Genealogical facts, controversies, and stories about the ancestors and allied families of: The Lufts in Sweden, Massachusetts, Minnesota, Pennsylvania, and New York. The Meekers in England, Connecticut, Pennsylvania, and New York. The Hanfords in England, Massachusetts, Connecticut, and New York. The Wooddys in Scotland, Ireland, England, Virginia, Tennessee, and Arkansas. Also contains material pertaining to the Campbell, Crews, Falck, Finch, Fitch, Foster, Gage, Hoyt, Morton, Olmstead, Packard, Payson, Rhea, Seeley, Sheldon, Snow, Washburn, Watson, Webster, and Whipple families, and many others.
Shows how and why philosophy is the most important and most practical of all human endeavors, because its mission is to sit in judgment of everything, including itself.
Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who's Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable - and of course with the oral presentations being gone as soon as they are given - I have thought it wise to select, epitomize, and bring them together in one place - here. Thus, what follows in these volumes is what I consider to be the most important of my shorter works.
Essays and other short works on Hegel, Heidegger, Nietzsche, Burke, Stepelevich, Schopenhauer, Plotinus, Mary Walker, Edgar Bauer, mental imagery, the principle of sufficient reason, special collections librarianship, psychiatry, time, contract bridge, etc.
Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who's Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable - and of course with the oral presentations being gone as soon as they are given - I have thought it wise to select, epitomize, and bring them together in one place - here. Thus, what follows in these volumes is what I consider to be the most important of my shorter works. All translations are my own unless otherwise indicated.
Essays , poems, and other short works on Heidegger, Nietzsche, the ontological argument, Hegel, Schopenhauer, logic, the philosophy of religion, the philosophy of art, socialism, metaphysics, and the principle of sufficient reason
Of the 64 poems in my first book of poetry, eleven had been previously published. In response to my impatience to go to press with this second book before achieving at least that level of validation, my wife counselled, "Maybe it's too early.
A comprehensive exposition of the Kaplan-Sheinwold (K-S) bidding system, incorporating up-to-date aggressive methods. Advantages of this Aggressive Weak No Trump bidding system include: (1) A greater proportion of limit bids and a higher frequency of bids in general, improving communication between partners. (2) More accurate low-level descriptive bids, making it easier during the auction to envision the probable play of the hand and to find your best contract. (3) Increased use of preempts, making it more difficult for the opponents to find their best possible result in a competitive auction.
Genealogical facts, controversies, and stories about the ancestors and allied families of: The Lufts in Sweden, Massachusetts, Minnesota, Pennsylvania, and New York. The Meekers in England, Connecticut, Pennsylvania, and New York. The Hanfords in England, Massachusetts, Connecticut, and New York. The Wooddys in Scotland, Ireland, England, Virginia, Tennessee, and Arkansas. Also contains material pertaining to the Campbell, Crews, Falck, Finch, Fitch, Foster, Gage, Hoyt, Morton, Olmstead, Packard, Payson, Rhea, Seeley, Sheldon, Snow, Washburn, Watson, Webster, and Whipple families, and many others.
This book is meant to be disconcerting. It asks many more questions than it answers, but perhaps that is how philosophy should be, especially if the questions posed are capable of rousing interest in a topic and stimulating individual thought. It challenges, sometimes attacks, and even ridicules, various traditions and theoretical positions in the history of the philosophy of art, not for merely destructive or polemical purposes, but rather to encourage insightful readers to proceed beyond these positions in their own minds. Its arguments are not didactic and its conclusions are not dogmatic, but evocative and provisional, in the hope that its readers will confront them with a vigor at least equal to that with which these arguments and conclusions have already confronted the traditional opinions. Its general aims are (1) to try to answer the basic questions: "What is art?" and "What is good art?" and (2) to try to develop a unified theory of art, i.e., a theory which would embrace and be equally applicable to all types and media of art, from architecture to rock songs, from symphonies to sculpture, from Shakespeare to street graffiti. Toward this second aim, it examines the traditional concept of beauty and finds it incoherent, undefinable, philosophically unsatisfactory, and incapable of serving as the ground of any rigorous unified theory of art, because it cannot, without equivocation, be made equally applicable to all sorts of art. Thus, instead of beauty, it proposes the concept of power, which can be clearly and precisely defined and which is not only universally and univocally applicable, but also rich enough as a concept to be able to shed light on the whole idea of art. It is not a difficult book. It is written for people at all levels of erudition from college frosh to tenured professors. It does not aim primarily toward any level, and tries not to pander, but presents interpretations within the philosophy of art which should be both sufficiently original to provide grist for the professors' speculative mills and at the same time sufficiently lucid for beginning students to be able to grasp the main ideas. In short, the book aims to become both a course textbook and a work which will be discussed at scholarly conferences and written about in journal articles. At least with regard to this twofold aim, to be simultaneously intelligible to tyros and interesting to experts, and its consequent claim to a broad audience, it is akin to such works as John Dewey's Art as Experience, Robin Collingwood's The Principles of Art, or Susanne Langer's Philosophy in a New Key.
Essays and other short works on Nietzsche, Schopenhauer, socialism, Stirner, Feuerbach, Karl Schmidt, art, religion, popular music, suicide, games, humor, and general culture.
Essays , poems, and other short works on Heidegger, Nietzsche, the ontological argument, Hegel, Schopenhauer, logic, the philosophy of religion, the philosophy of art, socialism, metaphysics, and the principle of sufficient reason
Essays and other short works on Hegel, Heidegger, Nietzsche, Burke, Stepelevich, Schopenhauer, Plotinus, Mary Walker, Edgar Bauer, mental imagery, the principle of sufficient reason, special collections librarianship, psychiatry, time, contract bridge, etc.
Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who's Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable - and of course with the oral presentations being gone as soon as they are given - I have thought it wise to select, epitomize, and bring them together in one place - here. Thus, what follows in these volumes is what I consider to be the most important of my shorter works.
The history of medicine in Central New York has national and international as well as local and regional importance. Elizabeth Blackwell, the world’s first woman physician to earn her M.D. by completing the regular course of study at an accredited medical school, received that degree in Central New York. Alumni and faculty of Upstate Medical University and its predecessor institutions have achieved greatness that has enriched medicine and society around the world since 1834. This book tells their stories.
Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who's Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable - and of course with the oral presentations being gone as soon as they are given - I have thought it wise to select, epitomize, and bring them together in one place - here. Thus, what follows in these volumes is what I consider to be the most important of my shorter works. All translations are my own unless otherwise indicated.
Essays and other short works on Nietzsche, Schopenhauer, socialism, Stirner, Feuerbach, Karl Schmidt, art, religion, popular music, suicide, games, humor, and general culture.
What do Ludwig von Baldass, Theodore Rolly Ball, John Cawte Beaglehole, Guido van Deth, Fulvia de Cunto Fadigas, Dingle Foot, Rev. Daniel Parish Kidder, Thomas Strangeways Pigg-Strangeways, Franciscus Petrus Hubertus Prick van Wely, Walter Lytle Pyle, Hendrik Peter Godfried Quack, Lazar Shitnitzky, Elephant Smith, Preserved Smith, Increase Niles Tarbox, and over 2000 others have in common? They are all real names of real people. They are all verified entries in library catalogs. They are all on The Inscribed List.
Luft's update of Hibben's classic work on Hegel's Encyclopedia Logic; one of the clearest, most illuminating, most helpful, and most popular expositions of this rich and difficult text.
23-point manifesto of nonviolent socialist revolution, building on the legacy of Thomas Paine's Common Sense and other important leftist statements of purpose.
Presents the basic elements of the philosophy of religion tradition in a new and provocative way as original philosophical narrative interspersed with rich selections from Plato, Boethius, Thomas Aquinas, Anselm, Pascal, Descartes, Paley, Leibniz, Hume, H
Shows how and why philosophy is the most important and most practical of all human endeavors, because its mission is to sit in judgment of everything, including itself.
A comprehensive exposition of the Kaplan-Sheinwold (K-S) bidding system, incorporating up-to-date aggressive methods. Advantages of this Aggressive Weak No Trump bidding system include: (1) A greater proportion of limit bids and a higher frequency of bids in general, improving communication between partners. (2) More accurate low-level descriptive bids, making it easier during the auction to envision the probable play of the hand and to find your best contract. (3) Increased use of preempts, making it more difficult for the opponents to find their best possible result in a competitive auction.
The history of medicine in Central New York has national and international as well as local and regional importance. Elizabeth Blackwell, the world’s first woman physician to earn her M.D. by completing the regular course of study at an accredited medical school, received that degree in Central New York. Alumni and faculty of Upstate Medical University and its predecessor institutions have achieved greatness that has enriched medicine and society around the world since 1834. This book tells their stories.
Disclaimer 1 (November 2015): I have never met Muhammad Ali and he probably does not know who I am. The contents of this book are, as the title says, purely imaginary - which is not to say fictitious, for Ali and I are real people, and there is no “story” here, only social, political, literary, and cultural criticism and commentary, presented as if it were a conversation between us two. The annotations are all editorial additions. Disclaimer 2 (August 2016): Muhammad Ali died in June 2016 when this book was in the final stages of preparation. I would have liked to send him a copy. Even though I never met him, I miss him, and I hope his life was really as wonderful as I think it was. In his honor, nothing in our imaginary conversation has been changed from before he died. Let us not mourn his death, but celebrate his life, as if he would live forever, at least in the spirit of all that is truly decent and human.
This book is meant to be disconcerting. It asks many more questions than it answers, but perhaps that is how philosophy should be, especially if the questions posed are capable of rousing interest in a topic and stimulating individual thought. It challenges, sometimes attacks, and even ridicules, various traditions and theoretical positions in the history of the philosophy of art, not for merely destructive or polemical purposes, but rather to encourage insightful readers to proceed beyond these positions in their own minds. Its arguments are not didactic and its conclusions are not dogmatic, but evocative and provisional, in the hope that its readers will confront them with a vigor at least equal to that with which these arguments and conclusions have already confronted the traditional opinions. Its general aims are (1) to try to answer the basic questions: "What is art?" and "What is good art?" and (2) to try to develop a unified theory of art, i.e., a theory which would embrace and be equally applicable to all types and media of art, from architecture to rock songs, from symphonies to sculpture, from Shakespeare to street graffiti. Toward this second aim, it examines the traditional concept of beauty and finds it incoherent, undefinable, philosophically unsatisfactory, and incapable of serving as the ground of any rigorous unified theory of art, because it cannot, without equivocation, be made equally applicable to all sorts of art. Thus, instead of beauty, it proposes the concept of power, which can be clearly and precisely defined and which is not only universally and univocally applicable, but also rich enough as a concept to be able to shed light on the whole idea of art. It is not a difficult book. It is written for people at all levels of erudition from college frosh to tenured professors. It does not aim primarily toward any level, and tries not to pander, but presents interpretations within the philosophy of art which should be both sufficiently original to provide grist for the professors' speculative mills and at the same time sufficiently lucid for beginning students to be able to grasp the main ideas. In short, the book aims to become both a course textbook and a work which will be discussed at scholarly conferences and written about in journal articles. At least with regard to this twofold aim, to be simultaneously intelligible to tyros and interesting to experts, and its consequent claim to a broad audience, it is akin to such works as John Dewey's Art as Experience, Robin Collingwood's The Principles of Art, or Susanne Langer's Philosophy in a New Key.
23-point manifesto of nonviolent socialist revolution, building on the legacy of Thomas Paine's Common Sense and other important leftist statements of purpose.
A ridiculous parody of yoga instruction books! What appears on the even-numbered, left-side pages is genuine information about yoga; but what appears on the odd-numbered, right-side pages is parody. Please don't mix them up! Neither the author, the publisher, nor even Lord Krishna himself, will assume any responsibility for any consequences if you do.
The poet's statement: "My main influences in writing poetry have been - in no particular order: Alexander Pope, William Shakespeare, Paul Verlaine, Lewis Carroll, Johann Wolfgang von Goethe, Edward Lear, The Beats, Homer, Charles Baudelaire, Dr. Seuss, William Wordsworth, Deborah Boe, T.S. Eliot, John Lennon, Robert Frost, and e.e. cummings.
Of the 64 poems in my first book of poetry, eleven had been previously published. In response to my impatience to go to press with this second book before achieving at least that level of validation, my wife counselled, "Maybe it's too early.
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