ONE OF THE YEAR’S 10 BEST MYSTERY NOVELS — PUBLISHERS WEEKLY Finalist for the CWA (Crime Writers’ Association) Gold Dagger Finalist for John Creasey (New Blood) Dagger Awards From Australia’s most exciting new crime-writing talent comes an “outstanding . . . gripping and violent” thriller starring a deaf PI who is “original and appealing” (The Guardian) Caleb Zelic can’t hear you, but he sees everything. And he never forgets a face. Caleb Zelic's childhood friend has been brutally murdered—fingers broken, throat slit—at his home in Melbourne. Tortured by guilt, Caleb vows to track down the killer. But he's profoundly deaf; missed words and misread lips can lead to confusion, and trouble. Fortunately, Caleb knows how to read people; a sideways glance, an unconvincing smile, speak volumes. When his friend Frankie, a former cop, offers to help, they soon discover the killer is on their tail. Sensing that his ex-wife may also be in danger, Caleb insists they return to their hometown of Resurrection Bay. But here he learns that everyone—including his murdered friend—is hiding something. And the deeper he digs, the darker the secrets . . .
This richly illustrated book presents the first comprehensive study of the making and marketing of pottery in medieval Ireland. Focusing on a well-preserved 14th-century pottery production center which was excavated in 2006 at Highhays, outside the walls of the renowned Anglo-Norman town of Kilkenny in south-east Ireland, the authors describe its kiln, workshops and working areas, as well as its ‘Highhays Ware’ products: jugs, jars, cooking-pots, money-boxes and ridge tiles. Foremost amongst the outputs from the kiln site were high-quality, wheel-thrown, green-glazed jugs that were closely modeled on French Saintonge and Bristol Redcliffe archetypes and the volume describes the distinctive processes, kiln-firing technology and raw materials that were employed to produce these, and the other wares, represented on the site. The book also presents the results of an innovative plasma spectrometry and petrological analysis of Highhays Ware, which facilitated identification of the source for the raw potting clays areas – located at a considerable distance from Highhays in north county Kilkenny – used in its production, in addition to allowing for a study of the uncharacteristically broad distribution of the ware throughout the south-east of Ireland. The authors also place the production of pottery at Highhays in its broader context by presenting an overall review of the archaeological and historical evidence for pottery making and consumption in medieval Ireland, as well as by exploring the cultural background and social status of potters in the Anglo-Norman colony. Supporting the analysis and interpretation of the Highhays site and its assemblage are specialist and scientific contributions on the pottery, tiles, ceramic production material, metal finds, coins and archaeobotanical and animal bone remains from the site, archaeomagnetic and radiocarbon dating and plasma spectrometry and petrological analysis.
Tune in to your aura and change your life. Your aura is your colourful energy field and protection unique to you - it reflects how you are feeling, the experiences you have and can help us understand who we are. It can be damaged but also healed and strengthened. All with simple everyday practices. Discover your aura - how to see, feel and know it - understand its powers and how to look after it so that it can help you reach your full potential.
Latin is one of two acceptable languages for describing new plants, and taxonomists must be able to translate earlier texts in Latin. Providing a simple explanation of Latin grammar along with an in-depth vocabulary, this is an indispensable guide for systematic botanists worldwide. All relevant parts of speech are discussed, with accompanying examples as well as worked exercises for translating diagnoses and descriptions to and from Latin. Guidelines for forming specific epithets are also included. The authors cross-reference their grammar to Stearn's Botanical Latin and to articles in the International Code of Nomenclature for Algae, Fungi and Plants. The comprehensive vocabulary is enhanced with terms from recent glossaries for non-flowering plants – lichens, mosses, algae, fungi and ferns – making this an ideal resource for anyone looking to hone their understanding of Latin grammar and to translate botanical texts from the past 300 years.
The penultimate chapter portrays the decline of Emma's uncle, the famous aesthete Stephen Tennant, who was written about by V.S. Naipaul in The Enigma of the Arrival. Deeply evocative and atmospheric, and written with stunning detail, Strangers is, as The Guardian explains: "a historical chronicle but also a reverie on where you put your family inside yourself.
Millions of hectares of temperate woodland and billions of trees have been cleared from Australia’s agricultural landscapes. This has allowed land to be developed for cropping and grazing livestock but has also had significant environmental impacts, including erosion, salinity and loss of native plant and animal species. Restoring Farm Woodlands for Wildlife focuses on why restoration is important and describes best practice approaches to restore farm woodlands for birds, mammals and reptiles. Based on 19 years of long-term research in temperate agricultural south-eastern Australia, this book addresses practical questions such as what, where and how much to plant, ways to manage plantings and how plantings change over time. It will be a key reference for farmers, natural resource management professionals and policy-makers concerned with revegetation and conservation.
This is a biography of a book: the first collected edition of Shakespeare's plays printed in 1623 and known as the First Folio. It begins with the story of its first purchaser in London in December 1623, and goes on to explore the ways people have interacted with this iconic book over the four hundred years of its history. Throughout the stress is on what we can learn from individual copies now spread around the world about their eventful lives. From ink blots to pet paws, from annotations to wineglass rings, First Folios teem with evidence of its place in different contexts with different priorities. This study offers new ways to understand Shakespeare's reception and the history of the book. Unlike previous scholarly investigations of the First Folio, it is not concerned with the discussions of how the book came into being, the provenance of its texts, or the technicalities of its production. Instead, it reanimates, in narrative style, the histories of this book, paying close attention to the details of individual copies now located around the world - their bindings, marginalia, general condition, sales history, and location - to discuss five major themes: owning, reading, decoding, performing, and perfecting. This is a history of the book that consolidated Shakespeare's posthumous reputation: a reception history and a study of interactions between owners, readers, forgers, collectors, actors, scholars, booksellers, and the book through which we understand and recognise Shakespeare.
This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period. Emma Roche examines how six popular novels, published between 2005 and 2015 (Twilight, Fifty Shades of Grey, Gone Girl, Sharp Objects and The Girl on the Train), reanimate and modify recognisable tropes from the romance genre to reflect a neoliberal and postfeminist cultural climate. As such, Roche argues, these novels function as crucial spaces for interrogating and challenging those contemporary gender ideologies. Throughout the book, Roche addresses and critiques several key attributes of neoliberal postfeminism, including a pervasive emphasis on individualism and personal responsibility; an insistent requirement for self-monitoring, self-surveillance, and bodywork; the celebration of consumerism and its associated pleasures; the prescription of mandatory optimism and suppressing one’s ‘negative’ emotions; and the endorsement of choice as a primary marker of women’s empowerment. While much critical attention has been devoted to those attributes and their pernicious effects, Roche argues that one crucial repercussion has been largely overlooked in contemporary cultural criticism: how these ideologies function together to effectively sanction gender-based violence. Thus, Roche exploits textual analysis to demonstrate the subtle ways in which neoliberal postfeminism can augment women’s vulnerability to male violence.
Welcome to the small island town of Cloud Bay, where it’s never the wrong time to find a love that’s oh-so-right in Need You Now by Emma Douglas. . . Caleb White knows what he wants out of life—and being a star tennis player is not it. After speaking to the press about his plans to retire, Caleb decides that a trip to quaint, beautiful Cloud Bay for its legendary music festival is exactly what he needs. There will be time to figure out what to do with his life without a racket in his hand soon enough. Until then, Caleb is content to be stuck on an island with CloudFest’s gorgeous director Faith Harper. . . The daughter of a famous rock star, Faith knows all about fame, fortune, and hot flings that aren’t meant to last longer than a few good songs. Gorgeous, built Caleb is a temptation she can’t resist, but she’s not prepared for the way he makes her feel. . .and the dreams that they both share. What begins as a carefree distraction deepens into something real. But is Caleb ready to put his celebrity behind him and give life in the slow lane with Faith a chance?
It’s Christmastime in the quaint island town of Cloud Bay, where love is always in season... Will Fraser has believed in love at first sight since the day he first laid eyes on Mina Harper five years ago. There was only one problem: She was happily married. Then, when Mina’s husband was killed by a drunk driver, Will figured she’d want nothing to do with a guy who owns a whiskey distillery. So he’s kept his feelings locked away, knowing that not even a Christmas miracle would be enough to melt Mina’s heart. . . Mina believes her days of true love are behind her. Since losing her husband she’s kept to herself, content to do her own painting and stay out of the limelight that comes with her famous family. But when, after a freak accident, Will comes to her rescue, Mina can’t quite get him out of her mind. As curiosity turns into a fling during Cloud Bay’s first Christmas Festival, she finds it harder to convince herself that her feelings for Will are just mistletoe-inspired. Could Mina be ready to lay the past to rest and finally admit that what she really wants for Christmas—and forever—is Will?
Alison seems to have life sorted. Despite her high-flying job producing commercials she still manages to keep her infant son on the breast and her daughter in Strawberry Pops. But her texts to her best friend Evie tell a much less glamorous story. Beth is new to the ad industry and desperate to impress. But the more she succeeds at work, the more things seem to be unravelling at home. And to make matters worse, she's finding it hard to resist the advances of a sleazy colleague. Things get really messy when a shoot takes their team to an isolated hell-hole in the middle of the South African bush. Accidents happen and dark secrets are revealed, and soon both Beth and Alison are forced to face some home truths. Saucy and smart, Thirty Second World is a funny, moving, real-world tale set in the unreal world of the South African film industry.
A classic Signet Regency Romance Christmas-themed collection FIVE MASTER STORYTELLERS RING IN THE SEASON WITH WARMTH, CHEER, AND LOVE… REGENCY CHRISTMAS WISHES Sandra Heath’s “Merry Magpie”—a bird as noisy as he is nosy—has a bad habit of screeching secrets, turning his masters against each other. But Yuletide has a way of warming hearts, even those of the feathered persuasion. The memory of one kiss from an elfin girl is enough to warm an Irish sailor for many chilly nights. Home for the holidays, he’ll do whatever it takes to get his love—now prim and staid—under the mistletoe, in Emma Jensen’s “Following Yonder Star.” A confirmed bachelor cannot forgive himself for a long-ago sin—that is, until his niece’s educator teaches him a thing or two about Christmas in Carla Kelly’s “Let Nothing You Dismay.” In Edith Layton’s “Best Wishes,” a pair of newlyweds discovers—during their first quarrel over holiday plans—that making up is indeed the best gift they can share. A down-at-the-heels benefactor finds that a single penny—his last—is worth more than riches when it brings him face-to-face with a breathtakingly beautiful Christmas angel in “The Lucky Coin” by Barbara Metzger. Don't miss these other Signet Regency Romance Intermix titles, available in digital format: A Homespun Regency Christmas Minor Indiscretions by Barbara Metzger And these, available digitally for the first time: Mally by Sandra Heath The Lady’s Companion by Carla Kelly
Sandy McLean is training to be a doctor to follow in his father's footsteps - indeed, to surpass his father who is just a general practitioner: Sandy is to become a top surgeon. Or so his father insists. Sandy feels he has no choice, though knows he is not a natural and life is becoming miserable as he struggles through the exams. What he really wants to be is an artist. Every spare moment he paints and is especially good at people. He even gets a commission when a loyal pub bartender is retiring. And then a French girl, Sophie, offers to pose for him - which leads to his first love affair and the beginning of his rebellion against his father, leading to his running off to Montmartre. Meanwhile, left behind is his sister Laura. Her father believes she should wait about idly for a potential husband to turn up. But she wants to earn a living. She tells her parents she's working voluntarily for an orphan centre, but really she has a job working at the Marie Stopes Clinic. After a brutal assault leaves her traumatised, she follows in Sandy's footsteps to Montmartre . . . Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
This is the most comprehensive dictionary of maintenance and reliability terms ever compiled, covering the process, manufacturing, and other related industries, every major area of engineering used in industry, and more. The over 15,000 entries are all alphabetically arranged and include special features to encourage usage and understanding. They are supplemented by hundreds of figures and tables that clearly demonstrate the principles & concepts behind important process control, instrumentation, reliability, machinery, asset management, lubrication, corrosion, and much much more. With contributions by leading researchers in the field: Zaki Yamani Bin Zakaria Department, Chemical Engineering, Faculty Universiti Teknologi Malaysia, Malaysia Prof. Jelenka B. Savkovic-Stevanovic, Chemical Engineering Dept, University of Belgrade, Serbia Jim Drago, PE, Garlock an EnPro Industries family of companies, USA Robert Perez, President of Pumpcalcs, USA Luiz Alberto Verri, Independent Consultatnt, Verri Veritatis Consultoria, Brasil Matt Tones, Garlock an EnPro Industries family of companies, USA Dr. Reza Javaherdashti, formerly with Qatar University, Doha-Qatar Prof. Semra Bilgic, Faculty of Sciences, Department of Physical Chemistry, Ankara University, Turkey Dr. Mazura Jusoh , Chemical Engineering Department, Universiti Teknologi Malaysia Jayesh Ramesh Tekchandaney, Unique Mixers and Furnaces Pvt. Ltd. Dr. Henry Tan, Senior Lecturer in Safety & Reliability Engineering, and Subsea Engineering, School of Engineering, University of Aberdeen Fiddoson Fiddo, School of Engineering, University of Aberdeen Prof. Roy Johnsen, NTNU, Norway Prof. N. Sitaram , Thermal Turbomachines Laboratory, Department of Mechanical Engineering, IIT Madras, Chennai India Ghazaleh Mohammadali, IranOilGas Network Members' Services Greg Livelli, ABB Instrumentation, Warminster, Pennsylvania, USA Gas Processors Suppliers Association (GPSA)
Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.
An adaptation of 'Social Research Methods' by Alan Bryman, this volume provides a comprehensive introduction to the area of business research methods. It gives students an assessment of the contexts within which different methods may be used and how they should be implemented.
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