Frank Lloyd Wright Jr., known as Lloyd Wright (1870-1978), is arguably one of the greatest undiscovered architects of the 20th century. Over a ten year period, architectual photographer Alan Weintraub has documented his buildings in colour and in fine detail. This monograph offers a comprehensive presentation of Lloyd Wright's complete oeuvre. Lloyd Wright had a style all of his own. His gemlike construction fusing landscape with built form, are syntheses of nature, regional modernism and exoticism. He built most of his work in southern California, mainly in unassuming neighbourhoods of Los Angeles. This extensively illustrated book features nearly 600 images. At the book's heart are 32 of Wright's buildings, and the reference section includes an illustrated chronology with archival sketches and images of unbuilt works.
The PS building is an experiment and an ambitious attempt by Eric Owen Moss to redefine what a city is. A challenging design, well described and illustrated, from ground-breaking idea through to final design.
This book is an unabridged documentary of the FLW Coonley House Estate from its creation in 1907 until March, 2014. The estate is located in Riverside,IL.
Your hands-on, practical guide to the materials and construction methods of green building Want to build responsibly and help preserve the environment? This friendly, step-by-step guide introduces you to key facets of green building and remodeling, from looking at long-term costs to working with green professionals to reducing energy and water use. Open the book and find: The benefits of going green Green material substitutions Where to locate green professionals Ten green things you can do in your home today
Ein Studien- und Arbeitsbuch für das Zeichnen von Hand als Mittel des architektonischen Analyse- und Gestaltungsprozesses. Anhand einer systematisch gegliederten Auswahl von Zeichnungen des Autors werden die Methoden und Techniken in einer schrittweisen Darstellung detailliert vorgeführt und erläutert. Zeichnen dient nicht der Illustration, sondern der Exploration, der Erkundung und Analyse – dies ist die Grundannahme des Buches. Im einleitenden Teil werden Theorien und Praktiken der Anwendung von Freihand-zeichnungen an Universitäten und in Büros beschrieben – bewusst parallel zu den digitalen Darstellungstechniken. Den Großteil des Buches nehmen jene Kapiteln ein, die zusammen eine Typologie der wichtigsten Teile und Bereiche des Hochbaus und des Städtebaus ergeben; beispielsweise werden für die Aufgabe „Fassade” mit schematischen Skizzen die besonderen Fragestellungen herausgearbeitet und Schritt für Schritt zeichnerisch entwickelt. Das Buch reagiert auf eine sich abzeichnende Entwicklung, in der die unproduktive Konfrontation digitaler und analoger Techniken überwunden wird zugunsten der Nutzung einer breiten Auswahl von Entwurfswerkzeugen, zu denen auch das Freihandzeichnen gehört. „Drawn to Design“ will zugleich die Entfaltung grundlegender menschlicher Fähigkeiten bei der Gestaltung der gebauten Umwelt fördern.
A biography profiling the career of Michael Graves, the modernist-trained architect whose major commissions include the Walt Disney World Swan and Dolphin hotels in Orlando, Florida.
A guide to unusual and one-of-a-kind roadside sights in the Midwest includes Minnesota's Spam Museum, North Dakota's forty-five-foot tower of discarded oil cans, and South Dakota's Outhouse Museum.
The definitive history of Weimar politics, culture, and society A New York Times Book Review Editor’s Choice A Financial Times Best Book of the Year Thoroughly up-to-date, skillfully written, and strikingly illustrated, Weimar Germany brings to life an era of unmatched creativity in the twentieth century—one whose influence and inspiration still resonate today. Eric Weitz has written the authoritative history that this fascinating and complex period deserves, and he illuminates the uniquely progressive achievements and even greater promise of the Weimar Republic. Weitz reveals how Germans rose from the turbulence and defeat of World War I and revolution to forge democratic institutions and make Berlin a world capital of avant-garde art. He explores the period’s groundbreaking cultural creativity, from architecture and theater, to the new field of "sexology"—and presents richly detailed portraits of some of the Weimar’s greatest figures. Weimar Germany also shows that beneath this glossy veneer lay political turmoil that ultimately led to the demise of the republic and the rise of the radical Right. Yet for decades after, the Weimar period continued to powerfully influence contemporary art, urban design, and intellectual life—from Tokyo to Ankara, and Brasilia to New York. Featuring a new preface, this comprehensive and compelling book demonstrates why Weimar is an example of all that is liberating and all that can go wrong in a democracy.
A comprehensive new survey tracing the global history of urbanism and urban design from the industrial revolution to the present. Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world's population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called "urbanism." He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities. This erudite and insightful book addresses the modernization of the traditional city, including mass transit and sanitary sewer systems, building legislation, and model tenement and regional planning approaches. It also examines the urban design concepts of groups such as CIAM (International Congresses of Modern Architecture) and Team 10, and their adherents and critics, including those of the Congress for the New Urbanism, as well as efforts toward ecological urbanism. Highlighting built as well as unbuilt projects, Mumford offers a sweeping guide to the history of designers' efforts to shape cities.
This “ambitious [and] delightful” (The New York Times) work of literary nonfiction interweaves the science and history of the powerful refrigerant (and dangerous greenhouse gas) Freon with a haunting meditation on how to live meaningfully and morally in a rapidly heating world. In After Cooling, Eric Dean Wilson braids together air-conditioning history, climate science, road trips, and philosophy to tell the story of the birth, life, and afterlife of Freon, the refrigerant that ripped a hole larger than the continental United States in the ozone layer. As he traces the refrigerant’s life span from its invention in the 1920s—when it was hailed as a miracle of scientific progress—to efforts in the 1980s to ban the chemical (and the resulting political backlash), Wilson finds himself on a journey through the American heartland, trailing a man who buys up old tanks of Freon stockpiled in attics and basements to destroy what remains of the chemical before it can do further harm. Wilson is at heart an essayist, looking far and wide to tease out what particular forces in American culture—in capitalism, in systemic racism, in our values—combined to lead us into the Freon crisis and then out. “Meticulously researched and engagingly written” (Amitav Ghosh), this “knockout debut” (New York Journal of Books) offers a rare glimpse of environmental hope, suggesting that maybe the vast and terrifying problem of global warming is not beyond our grasp to face.
The definitive biography of the iconic skyscrapers and the ambitions that shaped them--from their dizzying rise to their unforgettable fall More than a year after the nation began mourning the lives lost in the attacks on the World Trade Center, it became clear that something else was being mourned: the towers themselves. They were the biggest and brashest icons that New York, and possibly America, has ever produced--magnificent giants that became intimately familiar around the globe. Their builders were possessed of a singular determination to create wonders of capitalism as well as engineering, refusing to admit defeat before natural forces, economics, or politics. No one knows the history of the towers better than New York Times reporters James Glanz and Eric Lipton. In a vivid, brilliantly researched narrative, the authors re-create David Rockefeller's ambition to rebuild lower Manhattan, the spirited opposition of local storeowners and powerful politicians, the bold structural innovations that later determined who lived and died, master builder Guy Tozzoli's last desperate view of the towers on September 11, and the charged and chaotic recovery that could have unraveled the secrets of the buildings' collapse but instead has left some enduring mysteries. City in the Sky is a riveting story of New York City itself, of architectural daring, human frailty, and a lost American icon.
The book is a guide for students and teachers to understand the need for, the role of and the methods and techniques of freehand analytical sketching in architecture. The presentation focuses on drawing as an approach to and phase of architectural design. The conceptual goal of this approach is to use drawing not as illustration or depiction, but as exploration. The first part of the book discusses underlying concepts of freehand sketching in design education and practice as a complement to digital technologies. The main component is a series of chapters that constitute a typology of fundamental issues in architecture and urban design; for instance, issues of "façade" are illustrated with sketch diagrams that show how façades can be explored and sketched through a series of specific questions and step-by-step procedures. In the expanded and updated edition, a new part explores the questions and experiences of large architectural offices in applying freehand drawing in the practice of architectural design. This book is especially timely in an age in which the false conflict between "traditional vs. digital" gives way to multiple design tools, including sketching. It fosters understanding of the essential human ability to investigate the designed and the natural world through freehand drawing.
In 1957, America turned its back on its earlier self and jumped headlong into the nation it has become today. From Sputnik and the beginning of the space race to Little Richard and the underappreciated influence of rock n’ roll in bringing blacks and whites closer together, to President Eisenhower’s Interstate Highway Act, which forever changed the landscape, 1957 represents the year when all of the energy and anxiety that had followed the end of World War II exploded. In compelling stories from politics, pop culture, business, and the media, Eric Burns captures the excitement of a headspinning year and the lingering fallout that continues to resonate seven decades later. For baby boomers seeking to relive their formative years or readers seeking a window into midcentury America, 1957 provides a highly readable tour through one of the most fascinating years in American history.
Everyone knows there's much to see and do in San Francisco. But what, exactly, are those things? Use this book to decide what you want to visit. Cable cars, Fisherman's Warf, and the Golden Gate Bridge are just the tip of the iceberg.
Milbank and Mitchell, dissimilar in size and separated by more than two hundred miles, have more in common than might appear at first glance. In the first half of the twentieth century towns such as Milbank and Mitchell formed hubs for commerce, social activities, and culture. Eric Fowler and Sheila Delaney looked at their communities from different viewpoints, but their childhood and young adult memories of South Dakota share common themes.
A tour through this New England state and the many writers who have lived and worked there. Connecticut has produced and inspired a dazzling array of literary talent. Helen Keller’s adult stomping grounds were the woods and gardens of Easton, while Eugene O’Neill’s childhood home in New London found its way into the pages of his greatest work. In this book you’ll discover the secret passage to James Merrill’s study in Stonington, and navigate Hartford’s Nook Farm neighborhood—a home and hub of inspiration to Harriet Beecher Stowe, Mark Twain, and William Gillette. With illustrations and photos, this local literary history discusses the poets, playwrights, novelists, and others who drove the same roads, frequented the same taverns, and read the same books as many citizens of the Constitution State today.
As muckrakers, feminists, pacifists, anarchists, socialists, and communists were arrested or censored for their outspoken views, many of them turned to a Manhattan lawyer named Gilbert Roe to keep them in business and out of jail. In articulating and upholding Americans' fundamental right to free expression against charges of obscenity, libel, espionage, sedition, or conspiracy during turbulent times, Roe was rarely successful in the courts. His greatest victory was the influential 1917 decision by Judge Learned Hand in 'The Masses Publishing Co. v. Patten'. Roe's battles illuminate the evolution of free speech doctrine and practice in an era when it was under heavy assault."--Back cover.
The city of New York is the city of skyscrapers. Every first-time visitor to Manhattan experiences the awe of gazing up at the soaring stone, steel, and glass towers of Wall Street or Midtown, and wonders how those structures came to be built. Manhattan Skyscrapers answers the question by presenting the 75 most significant tall buildings that make up the city's famous skyline. From Louis Sullivan's Bayard-Condict Building of 1898 on Bleeker Street to the Conde Nast tower currently rising above Times Square, Manhattan Skyscrapers lavishly presents over a hundred years of New York's most interesting and important tall buildings. Author Eric P. Nash profiles familiar skyscrapers such as the Woolworth Building, the Empire State Building, the Chrysler Building, the World Trade Towers, the AT&T (now Sony) Building, and the Seagram Building, while also championing several often-overlooked yet significant structures, such as the McGraw- Hill, the Metropolitan Life Insurance, and the Fred F. French Buildings. Nash's writing strikes an elegant balance between history, archi-tectural evaluation, and intelligent guidebook. For each building, Nash identifies the building style, gives the overall profile and image of the building, and discusses its construction; also included are quotes from the buildings' architects and the architectural critics of the time. Each skyscraper is illustrated with full-page color photo-graphs by noted photographer Norman McGrath as well as architectural drawings and plans, archival images of the original interiors, postcards, and other ephemera. Manhattan Skyscrapers is essential reading-or an ideal gift-for anyone interested in the buildings that make New York the ultimate skyscraper city.
Culture-to-culture encounters between "natives" and "aliens" have gone on for centuries in the American Southwest—among American Indian tribes, between American Indians and Euro-Americans, and even, according to some, between humans and extraterrestrials at Roswell, New Mexico. Drawing on a wide range of cultural productions including novels, films, paintings, comic strips, and historical studies, this groundbreaking book explores the Southwest as both a real and a culturally constructed site of migration and encounter, in which the very identities of "alien" and "native" shift with each act of travel. Eric Anderson pursues his inquiry through an unprecedented range of cultural texts. These include the Roswell spacecraft myths, Leslie Marmon Silko's Almanac of the Dead, Wendy Rose's poetry, the outlaw narratives of Billy the Kid, Apache autobiographies by Geronimo and Jason Betzinez, paintings by Georgia O'Keeffe, New West history by Patricia Nelson Limerick, Frank Norris' McTeague, Mary Austin's The Land of Little Rain, Sarah Winnemucca's Life Among the Piutes, Willa Cather's The Professor's House, George Herriman's modernist comic strip Krazy Kat, and A. A. Carr's Navajo-vampire novel Eye Killers.
Hokusai ́s 53 Stations of the Tokaido 1806 Horizontal is the last known full Tokaido series by Hokusai. It is different from his famous 36 Views of Mt Fuji, which are sublime artistic expressions distilling a long life ́s work. It is different from much of Hokusai ́s other well known work, like his 100 Views of Mt Fuji. But in that series Hokusai still retained a lot of the humor and the caricature found here. It is different from the many other well known 53 Stations of the Tokaido in that Hokusai explores novel ways of designing the print, further developing what he started in the 1804 Horizontal Tokaido. Hokusai experiments with person themes, voids and white space but also do great full landscapes and humorous encounters on the road.
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