premiere in LA. No one seems to think Sarah Anne can win, since she's up against a pair of guys in high school--but the more she's called a fake fan, the more determined she is to wipe the floor with her competition. As long as none of her friends or anyone at school knows what she's doing.Can she keep her geek identity a secret, win the contest, and manage to keep her friends even though she's been living a lie? Sarah Anne is going to have to make some choices about what's truly important to her and which rules she's going to break to stay true to herself.
While there is a long tradition of research into eddic poetry, including the poems classed as wisdom literature, much of this has approached the subject either as a primarily philological commentary or has addressed literary and thematic topics of individual or small groups of poems. This book offers a wide-ranging enquiry into the defining features of Old Norse wisdom, including the representation of wisdom in texts which cross traditional generic boundaries. It builds on recent advances in understanding of pre-Christian religion in Scandinavia, and calls on comparative and supporting work from several different disciplinary backgrounds (including literary theory, other medieval literatures and anthropology). Speaker and Authority interrogates important questions about the concept of knowledge, as well as its role in medieval Scandinavian society and its broader European cultural context.
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