Interviewing for Journalists focuses on the central journalistic skill of how to ask the right questions in the right way. It is a practical and concise guide for all print and online journalists – professionals, students and trainees – who write news stories and features for newspapers, magazines and online publications. In the age of digital journalism, where computer-based research is easily available, this new edition seeks to emphasise the value of getting out there, engaging with people directly and building relationships to create original and meaningful media content. Interviewing for Journalists highlights the many different approaches to interviewing, from vox pops and press conferences to news interviews and in-depth profiles. This third edition features brand new interviews with some of the most successful journalists in the industry, including Camilla Long of The Sunday Times, Heidi Blake of BuzzFeed UK, Brian Viner of the Daily Mail and award-winning freelance writers Cole Moreton and Stephanie Rafanelli. It covers every stage of interviewing, such as research, fixing interviews, structuring questions, body language, how to get vivid quotes and how to handle challenging interviews. The third edition of Interviewing for Journalists includes: advice on how to carry out face-to-face, telephone and online interviews; tips on taking notes, shorthand and recording interviews; guidance on dealing with different interviewees, such as celebrities, politicians and vulnerable people; interviewing tasks to put your journalistic skills into practice; a discussion of ethical and legal issues by Professor Tim Crook of Goldsmiths, University of London.
Arden Student Guides: Language and Writing offer a new type of study aid which combines lively critical insight with practical guidance on the critical writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language, and expanding your own critical vocabulary, as you respond to his plays. Key features include: an introduction considering when and how the play was written, addressing the language with which Shakespeare created his work, as well as the generic, literary and theatrical conventions at his disposal detailed examination and analysis of the individual text, focusing on its literary, technical and historical intricacies discussion of performance history and the critical reception of the work a 'Writing matters' section in every chapter, clearly linking the analysis of Shakespeare's language to your own writing strategies in coursework and examinations. Written by world-class academics with both scholarly insight and outstanding teaching skills, each guide will empower you to read and write about Shakespeare with increased confidence and enthusiasm. At a climactic point in the play, Macbeth realises that the witches have deceived him through their ambiguous language: 'they palter with us in a double sense'. This book explores Shakespeare's own paltering in the play – the densely rich language of ambition, of blood, and of guilt that structures Macbeth.
An indispensable reference tool for Shakespeare students and enthusiasts, this compact guide provides authoritative summaries of each of Shakespeare's works.
Think you know Shakespeare? Think again . . . Was a real skull used in the first performance of Hamlet? Were Shakespeare's plays Elizabethan blockbusters? How much do we really know about the playwright's life? And what of his notorious relationship with his wife? Exploring and exploding 30 popular myths about the great playwright, this illuminating new book evaluates all the evidence to show how historical material—or its absence—can be interpreted and misinterpreted, and what this reveals about our own personal investment in the stories we tell.
Filmed Shakespeare criticism has largely centred on aesthetic critiques of filmic devices, or on comparisons between the film and the source text. Employing a new angle, this book explores the reasons why contemporary filmed Shakespeare prompts cultural anxiety about high-culture adaptation.
In Britain since the 1960s television has been the most influential medium of popular culture. Television is also the site where the Western Front of popular culture clashes with the Western Front of history.This book examines the ways in which those involved in the production of historical documentaries for this most influential media have struggled to communicate the stories of the First World War to British audiences. Documents in the BBC Written Archives Centre at Caversham, Berkshire, the Imperial War Museum, and the Liddell Hart Centre for Military Archives all inform the analysis. Interviews and correspondence with television producers, scriptwriters and production crew, as well as two First World War veterans who appeared in several recent documentaries provide new insights for the reader.Emma Hanna takes the reader behind the scenes of the making of the most influential documentaries from the landmark epic series The Great War (BBC, 1964) up to more recent controversial productions such as The Trench (BBC, 2002) and Not Forgotten: The Men Who Wouldn't Fight (BBC, 2008). By examining the production, broadcast and reception of a number of British television documentaries this book examines the difficult relationship between the war's history and its popular memory.
An explosive and hilarious memoir about the exceptional and life-changing decision to conceive a child on one's own via assisted reproduction When British journalist, memoirist, and New York-transplant Emma Brockes decides to become pregnant, she quickly realizes that, being single, thirty-seven, and in the early stages of a same-sex relationship, she's going to have to be untraditional about it. From the moment she decides to stop "futzing" around, have her eggs counted, and "get cracking"; through multiple rounds of IUI; to the births of her twins, which her girlfriend gamely documents with her iPhone and selfie stick, Brockes brings the reader every step of the way--all the while exploring the cultural circumstances and choices that have brought her to this point. With mordant wit and remarkable candor, Brockes shares the frustrations, embarrassments, surprises, and, finally, joys of her momentous and excellent choice.
Eerie, atmospheric' Louise Jensen 'A haunting tale of intrigue' Emily Freud 'Ruth Ware fans will eat this up' Publishers Weekly If beauty is in the eye of the beholder, how much can you trust what you see? When Maddy Wight is hired to ghostwrite the memoir of world-renowned cosmetic surgeon Angela Reynolds, she jumps at the chance to get her career back on track. But the deeper she digs, the more elusive the doctor becomes. Confined to Angela’s glass-walled house in the Scottish Highlands, Maddy can’t shake the unsettling feeling of being watched. As a result, she is drawn ever closer to Angela’s enigmatic business partner Scott, whose mercurial moods change as quickly as the darkening moors outside. Returning to London once the book is finished, Maddy is excited for their future together. But news of Scott’s death shatters the celebrations at the book’s launch party. Which is why, months later and still grieving, she is blindsided to see Scott entering a tube station just in front of her. And before she knows it, she is following him. In this reimagining of Hitchcock’s Vertigo, jeopardy can be lurking where you least expect it… Praise for Emma Bamford 'Powered by a subtle, ominous tension. I loved this book’ LEE CHILD ‘Paradise never felt so sinister’ RUTH WARE ‘An incredible debut’ B A PARIS ‘Suspenseful, evocative and beautifully written, I devoured it’ L V MATTHEWS ‘That most exciting psychological thriller in which the darkest dangers lurk in a suspicious mind and a guilty heart’ A J FINN ‘Gripping and pacy... A perfect summer read’ IMRAN MAHMOOD ‘A debut thriller that unfolds with the inexorable force of a nightmare’ JOHN CONNOLLY 'Had me gripped. I loved the subtle, sinister sense of tension that built through the book' BETH O'LEARY 'An amazing and evocative atmosphere of paradise that quickly turns sinister! A must summer read for all crime fans' VICKI BRADLEY
Beautiful . . . insightful, fascinating and moving. It's a lovely LOVELY book' Marian Keyes 'This book made me cry' Sara Cox After Emma Kennedy's mother Brenda passed away, she found herself floundering, unable to make sense of the mysterious, charismatic but unpredictable woman who had been her mum. And then she found Brenda's letters, forgotten for years in the attic. As Emma made her way through decades of correspondence, she started to piece together the fractured relationships and buried secrets that had left their indelible mark on Brenda. Finally, she allowed herself to ask the question she couldn't as a child: who, really, was her mother? 'This honest, insightful book is a touching tribute to her complex, inimitable mother' Daily Express 'Remarkable' Dawn French 'A beautiful, hilarious and bittersweet book' Mel Giedroyc
From Charlie and the Chocolate Factory to Chocolat, from romantic gift to guilty indulgence, chocolate has a special place in Western popular culture. But what are the hidden histories behind this luxurious commodity? This book examines chocolate production from cocoa bean to chocolate box, illuminating the dynamics of gender, race and empire which have structured the cocoa chain. Using a varied range of sources, and drawing on the author’s own relationship to the industry, this book reconnects the people and places at different stages of chocolate production. Emma Robertson stresses the need to recognise the complex histories of empire and labour which have made such pleasurable consumption possible. Chocolate, women and empire offers exciting new insights into the lives of women workers in a global industry. It will be invaluable to historians of British imperialism as well as to students of Women’s and Gender Studies, Cultural Studies and Business Studies.
An entertaining and informative look at the unique culture of crime, punishment, and killing in Ancient Rome In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered. But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum, Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.
Just as Emma and her husband, Peter, began settling in to what should have been the golden years of their retirement, everything fell apart. Peter decided to suddenly leave their marriage of forty-one years, turning Emma’s world upside-down. Hurt and confused, Emma found herself living alone for the first time in her life, at sixty-five years of age. She abruptly had significant choices to make, new skills to learn, and countless tears to shed. In a relatively short time she and Peter divided their belongings, sold their home, and legally separated. Discovering her own strength and independence, Emma began a new existence. Refusing to surrender herself to a life of self-pity and loneliness, she took charge of her own future and her own happiness. Over time, despair and sadness were replaced with joy and gratitude for her new life, which eventually led her to a new love. Though it was disguised as trauma, Emma realized her first husband had given her the gift of a lifetime, to which she could only answer, “Thanks for leaving me.”
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
We’re obsessed with weight, we dislike our bodies, we worry about the food we eat, we feel guilty, we diet. Too many of us are locked into a war with our own bodies which we’ll never win, and which will never make us happy. The Ministry of Thin takes a controversial, unflinching look at how the modern, international obsession with weight loss, youth, beauty, and perfection has spun out of control. Emma Woolf, author of An Apple a Day, explores how we might all be able to stop hating and start liking our own bodies again. She rallies against the industries of food, health, exercise, beauty, sex, and surgery that seek to create a world that verges on the Orwellian —with the victims of this onslaught trapped and dominated by the societal pressures to conform. And she dares to ask: if losing weight is the answer, what is the question?
We live in a time of ‘hurry sickness’. ‘Busy’ has become a competitive sport — and it’s a sport with no winners. But somewhere, underneath all of this hard slog, there are the things we really want to do. The things that bring us joy and give our lives meaning. More often than not, the only thing standing between us and getting on with those things is ourselves. Our lives don’t have to be as complicated as we make them. Through stories, theories and practical exercises, I Don’t Have Time explores 50 excuses we make that keep us from getting on with the things that really matter to us. These are the excuses that hold us back in our health and wellbeing, our careers, relationships, finances, home environments, personal development and recreation. Using humour, anecdotes, research into productivity and Emma and Audrey’s proven ‘My 15 Minutes’ approach, this is a practical guide to ditching overwhelm and making progress in all the areas that matter most. It flips the notion that we need great swathes of time to get ahead with things, instead encouraging us to use the nooks and crannies in our day to achieve big things over time.
From the author of She Left Me The Gun, an explosive and hilarious memoir about the exceptional and life-changing decision to conceive a child on one's own via assisted reproduction When British journalist, memoirist, and New York-transplant Emma Brockes decides to become pregnant, she quickly realizes that, being single, 37, and in the early stages of a same-sex relationship, she's going to have to be untraditional about it. From the moment she decides to stop "futzing" around, have her eggs counted, and "get cracking"; through multiple trials of IUI, which she is intrigued to learn can be purchased in bulk packages, just like Costco; to the births of her twins, which her girlfriend gamely documents with her iPhone and selfie-stick, Brockes is never any less than bluntly and bracingly honest about her extraordinary journey to motherhood. She quizzes her friends on the pros and cons of personally knowing one's sperm donor, grapples with esoteric medical jargon and the existential brain-melt of flipping through donor catalogues and conjures with the politics of her Libertarian OB/GYN—all the while exploring the cultural circumstances and choices that have brought her to this point. Brockes writes with charming self-effacing humor about being a British woman undergoing fertility treatment in the US, poking fun at the starkly different attitude of Americans. Anxious that biological children might not be possible, she wonders, should she resent society for how it regards and treats women who try and fail to have children? Brockes deftly uses her own story to examine how and why an increasing number of women are using fertility treatments in order to become parents—and are doing it solo. Bringing the reader every step of the way with mordant wit and remarkable candor, Brockes shares the frustrations, embarrassments, surprises, and, finally, joys of her momentous and excellent choice.
This book evaluates a hundred years of scholarship on how empire transformed the Roman world, and advances a new theory of how the empire worked and was experienced. It engages extensively with Rome's Republican empire as well as the 'Empire of the Caesars', examines a broad range of ancient evidence (material, documentary, and literary) that illuminates multiple perspectives, and emphasizes the much longer history of imperial rule within which the Roman Empire emerged. Steering a course between overemphasis on resistance and overemphasis on consensus, it highlights the political, social, religious and cultural consequences of an imperial system within which functions of state were substantially delegated to, or more often simply assumed by, local agencies and institutions. The book is accessible and of value to a wide range of undergraduate and graduate students as well as of interest to all scholars concerned with the rise and fall of the Roman Empire.
Organizational Behavior: A Skill-Building Approach, Third Edition examines how individual characteristics, group dynamics, and organizational factors affect performance, motivation, and job satisfaction. Translating the latest research into practical applications and best practices, authors Christopher P. Neck, Jeffery D. Houghton, and Emma Murray unpack how managers can develop their managerial skills to unleash the potential of their employees.
Who did the Romans think they were? They were a people scattered round the ancient Mediterranean world, yet they imagined a common identity for themselves, particularly through shared myths and history. This book shows how ancient means of constructing identity compare with modern means, especially that of `race'.
Management, Third Edition introduces students to the planning, organizing, leading, and controlling functions of management with an emphasis on how managers can cultivate an entrepreneurial mindset. The text includes 34 cases profiling a wide range of companies including Lululemon, Nintendo, Netflix, Trader Joe’s, and the NBA. Authors Christopher P. Neck, Jeffrey D. Houghton, and Emma L. Murray use a variety of examples, applications, and insights from real-world managers to help students develop the knowledge, mindset, and skills they need to succeed in today’s fast-paced, dynamic workplace. This title is accompanied by a complete teaching and learning package.
Modern treatments of Rome have projected in highly emotive terms the perceived problems, or the aspirations, of the present: 'race-mixture' has been blamed for the collapse of the Roman empire; more recently, Rome and Roman society have been depicted as 'multicultural'. Moving beyond these and beyond more traditional, juridical approaches to Roman identity, Emma Dench focuses on ancient modes of thinking about selves and relationships with other peoples, including descent-myths, history, and ethnographies. She explores the relative importance of sometimes closely interconnected categories of blood descent, language, culture and clothes, and territoriality. Rome's creation of a distinctive imperial shape is understood in the context of the broader ancient Mediterranean world within which the Romans self-consciously situated themselves, and whose modes of thought they appropriated and transformed.
This book evaluates a hundred years of scholarship on how empire transformed the Roman world, and advances a new theory of how the empire worked and was experienced. It engages extensively with Rome's Republican empire as well as the 'Empire of the Caesars', examines a broad range of ancient evidence (material, documentary, and literary) that illuminates multiple perspectives, and emphasizes the much longer history of imperial rule within which the Roman Empire emerged. Steering a course between overemphasis on resistance and overemphasis on consensus, it highlights the political, social, religious and cultural consequences of an imperial system within which functions of state were substantially delegated to, or more often simply assumed by, local agencies and institutions. The book is accessible and of value to a wide range of undergraduate and graduate students as well as of interest to all scholars concerned with the rise and fall of the Roman Empire.
Emma Thompson has written a screen adaption of Jane Austen's romantic satire of the mores and morals of early 19th-century England. In these diaries, she recounts the daily joys and despairs of working on this film as writer and star, with actors Hugh Grant, Kate Winslet and Alan Rickman.
Felicity Wishes has lots of adventures and three fantastic friends to share them with This book includes three stories: 'Dreamy Drawings', 'Happy Hobbies' and 'Magical Makeover'.
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