Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels-such as Wyndham Lewis's The Apes of God, William Gaddis's The Recognitions, and Gilbert Sorrentino's Imaginative Qualities of Actual Things-were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.
In 2005, the Australian Federal Police referred eight Islamic books to the Australian Classification Board. The goal was to secure a ban of the books, all of which were alleged to advocate 'terrorist acts'. After nearly a year of review, and intense public debate, two of the books were refused classification and effectively banned in a move that would have severe repercussions for librarians, scholars, authors and the state of free speech in Australia. Banning Islamic Books in Australia examines the cultural and political contexts that led up to the ban, and the content of the books themselves in an attempt to determine what it was that made them seem so dangerous. It also documents the unintended consequences of the ban on library collections and academic freedom, and how this in turn affects free speech in contemporary Australia. Islamic Studies Series - Volume 9
Gerald Murnane is one of Australia’s most celebrated authors whose experimental and deeply idiosyncratic style has attracted rave reviews, including profiles in The New Yorker and The New York Times. Murnane’s writing combines fiction with autobiography and returns obsessively to his particular and uncommon interests: horse-racing, marbles, stained glass, Catholic iconography, hermetic writers, and the Australian landscape. His fiction offers a window into what it means to be human, and how books and reading shape our self-understanding. Murnane examines the writer’s recent work to explain both its significance to Australian literature and provide readers with a deeper understanding of his complex and self-referential fiction.
Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels-such as Wyndham Lewis's The Apes of God, William Gaddis's The Recognitions, and Gilbert Sorrentino's Imaginative Qualities of Actual Things-were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.
In 2005, the Australian Federal Police referred eight Islamic books to the Australian Classification Board. The goal was to secure a ban of the books, all of which were alleged to advocate 'terrorist acts'. After nearly a year of review, and intense public debate, two of the books were refused classification and effectively banned in a move that would have severe repercussions for librarians, scholars, authors and the state of free speech in Australia. Banning Islamic Books in Australia examines the cultural and political contexts that led up to the ban, and the content of the books themselves in an attempt to determine what it was that made them seem so dangerous. It also documents the unintended consequences of the ban on library collections and academic freedom, and how this in turn affects free speech in contemporary Australia. Islamic Studies Series - Volume 9
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