If you have ever looked at a dog waiting to go for a walk and thought there was something age-old and almost human about his sad expression, you’re not alone; Charles Darwin did exactly the same. But Darwin didn’t just stop at feeling that there was some connection between humans and dogs. English gentleman naturalist, great pioneer of the theory of evolution and incurable dog-lover, Darwin used his much-loved dogs as evidence in his continuing argument that all animals including human beings, descended from one common ancestor. From his fondly written letters home enquiring after the health of family pets to his profound scientific consideration of the ancestry of the domesticated dog, Emma Townshend looks at Darwin’s life and work from a uniquely canine perspective.
What was tulipmania? Where would you find a boreal forest? And why are fungi not plants? Exploring everything from algae to the wood-wide web, this brilliantly eclectic and beautifully illustrated book delves into the roots, meaning and compelling stories of 250 botanical words. Guided by the experts at the Royal Botanic Gardens, Kew, Plant Words is a cornucopia of horticultural terms. From plants that have changed the course of history to those that talk to each other, and from trees as old as dinosaurs to gardening in outer space, this intriguing collection will cultivate your curiosity and give you the inside story on plants.
The disastrous history of the British transportation of convicts to West Africa after the loss of the North American colonies, and before the opening of Australia as a new destination for Britan's criminal classes
This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women’s non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women’s writing, as well as general readers with an interest in the supernatural.
Discover the history of the American Revolution—an introduction for kids ages 6 to 9 On April 19, 1775, the American Minutemen clashed with British troops in the Battles of Lexington and Concord. These battles marked the beginning of the American Revolution. After five years of planning and fighting, the British surrendered and the United States was finally free. This colorfully illustrated story takes kids on a journey through the events that led to revolution, the war itself, and the birth of a new nation. This guide to the American Revolution for kids features: A visual timeline—Kids will be able to easily follow the history of the American Revolution thanks to a timeline marking major milestones. Core curriculum—Teach kids about the Who, What, Where, When, Why, and How behind the American Revolution, then test their knowledge with a quick quiz after they finish. Lasting changes—Encourage kids to explore thought-provoking questions that help them better understand what life was like during the war. Get early readers excited to learn about the United States with this standout among American history books for kids.
From Strawberry Hill to The Dungeons, Alnwick Castle to Barnageddon, Gothic tourism is a fascinating, and sometimes controversial, area. This lively study considers Gothic tourism's aesthetics and origins, as well as its relationship with literature, film, folklore, heritage management, arts programming and the 'edutainment' business.
You’ve joined record numbers of people in starting a business and now you’re looking to grow. But you don’t want the kind of growth that comes with borrowing money, employing people, or moving to pricey offices. This book has been written for you. It looks at how to grow the business without (metaphorically speaking) outgrowing the home. It offers five ways to increase sales and profit without overly increasing overheads and cost. The pages are filled with stories of businesses growing in this modern way, and a map to follow their lead. They are franchising, outsourcing and going global at speed, whilst spreading wealth across the UK. If you want to grow your business, enjoy this how-to guide, written by an entrepreneur who has spent a decade developing her own business, whilst supporting thousands of others in doing the same.
The effect produced upon the general mind by the appearance of Charlotte Brontë in literature, and afterwards by the record of her life when that was over, is one which it is nowadays somewhat difficult to understand. Had the age been deficient in the art of fiction, or had it followed any long level of mediocrity in that art, we could have comprehended this more easily. But Charlotte Brontë appeared in the full flush of a period more richly endowed than any other we know of in that special branch of literature, so richly endowed, indeed, that the novel had taken quite fictitious importance, and the names of Dickens and Thackeray ranked almost higher than those of any living writers except perhaps Tennyson, then young and on his promotion too. Anthony Trollope and Charles Reade who, though in their day extremely popular, have never had justice from a public which now seems almost to have forgotten them, formed a powerful second rank to these two great names. It is a great addition to the value of the distinction gained by the new comer that it was acquired in an age so rich in the qualities of the imagination. But this only increases the wonder of a triumph which had no artificial means to heighten it, nothing but genius on the part of a writer possessing little experience or knowledge of the world, and no sort of social training or adventitious aid. The genius was indeed unmistakable, and possessed in a very high degree the power of expressing itself in the most vivid and actual pictures of life. But the life of which it had command was seldom attractive, often narrow, local, and of a kind which meant keen personal satire more than any broader view of human existence. A group of commonplace clergymen, intense against their little parochial background as only the most real art of portraiture, intensified by individual scorn and dislike, could have made them: the circle of limited interests, small emulations, keen little spites and rancours, filling the atmosphere of a great boarding school, the BrusselsPensionnat des filles—these were the two spheres chiefly portrayed: but portrayed with an absolute untempered force which knew neither charity, softness, nor even impartiality, but burned upon the paper and made everything round dim in the contrast. I imagine it was this extraordinary naked force which was the great cause of a success, never perhaps like the numerical successes in literature of the present day, when edition follows edition, and thousand thousand, of the books which are the favourites of the public: but one which has lived and lasted through nearly half a century, and is even now potent enough to carry on a little literature of its own, book after book following each other not so much to justify as to reproclaim and echo to all the winds the fame originally won. No one else of the century, I think, has called forth this persevering and lasting homage.
When we talk about the economy, “the market” is often just an abstraction. While the exchange of goods was historically tied to a particular place, capitalism has gradually eroded this connection to create our current global trading systems. In Trading Spaces, Emma Hart argues that Britain’s colonization of North America was a key moment in the market’s shift from place to idea, with major consequences for the character of the American economy. Hart’s book takes in the shops, auction sites, wharves, taverns, fairs, and homes of seventeenth- and eighteenth-century America—places where new mechanisms and conventions of trade arose as Europeans re-created or adapted continental methods to new surroundings. Since those earlier conventions tended to rely on regulation more than their colonial offspring did, what emerged in early America was a less-fettered brand of capitalism. By the nineteenth century, this had evolved into a market economy that would not look too foreign to contemporary Americans. To tell this complex transnational story of how our markets came to be, Hart looks back farther than most historians of US capitalism, rooting these markets in the norms of seventeenth- and eighteenth-century Britain. Perhaps most important, this is not a story of specific commodity markets over time but rather is a history of the trading spaces themselves: the physical sites in which the grubby work of commerce occurred and where the market itself was born.
Macleod examines changing British conceptions of America across the political spectrum during a period of political, cultural and intellectual upheaval. Macleod incorporates British writers of conservative, liberal and radical views.
The legendary Jimi Hendrix has had all kinds of superlatives bestowed on him since his incendiary debut in 1966, but Lou Reed’s pithy summation beats the lot: ‘...he was such a bitching guitar player’. Jimi Hendrix On Track explores each thrilling song and album, drawing out exactly what made Hendrix not only a great guitarist but also a vocalist, arranger, interpreter, producer and songwriter of genius. Hendrix’s revolutionary albums with The Experience and Band of Gypsys are discussed in detail, as are his posthumous releases from First Rays of the Rising Sun to Both Sides of the Sky. His early work as a session player for acts like The Isley Brothers, Little Richard and even Jayne Mansfield is considered, along with his later work as a guest star on albums by Stephen Stills, Robert Wyatt, and McGear and McGough, and not forgetting his blistering work as a producer for Eire Apparent. From psychedelic odysseys to progressive blues to proto-metal to funk-rock, Hendrix mastered them all. Jimi Hendrix On Track is an informative guide to some of the 20th century’s most extraordinary recordings. Emma Stott missed out on the 1960s and the 1970s and she still isn’t over it, so writing about the greatest decades in rock music helps with her loss. She also writes about literature and education, being an English teacher by day in Manchester, UK, where she forbids any ‘dark sarcasm’ in her classroom.
Using Britannia as a central figure, this book explores the neglected relationship between women, church, and nation. Drawing on a wealth of manuscript, printed, and graphic material, Emma Major argues that Britannia became established as an emblem of nation from 1688 and gained in importance over the following century.
This revised and updated edition continues to provide a comprehensive introduction to the subject, exploring the world’s landforms from a broad systems perspective. It covers the basics of Earth surface forms and processes, while reflecting on the latest developments in the field. Fundamentals of Geomorphology begins with a consideration of the nature of geomorphology, including its relation to society, process and form, history, and geomorphic systems, and moves on to discuss: • Structure: structural landforms associated with plate tectonics and those associated with volcanoes, and folds, faults, and joints. • Process and form: landforms resulting from, or influenced by, the exogenic agencies of weathering, running water, flowing ice and meltwater, ground ice and frost, the wind, and the sea; landforms developed on limestone; extraterrestrial landforms; and landscape evolution, a discussion of ancient landforms. Fundamentals of Geomorphology provides a stimulating and innovative perspective on the key topics and debates within the field of geomorphology. Written in an accessible and lively manner, it includes guides to further reading, chapter summaries, and an extensive glossary of key terms. The book is also illustrated throughout with over 200 informative diagrams and attractive photographs, all in colour. It is supported by online resources for students and instructors.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
John Manners, Marquis of Granby, famously led a cavalry charge during the Seven Years War in 1760, losing both hat and wig. A commander of skill and courage, he was cherished by his men and lauded by the British public as an authentic military hero. Granby predeceased his father, the 3rd Duke of Rutland, and never inherited his title, but left two sons whose contrasting fortunes and tragically short lives are the subject of this meticulously researched and richly illustrated book. Charles became 4th Duke in 1779, sought reconciliation with the American colonies and was Viceroy of Ireland; Robert embarked on a naval career, became flag captain of the Resolution and died of injuries sustained at the Battle of the Saintes. Based upon the detailed archives held at Belvoir Castle, Resolution is both an enthralling saga of two generations of the Manners family and a finely delineated portrait of aristocratic, political and naval life in mid-Georgian England.
A rich, absorbing novel that explores the drive for creativity and the dynamics of family. Peas in a pod. Cherries on a stem. A pair, a set, a perfect match, people seemed to so quickly think . . . as if twins were a tribe of two with a secret understanding, existing in a self-contained, mysterious world . . .' Growing up, the Marshall twins seemed to be ideal siblings. Yet when you're so akin to someone else, who are you, really? Candy discovers a gift for music, yet in nearly every aspect of her life, Jeff is there - pre-empting, mirroring. To work out who she genuinely is, Candy begins to believe she must separate from her brother for good. But at what cost? Taking us into the world of grotty student flats, firey politicos, eating disorders, and the convolutions of sexuality and first love, this is a beautifully written novel.
The Alternative Kitchen Garden is an evolving idea of what a kitchen garden could be in the twenty-first century: organic, environmentally sustainable, resilient, and about localizing at least some of our food production. It's also a place not only for learning and practicing growing skills but also for enjoying ourselves and having fun. The Alternative Kitchen Garden is the ideal companion for anyone getting dirt under their fingernails for the first time and full of fascinating ideas and experiments for the adventurous gardener. A self-confessed "cyber geek," Emma documents the transformation of her "ropey old lawn with potholes and brambles" into a fertile and abundant permaculture plot via Internet radio and a popular blog site. Eight years of her postings and stories have been collected in here, illustrated with beautiful color photographs and arranged into easily accessible alphabetical order. The Alternative Kitchen Garden: An A-Z covers subjects as diverse as growing achocha (a forgotten Incan crop) to zucchinis. Emma's style, is light and friendly, yet at the same time informative and based on personal experience--you feel you could actually be sitting in the garden chatting face to face as she shares her knowledge and experience.
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).
In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.
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