Macleod examines changing British conceptions of America across the political spectrum during a period of political, cultural and intellectual upheaval. Macleod incorporates British writers of conservative, liberal and radical views.
The responses of British people to the French Revolution has recently received considerable attention from historians. British commentators often expressed a sense of the novelty and scale of European wars which followed, yet their views on this conflict have not yet attracted such thorough examination. This book offers a wide-ranging exploration of the attitudes of various groups of British people to the conflict during the 1790’s: the Government, their supporters and their opponents inside and outside Parliament, women, churchmen, and the broad mass of British public opinion. It presents the debate in England and Scotland provoked by the war both as the sequel to the French Revolution and as a distinct debate in itself. Emma Vincent Macleod argues that contemporaries saw this conflict as one of the first since the wars of religion to be significantly shaped by ideological hostility rather than solely by a struggle over strategic interests.
From the time she was just a child, Megan MacDonald's fate was sealed; a fate she hated because she was forced to join the man who was her enemy: Niall MacLeod. Their parents had arranged their marriage with the sole intention of bringing peace to both clans, but for Megan, Niall was and would remain an enemy to her clan, and especially to her. Unable to prevent the wedding, Megan vows to make his life miserable, and when someone tries to kill the warrior, all the blame falls on her. Determined to win the trust of the MacLeods and try to change what they think of her, Megan does what she can for them, but the attacks on the clan and Niall escalate, putting both of their lives in danger. But what really shakes the pillars of their lives is the searing fire that burns through them every time they are near each other, rocking their world and sending them into a spiral of passion from which they will find it hard to escape.
This book explores the life of the controversial and historical figure, Mata Hari -- the exotic dancer, convicted double agent, and original femme fatale--told from her own perspective. It collects the five-issue series and includes additional historical material and an artist's sketchbook. Dancer. Courtesan. Spy. Executed by a French firing squad in 1917. One hundred years on from her death, questions are still raised about her conviction. Now, the lesser-known, often tragic story of the woman who claimed she was born a princess, and died a figure of public hatred, with no one to claim her body is told by break-out talent writer Emma Beeby (Judge Dredd), artist Ariela Kristantina (Insexts), and colorist Pat Masioni drawing on biographies and released MI5 files We meet Mata Hari in prison at the end of her life as she writes her memoir--part romantic tale of a Javanese princess who performed "sacred" nude dances for Europe's elite, and part real-life saga of a disgraced wife and mother, who has everything she loves taken from her. But, as she sits trial for treason and espionage, we hear another tale, of a flamboyant Dutch woman who became "the most dangerous spy France has ever captured"--a double agent who whored herself for secrets, lived a life of scandal and loved only money. Leading us to ask . . . who was the real Mata Hari?
Award-winning author Emma Jensen has enthralled readers and critics alike with her brilliant stories set in Regency England. Now she has written her most captivating novel yet--a big, bold, exciting tale of intrigue and desire set on the magical Isle of Skye. Gabriel Loudon, a special agent to the British army, was always one step ahead of Napoleon's troops--until a vital mission went tragically wrong. Now he has one last chance to redeem himself. His orders: expose an elusive French spy hiding on an isolated island off the coast of Scotland. What he doesn't expect to find there is another fallen angel. When her scandalous love affair with a young Englishman ends, Maggie MacLeod retreats to the safety of her beloved, remote home. Alone on the cliffs of Skye, she can surrender to romantic dreams of a true love that will never be. Until a mysterious stranger invades her seclusion, awakening her senses and threatening everything she cherishes--especially her splintered heart. . . .
Visitors and locals alike will love this book of whimsical sketches of Vancouver, British Columbia, accompanied by thoughtful observations and snippets of overheard conversations. Take a tour of Vancouver's sights and sidewalks with Emma FitzGerald's hand-drawn impressions of her hometown, a city filled with stories--funny, surprising, and sometimes dark--amidst the cherry blossoms, beaches, and forests. Included are more than 100 sketches completed on location that, together, capture the essence of Vancouver. From Stanley Park's seawall to Kitsilano's salt-water swimming pool, and East Van's first craft brewery to the ferries in Horseshoe Bay, Hand Drawn Vancouver is a love letter to this beautiful and iconic city.
This book explores the lives of young people through the lens of storytelling. Using extensive qualitative and empirical data from young people’s conversations following storytelling performances in secondary schools in the UK, the author considers the benefits of stories and storytelling for learning and the subsequent emotional, behavioural and social connections to story and other genres of narrative. Storytelling has both global and transnational relevance in education, as it allows individuals to compare their experiences to others: young people learn through discussion that their opinions matter, that they are both similar to and different from their peers. This in turn can facilitate the development of critical thinking skills as well as encouraging social learning, co-operation and cohesion. Drawing upon folklore and literary studies as well as sociology, philosophy, youth studies and theatre, this volume explores how storytelling can shape the lives of young people through storytelling projects. This reflective and creative volume will appeal to students and scholars of storytelling, youth studies and folklore.
Achieving employee engagement is crucial to the success and continued high performance of any organization. But with budgets tighter than ever before, economic struggles and an increasingly stressful workplace for staff, it has become an increasingly difficult task. Aimed at HR practitioners and managers, Employee Engagement offers a complete, practical resource for understanding, measuring and building engagement. Grounded in engagement theory and an understanding of psychology combined with practical tools, techniques and diagnostics, this book will help you assess and drive engagement in your organization. Case studies include British Gas, Capital One, Asda, Ministry of Justice, Mace and RSA.
The Unlatched Door, first published in 1920, marks the first appearance of detective Peter Clancy. During her long career, author Emma Redington Lee Thayer (1874-1973) published 60 novels, all but one featuring Clancy, who begins his career with the police; later books have Clancy working as a private detective. Clancy is also later joined by his trusty valet Wiggars, who first appears in the tenth book of the series: Dead Man’s Shoes (1929).
This book explores the growing phenomenon of the social media storm in the context of educational establishments. With a methodological approach that draws on aspects of virtual and offline ethnography, the text presents a series of case studies of public online risk-related incidents. Our ethnographic methodology adopts the use of unobtrusive data collection approaches, to explore publicly available data from online interactive behaviours. Drawing on a range of methods from internet mediated research (IMR) to inform our ethnographic account, the book provides an in-depth exploration of the public and organisational discourses arising from four short, clear high-profile internet risk case studies in the education sector ranging from early year to higher education. It considers the social construction of a new ‘risk’ culture arising computer-mediated social interactions and its impact on, and response by, the organisations and society.
This book explores the life of the controversial and historical figure, Mata Hari -- the exotic dancer, convicted double agent, and original femme fatale--told from her own perspective. It collects the five-issue series and includes additional historical material and an artist's sketchbook. Dancer. Courtesan. Spy. Executed by a French firing squad in 1917. One hundred years on from her death, questions are still raised about her conviction. Now, the lesser-known, often tragic story of the woman who claimed she was born a princess, and died a figure of public hatred, with no one to claim her body is told by break-out talent writer Emma Beeby (Judge Dredd), artist Ariela Kristantina (Insexts), and colorist Pat Masioni drawing on biographies and released MI5 files We meet Mata Hari in prison at the end of her life as she writes her memoir--part romantic tale of a Javanese princess who performed "sacred" nude dances for Europe's elite, and part real-life saga of a disgraced wife and mother, who has everything she loves taken from her. But, as she sits trial for treason and espionage, we hear another tale, of a flamboyant Dutch woman who became "the most dangerous spy France has ever captured"--a double agent who whored herself for secrets, lived a life of scandal and loved only money. Leading us to ask . . . who was the real Mata Hari?
Weitkamp and Almeida enter into the space where museums, universities and research centres operate, as well as the space of theatre practitioners, they explore the richness and plurality of this universe, combining theory and practice, as well as presenting context, knowledge gaps and new data.
This book examines the challenges in delivering a participatory planning agenda in the face of an increasingly neoliberalised planning system and charts the experience of Planning Aid England. In an age of austerity, government spending cuts, privatisation and rising inequalities, the need to support and include the most vulnerable in society is more acute than ever. However, forms of Advocacy Planning, the progressive concept championed for this purpose since the 1960s, is under threat from neoliberalisation. Rather than abandoning advocacy, the book asserts that only through sustained critical engagement will issues of exclusion be positively tackled and addressed. The authors propose neo-advocacy planning as the critical lens through which to effect positive change. This, they argue, will need to draw on a co-production model maintained through a well-resourced special purpose organisation set up to mobilise and resource planning intermediaries whose role it is to activate, support and educate those without the resources to secure such advocacy themselves.
It is your eighteenth birthday and one of your parents must die. You are the one who decides. Who do you pick? In a dying world, the Offset ceremony has been introduced to counteract and discourage procreation. It is a rule that is simultaneously accepted, celebrated and abhorred. But in this world, survival demands sacrifice so for every birth, there must be a death. Professor Jac Boltanski is leading Project Salix, a ground-breaking new mission to save the world by replanting radioactive Greenland with genetically-modified willow trees. But things aren’t working out and there are discrepancies in the data. Has someone intervened to sabotage her life’s work? In the meantime, her daughter Miri, an anti-natalist, has run away from home. Days before their Offset ceremony where one of her mothers must be sentenced to death, she is brought back against her will following a run-in with the law. Which parent will Miri pick to die: the one she loves, or the one she hates who is working to save the world? File Under: Science Fiction [ Only One Leaves | The Choice is Yours | Last Hope | Counting Down ]
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