Our Journey - The Life and Times of You and Me as seen through the eyes of me to you" is a collection of insights and observations about the progress or lack thereof that America has experienced over the past six decades. The poetry and commentary in this dossier chronicle the specific experiences of the author's life that are universal for us all. The book presents both poem and socio-political circumstances surrounding the times in which it was written. In this piece the author reveals how the current situation we are experiencing in the world did not just suddenly appear. Our modern problems are the result of the path on which we have been led. The book examines the mentality and belief system that has produced and sustained an inequity throughout the six decades it covers. The author traces the concept that we have been following a false narrative designed for control and compliance. A narrative based in fear and ignorance. The poetry highlights the reality that in the past sixty years the only thing to progress and evolve is technology. Humankind has remained stagnant in the fog of distraction and complacency. Revealing this complicent mindset is the primary objective of the work, while emphasizing the solution can be as simple as changing your mind. The poetry in this collection examines the "matrix" we are all born into and how it co-ops us into a life and world that is not entirely ours...and in fact is not 'ours' at all. The book challenges everything we've ever been taught about ourselves and the potential within our grasp. It is an introspective look into the possibilities in our external world. In objectively reviewing our past, the origin of the horrors of our present are illuminated. This illumination in turn will reveal the path away from these atrocities toward a healing resolution. A journey that we all take as one.
Acclaimed novelist, editor, and critic Eric Miles Williamson, with the publication of his first book of nonfiction, establishes himself as one of the premier critics of his generation. There is no other book that resembles Oakland, Jack London, and Me. The parallels between the lives of Jack London and Eric Miles Williamson are startling: Both grew up in the same waterfront ghetto of Oakland, California; neither knew who his father was; both had insane mothers; both did menial jobs as youths and young men; both spent time homeless; both made their treks to the Northlands; both became authors; and both cannot reconcile their attitudes toward the poor, what Jack London calls "the people of the abyss." With this as a premise, Williamson examines not only the life and work of Jack London, but his own life and attitudes toward the poor, toward London, Oakland, culture and literature. A blend of autobiography, criticism, scholarship, and polemic, Oakland, Jack London, and Me is a book written not just for academics and students. Jack London remains one of the best-selling American authors in the world, and Williamson's Oakland, Jack London, and Me is as accessible as any of the works of London, his direct literary forbear and mentor.
Say It Hot Volume II: Industrial Strength is a collection of essays on American poets, fiction writers, nonfiction writers, and issues of interest to artists and academics. A companion volume to Say It Hot, these essays are brutally honest and acutely intelligent. From the book: “Literary authors these days no longer make livings off their work. Their books are not to be found in bookstores, and the books are rarely printed by major New York publishing houses. No one reads their works except for other literary authors and the professors who are evaluating their tenure and promotion folders at the colleges and universities at which they are employed, and it’s a minor miracle if a literary book from a small press sells a thousand copies. Fiction writers from wealth write about writing or they write about the ridiculous “sufferings” of the rich. Fiction writers from the lower classes write about the primordial filth from which they’ve physically escaped but from which they’ll never mentally be able to leave behind. Like war veterans, people who’ve fought it out in the miasma of poverty and blue- collar hell can never get the stink out of their skins, try as they may. Just like people who haven’t been to war can spot vets who have, middle-class people and the rich can spot people who’ve grown up poor, no matter what their position in life or the quality of their designer suits. Those suits just don’t fit right, and the neckties make them fidget and sweat. What the well-heeled authors and the working-class writers have in common is that they’ve been trained not to pronounce moral judgment.”
In December 1943, a top secret contract (E.24/43) was awarded to Miles Aircraft. The contract was to build the world's first supersonic jet capable of 1000mph. The only reliable source of data on supersonic objects came from the Armament Research Dept and their wind tunnel tests on ammunition. From this, Miles developed an exceptionally thin-winged, bullet-shaped aircraft. the research was inexplicably passed to the Americans in 1944. By December 1945, one prototype was virtually complete. The second, destined for an attempt at the sound barrier was 80 per cent complete. In February 1946, Capt Eric Brown was confirmed as the test pilot and October 1946 was set for the supersonic trials. However, on 12 February 1946, Miles were ordered to stop production. No plausible explanation was given for the cancellation when Britain was within six months of breaking the sound barrier. Eric Brown and others directly involved including Dennis Bancroft, the Chief Aerodynamicist on the M.52, have now come together to try and finally solve the mystery behind the cancellation.
From the moment it was recorded more than 40 years ago, Miles Davis's Kind of Blue was hailed as a jazz classic. To this day it remains the bestselling jazz album of all time, embraced by fans of all musical genres. The album represented a true watershed moment in jazz history, and helped to usher in the first great jazz revolution since bebop. The Making of Kind of Blue is an exhaustively researched examination of how this masterpiece was born. Recorded with pianist Bill Evans, tenor saxophonist John Coltrane, composer/theorist George Russell and Miles himself, the album represented a fortuitous conflation of some of the real giants of the jazz world, at a time when they were at the top of their musical game. The end result was a recording that would forever change the face of American music. Through extensive interviews and access to rare recordings Nisenson pieced together the whole story of this miraculous session, laying bare the genius of Miles Davis, other musicians, and the heart of jazz itself.
In December 1943, a top secret contract (E.24/43) was awarded to Miles Aircraft. The contract was to build the world's first supersonic jet capable of 1000mph. The only reliable source of data on supersonic objects came from the Armament Research Dept and their wind tunnel tests on ammunition. From this, Miles developed an exceptionally thin-winged, bullet-shaped aircraft. the research was inexplicably passed to the Americans in 1944. By December 1945, one prototype was virtually complete. The second, destined for an attempt at the sound barrier was 80 per cent complete. In February 1946, Capt Eric Brown was confirmed as the test pilot and October 1946 was set for the supersonic trials. However, on 12 February 1946, Miles were ordered to stop production. No plausible explanation was given for the cancellation when Britain was within six months of breaking the sound barrier. Eric Brown and others directly involved including Dennis Bancroft, the Chief Aerodynamicist on the M.52, have now come together to try and finally solve the mystery behind the cancellation.
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