West offers an overview of the lives of enslaved women in America by using a broad chronological perspective, considering themes and issues in their lives from the colonial era through to the end of the Civil War. She compares the lives of enslaved women—sometimes exceptional and sometimes ordinary—across time and space with the lives of enslaved men, and with the white men and women who held them in bondage. West draws upon a wide range of evidence in evaluating enslaved women's lives and considers the major methodological issues they pose in order to build a composite, or overall, picture of enslaved womanhood through "snapshots'' of different women at various stages of their life-cycles.
This collection of stories by Emily West is set mostly in North America. These stories celebrate the endurance of hopes and dreams against the darker backdrop of an essentially broken world. There is a gritty quality to the writing, which is neither sunny, folksy or sentimental. Nevertheless, the endurance of art, faith, marriage, the unborn child, health, and sanity shines through these wide-ranging and compassionate stories where hope is a tougher route than despair.
The husband-and-wife team behind one of New York City’s and Nashville’s favorite pizza places share the secrets behind their acclaimed restaurants in a cookbook featuring more than 100 recipes. NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY FOOD NETWORK Legions of fans line the block as they flock to Emily and Matt Hyland’s flagship restaurants EMILY and the popular spinoff Emmy Squared. Now, with their irresistible debut cookbook, they share their delicious and doable recipes—no wood-fired oven or fancy equipment required. You’ll be shown how to re-create such crowd-pleasing favorites as their famous round pizza, the iconic Detroit pan pizza, and their legendary EMMY Burger, the juicy wonder that tops many New York City “Best Burger” lists. But EMILY: The Cookbook is more than pizza and burger perfection. You’ll also find recipes for small plates (Nguyen’s Hot Wings with Ranch Dip), salads (Shredded Brussels Sprouts with Blue Cheese, Bacon, and Miso Dressing), sandwiches (Lobster Salad Sandwich), pasta (Campanelle with Duck Ragù), cocktails (a Killer Colada), and scrumptious desserts (Rocky Road Brownies with Rum Ganache Dip). Packed with full-color photos and handy tips, EMILY: The Cookbook is a fabulous find for people who want new ways to entertain, feed, and wow their friends and family. Praise for EMILY: The Cookbook “With EMILY: The Cookbook, the chef Matthew Hyland and his wife and business partner, Emily Hyland, deliver what is perhaps the first really full-throated American pizza cookbook.”—Sam Sifton, The New York Times “The husband-and-wife culinary team behind the New York City restaurants Emily and Emmy Squared serve up more than 100 recipes in their excellent debut collection. . . . The Hylands bring an eclectic flair to some of America’s favorite foodstuffs . . . culled from their restaurant menus, but designed for home kitchens.”—Publishers Weekly (starred review)
In the antebellum South, the presence of free people of color was problematic to the white population. Not only were they possible assistants to enslaved people and potential members of the labor force; their very existence undermined popular justifications for slavery. It is no surprise that, by the end of the Civil War, nine Southern states had enacted legal provisions for the "voluntary" enslavement of free blacks. What is surprising to modern sensibilities and perplexing to scholars is that some individuals did petition to rescind their freedom. Family or Freedom investigates the incentives for free African Americans living in the antebellum South to sacrifice their liberty for a life in bondage. Author Emily West looks at the many factors influencing these dire decisions -- from desperate poverty to the threat of expulsion -- and demonstrates that the desire for family unity was the most important consideration for African Americans who submitted to voluntary enslavement. The first study of its kind to examine the phenomenon throughout the South, this meticulously researched volume offers the most thorough exploration of this complex issue to date.
Historians have traditionally neglected relationships between slave men and women during the antebellum period. In Chains of Love, historian Emily West remedies this situation by investigating the social and cultural history of slave relationships in the very heart of the South. Focusing on South Carolina, West deals directly with the most intimate areas of the slave experience including courtship, love and affection between spouses, the abuse of slave women by white men, and the devastating consequences of forced separations. Slaves fought these separations through cross-gender bonding and cross-plantation marriages, illustrating West's thesis about slave marriage as a fierce source of resistance to the oppression of slavery in general. Making expert use of sources such as the Works Progress Administration narratives, slave autobiographies, slave owner records, and church records, this book-length study is the first to focus on the primacy of spousal support as a means for facing oppression. Chains of Love provides telling insights into the nature of the slave family that emerged from these tensions, celebrates its strength, and reveals new dimensions to the slaves' struggle for freedom.
How Amazon combined branding and relationship marketing with massive distribution infrastructure to become the ultimate service brand in the digital economy. Amazon is ubiquitous in our daily lives—we stream movies and television on Amazon Prime Video, converse with Alexa, receive messages on our smartphone about the progress of our latest orders. In Buy Now, Emily West examines Amazon’s consumer-facing services to investigate how Amazon as a brand grew so quickly and inserted itself into so many aspects of our lives even as it faded into the background, becoming a sort of infrastructure that can be taken for granted. Amazon promotes the comfort and care of its customers (but not its workers) to become the ultimate service brand in the digital economy. West shows how Amazon has cultivated personalized, intimate relationships with consumers that normalize its outsized influence on our selves and our communities. She describes the brand’s focus on speedy and seamless ecommerce delivery, represented in the materiality of the branded brown box; the positioning of its book retailing, media streaming, and smart speakers as services rather than sales; and the brand’s image control strategies. West considers why pushback against Amazon’s ubiquity and market power has come mainly from among Amazon’s workers rather than its customers or competitors, arguing that Amazon’s brand logic fragments consumers as a political bloc. West’s innovative account, the first to examine Amazon from a critical media studies perspective, offers a cautionary cultural study of bigness in today’s economy.
With a combination of newly uncovered archival material, fine writing, and a rich appreciation of West's unique blend of comedy and come hither appeal, Emily Wortis Leider has created a serious and seamless biography as well as a cultural history. From her birth in Brooklyn, to her Broadway battles with censorship, to the years in which she took Hollywood by storm, West comes to vibrant life as the driven, dynamic performer who made herself a movie star and sex symbol the likes of which America had never seen -- and changed our culture forever.
Emily's the sick one . . . all of the time. Plagued with some sort of cold or fever or bizarre aches and pains for much of her life, Emily thought the dizziness and stomachaches at the start of her senior year were just another bout of "Emily flu." But when they didn't go away, she knew something was seriously wrong. Eventually diagnosed with the rare and incurable West Nile virus, Emily watched her senior year and the future she had planned for go up in smoke. "I want a normal life for a teenager. I want to ache from a long day at work. I want to be so busy that I don't have time to post on my blog. I want to run the race of life instead of being pushed along it in a wheelchair. I want to be on the ride of my life, you know?" Because Truth Is More Fascinating Than Fiction
Luminaries of the Harlem Renaissance--Langston Hughes, Jean Toomer, Wallace Thurman, and Arna Bontemps, among others--are associated with, well . . . Harlem. But the story of these New York writers unexpectedly extends to the American West. Hughes, for instance, grew up in Kansas, Thurman in Utah, and Bontemps in Los Angeles. Toomer traveled often to New Mexico. Indeed, as West of Harlem reveals, the West played a significant role in the lives and work of many of the artists who created the signal urban African American cultural movement of the twentieth century. Uncovering the forgotten histories of these major American literary figures, the book gives us a deeper appreciation of that movement, and of the cultures it reflected and inspired. These recovered experiences and literatures paint a new picture of the American West, one that better accounts for the disparate African American populations that dotted its landscape and shaped the multiethnic literatures and cultures of the borderlands. Tapping literary, biographical, historical, and visual sources, Emily Lutenski tells the New Negro movement's western story. Hughes's move to Mexico opens a window on African American transnational experiences. Thurman's engagement with Salt Lake City offers an unexpected perspective on African American sexual politics. Arna Bontemps's Los Angeles, constructed in conjunction with Louisiana, provides a new vision of the Spanish borderlands. Lesser-known writer Anita Scott Coleman imagines black Western autonomy through domesticity. The experience of others--like Toomer, invited to socialite Mabel Dodge Luhan's circle of artists in Taos--present a more pluralistic view of the West. It was this place, with its transnational and multiracial mix of Native Americans, Latina/os, Anglos, and African Americans, which buttressed Toomer's idea of a "new American race." Turning the lens elsewhere, Lutenski also explores how Latina/o, Asian American, and Native American western writers understood and represented African Americans in the early twentieth-century borderlands. The result is a new, unusually nuanced and unexpectedly complex view of key figures of the Harlem Renaissance and the borderlands cultures that influenced their art in surprising and important ways.
On the trail to America's signature spirit! The definitive field guide to the American Whiskey Trail! Big Whiskey features profiles of distilleries new and old, interviews with distillers and blenders, cocktail recipes, tasting notes, food pairings, and rare bottles. Discover the storied history and renaissance of America's premier whiskey region with this definitive field guide to its signature spirit. Devoted entirely to the quintessential American whiskeys of Kentucky and Tennessee, Big Whiskey takes you behind the scenes at distilleries throughout both states. This book is bursting with in-depth, up-to-date profiles from esteemed heritage brands to distilleries whose first barrels are still aging. This elegant book includes: *fascinating interviews with Master Distillers, *profiles on 80 distilleries and even more labels, *incredible histories and facts about North America's most influential whiskey region, *stunning, original photography from the trails. Whether you're a seasoned connoisseur or are simply looking to discover the difference between bourbon and Tennessee whiskey, Big Whiskey is your essential guide to America's whiskey trails.
The world is aa vale of soul-making, a as John Keats wrote. The Wings of Morning is the story of four Midwestern women, as witnessed by an unformed soul allowed a glimpse of their spiritual journeys. The novelas heroines include a successful writer, made rich by writing perfectly to formula, but hiding an abusive childhood behind her faAade; her motheras Native American nursing aide, her story unsung by the world, but one of courage and compassion; an elementary school teacher, an inspiration in her career but lonely in her childlessness and widowhood; and the mother of an autistic child facing the cruel trial of seeing her hopes for her son dashed. Though dreams are shattered in this earthly life, all these characters manage to shine as they struggle through disappointment and loss toward integrity of soul and the light of Godas truth.
It is often said: "Everyone has a "double" out there, somewhere." What would happen if a persons "double" actually interfaced with the "Other Doubles Peer Group" and do it so perfectly, no one could tell the difference? Nick Bogart is about to find out. On a chilly afternoon in 1962, Nick Bogart found little amusement in his favorite Saloon across the state line of Iowa/South Dakota in North Sioux City. Bogie wandered across the street to see if the entertainment quotient was any better over there. Somewhere in the distance of 150 feet, "Bogey" stepped into the world of " Gary Luther". It may just as well have been a pathway to a corner of Hell. It did not seem that way at first. When Gary Luther's drop-dead gorgeous girlfriend climbed on to Bogey's lap in a burst of passionate familiarity, Bogey decided it might be OK to stay as "Gary" for "just a little while". Bogie stayed "Gary" too long. There was "baggage" with this relationship. This woman was woefully underage, and had a lunatic estranged husband chasing around looking for her. Gary also had enemies, and a mysterious existence. No one knew where he came from, or what he did for a living. All anyone knew about him was that he had lots of "Charm." It is also a time of discovery of the differing depths and heights of romantic realities for Bogey, as well as the existance of worlds he is not familiar. Things are happening he cannot explain, and people around Gary were disappearing, and dying out there. Bogey finds himself captured in an ever-tightening spiral of confusion, danger, passion, violence, mystery, the supernatural, and heartbreak; trying to understand what is going on, and trying to get back some semblance of normalicy in his life.
A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpaintings. Taken together, these works document the quest to create a specifically American art in the decades prior to World War II. The Modern West begins with a captivating meditation on the relationship between human culture and the physical landscape by Barry Lopez, who traveled the West in the artists' footsteps. Emily Ballew Neff then describes the evolving importance of the West for American artists working out a radically new aesthetic response to space and place, from artist-explorers on the turn-of-the-century frontier, to visionaries of a Californian arcadia, to desert luminaries who found in its stark topography a natural equivalent to abstraction. Beautifully illustrated and handsomely designed, this book is essential to anyone interested in the West and the history of modernism in American art.
In Our New Husbands Are Here, Emily Lynn Osborn investigates a central puzzle of power and politics in West African history: Why do women figure frequently in the political narratives of the precolonial period, and then vanish altogether with colonization? Osborn addresses this question by exploring the relationship of the household to the state. By analyzing the history of statecraft in the interior savannas of West Africa (in present-day Guinea-Conakry), Osborn shows that the household, and women within it, played a critical role in the pacifist Islamic state of Kankan-Baté, enabling it to endure the predations of the transatlantic slave trade and become a major trading center in the nineteenth century. But French colonization introduced a radical new method of statecraft to the region, one that separated the household from the state and depoliticized women’s domestic roles. This book will be of interest to scholars of politics, gender, the household, slavery, and Islam in African history.
Tex the dog spends a rainy day inside but finds plenty of adventure to keep him busy. This is 7-page book is about a dog left inside on a rainy day who entertains himself.
A stylized child's photography book about the wildlife seen during a safari adventure. This 13-page book is rhyming based and features facts about the animals seen.
Tex the dog explores the Fort Worth Stockyards and finds new friends. A 14-page book about how Tex finds friends and adventure in the western setting of the Fort Worth Stock Yards in Texas.
Drawing from her work as state folklorist, Emily Hilliard explores contemporary folklife in West Virginia and challenges the common perception of both folklore and Appalachian culture as static, antiquated forms, offering instead the concept of "visionary folklore" as a future-focused, materialist, and collaborative approach to cultural work. With chapters on the expressive culture of the West Virginia teachers' strike, the cultural significance of the West Virginia hot dog, the tradition of independent pro wrestling in Appalachia, the practice of nonprofessional women songwriters, the collective counternarrative of a multiracial coal camp community, the invisible landscape of writer Breece D'J Pancake's hometown, the foodways of an Appalachian Swiss community, the postapocalyptic vision presented in the video game Fallout 76, and more, the book centers the collective nature of folklife and examines the role of the public folklorist in collaborative engagements with communities and culture. Hilliard argues that folklore is a unifying concept that puts diverse cultural forms in conversation, as well as a framework that helps us reckon with the past, understand the present, and collectively shape the future.
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