Like the haggadah, the traditional “telling” of the story of the Israelites’ exodus from Egypt that is read at the Passover seder, cinema offers a valuable text from which to gain an understanding of the social, political, and cultural realities of Jews in America. In an industry strongly influenced by Jewish filmmakers who made and continue to make the decisions as to which films are produced, the complex and evolving nature of the American Jewish condition has had considerable impact on American cinema and, in particular, on how Jews are reflected on the screen. This groundbreaking study analyzes select mainstream films from the beginning of the sound era to today to provide an understanding of the American Jewish experience over the last century. In the first half of the twentieth century, Hollywood’s movie moguls, most of whom were Jewish, shied away from asserting a Jewish image on the screen for fear that they might be too closely identified with that representation. Over the next two decades, Jewish moviemakers became more comfortable with the concept of a Jewish hero and with an overpowered, yet heroic, Israel. In time, the Holocaust assumed center stage as the single event with the greatest effect on American Jewish identity. Recently, as American Jewish screenwriters, directors, and producers have become increasingly comfortable with their heritage, we are seeing an unprecedented number of movies that spotlight Jewish protagonists, experiences, and challenges.
Presents an approach to opening doors in today's music industry, explaining how a song becomes a hit, what makes a single, and the formula for creating a hit, with exercises to hone skills and expose talents.
Ethical Considerations When Preparing a Clinical Research Protocol, Second Edition, provides a foundation for improving skills in the understanding of ethical requirements in the design and conduct of clinical research. It includes practical information on ethical principles in clinical research, how to design appropriate research studies, how to consent and assent documents, how to get protocols approved, special populations, confidentiality issues, and the reporting of adverse events. The book's valuable appendix includes a listing of web resources about research ethics, along with a glossary, making it an invaluable resource for scientists collaborating in clinical trials, physician investigators, clinical research fellows, and more. Walks investigators and trainees through the identification of the ethical aspects of each section of a clinical research protocol Includes case histories that illustrate key points Contains information on conducting clinical research within the pharmaceutical industry Includes internet resources and worldwide web addresses for important research ethics documents and regulations Contains a chapter on Study Design and Methodology that is purposely expanded to explicitly address biostatistical considerations
The seventh volume in Knopf’s critically acclaimed Complete Lyrics series, published in Johnny Mercer’s centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Johnny Mercer’s early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, “Too Marvelous for Words,” “Jeepers Creepers,” “Skylark,” “I’m Old-Fashioned,” and “That Old Black Magic.” During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to “On the Atchison, Topeka, and the Santa Fe” (music by Warren), “In the Cool, Cool, Cool of the Evening” (music by Carmichael), and “Moon River” and “Days of Wine and Roses” (music for both by Henry Mancini). You’ve probably fallen in love with more than a few of Mercer’s songs–his words have never gone out of fashion–and with this superb collection, it’s easy to see that his lyrics elevated popular song into art.
The Neuroscience of Bach’s Music: Perception, Action, and Cognition Effects on the Brain is a comprehensive study of Johann Sebastian Bach’s music through the lens of neuroscience and examining neuroscience using Bach’s music as a tool. This book synthesizes cognitive neuroscience, music theory, and musicology to provide insights into human cognition and perception. It also explores how a neuroscience perspective can improve listening and performing experiences for Bach’s music. Written by a physician-neuroscientist recognized for scholarly articles on Bach’s music, this book uses specific examples to explore neuroscience across Bach’s compositions. The book is structured to discuss the brain’s action, perception, and cognition as connected to specific Bach concertos, tones, notes, and performances. Two guest contributors provide insight into exact mathematical, or topologic, and music theoretic aspects of Bach’s music with implications for cognitive neuroscience. The Neuroscience of Bach’s Music: Perception, Action, and Cognition Effects on the Brain is a vital source for neuroscientists, especially those studying the cognitive effects of music, as well as musicians and students alike. Links specific features and unique characteristics of Bach’s music to perceptual and cognitive neuroscience processes Requires only an interest in music or basic music training Accompanied by a companion website with music examples mentioned in the book
Commercial Law' offers a fresh and stimulating account of the subject, thereby helping students better understand this important area of law. It provides thorough coverage of all key aspects of the syllabus, including the law of agency, the sale of goods, international trade, methods of payment, finance and security.
First published in 1984 and reissued to coincide withthe publication of the second volume, this selection of the 250 best jazz records traces the earliest roots of the music to the beginnings of the modern jazz era. Volume One's focus is on LP collections of 78 rpm originals and nearly every significant musician--both familiar and obscure--of early 20th-century jazz is listed. For each record listed, full details of personnel, recording dates and locations are provided.
Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
Examining the blues genre by region, and describing the differences unique to each, make this a must-have for music scholars and lay readers alike. A melding of many types of music such as ragtime, spiritual, jug band, and other influences came together in what we now call the blues. Blues: A Regional Experience is the most comprehensive and up-to-date reference book of blues performers yet published, correcting many errors in the existing literature. Arranged mainly by ecoregions of the United States, this volume traces the history of blues from one region to another, identifying the unique sounds and performers of that area. Each section begins with a brief introduction, including a discussion of the region's culture and its influence on blues music. Chapters take an in-depth look at blues styles from the following regions: Virginia and the tidewater area, Carolinas and the Piedmont area, the Appalachians and Alabama, the Mississippi Delta, Greater Texas, the Lower Midwest, the Midwest, the Northeast, and California and the West. Biographical sketches of musicians such as B.B. King and T-Bone Walker include parental data and up-to-date biographical information, including full names, pseudonyms, and burial place, when available. The work includes a chapter devoted to the Vaudeville era, presenting much information never before published. A chronology, selected artists' CD discography, and bibliography round out this title for students and music fans.
(Berklee Press). Making Music Make Money will educate songwriters, as well as aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Topics include a discussion of the various roles a publisher plays in the music business: collection, administration, protection, exploitation and evaluation. A major emphasis is placed on the exploitation process, and the importance of creating a sound business model for a new publishing venture. Eric Beall is a Creative Director for Zomba Music Publishing, as well as a former songwriter and record producer. In his role at Zomba, Eric has signed and developed top writers including Steve Diamond, KNS Productions, and Riprock & Alex G. and has coordinated and directed Zomba writers in the development of material for Jive Records pop superstars like Backstreet Boys, *NSYNC, Britney Spears and Aaron Carter. He graduated Summa Cum Laude from Berklee College of Music.
For anyone who is teaching or planning to teach English as a foreign language ... focuses especially on teaching at secondary-school level and above"--Page xiii.
It's 1971 and rock and roll was at its height. Small-time Australian agent Wayne Zemmerman scored an unimaginable coup when he signs British supergroup Andromeda for a nationwide tour. Showbiz reporter Scottie McPherson smells a rat and starts his investigation. The Sound Mixers is a dramatic expose of the rock industry: fiction that reads like fact. A gripping story that moves at breathtaking pace to a devastating climax, Performers, promoters, manipulators, illusion creators - the characters which inhabit the world of rock'n’roll are ruthlessly dissected in an intricate plot full of shocks and suspense. Big business is the name of the game; a game in which the tough survive… but even then not always. He clears up some old mysteries too - like what really happened on the night when American TV star Michael Cole swore on live TV at the Australian Logie Awards and how the Beatles came by their trademark haircut. But it is not all showbiz; the memoirs take us through the childhood fun and games of World War II in the UK, the miseries of teen hood and the horrors and fun of National Service, not to mention the personal traumas of five marriages and break-ups. The stories from a great raconteur run through eight decades, from 1939 through to 1970 in the UK and from then on in Australia. The book gives a shrewd insight to the changing lifestyles through those decades and through the eyes of a professional observer.
It is surely not coincidental that the term 'soul' should mean not only the centre of a creature's life and consciousness, but also a thing or action characterised by intense vivacity ('that bike's got soul!'). It also seems far from coincidental that the same contemporary academic discussions that have largely cast aside the language of 'soul' in their quest to define the character of human mental life should themselves be so bloodless, or so lacking in soul. The Resounding Soul arises from the opposite premise: that the task of understanding human nature is bound up with the more critical task of learning to be fully human. The papers collected here are derived from a conference in Oxford sponsored by the Centre of Theology and Philosophy and explore the often surprising landscape that emerges when human consciousness is approached from this angle. Drawing upon literary, philosophical, theological, historical, and musical modes of analysis, these essays remind the reader of the power of the ancient language of soul over against contemporary impulses to reduce, fragment, and overly determine human selfhood.
This title makes possible a deep intuitive understanding of many aspects of sound, as opposed to the usual approach of mere description. This goal is aided by hundreds of original illustrations and examples, many of which the reader can reproduce and adjust using the same tools used by the author.
A retrospective of the television program celebrates fifty years of news broadcasts, interviews, and commentary, from early days to the present day team of Katie Couric and Matt Lauer, accompanied by a DVD.
“This volume by Eric Blake is one of the most practical and helpful resources I’ve seen for people who are new in their faith or for those who struggle with doubts about their faith. Not just loaded with facts or arguments, What Is Your Choice? reads more like a conversation you’re having in a coffee shop with the various contributors who share about their own spiritual journeys. God is going to use this book in a powerful way!” —Anthony George, senior pastor of First Baptist Atlanta “If you are questioning God’s character, His authority, or honestly just have a lot of questions, this book is a safe place to ask those questions and receive some answers. We remember each going through a season of doubt and feeling so lonely. But this book would have been such an incredible resource for us at the time. We are confident this book will aid you in your journey with God!” —Nick and Chelsea Hurst, authors of Marriage Minded “I have had the pleasure of talking to Dr. Blake several times, and I can truly see God’s light shining through him. This book clearly and thoroughly answers some of the most-asked questions about the Christian faith and God’s Word, and I can attest that Dr. Blake lives his life in accordance to what he writes. Being easily comprehensible for the nonbeliever who is curious about the foundation of God’s Word but thoroughly written for the lifelong Christian who is questioning his or her faith, this book is a straight shot to a closer walk with God.” —Carson Peters, musician from NBC’s The Voice “I first met Eric when he got plugged into The Journey Church in NYC. His reason for doing so—‘I love the way this church is outwardly focused and determined to share the life-changing Gospel of Jesus Christ with New York City.’ Eric is determined to use his life and giftedness—not just to share the Gospel but to equip, empower, and encourage others to do the same because there is nothing more important to give our lives to (Acts 20:24). Let this book equip, empower, and encourage you to share your faith with your family, friends, and community.” —Kerrick Thomas, pastor of The Journey Church NYC
Symmetric designs are an important class of combinatorial structures which arose first in the statistics and are now especially important in the study of finite geometries. This book presents some of the algebraic techniques that have been brought to bear on the question of existence, construction and symmetry of symmetric designs - including methods inspired by the algebraic theory of coding and by the representation theory of finite groups - and includes many results. Rich in examples and containing over 100 problems, the text also provides an introduction to many of the modern algebraic approaches used, through six lengthy appendices and supplementary problems. The book will be of interest to both combinatorialists and algebraists, and could be used as a course text for a graduate course.
This text provides a fresh and engaging perspective on psychology's history, covering the discipline's development around the world and highlighting its interdisciplinary nature. It offers comprehensive coverage of both classical and contemporary systems of thought, connects psychology to evolving society and culture from ancient times to today, and provides scores of contemporary applications that draw students into the topic. Clarity of coverage, illustrative examples, visual aids, and critical thinking questions make this text enjoyable for instructor and student alike.
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
Sitting at the intersection of music psychology, analysis, and critical musicology, the book presents an appraisal of cognitive and ecological accounts of perception as well as detailed analytical discussions of musical examples."--Jacket.
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