Available Open Access under CC-BY licence. Irish law currently permits abortion only where the life of the pregnant woman is at risk. Since 1983, the 8th Amendment to the Constitution has recognised the “unborn” as having a right to life equal to that of the “mother”. Consequently, most people in Ireland who wish to bring their pregnancies to an end either import the abortion pill illegally, travel abroad to access abortion, or continue with the pregnancy against their will. Now, however, there are signs of change. A constitutional referendum will be held in 2018, after which it will be possible to reimagine, redesign, and reform the law on abortion. Written by experts in the field, this book draws on experience from other countries, as well as experiences of maternal medical care in Ireland, to call for a feminist, woman-centered, and rights-based radical new approach to abortion law in Ireland. Directly challenging grounds-based abortion law, this accessible guide brings together feminist analysis, comparative research, human rights law, and political awareness to propose a new constitutional and legislative settlement on reproductive autonomy in Ireland. It offers practical proposals for policymakers and advocates, including model legislation, making it an essential campaigning tool leading up to the referendum.
A novel based on the life of the nineteenth-century Irishwoman who became Paraguay’s Eva Peron, from the Man Booker Prize–winning author of The Gathering and Actress. In the spring of 1854 in Paris, Francisco Solano López came to the house of Eliza Lynch to improve his French, or so he said. Eliza was nineteen, already with an ex-husband, and he was the young son of Paraguay’s dictator in Europe recruiting engineers for South America’s first railroad. By the time he returned to Asunción in 1855, Eliza was pregnant with his child. In less than a decade, López plunged Paraguay into a conflict that would kill over half its population. By then Eliza was notorious—as both the angel of the battlefield inspiring the troops, and the demon whose rapacious appetites drove López’s fatal ambition. This is her story, in which “Enright artfully explores the power of beauty and the beauty of power, and finds them remarkably similar as neither leads to a good end” (Booklist). “The magical realism of Gabriel García Márquez . . . springs to mind.” —The Guardian “Water, an element as silvery and unpredictable as Enright’s extraordinary prose . . . transports Eliza from Ireland to Europe . . . to Paraguay and back to Britain.” —The New York Times Book Review
Available Open Access under CC-BY licence. Irish law currently permits abortion only where the life of the pregnant woman is at risk. Since 1983, the 8th Amendment to the Constitution has recognised the “unborn” as having a right to life equal to that of the “mother”. Consequently, most people in Ireland who wish to bring their pregnancies to an end either import the abortion pill illegally, travel abroad to access abortion, or continue with the pregnancy against their will. Now, however, there are signs of change. A constitutional referendum will be held in 2018, after which it will be possible to reimagine, redesign, and reform the law on abortion. Written by experts in the field, this book draws on experience from other countries, as well as experiences of maternal medical care in Ireland, to call for a feminist, woman-centered, and rights-based radical new approach to abortion law in Ireland. Directly challenging grounds-based abortion law, this accessible guide brings together feminist analysis, comparative research, human rights law, and political awareness to propose a new constitutional and legislative settlement on reproductive autonomy in Ireland. It offers practical proposals for policymakers and advocates, including model legislation, making it an essential campaigning tool leading up to the referendum.
From a Man Booker Prize–winning author, a “hauntingly eloquent” novel of love, loss, family, and what a woman finds while in search of herself (The Seattle Times). Born in Dublin in 1965, Maria Delahunty was raised by her grieving father after her mother died during childbirth. Two decades later, Maria is living in New York awash in longing and in love with the wrong man. Going through his things, she discovers a photograph of a little girl who looks an awful lot like her—but isn’t her. Soon Maria begins to unravel a long-buried secret more devastating than her father’s mourning, but bursting with possibility . . . “Glittering . . . An Irish woman with a plate of steel somewhere between her skin and her heart . . . must travel back and forth, from childhood memories to the present, ratcheting herself up to adulthood as so many of us do.” —Susan Salter Reynolds, Los Angeles Times Book Review “So sad that you want to laugh out loud. [This novel] deals with areas of experience and patterns of living that no one else has noticed.” —Colm Tóibín, New York Times–bestselling author of Brooklyn “The emotional tautness springing from bare-bones storytelling suggests Raymond Carver. The penetrative exploration of domestic relationships, especial among women, calls to mind . . . Anne Tyler.” —Newsday
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