The Mayo Clinic Guide to Magnetic Resonance Imaging, Second Edition, is a thoroughly handy reference text and soon to be classic text is designed to educate physicists, technologists, and clinicians in the basics of cardiac MRI. A significantly expanded and reworked clinical imaging section provides numerous imaging protocols for the most commonly indicated cardiac MRI examinations as well as a plethora of well illustrated and described clinical examples. This text is a must have for anyone interested in developing their own cardiovascular MR imaging practice or advancing their existing skills. The addition of case-based questions and answers add a new dimension to this expanded second edition.
Just Like Being There is the first collection of science fiction stories by award-winning author and aerospace engineer Eric Choi spanning his 25 year writing career. The stories are “hard” science fiction in which some element of engineering or science is so central there would be no story if that element were removed. Story topics include space exploration, artificial intelligence, virtual reality, cryptography, quantum computing, online privacy, mathematics (statistics), neuroscience, psychology, space medicine, extra-terrestrial intelligence, undersea exploration, commercial aviation, and the history of science. A special feature of the book is that each story is followed by an "Afterword" that explains the underlying engineering or science. This collection will entertain and inform all aficionados of science and science fiction.
In this book, Eric Trenkamp addresses a question that many American cinema fans may have asked themselves over the past 20 years – “why is everything superheroes now?” Although it might be easy to dismiss Hollywood’s last two decades of comic book movies as nothing more than overly simplified morality tales, the reality is much more complex. The pervasiveness of the comic book genre throughout American culture, Trenkamp argues, perpetuates a subtextual myth about what it means to be an “American” in the contemporary world. At the core of this myth is the image of who Hollywood considers to be the ideal American hero – the White male savior. This book explores the evolution of this ever-changing image of White superiority in American cinema, which can be traced from the earliest silent Westerns, through decades of war films, and up to the modern day comic book genre. Through provocative and engaging analysis of a wide variety of Hollywood films, Trenkamp demonstrates the industry’s history of popularizing White supremacy and the ways in which these films can act as propaganda to support various dehumanizing U.S. policies, both abroad and at home. Scholars of film studies, comic studies, genre studies, American studies, race studies, pop culture, and history will find this book particularly useful.
The true story of five castaways abandoned on the Falkland Islands during the War of 1812—a tale of treachery, shipwreck, isolation, and the desperate struggle for survival. In Left for Dead, Eric Jay Dolin—“one of today’s finest writers about ships and the sea” (American Heritage)—tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal—an all-too-common fate in the Great Age of Sail. A tale of intriguing complexity, with surprising twists and turns throughout—involving greed, lying, bullying, a hostile takeover, stellar leadership, ingenuity, severe privation, endurance, banishment, the great value of a dog, the birth of a baby, a perilous thousand-mile open-ocean journey in a seventeen-foot boat, an improbable rescue mission, and legal battles over a dubious and disgraceful wartime prize—Left for Dead shows individuals in wartime under great duress acting both nobly and atrociously, and offers a unique perspective on a pivotal era in American maritime history.
This book was originally published in 1990 and was the first text to consider the definitive fundamental science of landfill biotechnology. Since then, major research initiatives, particularly in the U.K. and South Africa, have resulted in considerable advancement in our knowledge of landfill microbiology. The Second Edition details this progress. Text considers the latest findings in landfill leachate treatment, co-disposal and fundamental microbiology. It brings together the expertise of the immediate complementary, but often disparate disciplines of soil science, environmental engineering, applied mathematics, and land reclamation and focuses on the common goal of the scientific design and management of landfill sites. The book also includes effective laboratory models and selected approaches.
In this comprehensive history of Erdenheim Farm, On the Waters of the Wissahickon separates the facts from the multitude of fictions, revealing the complex and intriguing history behind this important agricultural center along the Wissahickon Creek in Montgomery County, Pennsylvania. Featuring more than one hundred historical and contemporary illustrations and maps, Eric Plaag's engaging and thorough history of the property chronicles its storied past as well as the inherent value in preserving its future. One of the last intact agricultural parcels in Whitemarsh and Springfield Townships, Erdenheim Farm was at the center of the thoroughbred horseracing world from the 1860s until the late twentieth century. Its illustrious owners have included Aristides Welch, Norman W. Kittson, Robert N. Carson, George D. Widener, Jr., and Fitz Eugene Dixon, Jr., through whom Erdenheim accumulated a rich and fascinating historical pedigree and worldwide attention over the past two centuries. The property is also the subject of extensive lore, including the longstanding rumor that Sirhan Sirhan worked at the farm shortly before his assassination of Robert F. Kennedy, as well as legends that the farm's guests may have included the Marquis de Lafayette and as many as eight U.S. presidents. Once the home of the Lenni Lenape tribe, who in turn sold the property to William Penn during the seventeenth century, the land that would eventually become Erdenheim Farm passed to German immigrant Johann Georg Hocker and several neighboring farmers by 1763. While the farm's name is often attributed to Hocker (Erdenheim loosely translating as "earthly home" in German), and Hocker built the farmhouse most closely associated with this name for much of the nineteenth century, the farm's name probably originates with Dr. James A. McCrea. Under McCrea's ownership during the 1850s, Erdenheim began building a reputation as a highly regarded livestock farm. Its owner from the 1860s until the 1880s, Aristides Welch, brought national attention to Erdenheim through his purchase of major horseracing champions such as Flora Temple and Leamington, transforming the farm into a significant breeding and training operation that produced dozens of national racing champions over the next several decades. Under its next two owners, Norman W. Kittson and Robert N. Carson, Erdenheim's reputation declined even as its boundaries dramatically expanded, but, during the twentieth century, owner George D. Widener, Jr., revived Erdenheim's significance as a world-class thoroughbred operation and livestock showplace. Upon Widener's death, his nephew Fitz Eugene Dixon, Jr., became Erdenheim's primary caretaker and began the painstaking process of preserving Erdenheim even as encroaching suburban sprawl threatened its survival. Through a landmark agreement with the Natural Lands Trust, Dixon permanently protected the oldest parts of Erdenheim. Following Dixon's death in 2006, the Whitemarsh Foundation and nearly a dozen individuals and organizations, including Peter and Bonnie McCausland, worked together to complete a massive land-conservation deal to preserve permanently the majority of Erdenheim's approximately 450 acres as one of the last remaining open spaces in Montgomery County and a unique example of the Philadelphia region's agricultural past.
Over 500 pages of facts, statistics, and records of every match and every player for the New Zealand national Rugby Union team from the first match in May 1884 up to December 2023.
Rising temperatures are affecting organisms in all of Earth's biomes, but the complexity of ecological responses to climate change has hampered the development of a conceptually unified treatment of them. In a remarkably comprehensive synthesis, this book presents past, ongoing, and future ecological responses to climate change in the context of two simplifying hypotheses, facilitation and interference, arguing that biotic interactions may be the primary driver of ecological responses to climate change across all levels of biological organization. Eric Post's synthesis and analyses of ecological consequences of climate change extend from the Late Pleistocene to the present, and through the next century of projected warming. His investigation is grounded in classic themes of enduring interest in ecology, but developed around novel conceptual and mathematical models of observed and predicted dynamics. Using stability theory as a recurring theme, Post argues that the magnitude of climatic variability may be just as important as the magnitude and direction of change in determining whether populations, communities, and species persist. He urges a more refined consideration of species interactions, emphasizing important distinctions between lateral and vertical interactions and their disparate roles in shaping responses of populations, communities, and ecosystems to climate change.
Sundquist presents a major reevaluation of the formative years of American literature, 1830-1930, that shows how white and black literature constitute a single interwoven tradition. By examining African America's contested relation to the intellectual and literary forms of white culture, he reconstructs American literary tradition.
The dramatic story of fugitive slaves and the antislavery activists who defied the law to help them reach freedom. More than any other scholar, Eric Foner has influenced our understanding of America's history. Now, making brilliant use of extraordinary evidence, the Pulitzer Prize–winning historian once again reconfigures the national saga of American slavery and freedom. A deeply entrenched institution, slavery lived on legally and commercially even in the northern states that had abolished it after the American Revolution. Slaves could be found in the streets of New York well after abolition, traveling with owners doing business with the city's major banks, merchants, and manufacturers. New York was also home to the North’s largest free black community, making it a magnet for fugitive slaves seeking refuge. Slave catchers and gangs of kidnappers roamed the city, seizing free blacks, often children, and sending them south to slavery. To protect fugitives and fight kidnappings, the city's free blacks worked with white abolitionists to organize the New York Vigilance Committee in 1835. In the 1840s vigilance committees proliferated throughout the North and began collaborating to dispatch fugitive slaves from the upper South, Washington, and Baltimore, through Philadelphia and New York, to Albany, Syracuse, and Canada. These networks of antislavery resistance, centered on New York City, became known as the underground railroad. Forced to operate in secrecy by hostile laws, courts, and politicians, the city’s underground-railroad agents helped more than 3,000 fugitive slaves reach freedom between 1830 and 1860. Until now, their stories have remained largely unknown, their significance little understood. Building on fresh evidence—including a detailed record of slave escapes secretly kept by Sydney Howard Gay, one of the key organizers in New York—Foner elevates the underground railroad from folklore to sweeping history. The story is inspiring—full of memorable characters making their first appearance on the historical stage—and significant—the controversy over fugitive slaves inflamed the sectional crisis of the 1850s. It eventually took a civil war to destroy American slavery, but here at last is the story of the courageous effort to fight slavery by "practical abolition," person by person, family by family.
How do we define improvised music? What is the relationship of highly improvised performances to the work they are performances of? How do we decide what are the important parts of an improvised musical work? In Intents and Purposes, Eric Lewis uses a series of case studies to challenge assumptions about what defines a musical work and musical performance, seeking to go beyond philosophical and aesthetic templates from Western classical music to foreground the distinctive practices and aesthetics of jazz. Pushing aside the assumption that composition and improvisation are different (or even opposed) musical practices, Lewis’s philosophically informed approach revisits key topics in musical ontology, such as how to define the triangle of composer-performer-listener, and the status of live performances in relation to scores and recordings. Drawing on critical race theory, feminist theory, new musicology, sociology, cognitive science, and genre theory, Lewis opens up new questions about agency in performance, as well as new ways of considering the historical relationships between improvisational practices with roots in different cultural frameworks. By showing how jazz can be both art, idea, and action all at the same time, Lewis offers a new way of seeing any improvised musical performance in a new culturally and aesthetically rich context.
This book explores interpersonal situations in which weak or vulnerable people find themselves and the ways in which others help create, sustain, and eradicate such social dynamics. Vladimir Shlapentokh and Eric Beasley demonstrate that people can gain power over each other and then abuse this power because of unequal resource conditions. The authors define resources as the means necessary for satisfaction or achievement of needs or goals, such as wealth, physical strength, intellectual capacity and information, sexual attractiveness, and status. This volume is different from existing social science books on inequality and vulnerability, which address relations between people of different social positions, races, genders, ages, and places of residence confronting each other in political, economic, and cultural battles. This book focuses on people who become the victims of those whom they know personally—relatives, colleagues, neighbors. The authors argue that unequal resource distribution among members of social units is the main cause of conflict and ultimately creates situations where members of a social unit can abuse other members of the same unit.
Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
(FAQ). Eric Clapton has been a rock god for half a century. From busking on street corners and in local pubs to the raw blues of the Yardbirds, the rock/blues fusion of Cream, the guitar brilliance of Derek and the Dominoes, and the unforgettable songs of his solo career, he has proven his incomparable talent in the music world. His enduring presence has made him the subject of countless books, articles, reviews, websites, and gossip. Is there really anything new to learn about the man they call Slowhand? Eric Clapton FAQ combines the obvious, the well-known, the obscure, and the unknown into one place. It was not written as a definitive Clapton biography or a tell-all book that has the final say. It is, as the title suggests, a book of facts. Clapton is one of those public figures we know much about, but he still seems to be partially shrouded in mystery. Sometimes the stories and facts about his life change and evolve, which is all a part of his mystique. Eric Clapton FAQ uncovers some of that mystery and celebrates his talent in an entertaining style. Packed with dozens of rare images, this book is must for Slowhand fans.
An in-depth look at what it was like in England during World War II and how women took over men's jobs, leading to a social revolution that continues today." —Kirkus Reviews Surviving the 1941 Blitz and the predator in her small Shropshire village, policeman's daughter Grace Baxter moves to Newcastle-on-Tyne. Situated on the northern bank of the River Tyne, the ancient northeast city developed around the Roman settlement Pons Aelius—named for the Emperor Hadrian who built the famous wall right at the edge of the then civilized world. No matter its later history as a wool trade, then coal mining center, and the ship building that makes it a German bombing target, Newcastle's Roman past won't be ignored. Grace is eager to explore city life. And she's turned professional with an official job in the city's constabulary. The war means women can find work, even if most men in the job discount if not actively resent her. Grace's arrival coincides with the discovery of the body of a young woman, curiously difficult to identify, at the scanty ruins of a Roman temple situated across from a church. The bone-numbing cold, the fogs, and the Blitz, not to mention to peculiar behavior of some of the citizens and the hostility directed towards a woman in man's work, test Grace's resolve to be an effective officer. There are many potential leads, and much suspicious behavior to sort through. What role do ancient rituals play in the murder and what follows? What current misbehavior or crimes is someone, or someones, desperate to cover up? The investigation, carried out through fog and blackout and fear as well as the hostility of her colleagues, tests Grace's resolve to be an effective officer. Will it also endanger her life?
The seventh volume in Knopf’s critically acclaimed Complete Lyrics series, published in Johnny Mercer’s centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Johnny Mercer’s early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, “Too Marvelous for Words,” “Jeepers Creepers,” “Skylark,” “I’m Old-Fashioned,” and “That Old Black Magic.” During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to “On the Atchison, Topeka, and the Santa Fe” (music by Warren), “In the Cool, Cool, Cool of the Evening” (music by Carmichael), and “Moon River” and “Days of Wine and Roses” (music for both by Henry Mancini). You’ve probably fallen in love with more than a few of Mercer’s songs–his words have never gone out of fashion–and with this superb collection, it’s easy to see that his lyrics elevated popular song into art.
By the 1850s Yancey was a key leader in the movement for disunion, proclaiming himself the defender and embodiment of the South. He defied Northern Democrats at their national nominating convention in 1860, rending the party and setting the stage for secession after the election of Abraham Lincoln. Selected to introduce Jefferson Davis in Montgomery as the president-elect of the Confederacy, Yancey went on to serve as the Confederacy's first diplomatic commissioner to England and France and then as a senator from Alabama before his death in 1863, just short of his forty-ninth birthday.".
Now, New York Times bestselling writer Eric Van Lustbader carries on Jason Bourne's story with a new novel about the rogue secret agent who has lost his memory . . . In this thrilling and absorbing new novel Jason Bourne is faced with an impossible mission. He has been hired to impersonate a high-level government minister at a political summit meeting in Qatar, shielding the minister from any assassination attempts. Suddenly, armed gunmen storm the room, killing everyone but Bourne. Their target, however, isn't the minister Bourne impersonates....it is Bourne himself. Kidnapped and transported to an underground bunker, Bourne finds himself face-to-face with an infamous terrorist named El Ghadan ("Tomorrow"). El Ghadan holds as his captive Soraya Moore, former co-director of Treadstone, and a close friend to Bourne, along with her two year old daughter. Meanwhile, the President of the United States is in the midst of brokering a historic peace treaty between the Israelis and the Palestinians-an event that El Ghadan is desperate to prevent. He demands that Bourne carry out a special mission: kill the President. If Bourne refuses, Soraya and her daughter will die. Bourne must make a monstrous choice: save Soraya and her daughter, or save the President.
Despite appearing in twenty-eight movies in little over a decade, Carole Landis (1919-1948) never quite became the major Hollywood star her onscreen presence should have afforded her. Although she acted in such enduring films as A Scandal in Paris and Moon over Miami, she was most often relegated to supporting roles. Even when she played the major role in a feature, as she did in The Powers Girl and the film noir Wake Up Screaming!, she was billed second or third behind other actors. This biography traces Landis's life, chronicling her beginnings as a dance hall entertainer in San Francisco, her career in Hollywood and abroad, her USO performances, and ultimately her suicide. Using interviews with actors who worked with Landis, contemporary movie magazines and journals, and correspondence, biographer Eric Gans reveals a tragic figure whose life was all too brief. Landis's big break came in 1940 with Hal Roach's One Million B.C. She appeared in thirteen Twentieth Century-Fox pictures between 1941 and 1946. In 1942-1943, Landis entertained troops in England and North Africa in the only all-female USO tour. The trip led to her memoir, Four Jills in a Jeep, and a Fox movie of the same title. After her last American film in 1947, she completed two projects in England while having an affair with married actor Rex Harrison. Tormented by a love that could not lead to matrimony and depressed about growing older, she took a fatal drug overdose on July 5, 1948.
What has it meant to be Jewish in a nation preoccupied with the categories of black and white? The Price of Whiteness documents the uneasy place Jews have held in America's racial culture since the late nineteenth century. The book traces Jews' often tumultuous encounter with race from the 1870s through World War II, when they became vested as part of America's white mainstream and abandoned the practice of describing themselves in racial terms. American Jewish history is often told as a story of quick and successful adaptation, but Goldstein demonstrates how the process of identifying as white Americans was an ambivalent one, filled with hard choices and conflicting emotions for Jewish immigrants and their children. Jews enjoyed a much greater level of social inclusion than African Americans, but their membership in white America was frequently made contingent on their conformity to prevailing racial mores and on the eradication of their perceived racial distinctiveness. While Jews consistently sought acceptance as whites, their tendency to express their own group bonds through the language of "race" led to deep misgivings about what was required of them. Today, despite the great success Jews enjoy in the United States, they still struggle with the constraints of America's black-white dichotomy. The Price of Whiteness concludes that while Jews' status as white has opened many doors for them, it has also placed limits on their ability to assert themselves as a group apart.
In this in-depth look at major league sports, Eric Leifer traces the growth and development of major leagues in baseball, football, basketball, and hockey, and predicts fundamental changes as the majors pursue international expansion. He shows how every past expansion of sports publics has been accompanied by significant changes in the way sporting competition is organized. With each reorganization, the majors have created teams closer in ability, bringing repetition to competition across time, only to expand and energize the public's search for differences between teams and for events that disrupt the repetitive flow. The phenomenal success of league sports, Leifer writes, rests on their ability to manufacture inequalities for fans to latch on to without jeopardizing the equalities that draw fans in. Leifer supports his theory with historical detail and statistical analysis. He examines the special concerns of league organizers in pursuing competitive balance and presents a detailed analysis of how large-city domination has been undermined in the modern era of Major League Baseball. Using games from the four major league sports, he then shows how fans can themselves affect the course of competition. In NFL football, for example, fans account for nearly all of the persisting inequality in team performance. The possibility of sustaining inequality among equals emerges from the cross-pressures that fans and leagues place on competition. With substantial data in hand, Leifer asks the essential question facing the leagues today: how can they sustain a situation that depends entirely on simultaneous equality and contention, one in which fan involvement may evaporate as soon as one team dominates? His answer has significant implications for the future of major league sports, both nationally and internationally.
A young boy huddles in the bushes, the sole survivor of an arson fire. A traveler lands in jail after a bar fight. A passing motorist discovers a mutilated body behind a convenience store counter. One of the world’s richest women is clubbed to death in her mansion. A woman is shot and killed in a remote log cabin. A hardened detective pushes to solve a cold case murder. A desperate sister races to save her brother’s life. An idealistic trial lawyer suddenly confronts the stark nature of truth. Undone Justice is a tale of Truth. Truth, you see, is the lynchpin of Justice. And Justice, once done, can’t be Undone. Can it?
Beginning with a short intellectual history of the academic culture wars, Eric Adler’s book examines popular polemics including those by Allan Bloom and Dinesh D’Souza, and considers the oddly marginal role of classical studies in these conflicts. In presenting a brief history of classics in American education, the volume sheds light on the position of the humanities in general. Adler dissects three significant controversies from the era: the so-called AJP affair, which supposedly pitted a conservative journal editor against his feminist detractors; the brouhaha surrounding Martin Bernal’s contentious Black Athena project; and the dustup associated with Victor Davis Hanson and John Heath’s fire-breathing jeremiad, Who Killed Homer? He concludes by considering these controversies as a means to end the crisis for classical studies in American education. How can the study of antiquity—and the humanities—thrive in the contemporary academy? This book provides workable solutions to end the crisis for classics and for the humanities as well. This major work also includes findings from a Web survey of American classical scholars, offering the first broadly representative impression of what they think about their discipline and its prospects for the future. Adler also conducted numerous in-depth interviews with participants in the controversies discussed, allowing readers to gain the most reliable information possible about these controversies. Those concerned about the liberal arts and the best way to educate young Americans should read this book. Accessible and jargon-free, this narrative of scholarly scandals and their context makes for both enjoyable and thought-provoking reading.
Pulitzer Prize-winning historian Eric Foner tells the story of how, between 1830 and 1860, three remarkable men from New York city - a journalist, a furniture polisher, and a black minister - led a secret network that helped no fewer than 3,000 fugitive slaves from the southern states of America to a new life of liberty in Canada.
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