Bringing together a diverse group of world leading professionals across Post-Production Film Sound and Electroacoustic Music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel, and communicate via sound. Revealing new understandings through analysis of interdisciplinary exchanges and interviews, this book investigates questions of aesthetics, perception, and interpretation, unveiling opportunities for a greater appreciation of the artistry in sound practice which underpins both experimental electronic music and the world’s leading film and television productions. It argues that we can better understand and appreciate the creative act if we regard it as a constantly unfolding process of inspiration, material action, and reflection. In contrast to traditional notions, which imagine outputs as developed to reflect a preconceived creative vision, our approach recognises that the output is always emerging as the practitioner flows with their materials in search of their solution, constantly negotiating the rich networks of potential. This enables us to better celebrate the reality of the creative process, de-centring technologies and universal rules, and potentially opening up the ways in which we think about sonic practices to embrace more diverse ideas and approaches. Art of Sound provides insight into the latest developments and approaches to sound and image practice for composers, filmmakers, directors, scholars, producers, sound designers, sound editors, sound mixers, and students who are interested in understanding the creative potential of sound.
The Lived Experiences of Claiming Wrongful Conviction in Prison focuses on the lived experience of maintaining innocence in the prison environment and highlights the struggles and pain that such a claim can cause. Using the novel means of conducting an interview via a series of letters, the book details the experiences of sixty-four prisoners maintaining innocence in England and Wales and examines in-depth what is unique to this population. The chapters cover coping mechanisms, relationships maintained with relatives, relationships formed with prisoners and staff, and the perceived effect of their claims on matters of progression and parole. It draws on material from criminology, sociology, law and psychology to provide a holistic account of this populations’ experiences. The Lived Experiences of Claiming Wrongful Conviction in Prison will be of great interest to students and scholars across Criminology, Criminal Justice, Law, Sociology and Psychology.
From Charlie and the Chocolate Factory to Chocolat, from romantic gift to guilty indulgence, chocolate has a special place in Western popular culture. But what are the hidden histories behind this luxurious commodity? This book examines chocolate production from cocoa bean to chocolate box, illuminating the dynamics of gender, race and empire which have structured the cocoa chain. Using a varied range of sources, and drawing on the author’s own relationship to the industry, this book reconnects the people and places at different stages of chocolate production. Emma Robertson stresses the need to recognise the complex histories of empire and labour which have made such pleasurable consumption possible. Chocolate, women and empire offers exciting new insights into the lives of women workers in a global industry. It will be invaluable to historians of British imperialism as well as to students of Women’s and Gender Studies, Cultural Studies and Business Studies.
The Duchess does indeed seem a remarkable woman . . . this is an engaging book' – Lynn Barber, Daily Telegraph When Emma Watkins, the pony-mad daughter of a Welsh farmer, imagined her future, she imagined following in her mother's footsteps to marry a farmer of her own. But then she fell in love with David Manners, having no idea that he was heir to one of the most senior hereditary titles in the land. When David succeeded his father, Emma found herself the chatelaine of Belvoir Castle, ancestral home of the Dukes of Rutland. She had to cope with five boisterous children while faced with a vast estate in desperate need of modernization and staff who wanted nothing to change – it was a daunting responsibility. Yet with sound advice from the doyenne of duchesses, Duchess ‘Debo’ of Devonshire, she met each challenge with optimism and gusto, including scaling the castle roof in a storm to unclog a flooding gutter, being caught in her nightdress by mesmerized Texan tourists and disguising herself as a cleaner to watch filming of The Crown. She even took on the castle ghosts . . . At times the problems she faced seemed insoluble yet, with her unstoppable energy and talent for thinking on the hoof, she won through, inspired by the vision and passion of those Rutland duchesses in whose footsteps she trod, and indeed the redoubtable and resourceful women who forged her, whose homes were not castles but remote farmhouses in the Radnorshire Hills. Vividly written and bursting with insights, The Accidental Duchess will appeal to everyone who has visited a stately home and wondered what it would be like to one day find yourself not only living there, but in charge of its future.
INTERNATIONAL BESTSELLER “[E]ssential reading for our dismal times.” —The Wall Street Journal One of Bustle’s “Most Anticipated Books of Summer 2020” Good Housekeeping’s “25 New Fall Books You Have to Read This Season” Lit Hub’s “Most Anticipated Books of 2020” Fleabag meets Conversations with Friends in this brutally honest, observant, original novel about a woman going through a breakup…but really having more of a breakdown. Jenny McLaine’s life is falling apart. Her friendships are flagging. Her body has failed her. She’s just lost her column at The Foof because she isn’t the fierce voice new feminism needs. Her ex has gotten together with another woman. And worst of all: Jenny’s mother is about to move in. Having left home at eighteen to remake herself as a self-sufficient millennial, Jenny is now in her thirties and nothing is as she thought it would be. Least of all adulthood. Told in live-wire prose, texts, emails, script dialogue, and social media messages, Grown Ups is a neurotic dramedy of 21st-century manners for the digital age. It reckons with what it means to exist in a woman’s body: to sing and dance and work and mother and sparkle and equalize and not complain and be beautiful and love your imperfections and stay strong and show your vulnerability and bake and box… But, despite our impossible expectations of women, Emma Jane Unsworth never lets Jenny off the hook. Jenny’s life is falling apart at her own hands and whether or not she has help from her mother or her friends, Jenny is the only one who will be able to pick up the pieces and learn how to, more or less, grow up. Or will she?
James Joyce’s evocations of his characters’ thoughts are often inserted within a commonplace that regards the mind as an interior space, referred to as the ‘inward turn’ in literary scholarship since the mid-twentieth century. Emma-Louise Silva reassesses this vantage point by exploring Joyce’s modernist fiction through the prism of 4E – or embodied, embedded, extended, and enactive – cognition. By merging the 4E framework with cognitive-genetic narratology, an innovative form of inquiry that brings together the study of the dynamics of writing processes and the study of cognition in relation to narratives, Modernist Minds: Materialities of the Mental in the Works of James Joyce delves into the material stylistic choices through which Joyce’s approaches to mind depiction evolved.
The raw, relatable call-to-arms memoir, breaking the silence on postnatal depression - from the bestselling author of Animals and Adults 'I am so grateful for this beautiful, honest book. It has helped me immeasurably' Pandora Sykes 'I loved this book' Clover Stroud 'Totally relatable ... had me laughing and crying in equal measures' Christie Watson 'Dazzling' The i An Unmissable Memoir, Stylist A Hot Summer Book, Refinery29 Six months after the birth of her son, Emma Jane Unsworth finds herself in the eye of a storm. Nothing - from pregnancy to birth and beyond - has gone as she expected. A birth plan? It might as well have been a rough draft! Furious and exhausted, her life is the complete opposite of what it used to be. She's swapped all night benders for grazed labia and Whac-a-Moling haemorrhoids. How did she end up here? In this brave, vital account of postnatal depression, Emma tells her story of despair and recovery. She tackles the biggest taboos around motherhood and mental health, from botched stitches and bleeding nipples to anger and shame. How does pregnancy adapt our brains? Is postnatal depression a natural reaction to the trauma of modern motherhood? And are people's attitudes finally changing? After the Storm is a celebration of survival, holding out a hand to women everywhere. 'This book will make new mums feel accompanied, which is the most sacred thing' Jenn Ashworth 'Hilarious, heart-breaking and wise' Leah Hazard, midwife and author 'Truth and power and lots of LOLs too. I loved it' Amy Liptrot 'A brave and compelling part memoir, part manifesto' Marie Claire
Through an exclusive arrangement with the publisher, Thorndike Press offers the finest selections from the popular Harlequin Romance line in a library hardcover format. Harlequin fans are delighted to find favorite authors like Betty Neels, Emma Darcy, and Penny Jordan published in easy-to-read, lightweight, durable hardcovers -- perfect for outreach and homebound library services. Adopted, but now alone, Kristy went in search of her natural family. When Armand Dutournier burst into her life, accusing her of betrayals she had not committed, Kristy could only wonder -- did she have a perfect double? Could she possibly have a twin?
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