The fashion industry produces more carbon emissions than international flights and maritime shipping combined, and is the second-largest consumer of the world's water supply – despite this, 85% of all textiles end up in the dump each year. If you are one of the rising numbers of concerned consumers who feel uneasy about their contribution to these figures, then How to Quit Fast Fashion is the essential guide to help you lessen your impact on our eco-system, whilst remaining fashionable and well-dressed. Across 100 step-by-step tips, this book will help you take action through easy to follow advice and practical ways to have a more sustainable style. From what the jargon on your clothes' labels really means and introductions to the world of rental fashion, to how to make your favourite clothes last longer, you'll be able to officially quit fast fashion.
Belonging is an evocative collection of poems that invites the reader to explore his or her identity while experiencing the raw emotions we all share. The depth of feeling in each haunting line and verse strike the emotional chords of our vulnerability, encouraging us to confront powerful feelings like anger, grief, loss, passion, and love. What does this word really mean? The author does not attempt to answer this question for the reader; instead, Emma Mathews implores us to explore the deep well of emotions we harbor - to touch something within our hearts - and perhaps gain a better understanding of our true nature. Anyone who has ever experienced heartbreak, loss, or struggle will resonate with these poems, and the sense of camaraderie between author and reader that develops will open the door for deepening inner connections. Belonging will inspire you to pull back the veil on the complicated emotions that make us all so human with a unique collection of modern poetry. All proceeds from the sale of this book will be donated to Ocean Conservancy.
Over the past two decades, Japan’s socioeconomic environment has undergone considerable changes prompted by both a long recession and the relaxation of particular labour laws in the 1990s and 2000s. Within this context, "freeters", part-time workers aged between fifteen and thirty-four who are not housewives or students, emerged into the public arena as a social problem. This book, drawing on six years of ethnographic research, takes the lives of male freeters as a lens to examine contemporary ideas and experiences of adult masculinities. It queries how notions of adulthood and masculinity are interwoven and how these ideals are changing in the face of large-scale employment shifts. Highlighting the continuing importance of productivity and labour in understandings of masculinities, it argues that men experience and practice multiple masculinities which are often contradictory, sometimes limiting, and change as they age and in interaction with others, and with social structures, institutions, and expectations. Providing a fascinating alternative to the stereotypical idea of the Japanese male as a salaryman, this book will be of huge interest to students and scholars of Japanese culture and society, social and cultural anthropology, gender and men's studies.
Emma Latier had a heck of good time in 1902. She was a young married woman from Wayne, New York who came to Elmira, New York with her husband Floyd. They took advantage of the high life in the "big city." Elmira was a grand place in 1902 with a population was 35,000 and rising. Upscale shops, opera and theatre, fun activities at Eldridge Park and Rorick's Glen, and fine restaurants kept Emma busy. Elmira was also a main railroad hub with sixty-seven trains each day coming and going in all directions. Harper's New York & Erie Railroad Guide gave Elmira the nickname "Queen City of the Southern Tier." This is Emma's "Queen City Adventure." This diary is from New York History Review's "Learning from History" series of printed primary source materials.
A fascinating history of food, cooking and kitchenalia in the Georgian period, including contemporary recipes and colour illustrations and exploring how the Georgians have influenced our attitude to food today.
Timed with the centennial of the Panama-Pacific International Exposition (PPIE) of 1915, Jewel City presents a large and representative selection of artworks from the fair, emphasizing the variety of paintings, sculptures, photographs, and prints that greeted attendees. It is unique in its focus on the works of art that were scattered among the venues of the expositionÑthe most comprehensive art exhibition ever shown on the West Coast. Notably, the PPIE included the first American presentations of Italian Futurism, Austrian Expressionism, and Hungarian avant-garde painting, and there were also major displays of paintings by prominent Americans, especially those working in the Impressionist style. This lavishly illustrated catalogue features works by masters such as Winslow Homer, John Singer Sargent, Claude Monet, Paul CŽzanne, Robert Henri, Edward Weston, Imogen Cunningham, Edvard Munch, Oskar Kokoschka, Umberto Boccioni, and many more. The volume also explores the PPIEÕs distinctive murals program, developments in the art of printmaking, and the legacy of the French Pavilion, which hosted an abundance of works by Auguste Rodin and inspired the founding and architecture of the Legion of Honor museum in San Francisco. A rich and fascinating study of a critical moment in American and European art history, Jewel City is indispensable for understanding both the United StatesÕ and CaliforniaÕs role in the reception of modernism as well as the regionÕs historical place on the international art stage. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young Museum, San Francisco: October 17, 2015ÐJanuary 10, 2016
Between 1600 and 1800 around 4,000 Catholic women left England for a life of exile in the convents of France, Flanders, Portugal and America. These closed communities offered religious contemplation and safety, but also provided an environment of concentrated female intellectualism. The nuns’ writings from this time form a unique resource.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.