In Silicon Valley Imperialism, Erin McElroy maps the processes of gentrification, racial dispossession, and economic predation that drove the development of Silicon Valley in the San Francisco Bay Area and how that logic has become manifest in postsocialist Romania. Drawing on ethnographic fieldwork and archival research in Romania and the United States, McElroy exposes the mechanisms through which the appeal of Silicon Valley technocapitalism devours space and societies, displaces residents, and generates extreme income inequality in order to expand its reach. In Romania, dreams of privatization updated fascist and anti-Roma pasts and socialist-era underground computing practices. At the same time, McElroy accounts for the ways Romanians are resisting Silicon Valley capitalist logics, where anticapitalist and anti-imperialist activists and protesters build on socialist-era worldviews not to restore state socialism but rather to establish more just social formations. Attending to the violence of Silicon Valley imperialism, McElroy reveals technocapitalism as an ultimately unsustainable model of rapacious economic and geographic growth.
100 Days of Transformative Adventure takes you on a journey through the transformation that comes about when we step outside of our comfort zone. Photographs of adventuring in nature and landscapes are paired with stories and questions with the intention to inspire and provoke thoughtful exploration of the world without and within.This book is a creative project that flirts with topics such as purpose, vision, intention, fear and passion. It can also be enjoyed as a tool for journaling, meditation and other practices.
100 Days of Transformative Adventure takes you on a journey through the transformation that comes about when we step outside of our comfort zone. Photographs of adventuring in nature and landscapes are paired with stories and questions with the intention to inspire and provoke thoughtful exploration of the world without and within.This book is a creative project that flirts with topics such as purpose, vision, intention, fear and passion. It can also be enjoyed as a tool for journaling, meditation and other practices.
In Silicon Valley Imperialism, Erin McElroy maps the processes of gentrification, racial dispossession, and economic predation that drove the development of Silicon Valley in the San Francisco Bay Area and how that logic has become manifest in postsocialist Romania. Drawing on ethnographic fieldwork and archival research in Romania and the United States, McElroy exposes the mechanisms through which the appeal of Silicon Valley technocapitalism devours space and societies, displaces residents, and generates extreme income inequality in order to expand its reach. In Romania, dreams of privatization updated fascist and anti-Roma pasts and socialist-era underground computing practices. At the same time, McElroy accounts for the ways Romanians are resisting Silicon Valley capitalist logics, where anticapitalist and anti-imperialist activists and protesters build on socialist-era worldviews not to restore state socialism but rather to establish more just social formations. Attending to the violence of Silicon Valley imperialism, McElroy reveals technocapitalism as an ultimately unsustainable model of rapacious economic and geographic growth.
This interdisciplinary study of history programming identifies and examines different genres employed by producers and tracks their commissioning, production, marketing and distribution histories. With comparative references to other European nations and North America, the authors focus on British history programming over the last two decades and analyse the relationship between the academy and media professionals. They outline and discuss often-competing discourses about how to 'do' history and the underlying assumptions about who watches history programmes. History on Television considers recent changes in the media landscape, which have affected to a great degree how history in general, and whose history in particular, appears onscreen.
The story of Carried is based on a blog by the parents of E, a two-year-old. The story is one of her and her family, told from the point of view of E and her mother. The family blogged from Es point of view almost daily as a way to document her journey with AML (acute myeloid leukemia). Not sure if E would be a statistic or survive, the family decided to document the story from her point of view. The chapter Faith is about having faith in Gods plan. The chapter Hope is about hope that E would survive and that the family would make it through the rough rebuilding of their normal lives. The chapter Love is about what it is like to raise a child that has lived in a hospital. The story is not one of a perfect life or a perfect journey. It is perfectly messy and portrays the real life of the family.
There are a number of books recently published on assessment scales for depression and anxiety. However, these books are generally more detailed than clinicians require, are specific to one or other condition, or involve specialty populations such as children or geriatrics. To meet the needs of clinicians treating patients with depressive and anxiety disorders, this volume aims to bring together empirically validated assessment scales. In a concise and user-friendly format, Assessment Scales in Depression and Anxiety illustrates the assessment scales used in clinical trials and research studies; shows how to select an assessment scale and to decide which scale to use for a particular clinical situation; and provides sample assessment scales for clinicians to use in their practice.
Megan Oliver has had a rough year, to say the least. Needing a new beginning, she returns to her hometown of Cedar Springs, Idaho where she purchases an old fixer-upper in the hopes the project will keep her occupied. She returns to find the dynamics of family and her group of close friends is an emotional journey she wasn't quite prepared for. Reed Sullivan is one of those friends and has known her for years. With the recent turn of events which affected them all, he wants to help her in any way he can. Besides, he made a promise and he intends to keep it. The trouble is, can their friendship survive the road ahead without history repeating itself? Can Reed prove to Megan that God is walking with her through it all? And so is he.
In an American society both increasingly diverse and increasingly segregated, the signals children receive about race are more confusing than ever. In this context, how do children negotiate and make meaning of multiple and conflicting messages to develop their own ideas about race? Learning Race, Learning Place engages this question using in-depth interviews with an economically diverse group of African American children and their mothers. Through these rich narratives, Erin N. Winkler seeks to reorient the way we look at how children develop their ideas about race through the introduction of a new framework—comprehensive racial learning—that shows the importance of considering this process from children’s points of view and listening to their interpretations of their experiences, which are often quite different from what the adults around them expect or intend. At the children’s prompting, Winkler examines the roles of multiple actors and influences, including gender, skin tone, colorblind rhetoric, peers, family, media, school, and, especially, place. She brings to the fore the complex and understudied power of place, positing that while children’s racial identities and experiences are shaped by a national construction of race, they are also specific to a particular place that exerts both direct and indirect influence on their racial identities and ideas.
Whether you’re the MVP of your basketball team, an occasional jogger, or a self-acknowledged couch potato, A Girl's Guide to Fitting in Fitness has practical advice that you can really use. The book shows how easy it is to wake up earlier and sharper (using yoga and relaxation techniques), eat healthier foods, and use the little in-between moments of your day—like the commute to school, or the time between classes—to incorporate a little bit of physical activity that will make a big difference. Fitting in Fitness is sure to help even the most devoted TV-addict lead a fitter, healthier, and happier life—without the need for a gym or fancy exercise equipment.
This book traces the history of engagements between dance and the visual arts in the mid-twentieth century and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin, and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance—breath, weight, tone, energy—informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen’s University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen’s University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary’s University).
This enlightening new book in the Practical Guides for Librarians series presents the practicalities of developing, implementing, and evaluating use-driven acquisition (UDA) in academic and special libraries, from the multi-dimensional perspectives of collections, acquisitions, and e-resources. Now that UDA is a proven method of collection management being utilized by an array of libraries around the globe, the need for a straightforward, uncomplicated guidebook is more essential than ever. This book is both a reference source and a guide for current and future librarians. In addition to chapters highlighting e-book, print, and article-level UDA plans, the book will also include considerations for budgeting, interlibrary loan, consortia UDA, ongoing management and assessment strategies, and stimulating future trends. Of special interest are project management cycles detailing each phase and steps of implementing UDA plans, and relevant case studies involving librarians and vendors who have established UDA plans in libraries of various types and sizes. This book provides a practical methodology for setting up use-driven acquisitions plans to acquire access to print and e-books for users in academic and special libraries. Every chapter covers important collection development and budgeting objectives of the library, and proposes methods to assess cost and usage of the content received to determine effectiveness and potential modifications to UDA plans. Practical features that can be used in day-to-day operations include: • Project management lifecycle with phases and steps for successful implementation • Sample reports and executive summaries for administrators • Marketing and branding strategies • Step-by-step checklists • Assessment tools and examples • Multiple case studies of various types of libraries, including budgets and current UDA policies • Evaluative survey questions • Interview transcripts • Glossary of terms and acronym explanations
Trager′s The Law of Journalism and Mass Communication provides a clear and engaging introduction to media law with comprehensive coverage and analysis for future journalists and media professionals. Grounded in the traditions and rules of law, along with fresh facts and examples, the authors demonstrate how the law functions in everyday life. The Eighth Edition of this bestselling text offers students a new breadth and diversity of material and brings the law to life with cutting-edge research, the latest court and legislative rulings, and a wealth of new content. Included with this title: LMS Cartridge: Import this title′s instructor resources into your school′s learning management system (LMS) and save time. Don′t use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site. Learn more.
Discover the rich history of Northwest Arkansas with this volume of classic recipes, culinary traditions, and stories full of nostalgic flavor. In the 1890s, Ozark apples fed the nation. Welch’s Concord grapes grew in Arkansas vineyards. Local poultry king, Tyson, still satisfies America's chicken craving. Now food writer and Arkansas native Erin Rowe recounts these and other tales of Northwest Arkansas’ High South cuisine, as well as her own adventures stomping grapes, canning hominy, picking Muscadines, gathering wild watercress and tracking honeybees. Illustrated throughout with historic photographs, An Ozark Culinary History celebrates the region’s cuisine and foodways from chow-chow to moonshine. Featuring fifty heirloom recipes dating as far back as the early 1800s, it’s sure to whet your curiosity and appetite.
A comprehensive biography of a legendary lieutenant governor. During his five terms as lieutenant governor of Texas, Bill Hobby became one of the most powerful political figures in the state’s history. He was first elected lieutenant governor of Texas in 1972 and served until 1990. Thanks to his brilliance as a political tactician and his personal integrity, Hobby was able to set the Senate’s agenda and garner respect from legislators on both sides of the aisle. In Bill Hobby: A Life in Journalism and Public Service, Don Carleton and Erin Purdy document Hobby’s significant contributions to Texas as a journalist, politician, and philanthropist. Born into a prominent Texas family with a rich legacy of public service, he was the son of Houston newspaper publisher and former Texas governor William P. Hobby Sr., and Oveta Culp Hobby, who led the Women’s Army Corps during World War II and served in Eisenhower’s cabinet. After more than a decade as a journalist for the Houston Post, Hobby forged his own political path while also playing a prominent role in his family’s newspaper and television business. Hobby was never shy about using his power to serve the people of Texas. Even after he left office, he continued to make a difference as a strong advocate for public education, including a term as chancellor of the University of Houston.
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