A moving memoir following the author's own experience of psychosis What if psychosis is really a wake up call? Emma Goude is a twenty-something who works at the BBC. She likes to party and take drugs... until she decides to give them up... and that's when the insomnia starts. After five nights without sleep she ends up in A&E. Three questions determine whether she is sane or not. Three questions stand between her and the psychiatric ward. She gets them wrong. Emma is an atheist, a skeptical cynic who chose dope over God, so when she has some spiritual experiences she is not entirely sure if she is delusional. The psychiatric system has forgotten that 'psyche' means soul. All they know about is medication and they have ways of making her take it. It becomes a game she has to play in order to get out. It is also a perception of herself she must do battle with in order to stand strong in her belief that her psychosis is some kind of awakening.
A moving memoir following the author's own experience of psychosis What if psychosis is really a wake up call? Emma Goude is a twenty-something who works at the BBC. She likes to party and take drugs... until she decides to give them up... and that's when the insomnia starts. After five nights without sleep she ends up in A&E. Three questions determine whether she is sane or not. Three questions stand between her and the psychiatric ward. She gets them wrong. Emma is an atheist, a skeptical cynic who chose dope over God, so when she has some spiritual experiences she is not entirely sure if she is delusional. The psychiatric system has forgotten that 'psyche' means soul. All they know about is medication and they have ways of making her take it. It becomes a game she has to play in order to get out. It is also a perception of herself she must do battle with in order to stand strong in her belief that her psychosis is some kind of awakening.
Beads, bracelets, necklaces, pendants and many other ornaments are familiar objects that play a fundamental role in personal expression and communication. This book considers how and why the human relationship with ornaments developed and continued over tens of thousands of years, from hunter-gatherer life in the cave to urban elites, from expedient use of natural resources to complex technologies. Using evidence from archaeological sites across Turkey, the Near East and the Balkans, it explores the history of personal ornaments from their appearance in the Palaeolithic until the rise of urban centers in the Early Bronze Age and encompassing technologies ranging from stone cutting to early glazing, metallurgy and the roots of glass manufacture. The development of theoretical and practical approaches to ornaments and the current state of research are illustrated with a wide variety of examples. This book shows that far from being objects of display, of little value in archaeological interpretation and often overlooked, these artifacts are key to understanding trade, relationships, values, beliefs and the construction of personal identity in the past. Indeed, more than any other group of artifacts, their variety in material, form, use and distribution opens doors to both wide ranging scientific exploration and consideration of what it is to be human.
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