Three college friends from the 50s blaze their own path in love and work, braving the stifling conventions of the age, and anticipating the social thaw that would arrive ten years later. These “wild girls” pay heavy penalties for living against the grain, but, over the years, rebound and re-set their course, drawing strength from their friendship. The novel follows them from an elite northeastern college, to Paris with Allen Ginsberg, to New York’s avant-garde scene in the early sixties, to a mansion in Newport, to the slopes of Zermatt, to Long Island’s Gold Coast, as it celebrates the nimbleness and vitality of women who defied an entire culture to forge their own journey. "It’s six A.M. in a Paris just coming awake and she's about to climb to the room of Allen Ginsberg. She pushes open the door of the Beat Hotel, its squawk denting the morning stillness. No sign of the concierge. Too early maybe? In the ancient, dank stairwell she’s driven back by odors -- from sinks on the landings doubling as pissoirs, “Turkish traps” on little rises off the steps, last night’s cooking cut with sweet ghosts of grass – all of it finished with a grandaddy note that might be rising from cisterns beneath Paris, maybe from the goddamn Romans. Breathing through her mouth, she cranes up at a nautilus of stairs spiraling to a skylight. Hard to imagine Puccini’s honey-throated Bohemians here.
Brief one- or two-page biographies of important Negroes from ancient to modern times and from many professions including science, education, art, music, and religion.
Sydney Zamora is fiercely independent, aggressively opinionated, and utterly self-made. She's reshaped her body (into the perfect sample-sale outfitted size 6, thank you very much), organized a life for herself as a celebrity journalist at hot magazine Cachet, and strides through the canyons of New York City like she owns them. There's just one problem: Sydney is so strong that she plays keep-away with men. But now that she's hitting her midthirties, she wants one. Badly. For her birthday, Sydney's sister ambushes her with the services of Mitzi Berman, $40,000 a shot Manhattan matchmaker extraordinaire. Mitzi also has her eyes on Max Cooper, the scion of Harvey's department store, the chicest place to shop in America. And nothing could make either Sydney or Max Cooper run faster than Mitzi, with her rules and her Brooklyn accent—that is, if they didn't concede her a point or two. Peopled with vivid, hilarious characters, Feminista is fast-moving fiction whose themes of independence, image and the com pli - cated relationship between the sexes in the working world recall the best of Rona Jaffe.
From sexy earls to holiday ghosts, second chances to false engagements, find your Christmas cheer in these twelve sweet-to-spicy historical romance tales from bestselling and award-winning authors! The lord you've been looking for might be just a page-turn away... A CUP OF CHEER - Deb Marlowe The Earl of Chester’s wild ways nearly cause a disaster and set him to reevaluating his lifestyle. Paired up with his grandmother’s companion and charged with bringing Christmas to a lonely house, will he come to believe in himself—and love? THE MISTLETOE TRAP - Eve Pendle A spicy-hot story of a heroine with a flair for enterprising embroidery and a botanist single father hero. Can a scandal that compromises Amelia's reputation give their love a second chance? A MOST INCONVENIENT EARL - Claire Delacroix When Eurydice Goodenham unexpectedly proposes a marriage of convenience to Sebastian Montgomery, Earl of Rockmorton, the notorious rake is intrigued. Sebastian soon realizes that the unpredictable Eurydice is the perfect match for him - but can he convince his skeptical bride to take a chance on love? THE LADY’S GUIDE TO MISTLETOE AND MAYHEM - Emmanuelle de Maupassant On the run until she receives her inheritance, Ursula takes on the identity of an etiquette teacher and heads to Castle Dunrannoch to whip her 'young charge' into shape. But the long-lost heir is a whole lot more than she's bargained for! A COUNTESS FOR CHRISTMAS - Anthea Lawson Miss Cecilia Fairfax dreads the upcoming holidays, especially when her brother brings home an unexpected guest. But of all the blessings of the season, sometimes the most unexpected is love. MISS ISABELLA THAWS A FROSTY LORD - Larissa Lyons Mistletoe kisses grant a blind heroine and a frosty hero a chance at happiness during a winter house party. HER ACCIDENTAL GROOM - Nadine Millard Lady Natalia Soronsky and Lord Benjamin Strafford started out as enemies and ended up as co-conspirators in a faux betrothal. But the longer they continue the ruse, the more they start to wonder just how false their feelings are. CHRISTMAS SPIRITS - Jane Charles When Benjamin Storm, Earl of Kenley, is sent to Scotland to procure a missing whisky shipment, he encounters the most unusual smuggler. JOY TO THE WORLD - Nicole Zoltack Unbeknownst to Eliza Berkeley, the man she thought she was going to marry was not Stephen Huntington, the Duke of Wyndale. Will a match formed through deceit blossom into love this Christmas? TO FALL FOR A DUKE BY CHRISTMAS - Sadie Bosque A reluctant duke and a charming commoner devise a plan to serve their own needs. A false relationship is supposed to be their salvation... Until love intervenes. WHAT IF I STILL LOVE YOU - Erica Taylor After a failed elopement ten years earlier, Henry, Earl of Carrington, and Anna, the widowed Viscountess Rycroft, are reunited at his aunt’s Twelfth Night party. Can this star-crossed pair find their way back to each other? CHRISTMAS PROMISES - Brenda Hiatt When Lord Vandover leaves for London, he promises his grandmother he will return with a bride. Unfortunately, with each simpering debutante he meets he regrets that promise more—until he encounters the lovely Miss Holly Paxton.vv KEYWORDS: Scarlett Scott, Bridgerton, Holiday Romance, Christmas Love, Regency, Alexa Aston, Eva Chase, Cheryl Bolen, Duke, Earl, Nobility, Fake Betrothal, Exchange of Letters, Mistletoe
For nearly a decade, Brazil has surpassed Thailand as the world's premier sex tourism destination. As the first full-length ethnography of sex tourism in Brazil, this pioneering study treats sex tourism as a complex and multidimensional phenomenon that involves a range of activities and erotic connections, from sex work to romantic transnational relationships. Erica Lorraine Williams explores sex tourism in the Brazilian state of Bahia from the perspectives of foreign tourists, tourism industry workers, sex workers who engage in liaisons with foreigners, and Afro-Brazilian men and women who contend with foreigners' stereotypical assumptions about their licentiousness. She shows how the Bahian state strategically exploits the touristic desire for exotic culture by appropriating an eroticized blackness and commodifying the Afro-Brazilian culture in order to sell Bahia to foreign travelers.
During its one hundred year reign as one of the best Roman Catholic boarding schools in the country, Villa Vistamar was home to many young women ¿particularly politically vulnerable, but wealthy young women¿ from all parts of the world. Brought back by a class reunion, two former resident students haunted by the unexplained mysteries encountered in their youth, have set out to expose the secrets of the old Southwestern estate and the strange relationship between the Sisters of St. Thomas and their benefactor. Convinced that the key to the mysteries must be hidden away in the macabre old trunks that fill the basement of the old convent, a late-night escapade into the catacombs of the old abbey literally swallows them into ¿and past¿ the point of no return from their journey into Church history and intrigue. Several frightening encounters with Church Sentinels guarding the very secrets that the women have determined to unveil, along with the death of an elderly nun and former Mother Superior of the order, leads the women to the discovery of a cache of priceless jewels that protect a far greater treasure; that which the Church has shielded from the world for nine decades of Eastern European history, under the ecclesiastical code name of Salve Regina.
Nearly killed as a teenager by a hit-and-run boater, Jane Killian is a woman with everything to live for. A series of surgeries restored her lovely face. She's the toast of the Dallas art community, her sculptures lauded as both disturbing and beautiful. And Jane and her husband, plastic surgeon Dr. Ian Westbrook, are expecting their first child. Then a woman with ties to Ian is found brutally slain and, unbelievably, the police make him their prime suspect. At first determined to prove her husband's innocence, Jane cannot escape her own growing doubts. Then her nightmare escalates. She begins receiving anonymous messages and quickly becomes convinced they're from him—the boater she always believed deliberately hit her and got away with it. Now Jane must face a terrifying truth. Her tormentor knows everything about her—her likes, her dislikes, her daily routine and, most frightening of all, her deepest fears. And he will use them mercilessly until he sees Jane dead.
SHABA is an organisation dedicated to bringing down corrupt businesses. Razor and Blade are sent out into the dangerous large city, where everyone is trying to kill them. Will they prevail, and rid the city of corruption, or will they fall to their deaths in defeat? Follow them through their journey, and find out who is a friend, and who is a foe.
Enjoy another witty, emotional book in New York Times and USA Today bestselling author Erica Ridley’s fan-favorite Dukes of War regency romance series! Captain Blackheart leads a simple life of roving the seas, wenching and treasure-hunting. He steers clear of romantic entanglements that could tie him to land. He shouldn't have any trouble keeping his hands off the gently-bred lady he's commissioned to abduct—except his cargo turns out to be feisty and passionate! She'd be a prize worth treasuring, if having her aboard didn't jeopardize everything... Clara Halton thought the worst loss she could suffer was to be stripped of her family. Then she meets Blackheart. Their attraction is ruinous...and irresistible. When he delivers her to his client like so much plunder, his mission is over — but hers has just begun. She'll force him to acknowledge their connection, even if she must storm his ship to do it! Grab the first book in the series FREE: The Viscount's Tempting Minx!
“An illuminating portrait of Baltimore in the aftermath of the April 2015 death of Freddie Gray . . . Readers will be enthralled by this propulsive account.”—Publishers Weekly FINALIST FOR THE PORCHLIGHT BUSINESS BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL From the New York Times bestselling author of The Other Wes Moore and governor-elect of Maryland, a kaleidoscopic account of five days in the life of a city on the edge, told through eight characters on the front lines of the uprising that overtook Baltimore and riveted the world When Freddie Gray was arrested for possessing an “illegal knife” in April 2015, he was, by eyewitness accounts that video evidence later confirmed, treated “roughly” as police loaded him into a vehicle. By the end of his trip in the police van, Gray was in a coma from which he would never recover. In the wake of a long history of police abuse in Baltimore, this killing felt like the final straw—it led to a week of protests, then five days described alternately as a riot or an uprising that set the entire city on edge and caught the nation's attention. Wes Moore is a Rhodes Scholar, bestselling author, decorated combat veteran, former White House fellow, and CEO of Robin Hood, one of the largest anti-poverty nonprofits in the nation. While attending Gray’s funeral, he saw every stratum of the city come together: grieving mothers, members of the city’s wealthy elite, activists, and the long-suffering citizens of Baltimore—all looking to comfort one another, but also looking for answers. He knew that when they left the church, these factions would spread out to their own corners, but that the answers they were all looking for could be found only in the city as a whole. Moore—along with journalist Erica Green—tells the story of the Baltimore uprising both through his own observations and through the eyes of other Baltimoreans: Partee, a conflicted black captain of the Baltimore Police Department; Jenny, a young white public defender who’s drawn into the violent center of the uprising herself; Tawanda, a young black woman who’d spent a lonely year protesting the killing of her own brother by police; and John Angelos, scion of the city’s most powerful family and executive vice president of the Baltimore Orioles, who had to make choices of conscience he’d never before confronted. Each shifting point of view contributes to an engrossing, cacophonous account of one of the most consequential moments in our recent history, which is also an essential cri de coeur about the deeper causes of the violence and the small seeds of hope planted in its aftermath.
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
Previously published as See Jane Die, don't miss this thrilling confrontation between good and evil from New York Times bestselling author Erica Spindler. Nearly killed as a teenager by a hit-and-run boater, Jane Killian is a woman with everything to live for. A series of surgeries restored her lovely face. She's the toast of the Dallas art community, her sculptures lauded as both disturbing and beautiful. And Jane and her husband, plastic surgeon Dr. Ian Westbrook, are expecting their first child. Then a woman with ties to Ian is found brutally slain and the police make him their prime suspect. At first determined to prove her husband's innocence, Jane cannot escape her own growing doubts. Then her nightmare escalates. She begins receiving anonymous messages and quickly becomes convinced they're from him—the boater she always believed deliberately hit her and got away with it. Now Jane must face a terrifying truth. Her tormentor knows everything about her—her likes, her dislikes, her daily routine and, most frightening of all, her deepest fears. And he will use them mercilessly until he sees Jane dead.
I have spent three decades watching young men come in and out of prison. In many instances these youth accept the prison experience as a rite of passage to manhood. They have the idea that being convicted of a felony and sentenced to a correctional facility certifies their street credit and gives them permission to return to society as an honored street soldier. This is a fallacy of a subculture that is destroying generations of African-American families as well as diminishing the foundation of our society. Experiencing prison life and seeing our youths come into the system without any positive male role models to imitate, I am inspired to write the second installment in the Gangsta Rap trilogy and share the untold stories of this subculture the things you will not hear on inner city streets, in drug houses, in the news, at board meetings, in neighbor-hood barbershops or beauty salons, in school, at church, in college, in the temple, or in the many other places people gather. Understanding that most inner city and rural area youths lack the examples of positive male role models, Ive watched the cycle of male-hood continue to perpetuate itself as these young men come into the prison system boasting of fathering several children by different young ladies without any consideration or means for supporting their children. They continue to brag about returning to society and impregnating more unsuspecting girls with the intentions of not accepting the responsibility of traditional fatherhood.
What was the life of a cow in early modern England like? What would it be like to milk that same cow, day-in, day-out, for over a decade? How did people feel about and toward the animals that they worked with, tended, and often killed? With these questions, Erica Fudge begins her investigation into a lost aspect of early modern life: the importance of the day-to-day relationships between humans and the animals with whom they worked. Such animals are and always have been, Fudge reminds us, more than simply stock; they are sentient beings with whom one must negotiate. It is the nature, meaning, and value of these negotiations that this study attempts to recover. By focusing on interactions between people and their livestock, Quick Cattle and Dying Wishes restores animals to the central place they once had in the domestic worlds of early modern England. In addition, the book uses human relationships with animals—as revealed through agricultural manuals, literary sources, and a unique dataset of over four thousand wills—to rethink what quick cattle meant to a predominantly rural population and how relationships with them changed as more and more people moved to the city. Offering a fuller understanding of both human and animal life in this period, Fudge innovatively expands the scope of early modern studies and how we think about the role that animals played in past cultures more broadly.
A cutting-edge appraisal of revolution and its future. On Revolutions, co-authored by six prominent scholars of revolutions, reinvigorates revolutionary studies for the twenty-first century. Integrating insights from diverse fields--including civil resistance studies, international relations, social movements, and terrorism--they offer new ways of thinking about persistent problems in the study of revolution. This book outlines an approach that reaches beyond the common categorical distinctions. As the authors argue, revolutions are not just political or social, but they feature many types of change. Structure and agency are not mutually distinct; they are mutually reinforcing processes. Contention is not just violent or nonviolent, but it is usually a mix of both. Revolutions do not just succeed or fail, but they achieve and simultaneously fall short. And causal conditions are not just domestic or international, but instead, they are dependent on the interplay of each. Demonstrating the merits of this approach through a wide range of cases, the authors explore new opportunities for conceptual thinking about revolution, provide methodological advice, and engage with the ethical issues that exist at the nexus of scholarship and activism.
In 1984 Joel and Ethan Coen burst onto the art-house film scene with their neo-noir Blood Simple and ever since then they have sharpened the cutting edge of independent film. Blending black humor and violence with unconventional narrative twists, their acclaimed movies evoke highly charged worlds of passion, absurdity, nightmare realms, and petty human failures, all the while revealing the filmmakers' penchant for visual jokes and bravura technical strokes. Their central characters may be blind to reality and individual flaws, but their illusions, dreams, fears, and desires map the boundaries of their worlds—worlds made stunningly memorable by the Coens. In The Brothers Grim: The Films of Ethan and Joel Coen, Erica Rowell unmasks the filmmakers as prankster mythmakers exploiting and subverting universal storytelling modes to further what seems to be their artistic agenda: to elicit laughs. Often employing satire and allegory, the Coens' movies hold a mirror up to American society, allowing viewers to both chuckle and gasp at its absurdities, hypocrisies, and foibles. From business partnerships (Blood Simple, The Ladykillers) to marriage (Intolerable Cruelty) to friendship and ethics (Miller's Crossing), the breakdowns of relationships are a steady focus in their work. Often the Coens' satires put broken social institutions in their cinematic crosshairs, exposing cracks in ineffective penal systems (Raising Arizona; O Brother, Where Art Thou?), unjust justice systems (The Man Who Wasn't There), a crooked corporate America (The Hudsucker Proxy), unnecessary wars (The Big Lebowski), a tyrannical Hollywood (Barton Fink), and the unbridled, fatuous pursuit of the American Dream (Fargo). While audiences may be excused for missing the duo's social commentary, the depth and breadth of the brothers' films bespeak an intelligence and cultural acuity that is rich, highly topical, and hard to pigeonhole.
In this inventive romantic thriller, Del has the power to navigate between alternate realities—and the power to save multiple worlds. Every time someone makes a choice, a new, parallel world is spun off the existing one. Eating breakfast or skipping it, turning left instead of right, sneaking out instead of staying in bed—all of these choices create alternate universes in which echo selves take the roads not traveled. Del knows this because she’s a Walker, someone who can navigate between the worlds, and whose job is to keep the dimensions in harmony. But Del’s decisions have consequences too. Even though she’s forbidden from Walking after a training session goes horribly wrong, she secretly starts to investigate other dissonant worlds. She’s particularly intrigued by the echo versions of Simon Lane, a guy who won’t give her the time of day in the main world, but whose alternate selves are uniquely interested. But falling for Simon draws Del closer to a truth that the Council of Walkers is trying to hide—a secret that threatens the fate of the entire multiverse. “O’Rourke brilliantly builds an intricate and complex alternate science-fiction universe that contains beautiful imagery and visualization. A definite page-turner.” —School Library Journal
Harry Bogart Richardson told stories to his granddaughters about his exciting career in the Secret Service catching counterfeiters in Denver. Everything indicated that he was a businessman in downtown Chicago selling insurance or bonds. The Secret Service records in the National Archives revealed Harry did work for the Secret Service from 1907-1909 -- the second year catching counterfeiters in Denver. Read all about the life of a Secret Service Operative catching counterfeiters in Denver.
* Reframes major events like South Africa’s Truth and Reconciliation Commission, the Holocaust, and the war in Bosnia to take into account the "complex victim" * Calls for a more effective and encompassing support of all types of victims, especially those not typically recognized as such Images of the political victim are powerful, gripping, and integral in helping us makes sense of conflict, particularly in making moral calculations, determining who is "good" and who is "evil". These images, and the discourse of victimization that surrounds them, inform the international community when deciding to recognize certain individuals as victims and play a role in shaping response policies. These policies in turn create the potential for long term, stable peace after episodes of political victimization. Bouris finds weighty problems with this dichotomous conception of actors in a conflict, which pervades much of contemporary peacebuilding scholarship. She instead argues that victims, much like the conflicts themselves, are complex. Rather than use this complexity as a way to dismiss victims or call for limits on the response from the international community, the book advocates for greater and more effective responses to conflict.
An easy to understand over view of what the Bible teaches. This book simplifies the major doctrines of the Christian Church and corrects some of the common misunderstandings circulating today.
The Psychology Express undergraduate revision guide series will help you to understand key concepts quickly, revise effectively and make sure your answers stand out. Each text is tailored to engage the reader and help you: Prepare for exams and coursework using sample questions and assessment advice Maximise your marks and approach exams with confidence Quickly grasp key research, critical issues and practical applications This new addition to the Psychology Express revision guide series will provide concise coverage of the key areas of health psychology.
This book analyses the romantic drama and the way that passionate love is presented as the central storyline in popular cinema, drawing upon genre studies and sociology. Exploring the passionate love story as a cinematic form, it also contributes, through comparison, to research on the romantic comedy.
Enjoy another witty, emotional book in New York Times and USA Today bestselling author Erica Ridley’s fan-favorite Dukes of War regency romance series! Miss Sarah Fairfax is having a wretched year. Her intended perished at war. His child is in her belly. To secure her future, she resigns herself to a loveless marriage. Just as she’s about to say I do, her fiancée returns from the grave to crash the wedding... but he’s no longer the charming, carefree man she remembers. After being left for dead on the battlefield, Brigadier Edmund Blackpool is scarred inside and out. He fights his way home only to discover his intended before the altar with his best friend. He'll be the one to marry her, no matter what she wants! But when his new bride disappears with his child, he must reopen his wounds to win the most important battle of his life. Grab the first book in the series FREE: The Viscount's Tempting Minx!
Despite the spread of democratization following the Cold War's end, all signs indicate that we are living through an era of resurgent authoritarianism. Around 40 percent of the world's people live under some form of authoritarian rule, and authoritarian regimes govern about a third of the world's countries. In Authoritarianism: What Everyone Needs to Know®, Erica Frantz guides us through today's authoritarian wave, explaining how it came to be and what its features are. She also looks at authoritarians themselves, focusing in particular on the techniques they use to take power, the strategies they use to survive, and how they fall. Understanding how politics works in authoritarian regimes and recognizing the factors that either give rise to them or trigger their downfall is ever-more important given current global trends, and this book paves the ways for such an understanding. An essential primer on the topic, Authoritarianism provides a clear and penetrating overview of one of the most important-and worrying-developments in contemporary world politics.
there was no way i was supposed to come back from that dark place.everyone i knew gave up on me.i was an embarrasement.truth be told,i was embarrased too.i was ashamed too.i hated me too.i too also knew that i had issues.the difference is,at some point i begun to ponder and question everything i had ever been told.in my mind,my heart and deep down in my soul i begged to differ.this groaning in my spirit only grew louder,as i dug,clawed and crawled,kicked and screamed,faught my way out of this god forsaken place.now they can only stare in disbeleif.i'd even go so far as saying,some of them are in awe.i'm convinced that we all have something inside of us that can fight it's way out of nearly anything or any situation.it simply has to be awakened,though it won't be a simple task.so long as we have breath in our lungs,there is always a chance for us to see the tides turn.
Bravo! They've given adults and young girls a much-needed treasure map of heroines and 'she-roes'...It blazes an important path in the forest of children's literature."—Jim Trelease.
They describe how brothers Hardy and Bryan Croom developed Goodwood Plantation to over four thousand acres with nearly two hundred slaves before Hardy and his family were killed in a shipwreck, and how a twenty-year lawsuit, complicated by questions of survivorship and residency, denied Bryan control of the estate.
In this lively and provocative book, Erica De Bruin looks at the threats that rulers face from their own armed forces. Can they make their regimes impervious to coups? How to Prevent Coups d'État shows that how leaders organize their coercive institutions has a profound effect on the survival of their regimes. When rulers use presidential guards, militarized police, and militia to counterbalance the regular military, efforts to oust them from power via coups d'état are less likely to succeed. Even as counterbalancing helps to prevent successful interventions, however, the resentment that it generates within the regular military can provoke new coup attempts. And because counterbalancing changes how soldiers and police perceive the costs and benefits of a successful overthrow, it can create incentives for protracted fighting that result in the escalation of a coup into full-blown civil war. Drawing on an original dataset of state security forces in 110 countries over a span of fifty years, as well as case studies of coup attempts in Asia, Africa, Latin America, and the Middle East, De Bruin sheds light on how counterbalancing affects regime survival. Understanding the dynamics of counterbalancing, she shows, can help analysts predict when coups will occur, whether they will succeed, and how violent they are likely to be. The arguments and evidence in this book suggest that while counterbalancing may prevent successful coups, it is a risky strategy to pursue—and one that may weaken regimes in the long term.
Geography, Religion, Gods, and Saints in the Eastern Mediterranean explores the influence of geography on religion and highlights a largely unknown story of religious history in the Eastern Mediterranean. In the Levant, agricultural communities of Jews, Christians, and Muslims jointly venerated and largely shared three important saints or holy figures: Jewish Elijah, Christian St. George, and Muslim al-Khiḍr. These figures share ‘peculiar’ characteristics, such as associations with rain, greenness, fertility, and storms. Only in the Eastern Mediterranean are Elijah, St. George, and al-Khiḍr shared between religious communities, or characterized by these same agricultural attributes – attributes that also were shared by regional religious figures from earlier time periods, such as the ancient Near Eastern Storm-god Baal-Hadad, and Levantine Zeus. This book tells the story of how that came to be, and suggests that the figures share specific characteristics, over a very long period of time, because these motifs were shaped by the geography of the region. Ultimately, this book suggests that regional geography has influenced regional religion; that Judaism, Christianity, and Islam are not, historically or textually speaking, separate religious traditions (even if Jews, Christians, and Muslims are members of distinct religious communities); and that shared religious practices between members of these and other local religious communities are not unusual. Instead, shared practices arose out of a common geographical environment and an interconnected religious heritage, and are a natural historical feature of religion in the Eastern Mediterranean. This volume will be of interest to students of ancient Near Eastern religions, Judaism, Christianity, Islam, sainthood, agricultural communities in the ancient Near East, Middle Eastern religious and cultural history, and the relationships between geography and religion.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.