Twenty years after the mysterious disappearance of her father, Catherine Carmichael returns to Ravenwood, the family manor built by her grandfather. Amid ghostly servants, she must confront an evil legacy and a handsome stranger who wants to help her unlock her family's secrets. Original.
Emily Steiner describes the rich intersections between legal documents and English literature in the fourteenth and fifteenth centuries. She argues that documentary culture (including charters, testaments, patents and seals) enabled writers to think in new ways about the conditions of textual production in late medieval England.
Surveying four approaches to city-making, the author here gives an assessment of the development of American urbanism, highlighting recurrent themes and how these interact, merge and conflict.
The Art of the Woman explores the life of German-born Elisabet Ney, a flamboyant sculptor who transfixed the philosopher Arthur Schopenhauer and left the court of the half-mad Ludwig of Bavaria to put down new roots in Texas. Born in 1833, Ney gained notoriety in Europe by sculpting the busts of such figures as Ludwig II, Schopenhauer, Garibaldi, and Bismarck. In 1871 she abruptly emigrated to America and became something of a recluse until resuming her sculpting career two decades later. In Texas, she was known for stormy relationships with officials, patrons, and women’s organizations. Her works included sculptures of Sam Houston and Stephen F. Austin and are exhibited in the state and US capitols as well as the Smithsonian. Emily Fourmy Cutrer’s biography of Ney makes extensive use of primary sources and was the first to appraise both Ney’s legend and individual works of art. Cutrer argues that Ney was an accomplished sculptor coming out of a neglected German neoclassical tradition and that, whatever her failures and eccentricities, she was an important catalyst to cultural activity in Texas.
What would you do to bring hope to your dying son or daughter afflicted with leukemia? Would you permit your son or daughter to experience life while facing their expected death? Emily was twelve when diagnosed with leukemia. She met seventeen year old Jeremy who would become her anchor to give her strength when she was weak; to give her hope when she felt all was lost; and to give her unqualified love and support to hold onto when she was lost, frightened or simply unable to do for herself. Emily wanted to experience life before she faced her own death. Emilys mother reluctantly allowed her to secretly marry Jeremy before God and in her presence since underage marriage was forbidden by society. Emilys story was told in the book titled Emily. Emily brought hope to young cancer patients who simply want to experience life before facing their probable death. This book chronicles Emily and Jeremys fight to change the rules and allow qualifying sick children to marry and experience life before facing death. Emily states, Is that really so much to ask? Child Welfare says, Yes it is. Underage girls can marry if they are pregnant, but underage sick and dying children should never be permitted to marry unless the cancer patient gets pregnant. See who prevails in this battle to bring life and dignity to young cancer patients who just want to live, even if living is but a moment in time.
Emily Grosholz offers an original investigation of demonstration in mathematics and science, examining how it works and why it is persuasive. Focusing on geometrical demonstration, she shows the roles that representation and ambiguity play in mathematical discovery. She presents a wide range of case studies in mechanics, topology, algebra, logic, and chemistry, from ancient Greece to the present day, but focusing particularly on the seventeenth and twentieth centuries. She argues that reductive methods are effective not because they diminish but because they multiply and juxtapose modes of representation. Such problem-solving is, she argues, best understood in terms of Leibnizian 'analysis' - the search for conditions of intelligibility. Discovery and justification are then two aspects of one rational way of proceeding, which produces the mathematician's formal experience. Grosholz defends the importance of iconic, as well as symbolic and indexical, signs in mathematical representation, and argues that pragmatic, as well as syntactic and semantic, considerations are indispensable for mathematical reasoning. By taking a close look at the way results are presented on the page in mathematical (and biological, chemical, and mechanical) texts, she shows that when two or more traditions combine in the service of problem solving, notations and diagrams are sublty altered, multiplied, and juxtaposed, and surrounded by prose in natural language which explains the novel combination. Viewed this way, the texts yield striking examples of language and notation that are irreducibly ambiguous and productive because they are ambiguous. Grosholtz's arguments, which invoke Descartes, Locke, Hume, and Kant, will be of considerable interest to philosophers and historians of mathematics and science, and also have far-reaching consequences for epistemology and philosophy of language.
Why are the small and unimportant relics of Roman antiquity often the most enduring, in both material form and our affections? Through close encounters with minor things such as insects, brief lives, quibbles, irritants, and jokes, Emily Gowers provocatively argues that much of what the Romans dismissed as superfluous or peripheral in fact took up immense imaginative space. There is much to learn from what didn't or shouldn't matter. It was often through the small stuff that the Romans most acutely probed and challenged their society's overarching values and priorities and its sense of proportion and justice. By marking the spots where the apparently pointless becomes significant, this book radically adjusts our understanding of the Romans and their world, as well as our own minor feelings and intimate preoccupations"--
Feminism, Self-Presentation, and Pinterest: The Labor of Wedding Planning argues that Pinterest, which has been largely criticized for perpetuating vapid stereotypical gender roles, is actually a dynamic digital curation tool that facilitates meaning-making around the important cultural event of the Western wedding. Emily S. Johnson, through a thorough examination of how aspiring brides use the platform to plan their weddings, found that Pinterest is a unique platform that offers brides the opportunity to construct their own wedding identity by engaging in creativity and exercising voice and agency during planning. Even if the content they are consuming does support tenets of patriarchy or gender roles, brides are able to make their own choices, rather than having their goals determined for them through societal or familial norms and expectations. The platform integrates both the online and offline “labors” of wedding planning as brides create meaning through the curation process and connect with the self as they execute their planning. Overall, Johnson argues that, far from the stereotypes of fantasizing about dream weddings and luxurious lifestyles that may be unrealistic, Pinterest gives brides increased ability to make their own, specialized vision come to life. Scholars of women’s studies, gender studies, communication, media studies, cultural studies, and rhetoric will find this book particularly useful.
The most successful urban communities are very often those that are the most diverse – in terms of income, age, family structure and ethnicity – and yet poor urban design and planning can stifle the very diversity that makes communities successful. Just as poor urban design can lead to sterile monoculture, successful planning can support the conditions needed for diverse communities. This new edition addresses the physical requirements of socially diverse neighborhoods. Using the city of Chicago and its surrounding suburban areas as a case study, the authors investigate whether social diversity is related to particular patterns and structures found within the urban built environment. Design for Social Diversity provides urban designers and architects with design strategies and tools to ensure that their work sustains and nurtures social diversity.
Afro-Greeks examines the reception of Classics in the English-speaking Caribbean, from about 1920 to the beginning of the 21st century. Emily Greenwood focuses on the ways in which Greco-Roman antiquity has been put to creative use in Anglophone Caribbean literature, and relates this regional classical tradition to the educational context, specifically the way in which Classics was taught in the colonial school curriculum. Discussions of Caribbean literature tend to assume an antagonistic relationship between Classics, which is treated as a legacy of empire, and Caribbean literature. While acknowledging the importance of this imperial context, Greenwood argues that Caribbean appropriations of Classics played an important role in formulating original, anti-colonial and anti-imperial criticism in Anglophone Caribbean fiction. Afro-Greeks reveals how, in the twentieth century, two generations of Caribbean writers, including Kamau Brathwaite, Austin Clarke, John Figueroa, C. L. R. James, V. S. Naipaul, Derek Walcott and Eric Williams, created a distinctive, regional counter-tradition of reading Greco-Roman Classics.
The city is more than just a sum of its buildings; it is the sum of its communities. The most successful urban communities are very often those that are the most diverse – in terms of income, age, family structure and ethnicity – and yet poor urban design and planning can stifle the very diversity that makes communities successful. Just as poor urban design can lead to sterile monoculture, successful planning can support the conditions needed for diverse communities. Emily Talen explores the linkage between urban forms and social diversity, and how one impacts the other. Learning the lessons from past successes and failures, and building from detailed case studies of different neighborhoods, Design for Diversity provides urban designers and architects with design strategies and tools to ensure that their work sustains and nurtures social diversity.
Antologi. Sikkerhedspolitiske forskere giver deres vurdering af følgerne af informationsalderens opgør med hidtidig kendt våbenteknologi og doktriner i forbindelse med den globale spredning af know-how på området.
The essays collected for this volume represent the best scholarly literature on Hugo Grotius available in the English language. In the English speaking world Grotius is not as well known as his fellow 17th century political philosophers, Thomas Hobbes or John Locke, but in legal theory Grotius is at least as important. Even on central political concepts such as liberty and property, Grotius has important views that should be explored by anyone working in legal and political philosophy. And Grotius?s work, especially De Jure Belli ac Pacis, is much more important in international law and the laws of war than anyone else?s work in the 17th or 18th centuries. This volume is therefore useful not only to Grotius scholars, but also to anyone interested in historical and modern debates on key issues in political and legal philosophy more broadly, and international law in particular.
Annotation. Examines Latin American literature from the perspective of attempts to break through national, genre, domain, and other borders in order to perceive, or create, a whole culture. Paper edition (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR.
In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia's civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin's involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup. Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of "emotional communities" among the members and adjacent writers. This book illuminates what Wang terms "civic sentimentalism": the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin's. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.
This volume explores the interaction of poetry and mathematics by looking at analogies that link them. The form that distinguishes poetry from prose has mathematical structure (lifting language above the flow of time), as do the thoughtful ways in which poets bring the infinite into relation with the finite. The history of mathematics exhibits a dramatic narrative inspired by a kind of troping, as metaphor opens, metonymy and synecdoche elaborate, and irony closes off or shifts the growth of mathematical knowledge. The first part of the book is autobiographical, following the author through her discovery of these analogies, revealed by music, architecture, science fiction, philosophy, and the study of mathematics and poetry. The second part focuses on geometry, the circle and square, launching us from Shakespeare to Housman, from Euclid to Leibniz. The third part explores the study of dynamics, inertial motion and transcendental functions, from Descartes to Newton, and in 20th c. poetry. The final part contemplates infinity, as it emerges in modern set theory and topology, and in contemporary poems, including narrative poems about modern cosmology.
A prescient warning about the mysterious and deadly world of fungi—and how to avert further loss across species, including our own. Fungi are everywhere. Most are harmless; some are helpful. A few are killers. Collectively, infectious fungi are the most devastating agents of disease on earth, and a fungus that can persist in the environment without its host is here to stay. In Blight, Emily Monosson documents how trade, travel, and a changing climate are making us all more vulnerable to invasion. Populations of bats, frogs, and salamanders face extinction. In the Northwest, America’s beloved national parks are covered with the spindly corpses of whitebark pines. Food crops are under siege, threatening our coffee, bananas, and wheat—and, more broadly, our global food security. Candida auris, drug-resistant and resilient, infects hospital patients and those with weakened immune systems. Coccidioides, which lives in drier dusty regions, may cause infection in apparently healthy people. The horrors go on. Yet prevention is not impossible. Tracing the history of fungal spread and the most recent discoveries in the field, Monosson meets scientists who are working tirelessly to protect species under threat, and whose innovative approaches to fungal invasion have the potential to save human lives. Delving into case studies at once fascinating, sobering, and hopeful, Blight serves as a wake-up call, a reminder of the delicate interconnectedness of the natural world, and a lesson in seeing life on our planet with renewed humility and awe.
Mary Wollstonecraft revolutionized ancient traditions of the virtues in modern and Christian modes for feminist and abolitionist aims. Formed by religious traditions of dissent, Wollstonecraft radically altered the garments of the eighteenth-century religious, ethical, political, and aesthetic imagination. She sought to discard sexed virtues, to shed corsets that restrict women's roles and rights, to expose and break chains of domination, to exchange the vicious finery of the rich for virtue in rags, and to design garb fit for a society in which all participate in defining and cultivating common goods. The virtues and debate about them remain indispensable to modern Christian traditions and democratic societies. When wed, virtues and contestation are among the goods shared in common. Canonical in women and gender studies, feminist philosophy, political science, literary studies, and history, Wollstonecraft is mostly unknown or ignored in contemporary virtue ethics, theology, and religious studies. Modern Virtue seeks to transform prominent narratives in each. Wollstonecraft scholars debate whether theology is ornamental or foundational for her radical arguments. Her use of the wardrobe metaphor provides a fitting alternative. Modern Virtue also challenges influential and competing narratives about the virtues in modernity. These stories render modern virtue a contradiction in terms, common goods obsolete. Modern accounts of the virtues must address this two-fold conundrum: systems of domination thwart virtue and mask vice, and the virtues are integral to just socio-political transformation. Wollstonecraft's does just this"--
Widely celebrated as the father of the Studio Furniture Movement, Wharton Esherick is one of the most important furniture designers of the twentieth century. Presenting his preserved hillside house and studio, this book showcases seven decades of innovative woodwork and sculpture, embodying his influence on American art and design. Wharton Esherick (1887–1970) stands as a pivotal figure in 20th-century American art, craft, and design. Now known as the Wharton Esherick Museum, the artist’s self-proclaimed “autobiography in three dimensions” on Valley Forge Mountain, constructed between 1926 and 1966, served as his creative epicenter and a vibrant community hub. To introduce Esherick’s visionary work to a broader public, this book draws on the museum’s collection of almost 3,000 objects, many never before seen outside his home and studio, following Esherick’s evolution from paintings and woodcut illustrations to his revolutionary fusion of furniture and organic sculpture. Through fully contextualizing iconic works in Esherick’s own space, this book immerses readers in his creative world while capturing his unparalleled artistic contributions to the realms of furniture, architecture, prints, drawings, and sculpture.
Princess Salme, daughter of Sa‘id ibn Sultan, ruler of Oman and Zanzibar, was born in Zanzibar on August 30, 1844. In 1866 she fled to Aden where she was baptized with the Christian name Emily and where she married the German merchant Rudolph Heinrich Ruete. In Hamburg three children were born. Her husband died in 1870, and after that she lived in several cities in Germany. In 1885 and again in 1888 she went to Zanzibar. Between 1889 and 1914 she lived in Jaffa and Beirut, and afterwards again in Germany. She died in Jena in 1924. The present work contains a short biography of Princess Salme/Emily Ruete and of her son Rudolph Said-Ruete, a new English translation of her Memoirs, and an English version of her other writings, unpublished so far: Letters Home, Sequels to the Memoirs and Syrian Customs and Usages.
How do movie star bodies and celebrity culture influence the way real girls and women feel about their own size and shape? What effect can popular films have on everyday eating behavior and exercise rituals? Body Shots shows how Hollywood films, movie stars, and celebrity media help propagate the values of an "eating disordered culture" that promotes constant self-scrutiny and vigilance, denial of appetite and overcontrol of weight in the compulsive pursuit of an eternally elusive body ideal of slenderness and fitness. In a unique approach that merges the disciplines of film analysis, gender studies, and psychology, clinical psychologist and cinema studies scholar Emily Fox-Kales demonstrates how the body narratives of such Hollywood celebrities as Lindsay Lohan, Gwyneth Paltrow, and Oprah Winfrey and their battles with bulimia, post-maternal weight gain, and yo-yo dieting not only serve as public enactments of the same eating and weight struggles their fans endure, but create a "new normal" which naturalizes and even valorizes the chronic body dissatisfaction and weight obsession that are established risk factors for eating disorders in women and girls. Written for students of cultural and gender studies, parents, media literacy educators, as well as film buffs everywhere, this book aims to provide the moviegoer with the critical tools necessary to develop a resistant gaze at Hollywood productions and make healthier choices among the many viewing screens of our super-mediated world.
In this critique of rational choice theory, Emily Hauptmann explores the idea central to the theory, namely, that democracy can best be explained in terms of an economic conception of choice. Her argument turns on the claims that the choices we face as citizens are not reducible to the choices we face as consumers and that democracy cannot be reduced to a series of choices, economic or otherwise.
How the idea of the author was born in the battleground of gender When Sappho sang her songs, the only word that existed to describe a poet was a male one—aoidos, or “singer-man.” The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. Women, as Virginia Woolf recognized, need rooms of their own in order to write. So, too, have women writers through history needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender—building up and reinforcing the word for male poet, then in response creating a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around authorship and literary production.
What can we possibly learn about our relationships to others from reading the story of an ancient father who raised a knife to slaughter his beloved only son? Contemporary Christian ethicists, faced with such dilemmas, are often tempted to treat the Hebrew Bible in a limited, distanced, and even dismissive way. Yet Emily Arndt here argues that ancient scriptures can be a vital resource for Christian ethical studies today. Focusing on a close analysis of the akedah the story of Abraham s near-sacrifice of Isaac she demonstrates the power of even the most troubling and uncomfortable Old Testament narratives to teach valuable ethical lessons. Placing ourselves in relationship to such complex, perhaps un-resolvable, and always challenging sacred texts, she says, is in itself a practice that can help us learn to relate authentically and ethically to others. This is a fully formed, sophisticated, and beautifully written book, offering an important contribution to the field of theological ethics. . . . A fitting tribute to a scholarly career that was cut short all too soon. Jean Porter (from the foreword)
Thucydides' work was one of the most exciting creations in the cultural history of Greece in the fifth century BC - one of only two monumental prose works to have survived - and it still poses fresh and challenging questions about the writing of history. In the twenty-first century, it still challenges the reader: there is a marked tension in Thucydides' History between his aim to write about contemporary events and his desire that his work should outlast the period in which he composed it. Thucydides and the Shaping of History addresses two important issues: how contemporary was the History when it was written in the fifth century, and how 'contemporary' is it now? This book approaches the shaping of history from three different angles: the way in which Thucydides shaped history and how his narrative shapes our experience as readers of the History; the relationship between Thucydides' work and contemporary institutions, such as the theatre; and the role that ancient readers and modern scholars have played in shaping how we perceive the History. This book combines a close analysis of Thucydides' narrative with a discussion of its intellectual motivation; it examines how the historian attempted to determine the way in which readers would respond to his conception of the events of the Atheno-Peloponnesian War, and to ensure the continuing influence of his ideas.
Choosing meals prepared with fresh, natural ingredients isn't just healthy, it's good for the earth. In Don't Cook the Planet, author Emily Abrams and an all-star collection of chefs and ecoactivists share more than 70 delicious recipes as well as tips on how to minimize your carbon footprint. Each contributor—including Stephanie Izard, Top Chef star and executive chef at Girl & the Goat; Chevy Chase; MasterChef judge and acclaimed chef Graham Elliot; actor Joshua Henderson; and many others—provides easy, everyday ideas that will save you money and stock your kitchen with fresh, delicious foods while preserving the planet for generations to come. The author, an 18-year-old activist, approaches sustainability from a personal perspective, striving to make changes that will impact her generation, and in so doing, has created a cookbook that explains how positive food choices significantly impact one's environment as well as one's health.
Viktor Shklovskii (1893-1984) is best known as an inventor of Russian Formalism, the literary theorist responsible for ostranenie, defamiliarisation. Just after the 1917 Revolution, Shklovskii claimed Tristram Shandy to be 'the most typical novel in world literature'; he then proceeded to theorise Sterne's formal experiments with plot; to chronicle his own wartime exploits in an autobiographical 'Sentimental Journey'; and to promote Tristram Shandy as a prototype for the new Soviet novel. His reading of Tristram Shandy and his lifelong relationship with its author, Laurence Sterne (1713-1769), were of enormous importance to Shklovskii, whose theory of prose remains current in Western academia. As Finer shows, they can tell us much not only about Shklovskii but also the extended, tangled ways of literary reception, and translation.
Emily Matchar offers a smart, measured investigation into the cultural, social, and economic implications of a return to domesticity in this fascinating book “chock-full of historical context, strong research and compelling personal stories” (Christian Science Montor). Amid today’s rising anxieties—the economy, the scary state of the environment, the growing sense that the American Dream hasn’t turned out to be so dreamy after all—a groundswell of women (and more than a few men) are choosing to embrace an unusual rebellion: domesticity. A generation of smart, highly educated young people are spending their time knitting, canning jam, baking cupcakes, gardening, and more (and blogging about it, of course), embracing the labor-intensive domestic tasks their mothers and grandmothers eagerly shrugged off. They’re questioning whether regular jobs are truly fulfilling and whether it’s okay to turn away from the ambitions of their parents’ generation. How did this happen? And what does it all mean? In Homeward Bound, acclaimed journalist Emily Matchar takes a long, hard look at both the inspiring appeal and the potential dangers of this trend she calls the New Domesticity, exploring how it could be reshaping the role of women in society and what the consequences may be for all of us. This groundbreaking reporting on the New Domesticity is guaranteed to transform our notions of women in today’s society and add a new layer to the ongoing discussion of whether women can—or should—have it all.
This refreshing fourth edition of the established evidence-based textbook by Elaine Atkins, Jill Kerr and Emily Goodlad continues to uphold the Cyriax approach to clinical reasoning, assessment, diagnosis and treatment of musculoskeletal conditions. Renamed A Practical Approach to Musculoskeletal Medicine, to reflect globally understood terminology, it focuses on the principles and practice of musculoskeletal medicine, providing practical guidance and tips for clinical practice based on extensive clinical experience and evidence. The book is split into three sections. Section 1 presents the theory underpinning musculoskeletal medicine. The histology and behaviour of the soft tissues follow, with a review of the healing process, to enhance understanding of the effects of injury on the soft tissues. The first section ends with the principles of treatment as applied in musculoskeletal medicine and discusses the techniques of mobilization and injection, aims and application, and indications for use. Section 2 adopts a regional approach. Anatomy is presented, including useful tips on surface marking to locate commonly injured anatomical structures. Assessment, lesions and treatment techniques are discussed for each region as appropriate for the stage in the healing process. Section 3 provides resources to support the recording of assessment and to ensure safety, especially whilst learning the musculoskeletal medicine approach. A Practical Approach to Musculoskeletal Medicine comprehensively and critically discusses current literature. It is a complete reference source for students and postgraduate medical practitioners, physiotherapists, osteopaths and other allied health professionals, including occupational therapists and podiatrists. It is essential reading. - Review questions and case scenarios at the end of each chapter to revise key principles of the approach - Updates on tendinopathy management (including optimal loading), cervical arterial dysfunction, spinal clinical models and manipulation - Over 250 new illustrations and photographs Evolve Resources containing: - New taster video clips demonstrating assessment and treatment techniques - Self-assessment section - Image bank Log on to http://evolve.elsevier.com/Atkins/msk
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