From the wickedly funny and feminist creator and host of the Throwing Shade podcast, a collection of hilarious personal essays and political commentary perfect for fans of Lindy West and Roxane Gay. Since women earned the right to vote a little under one hundred years ago, our progress hasn't been the Olympic sprint toward gender equality first wave feminists hoped for, but more of a slow, elderly mall walk (with frequent stops to Cinnabon) over the four hundred million hurdles we still face. Some of these obstacles are obvious-unequal pay, under-representation in government, reproductive restrictions, lack of floor-length mirrors in hotel rooms. But a lot of them are harder to identify. They're the white noise of oppression that we've accepted as lady business as usual, and the patriarchy wants to keep it that way. Erin Gibson has a singular goal-to create a utopian future where women are recognized as humans. In Feminasty -- titled after her nickname on the hit podcast "Throwing Shade" -- she has written a collection of make-you-laugh-until-you-cry essays that expose the hidden rules that make life as a woman unnecessarily hard and deconstructs them in a way that's bold, provocative and hilarious. Whether it's shaming women for having their periods, allowing them into STEM fields but never treating them like they truly belong, or dictating strict rules for how they should dress in every situation, Erin breaks down the organized chaos of old fashioned sexism, intentional and otherwise, that systemically keeps women down.
Emotions were central to the ways that slaveholders perpetuated slavery, as well as to the ways that enslaved people survived and challenged bondage and experienced freedom. Mastering Emotions examines the interactions between slaveholders and enslaved people, and between White people and free Black people, to expose how emotions such as love, terror, happiness, and trust functioned as social and economic capital for slaveholders and enslaved people alike. The daily interactions that occurred between slaveholders and enslaved people around emotions, in conjunction with larger debates about race and freedom, form the backbone of what Erin Austin Dwyer calls the emotional politics of slavery. Race and status determined which emotions were permissible or punishable, which should be restrained, and by whom. As a result, mastering emotions, one's ability to control one's own feelings and those of others, was paramount for slaveholders and enslaved. The emotional politics of slavery were thus fashioned by enslaved people and slaveholders together through the crucible of slavery. Emancipation was a seismic shift in the affective landscape of the antebellum South. Though the end of the Civil War rendered moot the debate over how to emotionally maintain slavery, the lingering conflict over whether the emotional strictures governing the South would be based on race or free status had serious repercussions, particularly for free Black people. The postwar rise of legal and extralegal attempts to affectively control free Black people underscored the commitment of elite White Southerners to preserving the power dynamics of the emotional politics of slavery, by any means necessary. Mastering Emotions concludes by detailing how the long-term legacy of those emotional politics reverberated through Reconstruction and the Jim Crow eras.
Green City Rising is an ethnographic account of collective organizing for environmental justice in an era of growing concern about environmental and climate challenges. The conventional sustainability paradigm promises improved environmental conditions for all, such as fresh air and clean water, walkable and bikeable neighborhoods, green space access, and protection from climate crises. Yet, without particular interventions, the pursuit of such environmental amenities often contributes to displacement and further harm for communities that have historically borne the brunt of land theft, racial capitalism, and toxic industries. Drawing on the work of an alliance of grassroots organizations called the Portland Harbor Community Coalition (PHCC), Erin Goodling shows how communities have come together across lines of race and class to work for a more just, green future in Portland, Oregon. Green City Rising reveals that the violence of settler colonialism and white supremacy are far from endpoints: a collective vision for a better future is emerging, and ordinary people are building the understanding, skills, and relationships necessary to usher it in.
He is known as the Mark Twain of American songwriting, a man who transformed the everyday happenings of regular people into plainly profound statements on war, industrialization, religion, and the human condition. Marking the 50th anniversary of the album's release, John Prine chronicles the legendary singer-songwriter's Middle American provenance, and his remarkable ascent from singing mailman to celebrated son of Chicago.“Illegal Smile,” “Hello in There,” “Sam Stone,” “Paradise,” “Your Flag Decal Won't Get You Into Heaven Anymore,” “Far from Me,” “Donald and Lydia,” and “Angel from Montgomery” are considered standards in the American Songbook, covered by legions of Prine's peers and admirers. Through original interviews, exhaustive research, and incisive commentary, author Erin Osmon paints an in-depth portrait of the people, places, and experiences that inspired Prine's landmark debut. After exploring his roots in rural Western Kentucky and suburban Maywood, Illinois, the book takes readers on an evocative journey through John Prine's Chicago. Its neighborhoods, characters, and clubs of the 1960s and 70s proved a formative and magical period in Prine's life, before he was a figurehead of the new Nashville scene. It's both a journalistic inquiry and a love letter: to Prine's self-titled debut and the Midwestern city that made him.
Knowing how to work effectively in and through groups may be the single most important skill anyone can develop in today's collaborative, team-based workplace. Unfortunately, all of the resources available on teamwork put the emphasis on group process and ignore the role of-and benefits to-the individual. But effective teamwork isn't only a group skill set; it's an individual skill set as well. Teamwork Is an Individual Skill shows readers how to develop the skills to thrive on any team, under any circumstances. No longer will readers find themselves complaining, "I got assigned to a bad team." Instead, they'll know what to do to make any team work for them. Drawing on over twenty years of experience successfully developing professional teams in product development, R&D, and high-tech environments, Christopher Avery and his coauthors use brief thought-provoking essays, personal and teambuilding exercises, case studies, and insights from business leaders to teach readers how to build responsible and productive relationships at work. The authors show how and why your ability to assume personal responsibility-for your own work on a team and for the team's collective work-is the most important factor in ensuring a productive team experience. Teambuilding, the authors point out, is essentially a series of conversations between people who share responsibility to get something done. Teamwork Is an Individual Skill describes the way these conversations typically progress, and shows the reader how to predict and direct these conversations so that they can maximize the benefits to both themselves and to their team. Designed for easy access and for use by both individuals and groups, Teamwork Is an Individual Skill will equip readers with the mental skills and behaviors that will help them achieve personal goals while contributing to their team's success.
Screenwriter, director, producer and comic book author Joss Whedon is best known for his television series and films featuring villainous vampires, angry gods and even bloggers who wish to rule the world. Within these works is a prevalent yet commonly overlooked theme--the corporate antagonist. This book examines the effects of this corporate culture on the protagonists of Whedon's most famous works (including Buffy, Roseanne, the Avengers, Agents of S.H.I.E.L.D. and Dollhouse) to reveal explicit sociopolitical commentaries on corporate control in the real world.
From Mental Floss, the premier destination for curious minds, comes a deep dive into the the world of words! You’ll discover the surprising (and sometimes very dark) origins of common terms, a guide to quirky old-timey words, a timeline of popular slang, tips & tricks to win at every word game, from Scrabble to Wordle, a collection of the best literary insults, and much more! Ever wonder if there is a synonym for the word synonym? Or why people really hate the word “moist?” Maybe you want to know why we tell a person to take something “with a grain of salt,” or why McDonalds went to war with a dictionary. From obscure words to the best literary insults ever written, this linguistic miscellany is sure to spice up your vocabulary, make you a whizz at word games, and prepare you for plenty of wordy repartee for your next soiree, with some of the most bizarre terms you never knew you needed. A CACOPHONY OF WORDS: Learn the meaning and surprising history of hundreds of words and phrases LOTS OF LISTS: Discover curated collections of literary insults, old-timey words, popular slang, and much more WORD GAME WIZ: Includes tips for mastering popular word games from Scrabble to Wordle WIT FOR WRITERS: Writers looking for just the right word will be inspired by hundreds of unusual and obscure words REFERENCE FOR READERS: Fans of every genre, from Norse Myths to Victorian Romance will find histories, origins, and backstories of the words that make up their favorites reads COMPLETE YOUR COLLECTION: Mental Floss: The Curious Reader, Mental Floss: The Curious Movie Buff, and Mental Floss: The Curious Viewer are also available
Because Leah McKenzie's mother was "shunned" for marrying an outsider, Leah has never known her Amish relatives. Then she is framed for a murder she didn't commit, and she needs somewhere to hide until she can clear her name. Confident no one would think to search for her in an Amish community, she heads for her grandmother's home in Illinois. A safe haven is all Leah is looking for, but she soon finds herself entranced by the simplicity of the old-fashioned lifestyle. What she doesn't expect is to find a man there who stirs her heart."--Provided by publisher.
Foundations of Low Vision: Clinical and Functional Perspectives, the ground-breaking text that highlighted the importance of focusing on the functional as well as the clinical implications of low vision, has been completely updated and expanded in this second edition. The revised edition goes even further in its presentation of how best to assess and support both children and adults with low vision and plan programs and services that optimize their functional vision and ability to lead productive and satisfying lives, based on individuals' actual abilities. Part 1, Personal and Professional Perspectives, provides the foundations of this approach, with chapters focused on the anatomy of the eye, medical causes of visual impairment, optics and low vision devices, and clinical low vision services, as well as psychological and social implications of low vision and the history of the field. Part 2 focuses on children and youths, providing detailed treatment of functional vision assessment, instruction, use of low vision devices, orientation and mobility, and assistive technology. Part 3 presents rehabilitation and employment issues for working-age adults and special considerations for older adults.
Until then may I use my time as you desire . . . In 1985, Old Order Amish couple Celeste and Vin Lantz have been married for six years. Vin is a carpenter by trade but an artist in his heart. He is especially captivated by drawing portraits, which the Amish consider idolatry. Knowing they could be shunned, Celeste is shocked to discover that Vin has secretly been sketching her and their sons. When she confronts Vin, they argue and Vin storms off . . . and seems to disappear, leaving Celeste to wonder if he chose his art over his family. When he leaves the house that night, Vin seeks peace on his favorite mountain overlook. But he takes a fall and wakes to find himself injured and lost. Vin soon realizes just how far he has traveled—not only in distance but back in time, to 1822 Ohio, a place that provides the freedom he craved but where he is separated from his beloved wife and children. Vin is saved by the kindness of strangers and gradually learns to survive and even to use his skills to help his new friends in this unfamiliar time and place. But all the while he prays desperately for God to return him to his family, before Celeste makes a new life without him. For fans of Amish romance and time-slip novels comes a gripping story of faith, freedom, redemption, and the truest desires of the heart by New York Times bestselling author Cindy Woodsmall. “Full of intriguing characters, Until Then will keep readers holding their breath all the way to the last page, when one more twist arrives.” Suzanne Woods Fisher, bestselling author of Anything but Plain “Until Then, a thoroughly captivating time-slip tale, takes the reader on an unforgettable journey with characters who step off the page and into your heart.” Tamera Alexander, bestselling author of A Million Little Choices Full-length Amish fiction Standalone novel with clean romance Book length: approximately 104,000 words Includes discussion questions for book groups
A dictator's power is secure, the authors begin in this muscular, impressive study, only as long as citizens believe in it. When citizens suddenly believe otherwise, a dictator's power is anything but, as the Soviet Union's collapse revealed. This conviction – that power rests ultimately on citizens' beliefs – compels the world's autocrats to invest in sophisticated propaganda. This study draws on the first global data set of autocratic propaganda, encompassing nearly eight million newspaper articles from fifty-nine countries in six languages. The authors document dramatic variation in propaganda across autocracies: in coverage of the regime and its opponents, in narratives about domestic and international life, in the threats of violence issued to citizens, and in the domestic events that shape it. The book explains why Russian President Vladimir uses Donald Trump as a propaganda tool and why Chinese state propaganda is more effusive than any point since the Cultural Revolution.
In Coal in Our Veins, Erin Thomas employs historical research, autobiography, and journalism to intertwine the history of coal, her ancestors' lives mining coal, and the societal and environmental impacts of the United States' dependency on coal as an energy source. In the first part of her book, she visits Wales, native ground of British coal mining and of her emigrant ancestors. The Thomases' move to the coal region of Utah—where they witnessed the Winter Quarters and Castle Gate mine explosions, two of the worst mining disasters in American history—and the history of coal development in Utah form the second part. Then Thomas investigates coal mining and communities in West Virginia, near her East Coast home, looking at the Sago Mine collapse and more widespread impacts of mining, including population displacement, mountain top removal, coal dust dispersal, and stream pollution, flooding, and decimation. The book's final part moves from Washington D.C.—and an examination of coal, CO2, and national energy policy—back to Utah, for a tour of a coal mine, and a consideration of the Crandall Canyon mine cave-in, back to Wales and the closing of the oldest operating deep mine in the world and then to a look at energy alternatives, especially wind power, in West Virginia and Pennsylvania.
The TikTok sensation Twisted Palace, the third in the #1 New York Times bestselling The Royals series, now in a new special edition with bonus material! From mortal enemies to unexpected allies, two teenagers try to protect everything that matters most. These Royals will ruin you… Ella Harper has met every challenge that life has thrown her way. She’s tough, resilient, and willing to do whatever it takes to defend the people she loves, but the challenge of a long-lost father and a boyfriend whose life is on the line might be too much for even Ella to overcome. Reed Royal has a quick temper and even faster fists. But his tendency to meet every obstacle with violence has finally caught up with him. If he wants to save himself and the girl he loves, he’ll need to rise above his tortured past and tarnished reputation. No one believes Ella can survive the Royals. Everyone is sure Reed will destroy them all. They may be right. With everything and everyone conspiring to keep them apart, Ella and Reed must find a way to beat the law, save their families, and unravel all the secrets in their Twisted Palace.
Sexual spaces, normally inhabited by (mostly) female sex workers, are understood as masculine spaces, and positioned for and around male consumers. However, red light zones and public sex performances in both Thailand and Holland are being explored and visually consumed by female tourists in significant numbers. Their presence in red light districts and sexual venues is at odds with the ways in which sexual spaces have normally been positioned. Woman and Sex Tourism Landscapes explores female tourists' interactions with highly sexualized spaces and places in two very different contexts: the Netherlands and Thailand. Addressing this incongruence, this text explores the ways in which these spaces are constructed, and examines the different relations that govern the management of, and female tourist interactions with these liminal,sexual zones. Ethnographic data collected in both countries suggests that far from being male-centred spaces, the red light districts and associated sexual entertainment venues are very much open to female tourists. Drawing on this research the author argues that some women are indeed interested in exploring sexualized zones, challenging assumptions about women’s involvements with sexual space. Thinking specifically about the visual nature of women's sexualized experiences, the analysis draws on a range of different theoretical understandings that address power, privilege, and the gaze. An important contribution to a range of debates, this book will appeal to students and researchers in tourism, geography, sociology, gender studies and cultural theory.
How undetonated bombs from a war that ended more than fifty years ago still affect Cambodian farmers and their land Over the course of the Vietnam War, the United States dropped 500,000 tons of bombs over Cambodia—more than the combined weight of every man, woman, and child in the country. What began as a secret CIA infiltration of Laos eventually expanded into Cambodia and escalated into a nine-year war over the Ho Chi Minh trail fought primarily with bombs. Fifty years after the last sortie, residents of rural Cambodia are still coping with the unexploded ordnance that covers their land. In When the Bombs Stopped, Erin Lin investigates the consequences of the US bombing campaign across postconflict Cambodia. Drawing on interviews, original econometric analysis, and extensive fieldwork, Lin upends the usual scholarly perspective on the war and its aftermath, presenting the viewpoint of those who suffered the bombing rather than those who dropped the bombs. She shows that Cambodian farmers stay at a subsistence level because much of their land is too dangerous to cultivate—and yet, paradoxically, the same bombs that endanger and impoverish farming communities also protect them, deterring predatory elites from grabbing and commodifying their land. Lin argues that the half-century legacy of American bombs has sedimented the war into the layers of contemporary Cambodian society. Policies aimed at developing or modernizing Cambodia, whether economic liberalization or authoritarian consolidation, must be realized in an environment haunted by the violence of the past. As the stories Lin captures show, the bombing served as a critical juncture in these farming villages, marking the place in time where development stopped.
Ian Rankin is considered by many to be Scotland's greatest living crime fiction author. Most well known for his Inspector Rebus series--which has earned critical acclaim as well as scores of fans worldwide--Rankin is a prolific author whose other works include spy thrillers, nonfiction books and articles, short stories, novels, graphic novels, audio recordings, television/film, and plays. This companion--the first to provide a complete look at all of his writings--includes alphabetized entries on Rankin's works, characters, and themes; a biography; a chronology; maps of Rebus' Edinburgh; and an annotated bibliography. A champion of both Edinburgh and Scotland, Rankin continues to combine engaging entertainment with socio-political commentary showing Edinburgh as a microcosm of Scotland, and Scotland as a microcosm of the world. His writing investigates questions of Scottish identity, British history, masculinity, and contemporary culture while providing mystery readers with complex, suspenseful plots, realistic character development, and a unique mix of American hard-boiled and procedural styles with Scottish dialects and sensibilities.
From strolling the gentle dunes of Cape Henlopen State Park in Delaware to hunting for fossils at Calvert Cliffs in Maryland to curiously ogling the knobby knees of the bald cypress trees in the freshwater swamps at First Landing State Park in Virginia, there's a lot to love about the easy-going coastal trails in Delaware, Maryland and Virginia. This book covers 50 hikes in Delaware, Maryland and Virginia with hike sections divided by state. Readers will meet wild ponies on the Island Nature Trail in Chincoteague, Virginia and hike to the 35-foot-tall Turkey Point Lighthouse that dates back to 1833 at Elk Neck State Park in Maryland for inspiring views across the Chesapeake Bay from atop a 100-foot-bluff. Hikes will highlight birding and wildlife viewing hotspots, local history and heritage, and bucket-list outdoor gems.
At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen’s University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen’s University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary’s University).
A heart-buckling ride of a romance by beloved author Erin Hahn, Even If It Breaks Your Heart is about two teens finding out that sometimes, the hardest part of discovering what you want is getting the courage to pursue it. The only thing keeping nineteen-year-old Case Michaels together after the death of his best friend, Walker, is a list Walker left behind of things he wants Case to accomplish in his absence. So far, though, Case hasn’t even been able to continue riding bulls in the rodeo circuit, something he’s done his entire life, balking at the thought of competing without Walker by his side. But the list? Case is determined to follow it to the letter– and he follows it all the way to Winnie Sutton. Eighteen-year-old Winnie Sutton just wants to keep her family together. She graduated high school early to work long shifts at the Michaels family ranch so she can support her younger siblings and a father who’s more than happy to let Winnie fill the responsible parent role. If she sometimes sneaks out to ride the horses herself and forget about life for a while– well, that’s no one else’s business– until the day she crashes headfirst into Case Michaels. Case sees her riding skills and immediately ropes her into competing for the ranch and becoming his friend. Winnie and Case couldn’t be more different, but Case can’t help but be inspired by Winnie’s badly-hidden passion for riding and competition. And there’s something about Case that makes Winnie want to try grasping onto a dream for herself, whether that’s a shot at a rodeo trophy, the annoyingly handsome rancher’s son who won’t leave her alone, or maybe both.
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