Winner of the 2019 Warburg Prize from the Royal Swedish Academy of Letters, History and Antiquities for an outstanding work of literary history This is a study of the representation of witches in early modern English drama, organised around the themes of scepticism and belief. It covers the entire early modern period, including the Restoration, and pays particular attention to three plays in which witchcraft is central: The Witch of Edmonton (1621), The Late Lancashire Witches (1634) and The Lancashire Witches (1681). Always a controversial issue, witchcraft has traditionally been seen in terms of a debate between ‘sceptics’ and ‘believers’. This book argues instead that, while the concepts of scepticism and belief are central to an understanding of early modern witchcraft, they are more fruitfully understood not as static and mutually exclusive positions within the witchcraft debate, but as rhetorical tools used by both sides.
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.
Basic Techniques for Transmission Electron Microscopy describes the basic techniques for transmission electron microscopy. Preparatory procedures for both eukaryotic and prokaryotic groups are presented in a step-by-step fashion, together with special preparatory methods for plant specimens and viruses. The processing of uncommon specimens and the solution of unusual, individual problems are included. This book is comprised of seven chapters and begins with a discussion on chemical fixation, with particular reference to fixatives and the hazards, precautions, and safe handling of reagents, as well as the preparation of buffers and tissue blocks. The reader is then introduced to the standard procedure for fixation, rinsing, dehydration, and embedding. Subsequent chapters focus on sectioning, cryofixation, and cryoultramicrotomy; positive and negative staining; and the use of support films. The final chapter presents a wide variety of specimens such as algae, amoeba, anthers, actin filaments, bacteria, and cells in culture. This monograph is essentially a laboratory handbook intended for students, technicians, teachers, and research scientists in biology and medicine.
A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.
Offering a re-evaluation of the power industry, this book discusses decision-making for problems where a particular decision affects the options available at the next decision time. It covers a wide range of topics, from dynamic programming to future market decisions.
For this updated edition, the treatment of the mechanisms of action, pharmacology and adverse effects of the drugs used to treat bacterial, fungal, parasitic and viral infections has been expanded. This edition also includes new chapters on the fluoroquinolones and drugs used to treat AIDS.
Like Myra Hess, Eric James has for a number of years been promising his devoted audience his last book. Now again he promises that The Trumpet Shall Sound will be his last book. In these moving addresses, Eric James addresses in the first place those of more mature years (a rapidly increasing constituency) but also those who are pastorally concerned with them. Here are reflections based on profound spiritual and pastoral experience about the nature and spirituality of growing older, of the loss of close friends and relatives, on the nature of Christian hope, on the purpose of remembrance of the departed and on the true meaning of priesthood. In his introduction, Eric James describes how a chance discovery of a copy of T.S. Eliot's Little Gidding changed his life and how he understood his vocation to be not just a Christian priest but also a Christian preacher. Writing of his recent years of ministry James says simply, 'No peiord of my ministry has been more privileged - or more painful and demanding. One can only trust and obey The Voice of this Calling' In the modern world, we tend to think that we can reach God by running faster, by gobbling up more and more information. In the pages of this book is the true antidote to such folly.
Winner of the 2019 Warburg Prize from the Royal Swedish Academy of Letters, History and Antiquities for an outstanding work of literary history This is a study of the representation of witches in early modern English drama, organised around the themes of scepticism and belief. It covers the entire early modern period, including the Restoration, and pays particular attention to three plays in which witchcraft is central: The Witch of Edmonton (1621), The Late Lancashire Witches (1634) and The Lancashire Witches (1681). Always a controversial issue, witchcraft has traditionally been seen in terms of a debate between ‘sceptics’ and ‘believers’. This book argues instead that, while the concepts of scepticism and belief are central to an understanding of early modern witchcraft, they are more fruitfully understood not as static and mutually exclusive positions within the witchcraft debate, but as rhetorical tools used by both sides.
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