The second of two volumes of 'Fiction of unknown or questionable authorship, 1641-1700,' this volume presents in facsimile two seventeenth-century novels, Alcander and Philocrates: Or, The Pleasures and Disquietudes of Marriage. A Novel. Written by a Young Lady (1696) and Peppa, or The Reward of Constant Love a novel: done out of French: with several songs set to musick for two voices / by a young-gentlewoman (1689). The first of these is an original, unattributed work written in English; the second is a translation from the French for which there is some evidence of a female translator. An original introduction to the volume provides information about the content of each novel; what the authors have discovered about each work's publication and authorship; and the physical copies of the seventeenth century books from which the facsimiles are taken.
Scholarship on Milton's view of God the Father and the Son has focused on the author's theological beliefs. For Milton, these are equally artistic questions, and to address them this study considers the precedents in Christian art that provide models for portraying the divine within a reformed context. Milton's revision of the passion tradition in his short poems of 1645 and his later epic poems substitutes a living, obedient and subservient Son in place of late medieval representations of the crucifixion. His alternative passion unfolds through a poetic vocabulary of fragmentation, omission, and restoration, drawing on iconoclasm as an artistic strategy. This study addresses the long-standing question about Milton's avoidance of the crucifixion and contributes to the broader study of his reformed poetics.
Despite years of research, debate and changes in mental health policy, there is still a lack of consensus as to what recovery from psychosis actually means, how it should be measured and how it may ultimately be achieved. In Recovering from a First Episode of Psychosis: An Integrated Approach to Early Intervention, it is argued that recovery from a first episode of psychosis (FEP) is comprised of three core elements: symptomatic, social and personal. Moreover, all three types of recovery need to be the target of early intervention for psychosis programmes (EIP) which provide evidence-based, integrated, bio-psychosocial interventions delivered in the context of a value base offering hope, empowerment and a youth-focused approach. Over the 12 chapters in the book, the authors, all experienced clinicians and researchers from multi-professional backgrounds, demonstrate that long-term recovery needs to replace short term remission as the key target of early psychosis services and that, to achieve this, we need a change in the way we deliver EIP: one that takes account of the different stages of psychosis and the ‘bespoke’ targeting of integrated medical, psychological and social treatments during the ‘critical period’. Illustrated with a wealth of clinical examples, this book will be of great interest to clinical psychologists, psychiatrists, psychiatric nurses and other associated mental health professionals.
Diagnostic Clinical Neuropsychology is a handbook for neuropsychological assessment, which includes the evaluation of both cognitive and emotional aspects of functioning in the patient with known or suspected brain injury. For this third edition, the book has been updated with over 600 new references, a new chapter on toxic conditions, a glossary, and study guides for students. The book is designed as an introduction to the field of neuropsychological assessment for the graduate student and as a shelf reference for the practicing clinician. It begins with overviews of neuroanatomy and the evaluation process and then looks at neurocognitive syndromes in complete detail. This coverage, including the description of how to conduct a neuropsychological evaluation in patients with these disorders, is the most comprehensive currently available in the field. The book treats many of the hot topic issues in neuropsychology, such as the cortical-subcortical dementia distinction, depression versus dementia, malingering, and neuropsychological evaluation in patients with mild head injury.
The Official Celebrity Handbook is the first-ever guide to making yourself famous. Written by two television directors, this book will give you practical lessons on becoming famous all the while entertaining you with witty banter and fascinating facts. One week with this handbook and you'll be on your way to realizing the fame of your dreams - or at least acting like it. Book jacket.
Scholarship on Milton's view of God the Father and the Son has focused on the author's theological beliefs. For Milton, these are equally artistic questions, and to address them this study considers the precedents in Christian art that provide models for portraying the divine within a reformed context. Milton's revision of the passion tradition in his short poems of 1645 and his later epic poems substitutes a living, obedient and subservient Son in place of late medieval representations of the crucifixion. His alternative passion unfolds through a poetic vocabulary of fragmentation, omission, and restoration, drawing on iconoclasm as an artistic strategy. This study addresses the long-standing question about Milton's avoidance of the crucifixion and contributes to the broader study of his reformed poetics.
The second of two volumes of 'Fiction of unknown or questionable authorship, 1641-1700,' this volume presents in facsimile two seventeenth-century novels, Alcander and Philocrates: Or, The Pleasures and Disquietudes of Marriage. A Novel. Written by a Young Lady (1696) and Peppa, or The Reward of Constant Love a novel: done out of French: with several songs set to musick for two voices / by a young-gentlewoman (1689). The first of these is an original, unattributed work written in English; the second is a translation from the French for which there is some evidence of a female translator. An original introduction to the volume provides information about the content of each novel; what the authors have discovered about each work's publication and authorship; and the physical copies of the seventeenth century books from which the facsimiles are taken.
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