Eric Hobsbawm is considered by many to be our greatest living historian. Robert Heilbroner, writing about Hobsbawm’s The Age of Extremes 1914-1991 said, “I know of no other account that sheds as much light on what is now behind us, and thereby casts so much illumination on our possible futures.” Skeptical, endlessly curious, and almost contemporary with the terrible “short century” which is the subject of Age of Extremes, his most widely read book, Hobsbawm has, for eighty-five years, been committed to understanding the “interesting times” through which he has lived. Hitler came to power as Hobsbawm was on his way home from school in Berlin, and the Soviet Union fell while he was giving a seminar in New York. He was a member of the Apostles at King’s College, Cambridge, took E.M. Forster to hear Lenny Bruce, and demonstrated with Bertrand Russell against nuclear arms in Trafalgar Square. He translated for Che Guevara in Havana, had Christmas dinner with a Soviet master spy in Budapest and an evening at home with Mahalia Jackson in Chicago. He saw the body of Stalin, started the modern history of banditry and is probably the only Marxist asked to collaborate with the inventor of the Mars bar. Hobsbawm takes us from Britain to the countries and cultures of Europe, to America (which he appreciated first through movies and jazz), to Latin America, Chile, India and the Far East. With Interesting Times, we see the history of the twentieth century through the unforgiving eye of one of its most intensely engaged participants, the incisiveness of whose views we cannot afford to ignore in a world in which history has come to be increasingly forgotten.
In these four incisive and keenly perceptive essays, one of out most celebrated and respected historians of modern Europe looks at the world situation and some of the major political problems confronting us at the start of the third millennium. With his usual measured and brilliant historical perspective, Eric Hobsbawm traces the rise of American hegemony in the twenty-first century. He examines the state of steadily increasing world disorder in the context of rapidly growing inequalities created by rampant free-market globalization. He makes clear that there is no longer a plural power system of states whose relations are governed by common laws--including those for the conduct of war. He scrutinizes America's policies, particularly its use of the threat of terrorism as an excuse for unilateral deployment of its global power. Finally, he discusses the ways in which the current American hegemony differs from the defunct British Empire in its inception, its ideology, and its effects on nations and individuals. Hobsbawm is particularly astute in assessing the United States' assertion of world hegemony, its denunciation of formerly accepted international conventions, and its launching of wars of aggression when it sees fit. Aside from the naivete and failure that have surrounded most of these imperial campaigns, Hobsbawm points out that foreign values and institutions--including those associated with a democratic government--can rarely be imposed on countries such as Iraq by outside forces unless the conditions exist that make them acceptable and readily adaptable. Timely and accessible, On Empire is a commanding work of history that should be read by anyone who wants some understanding of the turbulent times in which we live.
Eric Hobsbawm's AGE OF EXTREMES was a remarkable phenomenon, a book of serious and challenging historical analysis that became a worldwide bestseller. Now, THE NEW CENTURY continues Hobsbawm's analysis of our twentieth century, asking crucial questions about our inheritance from the century of conflict and its meanings for the years to come. Looking back over the last decade to learn something of the new era, Hobsbawm finds the distinction between internal and international conflicts and between state of war and state of peace disappearing. He goes on to analyse the crisis of the multi-ethic state and shows the distortions of history involved in the creation of its myths. He expresses his anxiety over the system of international relations between states that have so far ruled by colonialism and nuclear terror. Hobsbawm then assesses the impact that a popular global culture has had on every aspect of life, from happiness and social hierarchy to nutrition and the environment. Published this year in dozens of countries throughout the world, THE NEW CENTURY is a concise summary of the thinking of one of the pre-eminent historians.
Eric Hobsbawm, who passed away in 2012, was one of the most brilliant and original historians of our age. Through his work, he observed the great twentieth-century confrontation between bourgeois fin de siècle culture and myriad new movements and ideologies, from communism and extreme nationalism to Dadaism to the emergence of information technology. In Fractured Times, Hobsbawm, with characteristic verve, unpacks a century of cultural fragmentation. Hobsbawm examines the conditions that both created the flowering of the belle époque and held the seeds of its disintegration: paternalistic capitalism, globalization, and the arrival of a mass consumer society. Passionate but never sentimental, he ranges freely across subjects as diverse as classical music, the fine arts, rock music, and sculpture. He records the passing of the golden age of the "free intellectual" and explores the lives of forgotten greats; analyzes the relationship between art and totalitarianism; and dissects phenomena as diverse as surrealism, art nouveau, the emancipation of women, and the myth of the American cowboy. Written with consummate imagination and skill, Fractured Times is the last book from one of our greatest modern-day thinkers.
Now in paperback, an engaging and eclectic collection of essays from "the best-known living historian in the world" (The Times, London). Uncommon People collects twenty-six essays by Eric Hobsbawm, "one of the truly great synthesizers of the last few centuries of European history" (Philadelphia Inquirer). It brings back into print his classic works on labor history, working people, and social protest, pairing them with more recent, previously unpublished pieces on everything from the villainy of Roy Cohn to the genius of Count Basie, Duke Ellington, and Billie Holliday. A true Renaissance man, Hobsbawm explores topics from Mario Puzo and the MaÃŒa to Tom Paine and the radical tradition. Highlighting Hobsbawm's passionate concern for the lives and struggles of ordinary men and women, Uncommon People offers both an exciting introduction for the uninitiated as well as a broad-ranging retrospective of the work of this "erudite and influential historian" (Los Angeles Times).
Dividing the century into the Age of Catastrophe, 1914–1950, the Golden Age, 1950–1973, and the Landslide, 1973–1991, Hobsbawm marshals a vast array of data into a volume of unparalleled inclusiveness, vibrancy, and insight, a work that ranks with his classics The Age of Empire and The Age of Revolution. In the short century between 1914 and 1991, the world has been convulsed by two global wars that swept away millions of lives and entire systems of government. Communism became a messianic faith and then collapsed ignominiously. Peasants became city dwellers, housewives became workers—and, increasingly leaders. Populations became literate even as new technologies threatened to make print obsolete. And the driving forces of history swung from Europe to its former colonies. Includes 32 pages of photos.
Premier historian Eric Hobsbawm's brilliant study of the Industrial Revolution, which sold more than a quarter of a million copies in its original edition, is now back in print, updated for a new generation. In Industry and Empire, Hobsbawm explores the origin and dramatic course of the Industrial Revolution over two hundred and fifty years and its influence on social and political institutions. He describes and accounts for Britain's rise as the first industrial power, its decline from domination, its special relation with the rest of the world, and the effects of this trajectory on the lives of its ordinary citizens. This new edition includes a fascinating summary of events of the last twenty years, and an illuminating new conclusion.
THE AGE OF EMPIRE is a book about the strange death of the nineteenth century, the world made by and for liberal middle classes in the name of universal progress and civilisation. It is about hopes realised which turned into fears: an era of unparalleled peace engendering an era of unparalleled war; revolt and revolution emerging on the outskirts of society; a time of profound identity crisis for bourgeois classes, among new and sudden mass labour movements which rejected capitalism and new middle classes which rejected liberalism. It is about world empires built and held with almost contemptuous ease by small bodies of Europeans which were to last barely a human lifetime, and a European domination of world history, which was never more confident than at the moment it was about to disappear for ever. It is about Queen Victoria, Madame Curie and the Kodak Girl, and the novel social world of cloth caps, golf clubs and brassieres, about Nietzsche, Carnegie, William Morris and Dreyfus, about politically ineffective terrorists, one of whom, to his and everyone's surprise, started a world war. With the AGE OF EMPIRE, Eric Hobsbawm, Britain's leading historian of the left, brings to a dazzling climax his brilliant interpretative history of 'the long nineteenth century'.
The classic social history of the Great English Agricultural Uprising of 1830, from one of the greatest historians of our age. For generation upon generation, the English farm laborer lived in poverty and degradation. With the onset of the Industrial Revolution, however, new forces came into play—and when capitalism swept from the cities into the countryside, tensions reached the breaking point. From 1830 on, a series of revolts, known as the “Swing,” shook England to its core. Here is the background of that upheaval, from its rise to its fall, and the people who tried to change their world. A masterpiece of British history.
Between 1789 and 1848 the world was transformed by both the French and Industrial Revolutions, creating the modern world as we know it. This book traces the transformation brought about in every sphere of European life by these two revolutions.
The sequel to The Age of Extremes by "the best -known living historian in the world" (The Times, London). Eric Hobsbawm's The Age of Extremes was a remarkable phenomenon, a book of serious and challenging historical analysis that became a worldwide bestseller. Now, On the Edge of the New Century continues Hobsbawm's "magisterial" (The New York Times Book Review) analysis of the twentieth century, asking crucial questions about our inheritance from the century of conflict and its meanings for the years to come. Looking back over the last decade, Hobsbawm finds the distinctions between internal and international conflicts and between the state of war and the state of peace disappearing. He goes on to analyze the crisis of the multi-ethnic state and shows the distortions of history involved in the creation of its myths. He expresses his anxiety over the system of international relations between states that have so far ruled by colonialism and nuclear terror. Hobsbawm then assesses the impact that a popular global culture has had on every aspect of life, from happiness and social hierarchy to nutrition and the environment. Published this year throughout the world, On the Edge of the New Century is a concise summary of the thinking of one of the century's preeminent historians.
Eric Hobsbawm has been widely acclaimed as one of the greatest living historians. Called "a lyrical, pungent, and provocative memoir” by Publishers Weekly, Interesting Times offers a personal tour through what Hobsbawm terms "the most extraordinary and terrible century in human history.” The book takes us from his birth in Alexandria, Egypt, and early schooling in Weimar Berlin to his student days as a Cambridge Red and Apostle at King’s College. Hobsbawm took E.M. Forster to hear Lenny Bruce, demonstrated with Bertrand Russell against nuclear arms, translated for Che Guevara in Havana, and inaugurated the modern history of banditry. With Interesting Times, we see the making of one of the Left’s most important intellectuals, and the history of the twentieth century through the unforgiving eye of one of its most intensely engaged participants.
The first in Eric Hobsbawm's dazzling trilogy on the history of the nineteenth century. Between 1789 and 1848 the world was transformed both by the French Revolution and also by the Industrial Revolution that originated in Britain. This 'Dual Revolution' created the modern world as we know it. Eric Hobsbawm traces with brilliant analytical clarity the transformation brought about in every sphere of European life by the Dual Revolution - in the conduct of war and diplomacy; in new industrial areas and on the land; among peasantry, bourgeoisie and aristocracy; in methods of government and of revolution; in science, philosophy and religion; in literature and the arts. But above all he sees this as the period when industrial capitalism established the domination over the rest of the world it was to hold for a century. Eric Hobsbawm's enthralling and original account is an impassioned but objective history of the most significant sixty years in the history of Europe.
The ideas of capitalism's most vigorous and eloquent enemy have been enlightening in every era, the author contends, and our current historical situation of free-market extremes suggests that reading Marx may be more important now than ever. Hobsbawm begins with a consideration of how we should think about Marxism in the post-communist era, observing that the features we most associate with Soviet and related regimes--command economies, intrusive bureaucratic structures, and an economic and political condition of permanent was--are neither derived from Marx's ideas nor unique to socialist states. Further chapters discuss pre-Marxian socialists and Marx's radical break with them, Marx's political milieu, and the influence of his writings on the anti-fascist decades, the Cold War, and the post--Cold War period. Sweeping, provocative, and full of brilliant insights, How to Change the World challenges us to reconsider Marx and reassess his significance in the history of ideas."--Publisher's website.
Does modern art, as the art of the past always did, "express the times, " or is it a series of willful aberrations? Do we have any way of judging its success or failure? Bypassing art criticism and art theory, Britain's foremost social historian approaches the question from an entirely new angle. Professor Hobsbawm's thesis is that, unlike writers and composers, who have to come to terms with mass production and the technology of infinite repetition, painters still cling to the unique art-object, the product of the artist's own hands. The result has been a succession of increasingly desperate "avant-gardes, " attempts to find relevance and meaning that -- irrespective of the individual artist's talent -- are doomed to failure. Eric Hobsbawm is Emeritus Professor of Economics and Social History at the University of London. An unrepentant Marxist, he has succeeded in uniting original scholarship with popular appeal, and his most recent book, The Age of Extremes, is influential in shaping the way the century is seen by both professional historians and the wider educated public.
Modern industrial societies are the creation of forced of change embedded in their pre-industrial and pre-capitalist past, forces which have shaped their economic structures, their politics of domination and resistance, their social ideas and relationships. In this book a distinguished group of historians focuses on this dialectal relationship between capitalism and its pre-capitalist heritage, revealing the ways in which older forms - whether they be social and economic structures and institutions, movements or ideologies, rituals or vocabulary - help to shape new, and are themselves reshaped in the process. The book thus develops a central theme in the writing of Eric Hobsbawm, to whom these essays are presented as a tribute on his retirement from Birkbeck College. An additional essay provides a major reappraisal of Hobsbawm's work. A number of different themes in modern European history are discussed in the context of the interrelationship of capitalism and the pre capitalist past. Several essays explore the history of the working class, its ideas and strategies of resistance, in France, Britain, Germany and Spain. Others discuss the place of landowners and bankers in the European ruling classes, and the development of central and eastern European societies. Their common concern is with the power of the past over patterns of change, and as such they are both a tribute to an outstanding British historian and a major contribution to the analysis of modern European history.
Social agitation is as essential a part of public life today as it has ever been. In Eric Hobsbawm's masterful study, Primitive Rebels, he shines a light on the origins of contemporary rebellion: Robin Hood, secret societies, revolutionary peasants, Mafiosi, Spanish Civil War anarchy, pre-industrial mobs and riots - all of which have fed in to our notions of dissent in the modern world. Coining now familiar terms such as 'social banditry', Primitive Rebels shows how Hobsbawm was decades ahead of his time, and his insightful analysis of the history of social movements is critical to our understanding of movements such as UK Uncut, Black Lives Matter and the growing international resistance to Donald Trump's presidency. Reissued with a new introduction by Owen Jones, Primitive Rebels is the perfect guide to the revolutions that shaped western civilisation, and the bandits, reformers and anarchists who have fought to change the world.
Brilliant and incisive, HOW TO CHANGE THE WORLD leaves us in no doubt that Karl Marx is as much a thinker for our century as he was for the preceding two.
The events of the 1830 agricultural uprising are described against the background of early-nineteenth-century social and economic changes in rural areas
What was the French Revolution? Was it the triumph of Enlightenment humanist principles, or a violent reign of terror? Did it empower the common man, or just the bourgeoisie? And was it a turning point in world history, or a mere anomaly? E.J. Hobsbawm’s classic historiographic study—written at the very moment when a new set of revolutions swept through the Eastern Bloc and brought down the Iron Curtain—explores how the French Revolution was perceived over the following two centuries. He traces how the French Revolution became integral to nineteenth-century political discourse, when everyone from bourgeois liberals to radical socialists cited these historical events, even as they disagreed on what their meaning. And he considers why references to the French Revolution continued to inflame passions into the twentieth century, as a rhetorical touchstone for communist revolutionaries and as a boogeyman for social conservatives. Echoes of the Marseillaise is a stimulating examination of how the same events have been reimagined by different generations and factions to serve various political agendas. It will give readers a new appreciation for how the French Revolution not only made history, but also shaped our fundamental notions about history itself.
Eric Hobsbawm, who passed away in 2012, was one of the most brilliant and original historians of our age. Through his work, he observed the great twentieth-century confrontation between bourgeois fin de siècle culture and myriad new movements and ideologies, from communism and extreme nationalism to Dadaism to the emergence of information technology. In Fractured Times, Hobsbawm, with characteristic verve, unpacks a century of cultural fragmentation. Hobsbawm examines the conditions that both created the flowering of the belle époque and held the seeds of its disintegration: paternalistic capitalism, globalization, and the arrival of a mass consumer society. Passionate but never sentimental, he ranges freely across subjects as diverse as classical music, the fine arts, rock music, and sculpture. He records the passing of the golden age of the "free intellectual" and explores the lives of forgotten greats; analyzes the relationship between art and totalitarianism; and dissects phenomena as diverse as surrealism, art nouveau, the emancipation of women, and the myth of the American cowboy. Written with consummate imagination and skill, Fractured Times is the last book from one of our greatest modern-day thinkers.
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