Postwar culture and anxiety over the reintegration of veterans into American society Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture. This wariness of veterans settled into a generalized anxiety over men’s “inherent” violence and hypersexuality, which increasingly came to define masculinity. Changed Men engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the “Greatest Generation,” arguing that depictions of men’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Mock shows this history in a provocative new light.
Postwar culture and anxiety over the reintegration of veterans into American society Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture. This wariness of veterans settled into a generalized anxiety over men’s “inherent” violence and hypersexuality, which increasingly came to define masculinity. Changed Men engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the “Greatest Generation,” arguing that depictions of men’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Mock shows this history in a provocative new light.
“I give it five stars—and five chili pepper emojis.” —Kate Spencer, author of In a New York Minute She’s written off more than she can chew… Romance author Sophie Lyon’s ironic secret just went viral: she’s never been in love—and it’s ruining her reputation. With a manuscript deadline looming, Sophie makes an ambitious plan to overcome her writer’s block: reunite with her exes (including her last girlfriend Carla, the one person she could have loved) to learn why she’s never fallen in love, and document it all for her millions of new online followers. Luckily, Sophie’s reclusive landlord, Dash Montrose—a former teen heartthrob—has social media all figured out and is willing to help. What he doesn’t mention is that he’s an anonymous online crafter, a hobby that helps him maintain his sobriety. No one knows about his complicated relationship with alcohol, and with a family that’s Hollywood royalty, Dash has to steer clear of scandal. As Sophie and Dash grow closer, they discover a heat between them that rivals Dash’s pottery kiln. But Sophie needs to figure out who she is outside her relationships, and Dash isn’t sure he’s stable enough for the commitment she deserves. So Sophie suggests what any good romance author would: a friends-with-benefits arrangement. Surely a strictly casual relationship won’t cause any trouble… “Spicy. Sexy. Swoony. Rachel Lynn Solomon and Christina Lauren fans will love this story!” —Suzanne Park, author of So We Meet Again and The Do-Over
Comprehensive and heavily illustrated, this is a unique reference for anyone involved in the diagnosis and treatment of dermatologic diseases in infants and newborns. In addition to over 500 superb photographs of normal and abnormal skin conditions, this latest edition also includes new algorithms, new tables, and new care plans. Simple to use text and tables for reference during daily practice. Comprehensive information on infant skin care and toxicology. Differential diagnosis aided by lists, text and images. Assists with work-up and management of common and rare conditions New Care Plan boxes help you to outline your diagnosis and treatment plan. Differential diagnosis algorithms guide you to more effective decision making. New illustrations and photos provide even more visual examples than before.
Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of and opposition to militarism in American life. It provides a comprehensive overview of the role of toys, video games, music, television and movies in supporting contemporary militarism. Resistance to militarism is highlighted through the traditional mediums of music and movies, and increasingly through the arts, 'culture jamming,' and the satire of The Daily Show, The Onion, The Simpsons, The Colbert Report, and South Park.
Babylon is a surprisingly multivalent symbol in U.S. culture and politics. Political citations of Babylon range widely, from torture at Abu Ghraib to depictions of Hollywood glamour and decadence. In political discourse, Babylon appears in conservative ruminations on democratic law, liberal appeals to unity, Tea Party warnings about equality, and religious advocacy for family values. A composite biblical figure, Babylon is used to celebrate diversity and also to condemn it, to sell sexuality and to regulate it, to galvanize war and to worry about imperialism. Erin Runions explores the significance of these shifts and contradictions, arguing that together they reveal a theopolitics that tries to balance the drive for U.S. dominance with the countervailing ideals and subjectivities of economic globalization. Examining the confluence of cultural formations, biblical interpretations, and (bio)political philosophies, The Babylon Complex shows how theopolitical arguments for war, sexual regulation, and political control both assuage and contribute to anxieties about waning national sovereignty. Theoretically sophisticated and engaging, this remarkable book complicates our understanding of how the Bible affects U.S political ideals and subjectivities.
Diagnostic Clinical Neuropsychology is a handbook for neuropsychological assessment, which includes the evaluation of both cognitive and emotional aspects of functioning in the patient with known or suspected brain injury. For this third edition, the book has been updated with over 600 new references, a new chapter on toxic conditions, a glossary, and study guides for students. The book is designed as an introduction to the field of neuropsychological assessment for the graduate student and as a shelf reference for the practicing clinician. It begins with overviews of neuroanatomy and the evaluation process and then looks at neurocognitive syndromes in complete detail. This coverage, including the description of how to conduct a neuropsychological evaluation in patients with these disorders, is the most comprehensive currently available in the field. The book treats many of the hot topic issues in neuropsychology, such as the cortical-subcortical dementia distinction, depression versus dementia, malingering, and neuropsychological evaluation in patients with mild head injury.
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