The 2006 elections for the Palestinian Legislative Council, the first in which both Fatah and Hamas fielded candidates, resulted in a resounding victory for Hamas. Winning 74 out of the 132 seats (compared to Fatah s 45), Hamas election strategy had proved effective against Fatah s ineffectual campaign and failure to properly consider public opinion. Erika Schwarze offers here an in-depth examination of these two separate campaigns, and how Fatah s lack of responsiveness to the popular mood in the run-up to elections following Arafat s death and beyond, led to its defeat in spite of its considerable experience of electioneering. She analyses the conduct of Palestinian leadership during this critical period, exploring the reasons for Fatah s inability to prioritise responsiveness to public opinion, and providing insights into the movement s electoral prospects in the future and its chances of survival and revival.
The 2006 elections for the Palestinian Legislative Council, the first in which both Fatah and Hamas fielded candidates, resulted in a resounding victory for Hamas. Winning 74 out of the 132 seats (compared to Fatah s 45), Hamas election strategy had proved effective against Fatah s ineffectual campaign and failure to properly consider public opinion. Erika Schwarze offers here an in-depth examination of these two separate campaigns, and how Fatah s lack of responsiveness to the popular mood in the run-up to elections following Arafat s death and beyond, led to its defeat in spite of its considerable experience of electioneering. She analyses the conduct of Palestinian leadership during this critical period, exploring the reasons for Fatah s inability to prioritise responsiveness to public opinion, and providing insights into the movement s electoral prospects in the future and its chances of survival and revival.
In developing the electronic nose and biosensor devices, researchers not only copy biochemical pathways, but also use nature's approach to signal interpretation as a blueprint for man-made sensing systems. Commercial biosensors have demonstrated their benefits and practical applications, providing high sensitivity and selectivity, combined with a significant reduction in sample preparation assay time and the use of expensive reagents. The Handbook of Biosensors and Electronic Noses discusses design and optimization for the multitude of practical uses of these devices including:
First published in 1998, this volume drew upon a variety of primary and secondary sources from a number of academic disciplines. European Union Law provides not merely the materials which form the law, but also analysis of the pressures, ideologies and agents which have shaped it. It is suitable for newer types of European Union law courses which trace the development of the European Union from economic to political community as well as for the more traditional courses which focus predominantly upon the law of the Institutions and of the internal market. Suitable for both undergraduates and postgraduates.
This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre * Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière * the Italian commedia dell'arte and its transformations into eighteenth-century drama * the German Enlightenment - Lessing, Schiller, Goethe, and Lenz * romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy * the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski * the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller. Anyone interested in theatre throughout history and today will find this an invaluable source of information.
This volume offers distribution maps of over 2200 individual species living in the Dolomite area, presenting detailed records on the local range of every species growing in the area studied, from the Puster Valley to the Piave River. The data was collected on the basis of a multiple field observations carried out over several decades. After dividing the area into approx. 200 quadrants, a nearly complete census of the species present was obtained for each quadrant. The evaluation and synopsis of this extensive set of data, which is presented in the form of a chorological atlas in keeping with international standard methods, allows the area to be accurately compared with other parts of the Alps. In addition to the chorological atlas and floristic inventory, a list of synonyms and toponyms of the three languages used in the analyzed territory, an expanded list of updated scientific names, and some helpful remarks on various Dolomites species are included. Lastly, the book explores how species can be considered as landscape bioindicators. This third volume of the work Plant Life of the Dolomites complements the main volume Vegetation Structure and Ecology and the volume Vegetation Tables, which presents essential data at the plant association level.
This volume sets out a novel approach to theatre historiography, presenting the history of performances of Greek tragedies in Germany since 1800 as the history of the evolving cultural identity of the educated middle class throughout that period. Philhellenism and theatromania took hold in this milieu amidst attempts to banish the heavily French-influenced German court culture of the mid-eighteenth century, and by 1800 their fusion in performances of Greek tragedies served as the German answer to the French Revolution. Tragedy's subsequent endurance on the German stage is mapped here through the responses of performances to particular political, social, and cultural milestones, from the Napoleonic Wars and the Revolution of 1848 to the Third Reich, the new political movements of the 1960s and 1970s, and the fall of the Berlin Wall and reunification. Images of ancient Greece which were prevalent in the productions of these different eras are examined closely: the Nazi's proclamation of a racial kinship between the Greeks and the Germans; the politicization of performances of Greek tragedies since the 1960s and 1970s, emblematized by Marcuse's notion of a cultural revolution; the protest choruses of the GDR and the new genre of choric theatre in the 1980s and 1990s. By examining these images and performances in relation to their respective socio-cultural contexts, the volume sheds light on how, in a constantly changing political and cultural climate, performances of Greek tragedies helped affirm, destabilize, re-stabilize, and transform the cultural identity of the educated middle class over a volatile two hundred year period.
The most thorough, systematic and convincing semiotics of the theater we have. . . . [L]ike those of Eco, it is an important conceptual synthesis, and a bibliographical gold mine." —Modern Language Notes" . . . impresses with its thoroughness and the informed perspective of its author . . . " —Theatre Survey" . . . a classic text . . . " —Theatre Research International"Immediately accessible to readers with some knowledge of theater but not much of semiotics. . . . For anyone with an interest in theater production and performance, or indeed theater history." —Marvin Carlson
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