Struggle for Empire explores the contest for kingdoms and power among Charlemagne's descendants that shaped the formation of Europe through the reign of Charlemagne's grandson, Louis the German (826 876).
Eric Ames draws on original archival research to provide fresh perspectives on Werner Herzog's breakthrough 1972 film, Aguirre, the Wrath of God (Aguirre, der Zorn Gottes), which portrays an expedition by Spanish conquistadors led by Aguirre (played by Klaus Kinski) to find the legendary city of El Dorado. Ames explores how the film is remembered: for its breathtaking visual style and narrative power, but also for Herzog's tense, behind-the-scenes relationship with star Kinski. Did Herzog really direct him at gunpoint? Did they plot each other's murder? The legends begin here ... Ames reconstructs the film as an experiment in visualising the past from the viewpoint of the present. Aguirre is not a history film in the narrow sense, but it does engage a specific episode in the conquest of the New World, and it explores that history in terms of vision. Interweaving close analysis with extensive archival research, Ames explores Aguirre as a seminal film about the madness and hopelessness of Western striving. In addition, as an appendix, he offers for the first time a complete translation of an infamous, secretly recorded argument between Herzog and Kinski on the set.
In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.
German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
Originally published in 1931. A well illustrated history of the British Motor Cycle Industry. Detailed chapters include: The Era of the Pioneers – The Era of Financial Adventurers – The Era of the Motor Tricycle – The Era of the Motor Bicycle. Many of the earliest motoring books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.
Alternatives to grand opera and the popular musical can be traced at least as far back as the 1912 premiere of Schoenberg's "Pierrot Lunaire." Yet this ongoing history has never been properly sorted out, its complex ideas and philosophy as well as musical and theatrical achievements never brought fully to light. The New Music Theater is the first comprehensive attempt in English to cover this still-emerging art form in its widest range. This book provides a wealth of examples and descriptions not only of the works themselves, but of the concepts, ideas, and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world. Authors Salzman and Desi consider the subject of music theatre from a social as well as artistic point of view, exploring how theatre works in culture, and how music works in the theatre. Illuminating their discussion with illustrations from current artists and their works, The New Music Theater both describes where we have been and points the way to the future of this all-encompassing art form.
First Published in 1986. This collection of essays by an international team of scholars is the first sustained investigation in any language of the historical interactions between German film and literature. It is a book about adaptations and transformations, about why filmmakers adapt certain material at certain times. The major impetus at work is the desire to expand the field of adaptation study to include sociological, theoretical and historical dimensions, and to bring a livelier regard for intertextuality to the studies of German film and literature. It is concerned with the ways in which filmmakers in Germany- from Pabst and von Sternberg to Fassbinder, Herzog and Sanders-Brahms- have engaged and been engaged by, literary history.
The International Bestseller "A true story that surpasses any novel by John le Carré."—El País (Spain) For five centuries, the Vatican—the oldest organization in the world, maker of kings and shaper of history—has used a secret spy service, called the Holy Alliance, or later, the Entity, to carry out its will. Forty popes have relied on it to carry out their policies. They have played a hitherto invisible role confronting de-Christianizations and schisms, revolutions and dictators, colonizations and expulsions, persecutions and attacks, civil wars and world wars, assassinations and kidnappings. For the first time in English (following the bestselling Spanish and French editions), Eric Frattini tells the comprehensive tale of this sacred secret service. The Entity has been involved in the killings of monarchs, poisonings of diplomats, financing of South American dictators, protection of war criminals, laundering of Mafia money, manipulation of financial markets, provocation of bank failures, and financing of arms sales to combatants even as their wars were condemned, all in the name of God. The contradiction between God's justice and Earth's justice, Christian beliefs and Christian power all fall before the motto of the Entity: With the Cross and the Sword.
“A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review
The first history of the Congres Internationaux d'Architecture Moderne traces the development and promotion of its influential concept of the "Functional City.
Who better to face the greatest evil of the 20th century than a humble man of faith? As Adolf Hitler and the Nazis seduced a nation, bullied a continent, and attempted to exterminate the Jews of Europe, a small number of dissidents and saboteurs worked to dismantle the Third Reich from the inside. One of these was Dietrich Bonhoeffer, a pastor and author. In this New York Times bestselling biography, Eric Metaxas takes both strands of Bonhoeffer's life--the theologian and the spy--and draws them together to tell a searing story of incredible moral courage in the face of monstrous evil. In Bonhoeffer, Metaxas presents the fullest account of Bonhoeffer's life, including his: heart-wrenching decision to leave the safe haven of America to return to Hitler's Germany involvement in the famous Valkyrie plot and in "Operation 7," the effort to smuggle Jews into neutral Switzerland lifelong dedication to sharing the tenets of his faith This edition, revised and with a new introduction from the author, shares the deeply moving story through previously unavailable documents, including personal letters, detailed journal entries, and firsthand personal accounts to reveal never-before-seen dimensions of Bonhoeffer's life and work. Praise for Bonhoeffer: "Metaxas has created a biography of uncommon power--intelligent, moving, well researched, vividly written, and rich in implication for our own lives. Or to put it another way: Buy this book. Read it. Then buy another copy and give it to a person you love. It's that good." --Archbishop Charles Chaput, author, First Things "Metaxas tells Bonhoeffer's story with passion and theological sophistication." —Wall Street Journal "Metaxas presents Bonhoeffer as a clear-headed, deeply convicted Christian who submitted to no one and nothing except God and his Word." --Christianity Today "Metaxas has written a book that adds a new dimension to World War II, a new understanding of how evil can seize the soul of a nation and a man of faith can confront it." --Thomas Fleming, author, The New Dealers’ War
This book investigates the historical paths leading from pronouns to markers of verbal agreement and proposes a unified formal account of this grammaticalization process. In opposition to beliefs widely held in the literature, it is argued that new agreement formatives can be coined in a multitude of syntactic environments. Still, the individual paths toward agreement are shown to exhibit a set of underlying similarities which are attributed to universal principles that govern the reanalysis of pronominal clitics as exponents of verbal agreement across languages. It is claimed that syntactic principles impose only a set of necessary conditions on the reanalysis in question, while its ultimate trigger is morphological in nature. More specifically, it is argued that the acquisition of inflectional morphology is governed by blocking effects which operate during language acquisition and promote the grammaticalization of new markers if this change serves to replace 'worn-out', underspecified forms with new, more specified candidates.
New Testament scholars often talk about “oral tradition” as a means by which material about Jesus reached the Gospels’ writers. Despite the recent interest in oral tradition, scholarly advances have not penetrated the mainstream of academic Gospels scholarship, let alone the wider public. Behind the Gospels fills this gap, offering a general theoretical discussion of oral tradition and the formation of ancient texts and providing a critical survey of the field.
The West Virginia town of Grantville, torn from the twentieth century and hurled back into seventeenth century Europe has allied with Gustavus Adolphus, King of Sweden, in the United States of Europe. So, when Gustavus invades Poland, managing to unite all the squabbling Polish factions into repelling the common enemy, the time-lost Americans have to worry about getting dragged into the fight along with the Swedish forces. But Mike Stearns has another problem. He was Prime Minister of the USE until he lost an election, and now hes one of Gustavuss generals; and he has demonstrated that hes very good at being a general. And hes about to really need all his military aptitude. Gretchen , who never saw a revolution she didnt like, has been arrested in Saxony, and is likely to be executed. The revolutionary groups which she has been working with are not about to let that happen, and suddenly theres rioting in the streets. Saxonys ruthless General Baner is determined to suppress the uprising by the time-honored _kill them all and let God sort them outÓ method, which only adds fuel to the fire. So Gustavus orders Mike Stearns to go to Saxony and restore order. But he makes one mistake. He didnt tell Mike to take his troops along on the mission. But he didnt tell him not to, either . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).
A strong shaping hand and cultivated mind has produced this big, beautiful all-purpose Stravinsky book. Anyone interested in the composer must acquire it.' --'American Record Guide
Includes 204 photos, plans and maps illustrating The Holocaust “Thousands of Jews and “Aryan” Germans opposed to Hitler led illegal lives under the Nazi terror and survived the relentless hunt of the Gestapo, the concentration camps, and the bombing. They survived in various ways; some as ordinary citizens taking part in the work-day life, others with fake passports, hidden in cellars, living precariously in all the dark corners of a vigilantly policed country. In fourteen autobiographical accounts, author Eric Boehm offers a cross-section of these heroic personalities. We Survived is itself an historical document, giving a window back into this epoch period during World War II. Now reappearing in print over fifty years after its original publication, We Survived remains as relevant and necessary as ever before - an honest testimony to the strength of the human spirit when it triumphs over adversity.”-Print ed.
German soldiers assigned to guard the tiny Channel Island of Sark described it as a ‘little Paradise’ and, because it was never bombed by the RAF, the best air-raid shelter in all of Europe. But paradise for them came to a bloody end in October 1942 when a small group of British Commandos raided the island, capturing one German soldier and killing several others. Operation Basalt would have been a footnote in history but for the reaction of Hitler, who believed that British soldiers executed several Germans who had already surrendered and whose hands were bound. Days after the raid, he issued the infamous ‘Commando Order’, a death sentence for those Allied commandos who fell into German hands.Drawing on extensive archival research and interviews with survivors of the period, Eric Lee has written the definitive account of the raid, putting it into the context of the German occupation of British lands during the war.
Sites of the Uncanny: Paul Celan, Specularity and the Visual Arts is the first book-length study that examines Celan’s impact on visual culture. Exploring poetry’s relation to film, painting and architecture, this study tracks the transformation of Celan in postwar German culture and shows the extent to which his poetics accompany the country’s memory politics after the Holocaust. The book posits a new theoretical model of the Holocaustal uncanny – evolving out of a crossing between Celan, Freud, Heidegger and Levinas – that provides a map for entering other modes of Holocaust representations. After probing Celan’s critique of the uncanny in Heidegger, this study shifts to the translation of Celan’s uncanny poetics in Resnais’ film Night and Fog, Kiefer’s art and Libeskind’s architecture.
Eric Rentschler's new book, The Use and Abuse of Cinema, takes readers on a series of enthralling excursions through the fraught history of German cinema, from the Weimar and Nazi eras to the postwar and postwall epochs and into the new millennium. These journeys afford rich panoramas and nuanced close-ups from a nation's production of fantasies and spectacles, traversing the different ways in which the film medium has figured in Germany, both as a site of creative and critical enterprise and as a locus of destructive and regressive endeavor. Each of the chapters provides a stirring minidrama; the cast includes prominent critics such as Siegfried Kracauer and Rudolf Arnheim; postwar directors like Wolfgang Staudte, Rainer Werner Fassbinder, Wim Wenders, and Alexander Kluge; representatives of the so-called Berlin School; and exponents of mountain epics, early sound musicals, rubble films, and recent heritage features. A film history that is both original and unconventional, Rentschler's colorful tapestry weaves together figures, motifs, and stories in exciting, unexpected, and even novelistic ways.
The psychiatric profession in Germany changed radically from the mid-nineteenth century to the beginning of World War I. In a book that demonstrates his extensive archival knowledge and an impressive command of the primary literature, Eric J. Engstrom investigates the history of university psychiatric clinics in Imperial Germany from 1867 to 1914, emphasizing the clinical practices and professional debates surrounding the development of these institutions and their impact on the course of German psychiatry.The rise of university psychiatric clinics reflects, Engstrom tells us, a shift not only in asylum culture, but also in the ways in which social, political, and economic issues deeply influenced the practice of psychiatry. Equally convincing is Engstrom's argument that psychiatrists were responding to and working to shape the rapidly changing perceptions of madness in Imperial Germany. In a series of case studies, the book focuses on a number of important clinical spaces such as the laboratory, the ward, the lecture hall, and the polyclinic. Engstrom argues that within these spaces clinics developed their own disciplinary economies and that their emergence was inseparably intertwined with jurisdictional contests between competing scientific, administrative, didactic, and sociopolitical agendas.
From a four-time world-champion freestyle kayaker comes the definitive guide to one of whitewater kayaking's most fundamental techniques: the kayak roll. Learn how to enjoy kayaking safely and improve your skills with confidence.
This book was written between 1946 and 1952, and first published in 1953. It is now widely regarded as the standard portrait of the European and American theater in the turbulent and seminal years following World War II; but it is far more than that. It ranges back as far as Ibsen and even Shakespeare, and has contributed very substantially to a number of reputations that would long outlast 1950, such as those of Bertolt Brecht, Charles Chaplin and Martha Graham. For Bentley fans, it is an essential link in a chain that runs from The Playwright as Thinker to The Life of the Drama to The Brecht Memoir and Thinking About the Playwright.
This book offers a considered yet entertaining reflection on the progress of modern scientific research. The winding path of science can only be understood by revealing the personal, human side of scientific research, demystifying the actions of the scientist and exposing the human drama on the stage of science. The book looks at the true nature of contemporary science and scientists through the lens of the personal experiences of the author, a renowned and leading materials scientist, over the last half century. It examines the positive threads of modern scientific progress in sober juxtaposition to the manifest negative developments arising from stiff competition within the current academic landscape. A collection of stories and real-life anecdotes is presented in parallel to the career of the author, providing a first-hand account of important achievements in the field of materials science. As a result, this book provides fascinating reading for students, seasoned scientists, and anybody else interested in the workings and machinations of modern science.
Rethinking Culture in Health Communication An interdisciplinary overview of health communication using a cultural lens—uniquely focused on social interactions in health contexts Patients, health professionals, and policymakers embody cultural constructs that impact healthcare processes. Rethinking Culture in Health Communication explores the ways in which culture influences healthcare, introducing new approaches to understanding social relationships and health policies as a dynamic process involving cultural values, expectations, motivations, and behavioral patterns. This innovative textbook integrates theories and practices in health communication, public health, and medicine to help students relate fundamental concepts to their personal experiences and develop an awareness of how all individuals and groups are shaped by culture. The authors present a foundational framework explaining how cultures can be understood from four perspectives—Magic Consciousness, Mythic Connection, Perspectival Thinking, and Integral Fusion—to examine existing theories, social norms, and clinical practices in health-related contexts. Detailed yet accessible chapters discuss culture and health behaviors, interpersonal communication, minority health and healthcare delivery, cultural consciousness, social interactions, sociopolitical structure, and more. The text features examples of how culture can create challenges in access, process, and outcomes of healthcare services and includes scenarios in which individuals and institutions hold different or incompatible ethical views. The text also illustrates how cultural perspectives can shape the theoretical concepts emerged in caregiver-patient communication, provider-patient interactions, social policies, public health interventions, and other real-life settings. Written by two leading health communication scholars, this textbook: Highlights the sociocultural, interprofessional, clinical, and ethical aspects of health communication Explores the intersections of social relationships, cultural tendencies, and health theories and behaviors Examines the various forms, functions, and meanings of health, illness, and healthcare in a range of cultural contexts Discusses how cultural elements in social interactions are essential to successful health interventions Includes foundational overviews of health communication and of culture in health-related fields Discusses culture in health administration, moral values in social policies, and ethics in medical development Incorporates various aspects and impacts of the COVID-19 pandemic as a cultural phenomenon through the lens of health communication Rethinking Culture in Health Communication is an ideal textbook for courses in health communication, particularly those focused on interpersonal communication, as well as in cross-cultural communication, cultural phenomenology, medical sociology, social work, public health, and other health-related fields.
In modern life, technology is everywhere. Yet as a concept, technology is a mess. In popular discourse, technology is little more than the latest digital innovations. Scholars do little better, offering up competing definitions that include everything from steelmaking to singing. In Technology: Critical History of a Concept, Eric Schatzberg explains why technology is so difficult to define by examining its three thousand year history, one shaped by persistent tensions between scholars and technical practitioners. Since the time of the ancient Greeks, scholars have tended to hold technicians in low esteem, defining technical practices as mere means toward ends defined by others. Technicians, in contrast, have repeatedly pushed back against this characterization, insisting on the dignity, creativity, and cultural worth of their work. The tension between scholars and technicians continued from Aristotle through Francis Bacon and into the nineteenth century. It was only in the twentieth century that modern meanings of technology arose: technology as the industrial arts, technology as applied science, and technology as technique. Schatzberg traces these three meanings to the present day, when discourse about technology has become pervasive, but confusion among the three principal meanings of technology remains common. He shows that only through a humanistic concept of technology can we understand the complex human choices embedded in our modern world.
When reform efforts in the Middle East culminate in a violent power struggle between two criminal underworld bosses, Jack McClure finds himself at the center of a multi-national uprising that is complicated by powerful enemies.
This book summarizes how globalizing capitalism-the economic system now presumed to dominate the global economy-can be understood from a geographical perspective. This is in contrast to mainstream economic analysis, which theorizes globalizing capitalism as a system that is capable of enabling everyone to prosper and every place to achieve economic development. From this perspective, the globalizing capitalism perspective has the capacity to reduce poverty. Poverty's persistence is explained in terms of the dysfunctional attributes of poor people and places. A geographical perspective has two principal aspects: Taking seriously how the spatial organization of capitalism is altered by economic processes and the reciprocal effects of that spatial arrangement on economic development, and examining how economic processes co-evolve with cultural, political, and biophysical processes. From this, globalizing capitalism tends to reproduce social and spatial inequality; poverty's persistence is due to the ways in which wealth creation in some places results in impoverishment elsewhere.
Thousands of Jews and "Aryan" Germans opposed to Hitler led illegal lives under the Nazi terror and survived the relentless hunt of the Gestapo, the concentration camps, and the bombing. They survived in various ways; some as ordinary citizens taking part in the work-day life, others with fake passports, hidden in cellars, living precariously in all the dark corners of a vigilantly policed country. In fourteen autobiographical accounts, author Eric Boehm offers a cross-section of these heroic personalities. We Survived is itself an historical document, giving a window back into this epoch period during World War II. Now reappearing in print over fifty years after its original publication, We Survived remains as relevant and necessary as ever before - an honest testimony to the strength of the human spirit when it triumphs over adversity.
It has for decades been part of the canon of maxims of basic research that most images of rulers in early medieval book illustrations have been transmitted in liturgical manuscripts, i.e. manuscripts originally intended for divine worship. There have however to date been few investigations which draw serious consequences from this and which also view miniatures of rulers in the light of their functional aspects, for example as ‘memorial depictions’ (O.G. Oexle), or on the basis of the social reality of the pious motives behind their presentation. This study gives a more precise explanation of the function and purpose of ruler-images by examining a few selected early medieval miniatures. It analyzes the historical and social contexts of their genesis and the liturgical and commemorative aims of their use against the setting of the social form of remembrance of confraternity.
Choose the right colors and color combinations for your projects Color theory is the art and science of using color. Color Theory For Dummies explains, in simple terms, how colors relate to one another and how they can be combined to work together in an aesthetically pleasing way. An understanding of color theory can help you create art, decorate your home, design a beautiful wedding, and impress your friends at parties. With this book, you’ll learn how humans perceive color, how colors harmonize or clash with each other, and how you can apply these principles in your life and work to add a little, well, color to things. Discover the history and science behind how we see colors Understand how colors mix, match, and contrast so you can create better color combinations Learn how certain colors have the ability to affect how we feel and think Apply color theory to design, art, décor, photography, and beyond Color Theory For Dummies simplifies and illuminates the world of color theory, outlining and defining color in a digestible and applicable way.
An “evocative and entertaining” biography of the nineteenth century circus performer who became a global phenomenon (Neil Harris, author of Humbug). When P. T. Barnum met twenty-five-inch-tall Charles Stratton at a Bridgeport, Connecticut hotel in 1843, one of the most important partnerships in entertainment history was born. With Barnum’s promotional skills and the miniature Stratton’s comedic talents, they charmed a Who’s Who of the nineteenth century, from Queen Victoria to Charles Dickens to Abraham Lincoln. Adored worldwide as “General Tom Thumb,” Stratton played to sold-out shows for almost forty years. From his days as a precocious child star to his tragic early death, Becoming Tom Thumb tells the full story of this iconic figure for the first time. It details his triumphs on the New York stage, his epic celebrity wedding, and his around-the-world tour, drawing on newly available primary sources and interviews. From the mansions of Paris to the deserts of Australia, Stratton’s unique brand of Yankee comedy not only earned him the accolades of millions of fans, it helped move little people out of the side show and into the limelight.
A remarkable compilation of over 400 pages of statistics and records of every match and every player for the Wales national Rugby Union team from the first match in February 1881 up to December 2023.
The most comprehensive and up-to-date optics resource available Prepared under the auspices of the Optical Society of America, the five carefully architected and cross-referenced volumes of the Handbook of Optics, Third Edition, contain everything a student, scientist, or engineer requires to actively work in the field. From the design of complex optical systems to world-class research and development methods, this definitive publication provides unparalleled access to the fundamentals of the discipline and its greatest minds. Individual chapters are written by the world's most renowned experts who explain, illustrate, and solve the entire field of optics. Each volume contains a complete chapter listing for the entire Handbook, extensive chapter glossaries, and a wealth of references. This pioneering work offers unprecedented coverage of optics data, techniques, and applications. Volume III, all in full color, covers vision and vision optics.
This volume reveals the political, religious, theological, institutional, and mythical ideals that formed the self-identity of the Augustinian Order from Giles of Rome to the emergence of Martin Luther. Based on detailed philological analysis, this interdisciplinary study not only transforms the understanding of Augustine's heritage in the later Middle Ages, but also that of Luther's relationship to his Order. The work offers a new interpretative model of late medieval religious culture that sheds new light on the relationship between late medieval Passion devotion, the increasing demonization of the Jews, and the rise of catechetical literature. It is the first volume of a planned trilogy that seeks to return late medieval Augustinian theology to the historical context of Augustinian religion.
A strong shaping hand and cultivated mind has produced this big, beautiful all-purpose Stravinsky book. Anyone interested in the composer must acquire it.' --'American Record Guide
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