A story of the famed Thomas Jefferson Beale ciphers that has been aired on national TV by the news media, various programs, and can be reviewed on the Internet is given renewed attention. Three sets of numbers are in the code, and until recent years, only paper number 2 had been deciphered. However, a new story emerges in the deciphered papers 1 and 3. It is the journal of Gilbert Bean, a young Scottish minister living in Bedford County, Pennsylvania. Mystery Beneath the Baneberry Bush is the story of this frontier and enterprising Bean family based on the journal. During the American Revolution, Gilbert Bean served in the Rawlings Regiment under Capt. Thomas Beal, founder of Cumberland, Maryland. Gilbert, Beau he was often called, made an effort to destroy all his personal public records, but his records from the National Archives state that he deserted. Did he desert the very cause that he was fighting for? Why was it necessary to code his journal? What is the strange “ark” Bet Bean stole from a British boat? Is there a treasure trove in Bedford County, Pennsylvania, more precious than silver and gold that will shock America?
This is not a book to read but a guidebook to use. Few grant writing books provide the 2 key tools writers need to win funding: a copy of a funded proposal and a writers workbook. Grant Writing Roadmap is a standard among organizations that want to produce a winning proposal. It is a prime shelf reference that will be reached for each time your organization writes a proposal. Emma Bush has written a grant writing book designed to meet the specific needs of the novice writer. The Grant Writing Roadmap is based on real feedback from real writers who have attended her grant writing workshops. This book answers their need to review a funded proposal and moves the reader from the basic facets of grant funding to the final production of a competitive proposal. This book is a must have in the library of Faith-Based Organizations, Community-Based Organizations, and For-Profit companies seeking grants as a part of a well planned funding strategy. Emma Bush has over eighteen years of diversified experience and a proven track record in workforce development, grant writing and project design/management. Having worked as a private contractor and consultant for 14 years Ms. Bush has written competitive grants that have been awarded funding and provided services for government agencies, faith organizations, and private companies in Dallas, Texas. Emma has received local and national recognition for her work including the recipient of the John J. Gunther Award for Community and Economic Development from the U.S. Department of Housing and Urban Development for a workforce training program she designed. In addition to winning grants, she has offered grant writing classes through colleges in Texas andLouisiana. She brings to this writing a wealth of knowledge and years of successful experience in all areas of grant writing and grant management.
A story of the famed Thomas Jefferson Beale ciphers that has been aired on national TV by the news media, various programs, and can be reviewed on the Internet is given renewed attention. Three sets of numbers are in the code, and until recent years, only paper number 2 had been deciphered. However, a new story emerges in the deciphered papers 1 and 3. It is the journal of Gilbert Bean, a young Scottish minister living in Bedford County, Pennsylvania. Mystery Beneath the Baneberry Bush is the story of this frontier and enterprising Bean family based on the journal. During the American Revolution, Gilbert Bean served in the Rawlings Regiment under Capt. Thomas Beal, founder of Cumberland, Maryland. Gilbert, Beau he was often called, made an effort to destroy all his personal public records, but his records from the National Archives state that he deserted. Did he desert the very cause that he was fighting for? Why was it necessary to code his journal? What is the strange “ark” Bet Bean stole from a British boat? Is there a treasure trove in Bedford County, Pennsylvania, more precious than silver and gold that will shock America?
Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is:French Revolution. - The Scarlet Pimpernel by Emma Orczy. - A Tale of Two Cities by Charles Dickens. - Les Misérables by Victor Hugo.The Scarlet Pimpernel is the first novel in a series of historical fiction by Baroness Orczy, published in 1905. The novel is set during the Reign of Terror following the start of the French Revolution. The title is the nom de guerre of its hero and protagonist, a chivalrous Englishman who rescues aristocrats before they are sent to the guillotine. A Tale of Two Cities is a historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris and his release to live in London with his daughter Lucie, whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. Les Misérables is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. Beginning in 1815 and culminating in the 1832 June Rebellion in Paris, the novel follows the lives and interactions of several characters, particularly the struggles of ex-convict Jean Valjean and his experience of redemption. This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics
A deeply affecting memoir and a unique contribution to our understanding of the Palestinian-Israeli conflict. In August 2000 Emma Williams arrived with her three small children in Jerusalem to join her husband and to work as a doctor. A month later, the second Palestinian intifada erupted. For the next three years, she was to witness an astonishing series of events in which hundreds of thousands of lives, including her own, were turned upside down. Williams lived on the very border of East and West Jerusalem, working with Palestinians in Ramallah during the day and spending evenings with Israelis in Tel Aviv. Weaving personal stories and conversations with friends and colleagues into the long and fraught political background, Williams' powerful memoir brings to life the realities of the Palestinian-Israeli conflict. She vividly recalls giving birth to her fourth child during the siege of Bethlehem and her horror when a suicide bomber blew his own head into the schoolyard where her children played each day. Understanding in her judgment, yet unsparing in her honesty, Williams exposes the humanity, as well as the hypocrisy at the heart of both sides' experiences. Anyone wanting to understand this intractable and complex dispute will find this unique account a refreshing and an illuminating read.
A history of the New Zealand Film Archive and its founding director. Jonathan Dennis (1953–2002), was the creative and talented founding director of the New Zealand Film Archive. As a Pakeha (non-Maori/indigenous New Zealander) with a strong sense of social justice, Dennis became a conduit for tension and debate over the preservation and presentation of indigenous and non-indigenous film archival materials from the time the Archive opened in 1981. His work resulted in a film archive and curatorship practice which differed significantly from that of the North American and European archives he originally sought to emulate. He supported a philosophical shift in archival practice by engaging indigenous peoples in developing creative and innovative exhibitions from the 1980s until his death, recognizing that much of the expertise required to work with archival materials rested with the communities outside archival walls. This book presents new interviews gathered by the author, as well as an examination of existing interviews, films and broadcasts about and with Jonathan Dennis, to consider the narrative of a life and work in relation to film archiving.
Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. The Cornish fishing village of Tremarnock seems to have it all. Charming houses cling to the hillside and cluster round the harbour where fishermen unload their catch each day. Everyone knows everyone, and mostly they look out for each other. But throw a stranger – a beautiful stranger – into the mix and all bets are off. Chabela Penhallow arrives for a holiday from Mexico to find out more about her Cornish ancestors. But no sooner has she arrived than rumours start to fly. Why has she really come? And what is she running from? Can the inhabitants of Tremarnock discover her secrets before their peaceful seaside village is thrown into turmoil? Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.
The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Using historical, psychological, comparative religious and anthropological perspectives, this book sets out to separate the voice of Isobel Gowdie from that of her interrogators.
Habitus is a concept developed by the late French sociologist, Pierre Bourdieu, as a 'sense of one's place...a sense of the other's place'. It relates to our perceptions of the positions (or 'place') of ourselves and other people in the world in which we live and how these perceptions affect our actions and interactions with places and people. Habitus implies that a web of complex processes links the physical, the social and the mental. Inspired by this concept, this compelling book brings together leading scholars from interdisciplinary fields to examine ways in which spaces and places are constructed, interpreted and used by different people. This second edition contains updated chapter material, together with an entirely new introduction and revised conclusions which recognise the importance of Bourdieu's work. This publication is a tribute to Pierre Bourdieu's remarkable contribution to the fields of sociology, anthropology, geography, political philosophy and urban planning.
In Making Every Maths Lesson Count: Six principles to support great maths teaching, experienced maths teacher and lecturer Emma McCrea takes away the guesswork as she sums up the key components of effective maths teaching. Maths classrooms are incredibly complex places. At any given time, the factors influencing the effectiveness of your teaching are boundless and this can lead to relying on intuition as to what might work best. This book aims to signpost a route through this complexity. Writing in the practical, engaging style of the award-winning Making Every Lesson Count, Emma McCrea helps teachers to move beyond trial and error by sharing evidence-informed tips and suggestions on how they can nudge the impact of their teaching in the right direction. Making Every Maths Lesson Count is underpinned by six pedagogical principles challenge, explanation, modelling, practice, feedback and questioning and presents 52 high-impact strategies designed to streamline teacher workload and ramp up the level of challenge in the maths classroom. The book draws out the key findings from the latest research on memory, learning and motivation and each chapter features numerous worked examples to demonstrate the theory in action, together with a concluding series of questions that will help maths practitioners relate the content to their own classroom practice. Furthermore, Emma's writing offers clarity around the language of maths teaching and learning, and also delves into the finer points of how to identify and address any misconceptions that students may hold. Written for new and experienced practitioners alike, this gimmick-free guide provides sensible solutions to perennial problems and inspires a rich, challenging and evidence-based approach to the teaching of maths. Suitable for maths teachers of students aged 11 to 18 years, and for primary school maths specialists.
Emma Bell Miles (1879–1919) was a gifted writer, poet, naturalist, and artist with a keen perspective on Appalachian life and culture. She and her husband Frank lived on Walden’s Ridge in southeast Tennessee, where they struggled to raise a family in the difficult mountain environment. Between 1908 and 1918, Miles kept a series of journals in which she recorded in beautiful and haunting prose the natural wonders and local customs of Walden’s Ridge. Jobs were scarce, however, and as the family’s financial situation deteriorated, Miles began to sell literary works and paintings to make ends meet. Her short stories appeared in national magazines such as Harper’s Monthly and Lippincott’s, and in 1905 she published Spirit of the Mountains, a nonfiction book about southern Appalachia. After the death of her three-year-old son from scarlet fever in 1913, the journals took a more somber turn as Miles documented the difficulties of mountain life, the plight of women in rural communities, the effect of disparities of class and wealth, and her own struggle with tuberculosis. Previously examined only by a handful of scholars, the journals contain both poignant and incisive accounts of nature and a woman’s perspective on love and marriage, death customs, child raising, medical care, and subsistence on the land in southern Appalachia in the early twentieth century. With a foreword by Elizabeth S. D. Engelhardt, this edited selection of Emma Bell Miles’s journals is illustrated with examples of her painting.
While conspiracy theory is often characterized in terms of the collapse of objectivity and Enlightenment reason, Modern Conspiracy traces the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than seeing the imminent death of Enlightenment reason and a regression to a new Dark Age in conspiratorial thinking, Modern Conspiracy suggests that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment: its vociferous critique of established authorities and a conception of political sovereignty fuelled by fear of counter-plots, for example. Perhaps, ultimately, conspiracy theory affords us a renewed opportunity to reflect on our very relationship to the truth itself.
This volume examines how local actors respond to Africa’s high dependence on donor health funds. It focuses on the large infusion of donor money to address HIV and AIDS into Malawi and Zambia and the subsequent slow-down in that funding after 2009. How do local people respond to this dynamic aid architecture and the myriad of opportunities and constraints that accompany it? This book conceptualizes dependent agency, and the condition in which local actors can simultaneously act and be dependent, and investigates conditions under which dependent agency occurs. Drawing upon empirical data from Malawi and Zambia collected between 2005 and 2014, the work interrogates the nuanced strategies of dependent agency: performances of compliance, extraversion, and resistance below the line. The findings elucidate the dynamic interactions between actors which often occur “off stage” but which undergird macro-level development processes.
Cinema Memories brings together and analyses the memories of almost a thousand people of going to the cinema in Britain during the 1960s. It offers a fresh perspective on the social, cultural and film history of what has come to be seen as an iconic decade, with the release of films such as A Taste of Honey, The Sound of Music, Darling, Blow-Up, Alfie, The Graduate, and Bonnie and Clyde. Drawing on first-hand accounts, authors Melvyn Stokes, Matthew Jones and Emma Pett explore how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their analysis helps the reader see what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to their audiences.
A bold, playful, poetic exploration of sex, gender, and identity. "I am in bed with you. The room varies. But I'm always on the left. I am pulling the pieces of myself into myself. In the winter I left myself behind in the 90s. I'm coming back now. You can see the light touching me. I can see layers of tissue finally making a body. And once I have a body I have a head. And in my head are these thoughts." —From 'I am in bed with you' Playful and fluid but completely serious, Emma Barnes's surreal phantasmagoria I Am in Bed with You leads us through the very personal worlds of sex, gender, and the body. Barnes cracks jokes, makes us uncomfortable, shows us a little tenderness, leaves a lot unsaid, and does it all with language that provokes and confounds. 'I'm a mentally ill, / married, chronically ill, queer woman with two feet underground,' the author reveals. 'I birth Sigourney Weaver's android baby,' they tell us next. This collection is personal and fantastical, funny and excruciating. It's poetry in the process of unravelling most of what you thought you knew.
The greatest of Roman historians, Publius Cornelius Tacitus (56-117 CE) studied rhetoric in Rome. His rhetorical and oratorical gifts are evident throughout his most substantial works, the incomplete but still remarkable Annals and Histories. In concise and concentrated prose, marked by sometimes bitter and ironic reflections on the human capacity to misuse power, Tacitus charts the violent trajectory of the Roman Empire from Augustus' death in 14 CE to the end of Domitian's rule in 96. Victoria Emma Pagan looks at Tacitus from a range of perspectives: as a literary stylist, perhaps influenced by Sallust; his notion of time; his modes of discourse; his place in the historiography of the era; and the later reception of Tacitus in the Renaissance and early modern periods. Tacitus remains of major interest to students of the Bible, as well as classicists, by virtue of his reference to 'Christus' and Nero's persecution of the Christians after the great fire of Rome in 64 CE. This lively survey enables its readers fully to appreciate why, in holding a mirror up to venality and greed, the work of Tacitus remains eternal.
First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching
I fell in love with the Cornish coastal town of Tremarnock and its residents.' NetGalley 5* Review Return to the Cornish coast with Emma Burstall's irresisitible Tremarnock series. Escape to the beautiful seaside village of Tremarnock, and follow the ups and downs of its close-knit community: their tensions, ambitions – and secrets. Collected in a single volume for the first time, this is the five novels in Emma Burstall's Tremarnock series: STARTING OVER IN CORNWALL CHRISTMAS AT THE CORNISH GUEST HOUSE A SUMMER IN CORNWALL A CORNISH SECRET THE GIRL WHO CAME HOME TO CORNWALL 'Burstall is a great writer... I was gripped from the start' Daily Mail 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible' Bookbag
Three heartfelt stories from Emma McLaughlin and Nicola Kraus, authors of the #1 New York Times bestseller The Nanny Diaries. Citizen Girl Working in a world where a college degree qualifies her to make photocopies and color-coordinate file folders, twenty-four-year-old Girl is struggling to keep up with the essential trinity of food, shelter, and student loans. So when she finally lands the job of her dreams she ignores her misgivings and concentrates on getting the job done...whatever that may be. Sharply observed and devastatingly funny, Citizen Girl is edgy and heartfelt, an entertaining read that is startlingly relevant. Dedication What if your first love left town, without a word to anyone, days before graduation? What if, within months, he became one of the biggest recording stars on the planet? What if, after thirteen years of getting on with your life—walking past his face on newsstands, flipping past his image on TV, tuning him out on the radio—you get the call that he has finally landed back in your hometown for an MTV special? What if you finally had the chance to confront him? What would you do? This is the dilemma faced by Kate Hollis, a woman on the threshold of her thirtieth birthday who discovers that the only way to become a well-adjusted, fully-fledged adult is to revisit seventeen. Between You and Me Twenty-seven-year-old Logan hasn’t seen Kelsey in person since their parents separated them as kids. But their reunion is quickly overshadowed by the toxic dynamic between Kelsey and her parents. As Kelsey tries desperately to break away and grasp at a “real” life, beyond the influence of her parents and managers, she makes one catastrophic misstep after another. Logan risks everything to hold on, but when Kelsey unravels in the most horribly public way, Logan finds that she will ultimately have to choose between rescuing the girl she has always protected . . . and saving herself.
From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the 'c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly 'covert visibility'. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artistic expression: literature, film, TV, visual, and performance art. There is a peculiar paradox – unlike any other – regarding female genitalia. Rees focuses on this paradox of what is termed the 'covert visibility' of the vagina and on its monstrous manifestations. That is, what happens when the female body refuses to be pathologized, eroticized, or rendered subordinate to the will or intention of another? Common, and often offensive, slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women's lived sexual experiences such that we don't 'look' at the vagina itself – slang offers a convenient distraction to something so taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity
This book is an irreverent side-swipe at the history of music - a book of humorous criticism by a musician and conductor that investigates questions like the influence of the 'Times Atlas' on the development of opera.
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