The book examines the evolution of EU conflict prevention as an internal EU process and as an area of external cooperation with the UN, OSCE and NATO. Conflict prevention has emerged as a prominent EU policy in the post-Cold War era. Yet, how suited is the organisation to practice conflict prevention, and what does the record of cooperation with other key European organisations tell us about the EU's external priorities? The book critically analyses the EU's policy and outcomes to date, concluding that conflict prevention is underdeveloped by the EU, and is in danger of being marginalised in favour of shorter-term crisis management. Moreover, EU external cooperation reinforces this: the priority is cooperation in crisis management with the UN and NATO, rather than longer-term cooperation with the OSCE.
Watching Cartoons with Boys is a collection of short stories and essays that catalogue different cartoons that have been important to the author at different stages of her life, as well as some of the relationships that have developed in parallel. It considers gendered stereotypes in Bob s Burgers, the way relationships sometimes play out like an episode of Rick and Morty, and contains plenty of adoration for Lumpy Space Princess from Adventure Time. Funny, reflective, and painfully relatable, Watching Cartoons with Boys is an engaging text from an emerging Australian writer. ""Nostalgic, clever and funny, Watching Cartoons with Boys is a reminder of all the ways that cartoons intersect with and reflect our own lives."" - Jess Gately, Underground Writers Watching Cartoons with Boys reminds me of adolescence the relief in what I have left behind, the pride in what I have overcome, and the nostalgia of that which has stuck with me along the way. It is in a word poignant. Alex Creece, Ramona Magazine
This book explores six texts from across Spanish America in which the coming-of-age story ('Bildungsroman') offers a critique of gendered selfhood as experienced in the region’s socio-cultural contexts. Looking at a range of novels from the late twentieth century, Staniland explores thematic concerns in terms of their role in elucidating a literary journey towards agency: that is, towards the articulation of a socially and personally viable female gendered identity, mindful of both the hegemonic discourses that constrain it, and the possibility of their deconstruction and reconfiguration. Myth, exile and the female body are the three central themes for understanding the personal, social and political aims of the Post-Boom women writers whose work is explored in this volume: Isabel Allende, Laura Esquivel, Ángeles Mastretta, Sylvia Molloy, Cristina Peri Rossi and Zoé Valdés. Their adoption, and adaptation, of an originally eighteenth-century and European literary genre is seen here to reshape the global canon as much as it works to reshape our understanding of gendered identities as socially constructed, culturally contingent, and open-ended.
This collection interrogates relationships between court architecture and social justice, from consultation and design to the impact of material (and immaterial) forms on court users, through the lenses of architecture, law, socio-legal studies, criminology, anthropology, and a former senior federal judge. International multidisciplinary collaborations and single-author contributions traverse a range of methodological approaches to present new insights into the relationship between architecture, design, and justice. These include praxis, photography, reflections on process and decolonising practice, postcolonial, feminist, and poststructural analysis, and theory from critical legal scholarship, political science, criminology, literature, sociology, and architecture. While the opening contributions reflect on establishing design principles and architectural methodologies for ethical consultation and collaboration with communities historically marginalised and exploited by law, the central chapters explore the textures and affects of built forms and the spaces between; examining the disjuncture between design intention and use; and investigating the impact of architecture and the design of space. The collection finishes with contemplations of the very real significance of material presence or absence in courtroom spaces and what this might mean for justice. Courthouse Architecture, Design and Social Justice provides tools for those engaged in creating, and reflecting on, ethical design and building use, and deepens the dialogue across disciplinary boundaries towards further collaborative work in the field. It also exists as a new resource for research and teaching, facilitating undergraduate critical thought about the ways in which design enhances and restricts access to justice.
During the past decade, the UK government has increasingly sought to reduce levels of crime and anti-social behaviour through tackling problem drug use among offenders. Despite debates about the precise nature of the relationship between drug use and offending, a multiplicity of interventions have been introduced in an attempt to break the apparent link between problem drug use and crime, particularly acquisitive crime. These interventions have proliferated over time but have now been combined under the umbrella of the Drug Interventions Programme which aims to channel and, many would argue, coerce drug-using offenders into treatment.
This work introduces key debates, movements, and ideas relating to the Christian religion, and connects these to literary developments from 1750-1914. The authors provide close readings of popular texts and use these to explore complex religious ideas.
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