Stories by “one of the Harlem Renaissance’s most original writers . . . Gothic surrealism that fascinates and repels with the intensity of a sunstroke” (David Levering Lewis, Pulitzer Prize–winning author). The only published work by Caribbean-born author Eric Walrond, Tropic Death was acclaimed by Langston Hughes for its “hard poetic beauty.” After having lived in Panama at one point during his early years, Walrond considered himself a spiritual native of the country, and in many of these stories, he portrays the diverse mix of workers who labored to build the Panama Canal. He also captures the beauty and danger of nature, especially the sun, in such tropical climates as Guiana and Barbados. In “Drought,” a man grieves his dead daughter, while in “Panama Gold,” a tragic fire deprives a lonely woman of a chance at love. Two boys risk shark-infested waters to dive for coins thrown by tourists in “The Wharf Rats.” Seven more stories are included in the collection, which ends with the autobiographical “Tropic Death.” “In prose . . . tough as the hanging vines from which monkeys leap and chatter, and as unsentimental as the blazing sun, ten intimate and body-touching pictures of the West Indies unroll themselves. There is nothing soft about this book. . . . The throbbing life and sun-bright hardness of these pages fascinate me. . . . And the ease and accuracy of Mr. Walrond’s West Indian dialects support one in the belief that he knows very well the people of who he writes.” —Langston Hughes, New York Herald Tribune Book Review “A book which excites and disturbs, oppresses and enchants the reader.” —The New York Times Book Review
Set in the Caribbean, Panama, the U.S., and England, [Walrond’s] fiction captures the experiences of working-class peoples, often migrants, as they confront the depredations of colonialism, racial prejudice, and economic exploitation. . . . A significant and fascinating collection."--African American Review "Brings together a number of interesting pieces of fiction and non-fiction by this Guyana-born, Barbados- and Panama-bred author."--New West Indian Guide "Forms part of a gradual rehabilitation of Walrond’s work that has been taking place in recent years."--Caribbean Review of Books "Place[s] Walrond squarely on the map. . . . In Search of Asylum could not have arrived at a more propitious time."--sx salon "A substantial step forward for black diaspora and black transnational literary studies."--Gary Edward Holcomb, author of Claude McKay, Code Name Sasha "Fills a significant void in our understanding of the life and literary career of Eric Walrond. By collecting, for the first time, the writings Walrond produced following his departure from the U.S. in 1928, Parascandola and Wade have done scholars a rich service."--Heather Hathaway, author of Caribbean Waves Eric Walrond is one of the great underexamined figures of the Harlem Renaissance and the Caribbean diaspora. Very little of his later work has been subsequently published or made readily available to American scholars. His writings, set in the Caribbean, the United States, and Europe, discuss imperialism, racism, the role of the black writer, black identity, and immigration--all topics of vital concern today. Born in British Guiana (now Guyana), Walrond moved to New York City in 1918 where he worked briefly for Marcus Garvey and became a protégé of Charles S. Johnson. During that time, he wrote short fiction as well as nonfiction and gained a measure of fame for his 1926 collection, Tropic Death. In Search of Asylum compiles Walrond’s European journalism and later fiction, as well as the pieces he wrote during the 1950s at Roundway Hospital in Wiltshire, England, where he was a voluntary patient. Louis Parascandola and Carl Wade have assembled a collection that at last fills in the biographical gaps in Walrond’s life, providing insights into the contours of his later work and the cultural climates in which he functioned between 1928 and his death in 1966.
The author's grandfather, Aretas Akers-Douglas (1857-1926) was in his day called "The Prince of Whips". Starting in 1880 as a confederate of the brilliant but unorthodox Lord Randolph Churchill, he graduated in record time to the position of chief dispenser of the official Conservative party line and held it for ten exceptionally arduous years at the height of the Home Rule controversy with its complications, Liberal unionism, parliamentary sabotage and obstruction. This position was rendered all the more responsible through the distaste felt by the two great leaders whom he served—Lord Salisbury and A.J. Balfour—for the details of party management; and even after he had been moved to another office his advice continued to be sought on all questions relating to the party's domestic affairs. Out of the intimate and informal correspondence received in these capacities Lord Chilston has made an entertaining political biography, unravelling a most complex period of parliamentary history and revealing much about Lord Salisbury, Lord Randolph Churchill, Joseph Chamberlain, A.J. Balfour and lesser figures, like the loyal and endearing W.H. Smith, Walter Long and Richard Middleton.
First published in 1979, this classic study of the development of rugby from folk game to its modern Union and League forms has become a seminal text in sport history. In a new epilogue the authors provide sociological analysis of the major developments in international ruby that have taken place since 1979, with particular attention to the professionalism that was predicted in the first edition of this text. Sports lovers, rugby fans and students of the history and sociology of sport will find it invaluable. Rugby football is descended from winter 'folk games' which were a deeply rooted tradition in pre-industrial Britain. This was the first book to study the development of Rugby from this folk tradition to the game in its modern forms. The folk forms of football were extremely violent and serious injuries - even death - were a common feature. The game was refined in the public schools who played a crucial role in formulating the rules which required footballers to exercise greater self-control. With the spread of rugby into the wider society, the Rugby Football Union was founded but class tensions led to the split between Rugby Union and Rugby League. The authors examine the changes that led to the professionalisation of Rugby Union as well as the alleged resurgence of violence in the modern game.
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
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