Political Thought and the Public Sphere in Tanzania is a study of the interplay of vernacular and global languages of politics in the era of decolonization in Africa. Decolonization is often understood as a moment when Western forms of political order were imposed on non-Western societies, but this book draws attention instead to debates over universal questions about the nature of politics, concept of freedom and the meaning of citizenship. These debates generated political narratives that were formed in dialogue with both global discourses and local political arguments. The United Nations Trusteeship Territory of Tanganyika, now mainland Tanzania, serves as a compelling example of these processes. Starting in 1945 and culminating with the Arusha Declaration of 1967, Emma Hunter explores political argument in Tanzania's public sphere to show how political narratives succeeded when they managed to combine promises of freedom with new forms of belonging at local and national level.
Since the beginning in 1943, the mission of the Gamma Sigma Omega Chapter of Alpha Kappa Alpha Sorority has been to cultivate scholastic and ethical standards, to promote unity and friendship among college women, and to be of service to all mankind. Timeless Service in Gamma Sigma Omega Chapter chronicles the history of the women who sojourned in the life of one chapter of the first Black female Greek letter organization and the events that impacted their journey in Savannah, Georgia, from 1943 to 2012. Emma Jean Hawkins Conyers, former president of the GSO Chapter, begins with the story of Adeline Graham, a white philanthropist who bequeathed funds to the chapter for use in establishing an orphanage for Negro children, and reveals how the chapter responded to the challenge. As she continues the chapter's history through the years, Conyers shares notable details on members, awards, community projects, and events that helped to preserve a legacy that endures to this day. Timeless Service in Gamma Sigma Omega Chapter captures the spirit of unity, sisterhood, and service that still drives the sorority to fulfill the mission after commencing nearly seven decades ago.
This revised and updated edition continues to provide a comprehensive introduction to the subject, exploring the world’s landforms from a broad systems perspective. It covers the basics of Earth surface forms and processes, while reflecting on the latest developments in the field. Fundamentals of Geomorphology begins with a consideration of the nature of geomorphology, including its relation to society, process and form, history, and geomorphic systems, and moves on to discuss: • Structure: structural landforms associated with plate tectonics and those associated with volcanoes, and folds, faults, and joints. • Process and form: landforms resulting from, or influenced by, the exogenic agencies of weathering, running water, flowing ice and meltwater, ground ice and frost, the wind, and the sea; landforms developed on limestone; extraterrestrial landforms; and landscape evolution, a discussion of ancient landforms. Fundamentals of Geomorphology provides a stimulating and innovative perspective on the key topics and debates within the field of geomorphology. Written in an accessible and lively manner, it includes guides to further reading, chapter summaries, and an extensive glossary of key terms. The book is also illustrated throughout with over 200 informative diagrams and attractive photographs, all in colour. It is supported by online resources for students and instructors.
The long-awaited conclusion to the series that mixes modern urban fantasy with Regency/Victorian society from “an extraordinary new voice in SF/F” (Paul Cornell, Hugo Award-winning author). As the Iris family consolidates their hold on society within the secret world of the Nether, William Iris finds himself more powerful and yet more vulnerable than ever. His wife, Cathy, has left him, a fact that will destroy him if it becomes public. To keep his position—and survive—he needs to get her back, whatever the cost. Cathy has finally escaped the Nether but hates that she must rely so heavily on Sam’s protection. When the strange sorceress Beatrice offers her a chance to earn true freedom by joining the quest Sam has been bound to, Cathy agrees. But can she and Sam navigate Beatrice’s plans for the future without becoming two more of her victims? And Beatrice, a self-taught and powerful killer, is not without her enemies. Rupert, the last sorcerer of Albion, is obsessed with finding and destroying her. He orders Max and his gargoyle to help him, pulling them away from protecting innocents. As the Arbiter and his partner face the ugly side of their responsibilities to Rupert, they begin to question where their loyalties should truly lie. Amidst death, deceit, and the fight for freedom, friendships are tested, families are destroyed, and heroes are forged as the battle to control the Split Worlds rages to its climatic conclusion. Praise for the Split Worlds series “JK Rowling meets Georgette Heyer.”—The Guardian “Learning to be a young lady has never seemed so dangerous.”—Mary Robinette Kowal, Hugo and Nebula Award-winning author
For Sarah Hawke, daughter of an impoverished miner, life offered little beyond the grime of Glasgow in the 1890s and the eternal drudgery of back-breaking work. Until a mysterious stranger entered her life. A stranger who turned out to be her real father - and the owner of a vast and prosperous shipping empire. Catapulted into a world of luxury, of servants and stately homes, Sarah begins a new and glittering life. As sole heiress to a fortune, she has much to gain - and everything to lose. For she takes over the business, and with it the risks and rivalry, deceit and intrigue - and the prospect of undying love . . . From Scotland to Paris, from Jamaica to South Africa, Sarah charms - and fights - her way to success against all odds. For she is dealing in a man's world, where the only way to succeed is to be a most determined woman. Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
Originally published in 1934 and rushed to press only three months after Clyde Barrow and Bonnie Parker met their bloody end, Fugitives: The Story of Clyde Barrow and Bonnie Parker, offers a behind the scenes glimpse into the lives of two of America’s most infamous criminals. The story is told by their family members who often met them in secret locations and dreaded the news of their deaths daily. While some researchers question many of the facts in the original book, it does contain letters, diary entries and more that will help the reader draw their own conclusions about this deadly duo.
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).
The role of education in prisons, prisoners' decisions regarding education, the impact of prison culture on either encouraging or discouraging such activities, and the potential consequences of education for prisoners' reentry into society all have important implications. This extended analysis of prisoner education represents a unique contribution to an under-researched field, whilst also making important and original connections between research on education in prison and the literature on adult learning in the community. Through offering crucial insights into the varied motivations and disincentives that inform prisoners' decisions to study in prison (whether it be through distance learning or prison-based classes), the reader is also able to consider factors that inform decisions to engage in a broader range of positive and constructive activities whilst in prison. These research findings provide insight into how prison culture and prison policies may impact upon rehabilitative endeavour and suggest ways in which prisons may seek to encourage constructive and/ or rehabilitative activities amongst their inhabitants if desired. Based on interviews and questionnaires completed by British adult prisoners studying through distance learning, this qualitative study offers a valuable complement and counterpart to prison education studies that focus on measuring recidivism rates. The learner-centred approach used yields a nuanced and complex understanding of the varied ways in which education in prison actually operates and is experienced, and considers the consequences of this for the students' lives. As such, the findings offer further insight into important evidence resulting from recidivism studies reviewed within the book, whilst contributing to the reemerging interest in studies of prison life and prison culture that are based on prisoner interviews.
Victor Frankenstein is the first to unlock the key to life, but not the last. Over two centuries of relentless advancement, five more minds find the secret, and five more creatures are made. Five more stories end in tragedy. From the stinking streets of 1850s London to the sun-drenched hysteria of a modern cruise liner, amidst passion, jealousy, art, obsession, desperation and war, Creatures is a hidden history of a forbidden science.
______________ 'Emma Smith has written a book that should - and I hope does - endure as a classic among memoirs of childhood. I savoured every page' - Miranda Seymour, Evening Standard 'A wonderful book, full of unexpected effects, and I suspect that it will become a classic of the genre ... so sincerely compassionate that I honestly can't read it without weeping' - Lynne Truss, Sunday Times 'Evocative, witty and profoundly moving' - Daily Telegraph 'Deserves to become an overnight classic and to find a home at holiday cottage bedsides from St. Ives to Great Yarmouth' - Patrick Gale, author of Notes on an Exhibition ______________ The Great Western Beach is Emma Smith's wonderfully atmospheric memoir of a 1920s childhood in Newquay, Cornwall. She recalls the rocks, the sea, the beaches, the picnics, the teas and pasties, the bracing walks, the tennis tournaments and bathing parties, the curious residents and fascinating holiday-makers - relishing every glorious, salty detail. But above all this is a portrait of a family from the astonishingly clear-eyed perspective of a nine-year-old girl: her furious, frustrated father, perpetually on his way to becoming a world famous artist but suffering the indignity of being a lowly bank clerk; her beautiful, unperceptive mother, made for better things perhaps but at least, with three fiancés killed in the Great War, married with children at last; the twins, fearless, defiant Pam and sickly, bewildered Jim, for whom life is always an uphill climb, and baby Harvey, brought on the same winds of change that mean that life, with all its complication and wonder, cannot stay still and the Cornish playground of Emma's childhood will one day be lost forever.
Minimal Semantics asks what a theory of literal linguistic meaning is for - if you were to be given a working theory of meaning for a language right now, what would you be able to do with it? Emma Borg sets out to defend a formal approach to semantic theorizing from a powerful contemporary opponent - advocates of what she call 'dual pragmatics'. According to dual pragmatists, rich pragmatic processes play two distinct roles in linguistic comprehension: as well as operating in a post-semantic capacity to determine the implicatures of an utterance, they also operate prior to the determination of truth-conditional content for a sentence. That is to say, they have an integral role to play within what is usually thought of as the semantic realm. Borg believes dual pragmatic accounts constitute the strongest challenge to standard formal approaches to semantics since they challenge the formal theorist to show not merely that there is some role for formal processes on route to determination of semantic content, but that such processes are alone sufficient for determining content. Minimal Semantics provides a detailed examination of this dual pragmatic position, introducing readers who are unfamiliar with the topic to key ideas like relevance theory and contextualism, and looking in detail at where these accounts diverge from the formal approach. Borg's defence of formal semantics has two main parts: first, she argues that the formal approach is most naturally compatible with an important and well-grounded psychological theory, namely the Fodorian modular picture of the mind. Then she argues that the main arguments adduced by dual pragmatists against formal semantics - concerning apparent contextual intrusions into semantic content - can in fact be countered by a formal theory. The defence holds, however, only if we are sensitive to the proper conditions of success for a semantic theory. Specifically, we should reject a range of onerous constraints on semantic theorizing (e.g., that it resolve epistemic or metaphysical questions, or that it explain our communicative skills). So Borg's answer to the question of what a semantic theory is for has a particular, minimal slant.
At a young age I went to live with my grandmother Lizzie Robinson until I was about (10) years old. My grandmother and I had lots of fun doing things together, All the stories she told me about her life and grown up in Louisiana, in a little place called Byseria south of Jackson Louisiana were she live and work on this plantation.
Chapters on Asia features selected papers written by scholars who have been awarded the National Library’s Lee Kong Chian Research Fellowship. These works examine the history and heritage of Singapore and the region, and contain fresh research based on materials and resources from the collections of the National Library and National Archives of Singapore.
The legendary Jimi Hendrix has had all kinds of superlatives bestowed on him since his incendiary debut in 1966, but Lou Reed’s pithy summation beats the lot: ‘...he was such a bitching guitar player’. Jimi Hendrix On Track explores each thrilling song and album, drawing out exactly what made Hendrix not only a great guitarist but also a vocalist, arranger, interpreter, producer and songwriter of genius. Hendrix’s revolutionary albums with The Experience and Band of Gypsys are discussed in detail, as are his posthumous releases from First Rays of the Rising Sun to Both Sides of the Sky. His early work as a session player for acts like The Isley Brothers, Little Richard and even Jayne Mansfield is considered, along with his later work as a guest star on albums by Stephen Stills, Robert Wyatt, and McGear and McGough, and not forgetting his blistering work as a producer for Eire Apparent. From psychedelic odysseys to progressive blues to proto-metal to funk-rock, Hendrix mastered them all. Jimi Hendrix On Track is an informative guide to some of the 20th century’s most extraordinary recordings. Emma Stott missed out on the 1960s and the 1970s and she still isn’t over it, so writing about the greatest decades in rock music helps with her loss. She also writes about literature and education, being an English teacher by day in Manchester, UK, where she forbids any ‘dark sarcasm’ in her classroom.
In Access to Courts for Asylum Seekers and Refugees, Emma Dunlop focuses on the scope and content of article 16 of the 1951 Refugee Convention. Under this article, States are obligated to provide asylum seekers and refugees with access to courts. This obligation entails a requirement to ensure 'effective' access, which may call for accommodations to be made to address individual vulnerabilities -where, for example, a person does not speak the language of the court or lacks easy access to a lawyer. It also guarantees additional rights to those who have attained 'habitual residence' in the host country. Access to courts is a critical gateway right, the denial of which can prevent a person from defending other rights under domestic law. Yet, until now, article 16 has not received extensive scrutiny. In the first dedicated monograph on article 16 of the 1951 Convention, Dunlop positions the article within the broader context of international human rights law, customary international law, and general principles of law, presenting a comprehensive account of asylum seekers' and refugees' right of access to courts. Taking an evolutionary approach to treaty interpretation, the book interrogates the scope and content of the article, evaluating the extent of its obligations. Despite developments in international human rights law since the article's adoption, Access to Courts for Asylum Seekers and Refugees argues that it remains a relevant and robust source of protection. Offering rigorous and reasoned analysis of this critical provision, Dunlop advances a principled approach to interpreting article 16.
Whether for weavers at the handloom, labourers at the plough or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialisation. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical silence reigned with industrialisation, until the carefully controlled introduction of Music while You Work in the 1940s. Continuing the analysis to the present day, Rhythms of Labour explains how workers have clung to and reclaimed popular music on the radio in desperate and creative ways.
“Emma Griffin gives a new and powerful voice to the men and women whose blood and sweat greased the wheels of the Industrial Revolution” (Tim Hitchcock, author of Down and Out in Eighteenth-Century London). This “provocative study” looks at hundreds of autobiographies penned between 1760 and 1900 to offer an intimate firsthand account of how the Industrial Revolution was experienced by the working class (The New Yorker). The era didn’t just bring about misery and poverty. On the contrary, Emma Griffin shows how it raised incomes, improved literacy, and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom. This rich personal account focuses on the social impact of the Industrial Revolution, rather than its economic and political histories. In the tradition of bestselling books by Liza Picard, Judith Flanders, and Jerry White, Griffin gets under the skin of the period and creates a cast of colorful characters, including factory workers, miners, shoemakers, carpenters, servants, and farm laborers. “Through the ‘messy tales’ of more than 350 working-class lives, Emma Griffin arrives at an upbeat interpretation of the Industrial Revolution most of us would hardly recognize. It is quite enthralling.” —The Oldie magazine “A triumph, achieved in fewer than 250 gracefully written pages. They persuasively purvey Griffin’s historical conviction. She is intimate with her audience, wooing it and teasing it along the way.” —The Times Literary Supplement “An admirably intimate and expansive revisionist history.” —Publishers Weekly
Narrative Causalities offers both an argument and a methodology. The argument is that interpretations of the consequences and causes of events are contextual and that narratives, by determining the context in which events are perceived, shape interpretations. The methodology, on which the argument is based, is a theory of functions. A function, in this theory, is a position in a causal sequence. A set of functions provides a vocabulary to analyze and compare interpretations of the causes and consequences of events-in our world, in narratives about our world, and in fictional narratives.
The forgotten story of how ordinary families managed financially in the Victorian era--and struggled to survive despite increasing national prosperity "A powerful story of social realities, pressures, and the fracturing of traditional structures."--Ruth Goodman, Wall Street Journal "Deeply researched and sensitive."--Simon Heffer, Daily Telegraph, "Best History Books of 2020" Nineteenth century Britain saw remarkable economic growth and a rise in real wages. But not everyone shared in the nation's wealth. Unable to earn a sufficient income themselves, working-class women were reliant on the 'breadwinner wage' of their husbands. When income failed, or was denied or squandered by errant men, families could be plunged into desperate poverty from which there was no escape. Emma Griffin unlocks the homes of Victorian England to examine the lives - and finances - of the people who lived there. Drawing on over 600 working-class autobiographies, including more than 200 written by women, Bread Winner changes our understanding of daily life in Victorian Britain.
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