This book presents a magisterial overview of Cultural Studies, and of studies of culture more broadly. It synthesizes a bewildering range of writers and ideas into a comprehensible narrative. It’s respectful to the history of ideas and completely cutting edge. I learned a lot – you will too." - Professor Alan McKee, University of Technology Sydney "The role of culture in spatial, digital and political settings is a vital aspect of contemporary life. Barker and Jane provide an excellent introduction to Cultural Studies’ relationship to these core issues, both through a clear explanation of key concepts and thinkers, alongside well chosen examples and essential questions." - Dr David O′Brien, Goldsmiths, University of London With over 40,000 copies sold, Cultural Studies: Theory and Practice has been the indispensable guide to studying culture for generations of students. Here is everything students need to know, with all the key concepts, theories and thinkers in one comprehensive, authoritative yet accessible resource. Teaching students the foundations of cultural studies - from ideology, representation and discourse to audiences, subcultures and cultural policy - this revised edition: Fully explores the ubiquity of digital media culture, helping readers analyse issues surrounding social media, surveillance, cyber-activism and more Introduces students to all the key thinkers they’ll encounter, from Stuart Hall and Michel Foucault to Judith Butler and Donna Haraway Balances the classics with cutting edge theory, including case studies on e-commerce, the self-help industry, the transgender debate, and representations of race Embraces popular culture in all of its diversity, from drag kings and gaming, to anime fandom and remix cultures Is re-written throughout with a new co-author, making it a more enjoyable read than ever. Unmatched in coverage and used world-wide, this is the essential companion for all students of cultural studies, culture and society, media and cultural theory, popular culture and cultural sociology.
A family's triumphs and tragedies, from life as privileged distillery owners to the horrors of the trenches in France. Charlotte becomes engaged to Lieutenant Geoffrey Armitage as the Great War breaks out,. The war takes its toll on all her fmaily, as the men become soldiers and the women nurses. Charlotte's brother Andrew is in Ireland and involved in the 1916 Easter uprising. When his girlfriend and her family are killed by an Irish militant, he kills the man and his family, as well as six others. As the war ends, they return to Scotland a different family and now must cope with the changes that have happened and those still to come . . .
Emma Blair once again richly evokes the setting and characters of Scotland during the 30s. Continuing the story she began in Flower of Scotland, Emma invites the reader back into the lives of the Drummond family, who are still dealing with the aftermath of the First World War but now must also face up to the horrors of the Second. Andrew and Rose are running the distillery and have given a job to Jack's son, Tommy. Tommy hates the work and longs to be a pilot but Jack, horribly disfigured after the first war, forbids it. The onset of the new war sweeps aside any such decision . . . Andrew and Rose must cope with the loss of their baby; Andrew tries to manage as Rose's behaviour becomes increasingly bizarre but finds he must also face up to his own failing health . . . An enormously touching story and life, love and death. Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
Lose yourself in this dramatic and emotional Harlequin® Historical collection, featuring two new full-length titles in one collection! This boxset includes: A WAGER TO WIN THE DEBUTANTE by Eva Shepherd (Victorian) Wealthy rail baron Thomas Hayward needs a duke's land to expand his empire, but the oaf insists on a ridiculous wager: they'll both woo debutante Miss Grace Lowerby, and if she chooses the duke—which she surely will—Thomas gets the land at a cheaper price. He can't lose… To save her family, Grace must marry the duke. And yet in dashing Thomas she's found a man she can finally be herself with. But focusing on her goal is paramount…until she discovers the wager and—annoyingly!—that it's Thomas she's falling for! THE DUKE'S SISTER AND I by Emma-Claire Sunday (Regency) As the ton's most in-demand debutante, it should be easy for Miss Loretta Linfield to find the perfect husband. So the reason why she is embarking on her third season unwed is a puzzle that nobody can solve. Not least Loretta! Until she meets Charlotte Sterlington…The sister of her new suitor, the Duke of Colchester, is everything that prim and proper Loretta isn't—bold, daring and rakish! But Charlotte is also everything that Loretta finds herself desiring…
A spellbinding sapphic love story filled with wit and queer joy, Emma-Claire Sunday’s debut Regency romance will leave you swooning! She’s supposed to wed a duke… But it’s his sister she can’t keep her eyes off! As the ton’s most in-demand debutante, it should be easy for Miss Loretta Linfield to find the perfect husband. So the reason why she is embarking on her third season unwed is a puzzle that nobody can solve. Not least Loretta! Until she meets Charlotte Sterlington… The sister of her new suitor, the Duke of Colchester, is everything that prim and proper Loretta isn’t—bold, daring and rakish! But Charlotte is also everything that Loretta finds herself desiring… From Harlequin Historical: Your romantic escape to the past.
This volume is the only biography of the life associate of the great evangelist, D. L. Moody. The sweet strength of Mrs. Moody’s life is portrayed here by her granddaughter, whose access to letters and records of family and intimate friends gives the book its human interest. This book reveals Mrs. Moody’s share in the destiny of her era, describing a period that “belongs to any history of the social and religious life of the Western world.”
From the very beginning I expected my mother to climb back down from wherever she'd hidden herself..." So Fran, youngest daughter of Henry and Jane Cleeve, starts to record a tale of disappearances and intrigue that begin with her mother's suicide. The counterpart to Fran's narrative is her father Henry's version of the same series of disappearances and intrigue that eventually bring his world tumbling around his ears. Weaving in and out of the two narrations are Fran's brothers and sisters, her best friend Beth - daughter of double-dealing Nat Page - Fran's fanatical Aunt Theo and Henry's ladyfriend, Myrna. Although both narrators - the young girl and the middle-aged father - yearn for happiness, destructive forces are at work and Jane's suicide casts an inescapable shadow that forces both their destinies along treacherous paths. Cooke explodes the armoury of illusion and self-delusion and the subconscious conjuring of reasoning we all employ to protect ourselves from pain.
An entertaining and informative look at the unique culture of crime, punishment, and killing in Ancient Rome In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered. But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum, Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.
Bridie gets a job as a maid on Sir Ian of Seaton's estate and, much against her better judgement and will, falls in love with Sir Ian's brother's step-son, also called Ian. Ian optimistically feels that his father will understand and let them marry but Bridie expects what she gets - dismissal, with Ian threatened with the loss of his inheritance. Ian then gets involved with a burglary on the estate and is killed and Bridie, on hearing this, deciding she can't bear to live with Ian dead, goes out into the snow, lies by his grave and freezes to death . . . Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller
The first comprehensive introduction to the origins, aspirations, and evolution of live coding. Performative, improvised, on the fly: live coding is about how people interact with the world and each other via code. In the last few decades, live coding has emerged as a dynamic creative practice gaining attention across cultural and technical fields—from music and the visual arts through to computer science. Live Coding: A User’s Manual is the first comprehensive introduction to the practice, and a broader cultural commentary on the potential for live coding to open up deeper questions about contemporary cultural production and computational culture. This multi-authored book—by artists and musicians, software designers, and researchers—provides a practice-focused account of the origins, aspirations, and evolution of live coding, including expositions from a wide range of live coding practitioners. In a more conceptual register, the authors consider liveness, temporality, and knowledge in relation to live coding, alongside speculating on the practice’s future forms.
Between 1600 and 1800 around 4,000 Catholic women left England for a life of exile in the convents of France, Flanders, Portugal and America. These closed communities offered religious contemplation and safety, but also provided an environment of concentrated female intellectualism. The nuns’ writings from this time form a unique resource.
To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy; and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non- academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The third volume covers the period from Live Aid to Live Nation (1985– 2015).
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