The Philippine Islands, 1493-1898 — Volume 10," authored by Emma Helen Blair, continues the remarkable historical journey of the Philippines through the colonial era. This collection of stories by Emma Helen Blair attempts to compile many of her classic thoughts consolidated in a single draft and offer them at an affordable price so that everyone can read them. some stories are interesting and amazing, while other softly creep up on you and pull you in. As an accomplished historian and other one scholar, Blair's dedication to meticulous research and historical accuracy is evident in this volume, which covers the years 1597 to 1599. In this Volume ten (10), Blair delves into the complexities of the Spanish colonization during the late 16th century. The narrative explores the political, social, and economic developments that shaped the archipelago during this pivotal period. The text provides valuable insights into the challenges faced by the Spanish authorities in maintaining control over the various regions of the Philippines. Through the use of primary sources and historical documents, Blair presents a comprehensive account of significant events, including the exploration of new territories and the interactions with indigenous tribes. The volume sheds light on the evolving relationships between the colonizers and the local communities, reflecting the intricate dynamics of cultural assimilation and resistance.
What are we teaching, when we teach Shakespeare? Today, the Shakespeare classroom is often also a rehearsal room; we teach Shakespeare plays as both literary texts and cues for theatrical performance. This Element explores the possibilities of an 'embodied' pedagogical approach as a tool to inform literary analysis. The first section offers an overview of the embodied approach, and how it might be applied to Shakespeare plays in a playhouse context. The second applies this framework to the play-making, performance, and story-telling of early modern women – 'Shakespeare's sisters' – as a form of feminist historical recovery. The third suggests how an embodied pedagogy might be possible digitally, in relation to online teaching. In so doing, this Element makes the case for an embodied pedagogy for teaching Shakespeare.
The critically acclaimed author of The King's Mistress brings another fascinating woman from history to life in an enthralling story of political intrigue, personal tragedy, and illicit love. Joan of Kent, renowned beauty and cousin to King Edward III, is destined for a politically strategic marriage. As the king begins a long dynastic struggle to claim the crown of France, plunging England into the Hundred Years’ War, he negotiates her betrothal to a potential ally and heir of a powerful lordship. But Joan, haunted by nightmares of her father’s execution at the hands of her treacherous royal kin, fears the king’s selection and is not resigned to her fate. She secretly pledges herself to one of the king’s own knights, one who has become a trusted friend and protector. Now she must defend her vow as the king—furious at Joan’s defiance—prepares to marry her off to another man. In A Triple Knot, Emma Campion brings Joan, the “Fair Maid of Kent” to glorious life, deftly weaving details of King Edward III’s extravagant court into a rich and emotionally resonant tale of intrigue, love, and betrayal.
One of those memoirs that remind you why you liked memoirs in the first place... It has the density of a very good novel... As you do with the best writers, you feel lucky to be in Ms. Brockes’s company." --Dwight Garner, The New York Times A chilling work of psychological suspense and forensic memoir, She Left Me the Gun is a tale of true transformation: the story of a young woman who reinvented herself so completely that her previous life seemed simply to vanish, and of a daughter who transcends her mother’s fears and reclaims an abandoned past. “One day I will tell you the story of my life,” promises Emma Brockes’s mother, “and you will be amazed.” Brockes grew up hearing only pieces of her mother’s past—stories of a rustic childhood in South Africa, glimpses of a bohemian youth in London—and yet knew that crucial facts were still in the dark. A mystery to her friends and family, Paula was clearly a strong, self-invented woman; glamorous, no-nonsense, and frequently out of place in their quaint English village. In awe of Paula’s larger-than-life personality, Brockes never asked why her mother emigrated to England or why she never returned to South Africa; never questioned the source of her mother’s strange fears or tremendous strengths. Looking to unearth the truth after Paula’s death, Brockes begins a dangerous journey into the land—and the life—her mother fled from years before. Brockes soon learns that Paula’s father was a drunk megalomaniac who terrorized Paula and her seven half-siblings for years. After finally mustering the courage to take her father to court, Paula is horrified to see the malevolent man vindicated of all charges. As Brockes discovers, this crushing defeat left Paula with a choice: take her own life, or promise herself never to be intimidated or unhappy again. Ultimately she chooses life and happiness by booking one-way passage to London—but not before shooting her father five times, and failing to kill him. Smuggling the fateful gun through English customs would be Paula’s first triumph in her new life. She Left Me the Gun carries Brockes to South Africa to meet her seven aunts and uncles, weighing their stories against her mother’s silences. Brockes learns of the violent pathologies and racial propaganda in which her grandfather was inculcated, sees the mine shafts and train yards where he worked as an itinerant mechanic, and finds in buried government archives the court records proving his murder conviction years before he first married. Brockes also learns of the turncoat stepmother who may have perjured herself to save her husband, dooming Paula and her siblings to the machinations of their hated father. Most of all, She Left Me the Gun reveals how Paula reinvented herself to lead a full, happy life. As she follows her mother’s footsteps back to South Africa, Brockes begins to find the wellsprings of her mother’s strength, the tremendous endurance which allowed Paula to hide secrets from even her closest friends and family. But as the search through cherished letters and buried documents deepens, Brockes realizes with horror that her mother’s great success as a parent was concealing her terrible past—and that unearthing these secrets threatens to undo her mother’s work. A beguiling and unforgettable journey across generations and continents, She Left Me the Gun chronicles Brockes’s efforts to walk the knife-edge between understanding her mother’s unspeakable traumas and embracing the happiness she chose for her daughter.
Delicious . . . richly riveting . . . The Vacationers offers all the delights of a fluffy, read-it-with-sunglasses-on-the-beach read, made substantial by the exceptional wit, insight, intelligence and talents of its author.”—People (four stars) An irresistible, deftly observed novel from the New York Times-bestselling author of Modern Lovers, about the secrets, joys, and jealousies that rise to the surface over the course of an American family’s two-week stay in Mallorca. For the Posts, a two-week trip to the Balearic island of Mallorca with their extended family and friends is a celebration: Franny and Jim are observing their thirty-fifth wedding anniversary, and their daughter, Sylvia, has graduated from high school. The sunlit island, its mountains and beaches, its tapas and tennis courts, also promise an escape from the tensions simmering at home in Manhattan. But all does not go according to plan: over the course of the vacation, secrets come to light, old and new humiliations are experienced, childhood rivalries resurface, and ancient wounds are exacerbated. This is a story of the sides of ourselves that we choose to show and those we try to conceal, of the ways we tear each other down and build each other up again, and the bonds that ultimately hold us together. With wry humor and tremendous heart, Emma Straub delivers a richly satisfying story of a family in the midst of a maelstrom of change, emerging irrevocably altered yet whole.
This book considers the complex ways in which the hotel functions to express the shifting experiences of modernity in the works of such authors as Anthony Trollope, Wilkie Collins, Arnold Bennett, H.G. Wells, and Elizabeth Bowen. The text contributes to the critical debates on nineteenth- and twentieth-century literature concerning space, movement, and mobility, arguing that the hotel reconfigures boundaries of modernist, middlebrow, and popular fiction. Drawing on a range of interdisciplinary theoretical and analytical perspectives, the book provides a critical and cultural history of the hotel in British literature, charting its changing nature and usage from the mid-nineteenth century up until the interwar period.
One of history's most improbable and inspiring stories began with heavenly voices and visions experienced by a young, illiterate French shepherdess - Joan of Arc. Repeatedly and ever more insistently, they told her to raise an army, liberate the city of Orléans, install a rightful French king, and drive the English from France. She heeded these divine orders, and during a single year, 1429, led the French in a string of victories over the English. She was hailed as the fulfillment of an ancient prophecy. Two years later, she was condemned as a heretic and burned at the stake. For a saga involving the fate of nations and God's plan for the world, the future saint's simple, courageous life unfolds as surprisingly human. The people surrounding her are motivated by little more than power and politics, their actions based on vanity, pride, ambition, petty disputes, or just plain dithering. Her remarkable story is a testament to her faith.
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