From Glasgow on the brink of the Great War to the cut-throat world of London publishing - the spellbinding saga of three remarkable generations. Cathy: a Glasgow factory-girl who experiences love, its loss and a kind of victory in the space of two turbulent wartime years . . . Hannah: the daughter whose marriage enjoys the fruits of undreamt prosperity. But her love must learn to endure the turmoil of a very personal hurt . . . Robyn: the product of her generation. Modern, extrovert and vivacious, her heart is broken by the only man she'll ever love. Yet she finally comes to control her destiny - and that of the lover she never really lost... This is the unforgettable story of three women united in their love for books, for life, and for their men. A story which began with the little bookshop that Cathy fell in love with thirty years before. The Blackbird . . . Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
Making a Performance traces innovations in devised performance from early theatrical experiments in the twentieth-century to the radical performances of the twenty-first century. This introduction to the theory, history and practice of devised performance explores how performance-makers have built on the experimental aesthetic traditions of the past. It looks to companies as diverse as Australia's Legs on the Wall, Britain's Forced Entertainment and the USA-based Goat Island to show how contemporary practitioners challenge orthodoxies to develop new theatrical languages. Designed to be accessible to both scholars and practitioners, this study offers clear, practical examples of concepts and ideas that have shaped some of the most vibrant and experimental practices in contemporary performance.
An epic tale of one woman's determination to follow her dreams' People's Friend Set in 1920s Scotland, this beautifully written and satisfying saga follows the fate of a shipyard owner's daughter as she is faced with an impossible decision . . . Perfect for fans of Diney Costeloe, Rita Bradshaw and Nadine Dorries. 5-star reader reviews for The Shipbuilder's Daughter 'Beautifully written with a great deal of empathy, very satisfying plot. Lovely mix of old Glasgow and the western Isles' 'A definite must-buy' 'A lovely read' 'Fabulous reading' Glasgow, 1928. Margaret Bannatyne lost both of her brothers in the Great War and is now the last remaining child of wealthy and powerful shipyard owner William Bannatyne. Without a male heir to carry on the family business, William expects his daughter to do her duty, marry well and provide him with a grandson to inherit his business. Margaret cares deeply for her father but she has ambitions of her own: after witnessing a horrific accident when she was sixteen, she's determined to become a doctor. Her father, convinced she will never practise medicine, permits Margaret to complete her training. But he doesn't count on her falling in love with Alasdair Morrison. Alasdair, a union man at the shipyard, has been a thorn in William's side for years, and he didn't become one of the richest men in Glasgow only for Alasdair to take it all away - even if it means destroying his only daughter's happiness by forcing her to make a heartbreaking and impossible choice . . .
Bikepacking Wales by Emma Kingston contains 18 great multi-day mountain bike adventures. For such a compact country, Wales has a fantastic variety of trails to explore. Explore the world-class tracks around the remote Elan Valley, traverse the long, grassy ridges of the Brecon Beacons, enjoy the stunning coastal bridleways along the Gower peninsula, tackle the popular Trans Cambrian Way across Mid Wales, ride the heather-lined singletrack in the Clywdian Hills, and take a tour around the highest mountain in Wales and England – Yr Wyddfa (Snowdon) – including an optional route to its summit. The trails aren't the only draw though; these routes take you under towering castle walls, through huge slate quarries and past some of the country's prehistoric monuments so you can better appreciate Wales's rich culture and heritage. Each route includes all the information you need to help you plan your ride, including points of interest along the route, swimming spots, food recommendations and accommodation options, in addition to stunning photography and overview mapping. Downloadable GPX files of the routes are also available, including optional routes and shortcuts. This book is full of practical tips and essential advice for both experienced bikepackers and those who want to try it out for the first time. Let Bikepacking Wales be your companion as you take to the trails to experience the finest bikepacking adventures that Wales has to offer.
This unique book examines theatre practice that takes place within a range of health and care settings from medical training to advocacy projects for service users. Drawing on a range of case studies, the book provides insights into working practices as well as posing critical questions in relation to the field.
The Glasgow Nellie Thompson had been born in city bled colourless by poverty and despair, and divided against itself by religion and class. A city where appearances meant more than the truth that might lie in a person's heart . . . Nellie knew what it was like to be hungry and hopeless; to live a bitter lie with a man she hated. But still she held on to her dreams. Somehow she would leave those grey and violent streets behind. Somehow she would make her own life and her own world - even if she were forever denied the comfort of love. Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions and analyses receptions of Greek and Roman tragedy that come under the banner of 'postdramatic theatre', a style of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The chapters are arranged into three parts, each of which explores classical reception within a specific strand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Each offers a semiotic and phenomenological analysis of a particular case study, covering both widely known and less studied productions from 1995 to 2015. Together they reveal that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great deal about both the evolution of theatre in recent decades, and the status of ancient drama in modernity.
...it is refreshing to review a book that doesn’t claim to include everything but literally provides a foundation by focusing upon key areas within Emergency Care – to borrow that hackneyed phrase – “it does what it says on the tin”!" Tim Barr, Cardiff University, UK The Foundations of Emergency Care is an accessible text that brings together both academic and clinical experts to combine coverage of the clinical skills and underpinning theoretical knowledge essential to practice within the modern emergency setting. Using an evidenced-based and protocol driven approach, this clinical companion guides readers through a multitude of common patient scenarios, to help them acquire essential skills in assessment and priority assignment in an emergency care setting. Each chapter includes scenarios that utilise common emergency care presentations to clearly demonstrate how practitioners can identify critical illness at an early stage through understanding how disease and illness affect normal physiology and how this relates to the patient’s clinical presentation. This ability to critically analyse physical findings assists the practitioner in becoming a specialist and directly saves lives. Key areas covered include: Cardiac Emergencies: including the new 2006 ALS guidelines Head Injuries Acute Surgical Emergencies Gynaecologic and Obstetric Emergencies Respiratory Distress Paediatric Emergencies Minor Trauma and Illness Major Trauma Acute Medical Emergencies The book also includes scenarios that cover the treatment of the elderly and those presenting with mental health emergencies. This important new book encourages readers to reflect on their clinical encounters to gain further insight into relevant treatment options and illustrates how critical thinking can be applied in emergency care. Essential reading for healthcare professionals working within emergency care and students requiring the fundamental skills necessary to competently undertake patient assessment and correctly prioritise patient care.
This second of a three-volume set documenting Emma Goldman's life and work in the United States covers the years from 1902 through the end of 1909, from the 1901 assassination of President McKinley by a Polish-American anarchist through Goldman's participation in a wider political sphere that began with her launch of the anarchist magazine Mother Earth.
Photographs of missing children are some of the most haunting images of contemporary Western society. Wilson contends that the loss of a child is perceived as a limit-experience in contemporary cinema, where filmmakers attempt to transform their means of representation as a response to acute pain and horror. She explores the representation of missing and endangered children in a number of the key films of the last decade, including Kieslowski's Three Colours: Blue, Atom Egoyan's Exotica, Todd Solondz's Happiness, Jane Campion's The Portrait of a Lady, Lars von Trier's The Kingdom, and Almodovar's All About My Mother.
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).
Making a Performance traces innovations in devised performance from early theatrical experiments in the twentieth-century to the radical performances of the twenty-first century. This introduction to the theory, history and practice of devised performance explores how performance-makers have built on the experimental aesthetic traditions of the past. It looks to companies as diverse as Australia's Legs on the Wall, Britain's Forced Entertainment and the USA-based Goat Island to show how contemporary practitioners challenge orthodoxies to develop new theatrical languages. Designed to be accessible to both scholars and practitioners, this study offers clear, practical examples of concepts and ideas that have shaped some of the most vibrant and experimental practices in contemporary performance.
An epic tale of one woman's determination to follow her dreams' People's Friend Set in 1920s Scotland, this beautifully written and satisfying saga follows the fate of a shipyard owner's daughter as she is faced with an impossible decision . . . Perfect for fans of Diney Costeloe, Rita Bradshaw and Nadine Dorries. 5-star reader reviews for The Shipbuilder's Daughter 'Beautifully written with a great deal of empathy, very satisfying plot. Lovely mix of old Glasgow and the western Isles' 'A definite must-buy' 'A lovely read' 'Fabulous reading' Glasgow, 1928. Margaret Bannatyne lost both of her brothers in the Great War and is now the last remaining child of wealthy and powerful shipyard owner William Bannatyne. Without a male heir to carry on the family business, William expects his daughter to do her duty, marry well and provide him with a grandson to inherit his business. Margaret cares deeply for her father but she has ambitions of her own: after witnessing a horrific accident when she was sixteen, she's determined to become a doctor. Her father, convinced she will never practise medicine, permits Margaret to complete her training. But he doesn't count on her falling in love with Alasdair Morrison. Alasdair, a union man at the shipyard, has been a thorn in William's side for years, and he didn't become one of the richest men in Glasgow only for Alasdair to take it all away - even if it means destroying his only daughter's happiness by forcing her to make a heartbreaking and impossible choice . . .
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