Organizational Behavior: A Critical-Thinking Perspective, by Christopher P. Neck, Jeffery D. Houghton, and Emma L. Murray, provides insight into OB concepts and processes through a first-of-its kind active learning experience. Thinking Critically challenge questions tied to Bloom’s taxonomy appear throughout each chapter, challenging students to apply, analyze, and create. Unique, engaging case narratives that span several chapters along with experiential exercises, self-assessments, and interviews with business professionals foster students’ abilities to think critically and creatively, highlight real-world applications, and bring OB concepts to life.
The birth of the modern world as told through the remarkable story of one eighteenth-century family They were abolitionists, speculators, slave owners, government officials, and occasional politicians. They were observers of the anxieties and dramas of empire. And they were from one family. The Inner Life of Empires tells the intimate history of the Johnstones--four sisters and seven brothers who lived in Scotland and around the globe in the fast-changing eighteenth century. Piecing together their voyages, marriages, debts, and lawsuits, and examining their ideas, sentiments, and values, renowned historian Emma Rothschild illuminates a tumultuous period that created the modern economy, the British Empire, and the philosophical Enlightenment. One of the sisters joined a rebel army, was imprisoned in Edinburgh Castle, and escaped in disguise in 1746. Her younger brother was a close friend of Adam Smith and David Hume. Another brother was fluent in Persian and Bengali, and married to a celebrated poet. He was the owner of a slave known only as "Bell or Belinda," who journeyed from Calcutta to Virginia, was accused in Scotland of infanticide, and was the last person judged to be a slave by a court in the British isles. In Grenada, India, Jamaica, and Florida, the Johnstones embodied the connections between European, American, and Asian empires. Their family history offers insights into a time when distinctions between the public and private, home and overseas, and slavery and servitude were in constant flux. Based on multiple archives, documents, and letters, The Inner Life of Empires looks at one family's complex story to describe the origins of the modern political, economic, and intellectual world.
For sixteen-year-old Lizzie McDougall, life in the Glasgow tenements comes as a culture shock after her sheltered upbringing in the Highlands. But for her father, who has just lost his job in the tiny town of Tomintoul, Glasgow offers employment. Her new life enables Lizzie to work in a factory as a seamstress - and it opens her horizons to new friends as well. Especially the spirited Pearl, who introduces Lizzie to her boyfriend Willie, and her cousin, the handsome, happy-go-lucky Jack - a real bobby-dazzler . . . It's not just Lizzie who faces temptation in the big city. Her father Doogie, also working in a factory, is exposed to it in the shape of the buxom Daisy. He moved here for the sake of his family's future, but now he's in danger of throwing that future away. Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Using historical, psychological, comparative religious and anthropological perspectives, this book sets out to separate the voice of Isobel Gowdie from that of her interrogators.
Emma Rosen assumed that breastfeeding would be easy. After all, it is the natural way for humans to feed our offspring and women have been doing it for millennia. Motherhood turned Emma’s world upside down. Despite meticulous preparations and the best of intentions, breastfeeding was one of the greatest challenges she had to face. With conflicting advice and mounting pressure to stop from family, friends and health care professionals, would Emma be able to overcome the many obstacles and breastfeed her baby, as she so desperately wanted? In this memoir, Emma tells her story, interwoven with everything she’s learned about why, in our society, breastfeeding is far from easy. Milk is both emotional and heart-warming in the way that only a mother’s story can be. It is a must-have book for all breastfeeding mothers and those supporting them.
From the 1930s the East African Revival influenced Christian expression in East Central Africa and around the globe. This book analyses influences upon the movement and changes wrought by it in Uganda, Rwanda, Burundi, Kenya, Tanzania and Congo, highlighting its impact on spirituality, political discourse and culture. A variety of scholarly approaches to a complex and changing phenomenon are juxtaposed with the narration of personal stories of testimony, vital to spirituality and expression of the revival, which give a sense of the dynamism of the movement. Those yet unacquainted with the revival will find a helpful introduction to its history. Those more familiar with the movement will discover new perspectives on its influence.
Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.
I can't recommend this highly entertaining book enough - it's clever, witty and downright hilarious.' 5/5 I Heart Chick Lit 'Fans of Sophie Kinsella and Lindsey Kelk, meet Emma Garcia.Vivienne Summers may very well become your next favourite heroine and the one you will want to keep visiting over and over.' Good Books and a Cup of Tea 'With a heroine to root for, a hero to swoon over, and a story so honest and compelling, Emma Garcia has written Chick Lit at itÕs best. I canÕt wait to read her next novel!' 10/10 Novelicious VivÕs ex-fiance, Rob, proposed to her three months after she slept with him - she thought it was one of those whirlwind romances you read about in magazines. Five years later, after Rob calling off the wedding for the third time, she has finally moved out. As Viv passes through the three essential stages of grief (denial, vodka, disastrous haircut), she becomes determined that it's not too late to try and get Rob back. One drunken declaration of love at an extremely inappropriate moment later, and Viv's scruffy, tequila-swilling best friend Max is there to pick up the pieces. Just when VivÕs starting to realise that maybe the real thing has been under her nose all along, she makes what might just be the biggest mistake of her life... Can love sneak up on us unexpected? WhatÕs the answer to heartbreak? And whatÕs a girl to do when even the Internet doesnÕt have the answer? Never has heartbreak been so amusing... a refreshingly honest, achingly funny read for fans of Sophie Kinsella, Helen Fielding and Paige Toon. What theyÕre saying about Never Google Heartbreak... The fast pace of the book and my inability to put it down meant I finished within twenty-four hours. With a heroine to root for, a hero to swoon over, and a story so honest and compelling, Emma Garcia has written Chick Lit at itÕs best. I canÕt wait to read her next novel! 10/10ê Novelicious.com 'A genuinely likeable and very funny heroine . . . A fun read with a great leading lady.' Heat magazine 'This feisty and honest story of a crazy-in-love woman is hugely funny - perfect easy reading.' Closer magazine 'Her cracking pace and rapier wit, together with her robust and honest prose will be bound to win Emma Garcia a sackful of fans. Perfect for lovers of Bridesmaids and Caitlin Moran.' Red magazine online 'Have you ever read a book where you've fallen in love with it after a few pages? Well, this normally happens whenever I read a book by my favourite authors: Sophie Kinsella, Lindsey Kelk, Lucy Robinson, Ali McNamara, Gemma Burgess and a few more . . . I really adored everything about NEVER GOOGLE HEARTBREAK . . . It made me laugh and cackle like a loon, made my heart swell full of love when the romantic bits kicked in . . . I can't recommend this highly entertaining book enough - it's clever, witty and downright hilarious.' I Heart Chick Lit 'One for everyone who has messed up something good, and then disastrously tried to get it back . . . Brilliant' Star magazine 'Hopelessly funny, this book is a classic with a modern twist' Company magazine
This book is the first full-length history of the BBC World Service: from its interwar launch as short-wave radio broadcasts for the British Empire, to its twenty-first-century incarnation as the multi-media global platform of the British Broadcasting Corporation. The book provides insights into the BBC’s working relationship with the Foreign Office, the early years of the Empire Service, and the role of the BBC during the Second World War. In following the voice of the BBC through the Cold War and the contraction of the British empire, the book argues that debates about the work and purposes of the World Service have always involved deliberations about the future of the UK and its place in the world. In current times, these debates have been shaped by the British government’s commitment to leave the European Union and the centrifugal currents in British politics which in the longer term threaten the integrity of the United Kingdom. Through a detailed exploration of its past, the book poses questions about the World Service’s possible future and argues that, for the BBC, the question is not only what it means to be a global broadcaster as we enter the third decade of the twenty-first century, but what it means to be a national broadcaster in a divided kingdom.
From Emma Hooper, acclaimed author of Etta and Otto and Russell and James, a People magazine “Pick of the Week,” comes a “haunting fable about the transformative power of hope” (Booklist, starred review) in a charming and mystical story of a family on the edge of extinction. The Connor family is one of the few that is still left in their idyllic fishing village, Big Running; after the fish mysteriously disappeared, most families had no choice but to relocate and find work elsewhere. Aidan and Martha Connor now spend alternate months of the year working at an energy site up north to support their children, Cora and Finn. But soon the family fears they’ll have to leave Big Running for good. And as the months go on, plagued by romantic temptations new and old, the emotional distance between the once blissful Aidan and Martha only widens. Between his accordion lessons and reading up on Big Running’s local flora and fauna, eleven-year-old Finn Connor develops an obsession with solving the mystery of the missing fish. Aided by his reclusive music instructor Mrs. Callaghan, Finn thinks he may have discovered a way to find the fish, and in turn, save the only home he’s ever known. While Finn schemes, his sister Cora spends her days decorating the abandoned houses in Big Running with global flair—the baker’s home becomes Italy; the mailman’s, Britain. But it’s clear she’s desperate for a bigger life beyond the shores of her small town. As the streets of Big Running continue to empty Cora takes matters—and her family’s shared destinies—into her own hands. In Our Homesick Songs, Emma Hooper paints a gorgeous portrait of the Connor family, brilliantly weaving together four different stories and two generations of Connors, full of wonder and hope. Told in Hooper’s signature ethereal style, “this delicate elegy for a dying way of life crescendos into a love song binding family members across the waters” (Kirkus Reviews).
Managers in child-centred settings need to be able to draw on a wide range of personal and professional skills to ensure that they are providing the best possible service. Now in its third edition, Essential Skills for Managers of Child-Centred Settings looks at how you can develop the key leadership skills needed to manage people to achieve excellent settings for children. The authors outline ten ‘essential skills’ for leading and supporting those around you in your child-centred settings and offer sound advice so you can build your personal and professional skills and become a confident and assertive manager. With a balance of both accessible theory and practical application from a wide range of settings, this book explains management theory and will help you to develop the skills to: ● become a confident leader ● set clear aims and objectives for your setting ● manage your time effectively ● make decisions and implement change ● build and develop a team ● reflect on and develop practice ● deal with difficult situations and people. This book also contains case studies and ‘real-life’ scenarios from managers undertaking training with the authors which will ensure you provide an excellent service in your setting. No manager or leader should be without this user-friendly guide!
The effect produced upon the general mind by the appearance of Charlotte Brontë in literature, and afterwards by the record of her life when that was over, is one which it is nowadays somewhat difficult to understand. Had the age been deficient in the art of fiction, or had it followed any long level of mediocrity in that art, we could have comprehended this more easily. But Charlotte Brontë appeared in the full flush of a period more richly endowed than any other we know of in that special branch of literature, so richly endowed, indeed, that the novel had taken quite fictitious importance, and the names of Dickens and Thackeray ranked almost higher than those of any living writers except perhaps Tennyson, then young and on his promotion too. Anthony Trollope and Charles Reade who, though in their day extremely popular, have never had justice from a public which now seems almost to have forgotten them, formed a powerful second rank to these two great names. It is a great addition to the value of the distinction gained by the new comer that it was acquired in an age so rich in the qualities of the imagination. But this only increases the wonder of a triumph which had no artificial means to heighten it, nothing but genius on the part of a writer possessing little experience or knowledge of the world, and no sort of social training or adventitious aid. The genius was indeed unmistakable, and possessed in a very high degree the power of expressing itself in the most vivid and actual pictures of life. But the life of which it had command was seldom attractive, often narrow, local, and of a kind which meant keen personal satire more than any broader view of human existence. A group of commonplace clergymen, intense against their little parochial background as only the most real art of portraiture, intensified by individual scorn and dislike, could have made them: the circle of limited interests, small emulations, keen little spites and rancours, filling the atmosphere of a great boarding school, the BrusselsPensionnat des filles—these were the two spheres chiefly portrayed: but portrayed with an absolute untempered force which knew neither charity, softness, nor even impartiality, but burned upon the paper and made everything round dim in the contrast. I imagine it was this extraordinary naked force which was the great cause of a success, never perhaps like the numerical successes in literature of the present day, when edition follows edition, and thousand thousand, of the books which are the favourites of the public: but one which has lived and lasted through nearly half a century, and is even now potent enough to carry on a little literature of its own, book after book following each other not so much to justify as to reproclaim and echo to all the winds the fame originally won. No one else of the century, I think, has called forth this persevering and lasting homage.
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