A fascinating memoir by a free-spirited New Yorker writer, whose wanderlust led her from the Belgian Congo to Shanghai and beyond. Originally published in 1970, under the title Times and Places, this book is a collection of twenty-three of her articles from the New Yorker, published between 1937 and 1970. Well reviewed upon first publication, the book was re-published under the current title in 2000 with a foreword by Sheila McGrath, a longtime colleague of hers at the New Yorker, and an introduction by Ken Cuthbertson, author of Nobody Said Not to Go: The Life, Loves and Adventures of Emily Hahn. One of the pieces in the book starts with the line, “Though I had always wanted to be an opium addict, I can’t claim that as a reason why I went to China.” Hahn was seized by a wanderlust that led her to explore nearly every corner of the world. She traveled solo to the Belgian Congo at the age of twenty-five. She was the concubine of a Chinese poet in Shanghai in the 1930s—where she did indeed become an opium addict for two years. For many years, she spent part of every year in New York City and part of her time living with her husband, Charles Boxer, in England. Through the course of these twenty-three distinct pieces, Emily Hahn gives us a glimpse of the tremendous range of her interests, the many places in the world she visited, and her extraordinary perception of the things, large and small, that are important in a life.
Floods in the Murray-Darling Basin are crucial sources of water for people, animals and plants in this often dry region of inland eastern Australia. Even so, floods have often been experienced as natural disasters, which have led to major engineering schemes. Flood Country explores the contested and complex history of this region, examining the different ways in which floods have been understood and managed and some of the long-term consequences for people, rivers and ecologies. The book examines many tensions, ranging from early exchanges between Aboriginal people and settlers about the dangers of floods, through to long running disputes between graziers and irrigators over damming floodwater, and conflicts between residents and colonial governments over whose responsibility it was to protect townships from floods. Flood Country brings the Murray-Darling Basin's flood history into conversation with contemporary national debates about climate change and competing access to water for livelihoods, industries and ecosystems. It provides an important new historical perspective on this significant region of Australia, exploring how people, rivers and floods have re-made each other.
The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa. Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.
Instant National Bestseller and International Bestseller! A thrillingly told queer space opera about the wreckage of war, the family you find, and who you must become when every choice is stripped from you, Some Desperate Glory is Astounding Award Winner Emily Tesh’s explosive debut novel. "Some Desperate Glory surprised me at every turn. At once a space thriller, a tale of deprogramming, and a missive on identity and meaning, the result is a vitally refreshing addition to the SFF genre. This book has earned a permanent place on my favorites shelf."—V. E. Schwab "Masterful, audacious storytelling. Relentless, unsentimental, a completely wild ride."—Tamsyn Muir "This is the sort of debut novel every novelist hopes to write."—John Scalzi "Deserves a space on shelves alongside Ursula K. Le Guin and Octavia Butler."—Publishers Weekly (starred review) National Bestseller | Sunday Times Bestseller | An Indie Next Pick | A LibraryReads Pick | a Goodreads Choice Finalist | With three starred reviews! A Best Of Pick for The Guardian | GoodReads | Publishers Weekly | Powell's | Amazon | Barnes & Noble | Audible | Gizmodo | Book Riot | LitHub | Financial Times | Discover Sci-Fi | Locus | NPR | Library Journal While we live, the enemy shall fear us. Since she was born, Kyr has trained for the day she can avenge the murder of planet Earth. Raised in the bowels of Gaea Station alongside the last scraps of humanity, she readies herself to face the Wisdom, the powerful, reality-shaping weapon that gave the majoda their victory over humanity. They are what’s left. They are what must survive. Kyr is one of the best warriors of her generation, the sword of a dead planet. When Command assigns her brother to certain death and relegates her to Nursery to bear sons until she dies trying, she knows she must take humanity's revenge into her own hands. Alongside her brother’s brilliant but seditious friend and a lonely, captive alien, Kyr escapes from everything she’s known into a universe far more complicated than she was taught and far more wondrous than she could have imagined. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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