Emma Lang is always on my must-read list. --Cynthia Eden It is a vast spread in the eastern wilds of the newly independent Republic of Texas, the ranch their parents fought for. . .and died for. To the eight Graham siblings, no matter how much hard work or hard love it takes, life is unthinkable without. . . In the wake of his parents' murder, Matthew Graham must take the reins at the Circle Eight. He also needs to find a wife in just thirty days, or risk losing it all. Plain but practical, Hannah Foley seems the perfect bride for him. . .until after the wedding night. Their marriage may make all the sense in the world, but neither one anticipates the jealousies that will result, the treacherous danger they're walking into, or the wildfire of attraction that will sweep over them, changing their lives forever. . . Praise for Emma Lang and her novels: "A sweet and sensual Western in which the heroine discovers her inner strength with the help of a delightfully sexy hero." --Angela Knight, New York Times bestselling author "With a fresh voice and engaging characters, Emma Lang's Restless Heart kept me reading late into the night." --Tina Leonard, bestselling author
A richly illustrated collection of never-before-seen writings and drawings from the notebooks, portfolios, and personal papers of C. G. Jung’s wife and collaborator Emma Jung (1882–1955) was the life and work partner of one of the great intellectual figures of the twentieth century, yet she kept most of her creative and personal life private. Dedicated to the Soul brings together previously unpublished materials from Jung’s private archive, introducing her voice into the literature of the early psychoanalytical movement and revealing a vibrant inner life and a glowing presence that until now was known only to her family and a handful of patients, students, and friends. This fully annotated collection features journal entries, dream accounts, drawings, paintings, and lectures. It sheds new light on Jung as an early collaborator in the creation of analytical psychology who may have originated the concept of the animus, one of C. G. Jung’s central constructs. It paints a riveting portrait of a dynamic woman who, determined to break free of the conventional world of her upbringing, fearlessly interrogated her social environment and developed her own systems of meaning. With introductory essays that chart Jung’s personal, intellectual, and psychological development, Dedicated to the Soul brings the creative work of this boldly imaginative and irreverent spirit to a wider audience and offers new perspectives on the role of women in the early history of analytical psychology.
Weitkamp and Almeida enter into the space where museums, universities and research centres operate, as well as the space of theatre practitioners, they explore the richness and plurality of this universe, combining theory and practice, as well as presenting context, knowledge gaps and new data.
Inspired by a true unsolved crime, Frog Music is a gripping historical novel by Emma Donoghue, author of the multi-million-copy bestseller Room. San Francisco, 1876: a stifling heat wave and smallpox epidemic have engulfed the City. Deep in the streets of Chinatown live three former stars of the Parisian circus: Blanche, now an exotic dancer at the House of Mirrors, her lover Arthur and his companion Ernest. When an eccentric outsider joins their little circle, secrets unravel, changing everything – and leaving one of them dead. A New York Times bestseller, Frog Music is a dark and compelling story of intrigue and murder.
Packed full of information, this entertaining and fact-filled guide to Great Britain is perfect for anyone who wishes that they were a more informed citizen.
This book explores the ways in which interpersonal relations are affected by being conducted via computer-mediated communication. Rooksby investigates the benefits, limitations and implications of computer-mediatied communication.
This book explores six texts from across Spanish America in which the coming-of-age story ('Bildungsroman') offers a critique of gendered selfhood as experienced in the region’s socio-cultural contexts. Looking at a range of novels from the late twentieth century, Staniland explores thematic concerns in terms of their role in elucidating a literary journey towards agency: that is, towards the articulation of a socially and personally viable female gendered identity, mindful of both the hegemonic discourses that constrain it, and the possibility of their deconstruction and reconfiguration. Myth, exile and the female body are the three central themes for understanding the personal, social and political aims of the Post-Boom women writers whose work is explored in this volume: Isabel Allende, Laura Esquivel, Ángeles Mastretta, Sylvia Molloy, Cristina Peri Rossi and Zoé Valdés. Their adoption, and adaptation, of an originally eighteenth-century and European literary genre is seen here to reshape the global canon as much as it works to reshape our understanding of gendered identities as socially constructed, culturally contingent, and open-ended.
Until 300 years ago, the Chinese considered Taiwan a “land beyond the seas,” a “ball of mud” inhabited by “naked and tattooed savages.” The incorporation of this island into the Qing empire in the seventeenth century and its evolution into a province by the late nineteenth century involved not only a reconsideration of imperial geography but also a reconceptualization of the Chinese domain. The annexation of Taiwan was only one incident in the much larger phenomenon of Qing expansionism into frontier areas that resulted in a doubling of the area controlled from Beijing and the creation of a multi-ethnic polity. The author argues that travelers’ accounts and pictures of frontiers such as Taiwan led to a change in the imagined geography of the empire. In representing distant lands and ethnically diverse peoples of the frontiers to audiences in China proper, these works transformed places once considered non-Chinese into familiar parts of the empire and thereby helped to naturalize Qing expansionism. By viewing Taiwan–China relations as a product of the history of Qing expansionism, the author contributes to our understanding of current political events in the region.
For sixteen-year-old Lizzie McDougall, life in the Glasgow tenements comes as a culture shock after her sheltered upbringing in the Highlands. But for her father, who has just lost his job in the tiny town of Tomintoul, Glasgow offers employment. Her new life enables Lizzie to work in a factory as a seamstress - and it opens her horizons to new friends as well. Especially the spirited Pearl, who introduces Lizzie to her boyfriend Willie, and her cousin, the handsome, happy-go-lucky Jack - a real bobby-dazzler . . . It's not just Lizzie who faces temptation in the big city. Her father Doogie, also working in a factory, is exposed to it in the shape of the buxom Daisy. He moved here for the sake of his family's future, but now he's in danger of throwing that future away. Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
Two whip-poor-wills were uttering their insistent note, hidden somewhere among the thick foliage of the maple and basswood trees that towered above the spring down behind the house where the Ballards lived. The sky in the west still glowed with amber light, and the crescent moon floated like a golden boat above the horizon’s edge. The day had been unusually warm, and the family were all gathered on the front porch in the dusk. The lamps within were unlighted, and the evening wind blew the white muslin curtains out and in through the opened windows. The porch was low,––only a step from the ground,––and the grass of the dooryard felt soft and cool to the bare feet of the children. In front and all around lay the garden––flowers and fruit quaintly intermingled. Down the long path to the gate, where three roads met, great bunches of peonies lifted white blossoms––luminously white in the moonlight; and on either side rows of currant bushes cast low, dark shadows, and here and there dwarf crab-apple trees tossed pale, scented flowers above them. In the dusky eveninglight the iris flowers showed frail and iridescent against the dark shadows under the bushes. The children chattered quietly at their play, as if they felt a mystery around them, and small Betty was sure she saw fairies dancing on the iris flowers when the light breeze stirred them; but of this she said nothing, lest her practical older sister should drop a scornful word of unbelief, a thing Betty shrank from and instinctively avoided. Why should she be told there were no such things as fairies and goblins and pigwidgeons, when one might be at that very moment dancing at her elbow and hear it all? So Betty wagged her curly golden head, wise with the wisdom of childhood, and went her own ways and thought her own thoughts. As for the strange creatures of wondrous power that peopled the earth, and the sky, and the streams, she knew they were there. She could almost see them, could almost feel them and hear them, even though they were hidden from mortal sight. Did she not often go when the sun was setting and climb the fence behind the barn under the great locust and silver-leaf poplar trees, where none could see her, and watch the fiery griffins in the west? Could she not see them flame and flash, their wings spreading far out across the sky in fantastic flight, or drawn close and folded about them in hues of purple and crimson and gold? Could she not see the flying mist-women flinging their floating robes of softest pink and palest green around their slender limbs, and trailing them delicately across the deepening sky? Had she not heard the giants––nay, seen them––driving their terrible steeds over the tumbled clouds, and rolling them smooth with noise of thunder, under huge rolling machines a thousand times bigger than that Farmer Hopkins used to crush the clods in his wheat field in the spring? Had she not seen the flashes of fire dart through the heavens, struck by the hoofs of the giants’ huge beasts? Ah! She knew! If Martha would only listen to her, she could show her some of these true things and stop her scoffing.
Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions and analyses receptions of Greek and Roman tragedy that come under the banner of 'postdramatic theatre', a style of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The chapters are arranged into three parts, each of which explores classical reception within a specific strand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Each offers a semiotic and phenomenological analysis of a particular case study, covering both widely known and less studied productions from 1995 to 2015. Together they reveal that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great deal about both the evolution of theatre in recent decades, and the status of ancient drama in modernity.
This book argues that, despite Paul's often dramatic and critical descriptions of non-Christians, his letters reveal a deep concern for the presence of outsiders and for their opinion of Christians. Parker suggests that outsiders are enormously important to Paul: they determine whether Christian communities dwindle or thrive, while also playing a key role in helping such communities to understand and shape their purpose as missional disciples, develop their thinking and practice around normal daily events and relationships - and even shape how they understand God. Parker offers a careful exegesis of the main texts within the Pauline corpus, revealing a sensitivity to the outsider; including 1 Thessalonians, Romans, 1 Corinthians and the Pastoral Epistles. By using Social Identity Theory she explores key concepts of group boundaries, identity and inter-group relations, highlighting a theme which is significant in Paul's own thought: the importance of similarity between groups. Whilst not denying the counter-cultural identity of the new Christian communities, Parker concludes that Paul reveals the areas of overlap between insiders and outsiders, since these areas not only create opportunities for positive opinions and relationships but also point to a greater understanding of God.
The overlooked story of how ordinary women and their husbands managed financially in the Victorian era – and why so many struggled despite increasing national prosperityNineteenth century Britain saw remarkable economic growth and a rise in real wages. But not everyone shared in the nation’s wealth. Unable to earn a sufficient income themselves, working-class women were reliant on the ‘breadwinner wage’ of their husbands. When income failed, or was denied or squandered by errant men, families could be plunged into desperate poverty from which there was no escape.Emma Griffin unlocks the homes of Victorian England to examine the lives – and finances – of the people who lived there. Drawing on over 600 working-class autobiographies, including more than 200 written by women, Bread Winner changes our understanding of daily life in Victorian Britain.
Insects play a vital role in many natural processes around the world. They help pollinate flowers, break down dead things, and provide food for many animals and people.Beneficial Insects: Bugs Helping Plants Survivelooks at how insects make the world a better place, as well as the threats they face and how people can protect them. Easy-to-read text, vivid images, and helpful back matter give readers a clear look at this subject. Features include a table of contents, infographics, a glossary, additional resources, and an index. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.
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