Rory McGovern is entering the ostensible prime of her life when her husband, Blake, loses his dream job and announces he feels like 'taking a break.' Rory was already spread thin and now she is single-parenting two kids. Her only hope is to accept a full-time position working for two full-time twenty-somethings.
Romanticism, the brooding and intensely personal eighteenth-century art and literary movement, takes on a new lease of life in this carefully curated collection of interviews with contemporary artists from around the world. Informed by the writings of the renowned psychoanalyst James Hillman, Romanticism is reconsidered from a twenty-first-century perspective. Moving past a purely formal presentation of the artists’ work, this text strives to uncover the deeper meaning and more pressing issues present in the artworks. All connected by a similar romantic vein, Emma Coccioli explores each artist’s individual practice through a series of carefully selected questions. For Coccioli, discussions of ‘the moral issue’ and the future of the world also form an important part of the interviews. Coccioli acknowledges that artists have often been asked questions about their role in relation to the moral issue and the problem of nihilism. However, even if we have an inherent understanding of the concepts of good and evil, Coccioli argues that there is a need to re-examine the modern-day psyche as it tends to be apathetic and with little emotional resonance on our actions and behaviour. Global overpopulation, climate change, and the planet’s limited resources are also meaningfully discussed in this collection of interviews. In questioning the artists, whose work addresses, even remotely, these topics, Coccioli encourages them to consider what they believe to be the greatest threats to today’s global community and to suggest solutions that might be adopted by future generations. This original and engaging look at contemporary art practice presents a sophisticated discussion of some of the most pressing issues for modern-day society. The interdisciplinary nature of this book means that it will appeal to students, scholars, artists and to anyone with an interest in the fascinating world of contemporary art.
Love Inspired brings you three new titles! Enjoy these uplifting contemporary romances of faith, forgiveness and hope. This box set includes: HER SURPRISE CHRISTMAS COURTSHIP (A Seven Amish Sisters novel) by Emma Miller Millie Koffman dreams of becoming a wife and mother someday. But because of her plus size, she doubts it will ever come true—especially not with handsome neighbor Elden Yoder. But when Elden shows interest in her, Millie’s convinced it’s a ruse. Can she learn to love herself before she loses the man loves? JOURNEY TO FORGIVENESS (A Shepherd’s Creek novel) by Danica Favorite Inheriting failing horse stables from her estranged father forces Josie Shepherd to return home and face her past—including her ex-love. More than anything, Brady King fervently regrets ever hurting Josie. Could saving the stables together finally bring peace to them—and maybe something more? SECOND CHANCE CHRISTMAS by Betsy St. Amant Blake Bryant left small-town life behind him with no intention of going back—until he discovers the niece he never knew about is living in a group foster home. But returning to Tulip Mound also involves seeing Charlie Bussey, the woman who rejected him years ago. Can he open his heart enough to let them both in? For more stories filled with love and faith, look for Love Inspired October 2022 Box Set – 1 of 2
Christina Rossetti (1830-94) is regarded as one of the greatest Christian poets to write in English. While Rossetti has firmly secured her place in the canon, her religious poetry was for a long time either overlooked or considered evidence of a melancholic disposition burdened by faith. Recent scholarship has redressed reductive readings of Christian theology as repressive by rethinking it as a form of compassionate politics. This shift has enabled new readings of Rossetti's work, not simply as a body of significant nineteenth-century devotional literature, but also as a marker of religion's relevance to modern concerns through its reflections on science and materialism, as well as spirituality and mysticism. Emma Mason offers a compelling study of Christina Rossetti, arguing that her poetry, diaries, letters, and devotional commentaries are engaged with both contemporary theological debate and an emergent ecological agenda. In chapters on the Catholic Revival, Pre-Raphaelite Brotherhood, contemporary debates on plant and animal being, and the relationship between grace and apocalypse, Mason reads Rossetti's theology as an argument for spiritual materialism and ecological transformation. She ultimately suggests that Rossetti's life and work captures the experience of faith as one of loving intimacy with the minutiae of creation, a divine body in which all things, material and immaterial, human and nonhuman, divine and embodied, are interconnected.
Tara and Della Sinclair's mother, Eve, always put the men in her life before the needs of her daughters, and one day one of Eve's boyfriend's rapes Tara. Instead of telling her mother, she shuts her out and buries herself in her art. Years later, she meets Joshua Drake, an understanding psychologist, who himself has unresolved issues relating to his drunken father and scheming twin brother. With Joshua's help Tara begin to overcome her fear of men. Della follows her mother's misguided footsteps until she finds herself pregnant. When she has a fling with Blake Steele, the only son of a powerful businessman, her friends talk her into passing off the pregnancy as his. Although finally financially secure, Della pays for her deception with a painful miscarriage, a loveless marriage, and overbearing in-laws. When Della decides to divorce Blake, he has other ideas.The lives of these four people become entwined in ways they could never have imagined as they strive to find love, happiness and fulfillment.
Using Britannia as a central figure, this book explores the neglected relationship between women, church, and nation. Drawing on a wealth of manuscript, printed, and graphic material, Emma Major argues that Britannia became established as an emblem of nation from 1688 and gained in importance over the following century.
Three women, one man, and a tangle of lies. When the world famous music conductor Leo Bruck dies suddenly, the three women who loved him meet for the first time at his graveside. Victoria, his partner of twenty years and mother of two of his children; Maddy, mother of Leo's daughter Phoebe; and twenty-four year old Cat. Can these three very different women, whose lives become inextricably bound, break free from the masterful control Leo exerts – even from the grave – once and for all? THE DARLING GIRLS is a moving story of love, loss, and the prevailing power of female friendship.
This work introduces key debates, movements, and ideas relating to the Christian religion, and connects these to literary developments from 1750-1914. The authors provide close readings of popular texts and use these to explore complex religious ideas.
Artist, poet, educationalist and autobiographer, Marion Milner is considered one of the most original of psychoanalytic thinkers whose life (1900-1998) spans a century of radical change. Marion Milner: The Life, is the first biography of this extraordinary woman. It introduces Milner and her works to the reader through her family, colleagues and, above all through her books, charting their evolution and development as well as their critical reception and contribution to current twenty-first century debates and discourses. In this book Emma Letley draws on primary sources, including the newly-opened Marion Milner Collection at the Archives of the British Psychoanalytical Society in London, as well as interviews and the re-contextualised series of Milner texts. She traces the process of Milner's writing of her books, her discovery of psychoanalysis, her training and her place in that world from the 1940's onwards. Marion Milner: The Life includes discussion of Milner's connection with D.W. Winnicott and her emergence as a most individual member of the Independent Group. Letley also shows how Milner's Personal Notebooks offer fascinating insights into her relationships, both personal and professional, and into many of her important ideas on creativity, the body-mind relationship, her revolutionary ideas on education and her particular personality as clinician working with both children and adults. Further, Letley explores Milner's literary character from her very early diaries and narratives to her last book written in her 90's published in 2012. Marion Milner: The Life places Marion Milner firmly in her Edwardian family setting and contains new material from primary sources, including a new view of her collegial connections. It provides a wealth of material on her life and works that will be invaluable to psychoanalysts, psychotherapists, art psychotherapists, students, those involved with life writing and autobiography, and the general reader.
A stunning coming of age novel about running away. 'I think I saw Jenny today. A hemisphere away and fifteen years later . . .' But could it be the same person that Marie now sees, the friend with whom she shared so much? The friend with whom she thought she would face all the uncertainties of adulthood. The friend who disappeared. This chance sighting in a railway carriage takes Marie back through the years to try to understand what happened to her best friend and why. In facing the past she is forced to confront her own fears and admit that running away is not always the answer - although for some it might be impossible to run far enough. Intriguing, moving, vividly portrayed and beautifully written, this is a stunning first novel dealing sensitively and assuredly with the complex issue of coming of age.
Meet Jake Lever, Peter Wright, Isaac Heeney, Tom Lamb and Clem Smith. In 2015, they played their first game. In years to come, they could become stars. But first they had to be drafted to a club. Every year, hundreds of boys are put through their paces at AFL draft camps, training sessions, under-18 competitions and school footy matches. They all hope they will end the year signed to an AFL team. Meanwhile, clubs are making brutal calls on which young players will take them up the ladder. Too many bad recruiting decisions could set them back years. Emma Quayle, senior football writer for The Age and an expert on talent identification, tracks these five boys through 2014 – the year they nominate for the AFL's national draft. We meet their coaches and families. We ride the bumps and share the triumphs. With exclusive behind-the-scenes access to recruiters at St Kilda Football Club as they decide on their 2014 draft picks, Emma sheds light on what it takes to become an AFL footballer. For Jake, Pete, Isaac, Tom and Clem, hearing their name called out on draft day is just the beginning of their football story. But it takes a lot to get to that start line.
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