Jane Fonda's visit to Hanoi in July 1972 and her pro-North Vietnamese, anti-American conduct, especially her pose with an anti-aircraft gun used to shoot down American planes and her propaganda broadcasts directed toward American troops, angered many Americans. In their eyes, she was guilty of treason, but she was never charged by the American legal system. Instead, she has made millions, been the recipient of countless awards, and remained an honored American icon. This work investigates Fonda's activities in North Vietnam and argues that she could have been indicted for treason, that there would have been enough evidence to take the case to a jury, that she could have been convicted, and that a conviction probably would have been upheld on appeal. It also considers Fonda's early life and the effect it had on her behavior and beliefs in her later years, her audience of American POWs who were forced by the Vietnamese to listen to her broadcasts condemning them as war criminals, her arrival in Vietnam and how it was viewed by American servicemen and civilians, the crime of treason throughout history, and the only Congressional inquiry into her actions, which resulted in the government's decision to take no legal action against her. Texts of Fonda's radio broadcasts to American servicemen comprise the appendix.
Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
Brilliant! A plot with more twists than barbed wire. Vivid characters. Life-and-death stakes. A provocative political theme. Erika Holzer delivers everything that a thriller fan could possibly want in this revised edition of her novel Double Crossing."-----Robert Bidinotto, best-selling author of "Hunter." [Double Crossing reviews are at "Editorial Reviews."] * * * Caught in a web of dangerous intrigue, Dr. Kiril Andreyev plans his desperate escape from Soviet tyranny to freedom in the West. But when his friend's escape attempt ends in flames, Kiril finds his life threatened by a ruthless KGB officer. Kiril's last chance rests on a visiting American heart surgeon and his journalist wife. But even as Kiril plots his escape, he finds that his life depends on his materialistic mistress, on the rivalries of Soviet and East German intelligence agents, and on accidental betrayals by those he trusts most. The story builds to a climax in a deadly confrontation on Glienicker Bridge, linking East Germany and West Berlin. Will Dr. Kiril Andreyev succeed in his lifelong quest for freedom--and at what cost?
“Equal parts pee-your-pants hilarity and break your heart poignancy- like the perfect brunch date you never want to end!"--America Ferrera, Emmy award-winning actress in Ugly Betty From the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is as deeply moving as it is hilarious Growing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her. In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.
After the Anschluss (annexation) in 1938, the Nazis forced Austrian Chancellor Kurt Schuschnigg to resign and kept him imprisoned for seven years, until his rescue by the Allies in 1945. Schuschnigg’s privileged position within the concentration camp system allowed him to keep a diary and to write letters which were smuggled out to family members. Drawing on these records, Prison Elite paints a picture of a little-known aspect of concentration camp history: the life of a VIP prisoner. Schuschnigg, who was a devout Catholic, presents his memoirs as a "confession," expecting absolution for any political missteps and, more specifically, for his dictatorial regime in the 1930s. As Erika Rummel reveals in fascinating detail, his autobiographical writings are frequently unreliable. Prison Elite describes the strategies Schuschnigg used to survive his captivity emotionally and intellectually. Religion, memory of better days, friendship, books and music, and maintaining a sense of humour allowed him to cope. A comparison with the memoirs of fellow captives reveals these tactics to be universal. Studying Schuschnigg’s writing in the context of contemporary prison memoirs, Prison Elite provides unique insight into the life of a VIP prisoner.
A savvy business exec whose sole experience with violence is the evening news is horrified to learn that her daughter has been raped and murdered. Obsessed with vengeance, Karen joins a vigilante group whose sworn aim is to exterminate criminals nationwide. But instead of justice, Karen finds violence--bloody revenge.
Holzer's unique personal relationship with Rand enabled Holzer to learn fiction writing at her mentor's knee. Both literary autobiography and touching tribute, it explores the creative process at work from both Rand's AND Holzer's perspectives. A memoir of learning to write fiction along with selected essays and short stories.
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