From the USA TODAY bestselling author of Pretty Revenge—a “gripping tale of subterfuge, betrayal, and retribution” (Liv Constantine, bestselling author of The Last Mrs. Parrish)—comes the story of a journalist obsessed with finding a crime novelist who disappears after a deadly attack on her beloved daughter. As a mother and a famous author, Ward DeFleur has it all. She lives in a beautiful estate in picture-perfect Connecticut, along with her teenage daughter, Stevie, where nothing can go wrong. Until, one night, when Stevie is brutally murdered and Ward’s entire world is shattered. Consumed by panic and grief, Ward vows never to put pen to paper again. Enter Bree Bennett. Bree is a recently-divorced, former-journalist-cum-housewife, desperate to fill her days with something other than Pilates classes and grocery shopping. So she decides to start writing for the town newspaper. What begins as Bree’s effort to tell Ward’s tragic narrative turns into a fixation with finding her favorite author. Unfortunately, Ward doesn’t want to be found. Even worse, Stevie’s killer is still on the loose… This harrowing tale of one woman’s infatuation and another woman’s fear is full of explosive surprises, perfect for fans of The Night Olivia Fell and Then She Was Gone.
“A riveting tale of subterfuge, betrayal, and retribution set among the glittering world of New York’s elite.” —Liv Constantine, bestselling author of The Last Mrs. Parrish The name of the game is revenge—no matter the cost—in this emotionally charged thriller reminiscent of The Wife Between Us and The Perfect Nanny. Kerrie O’Malley, jobless and in an unfulfilling relationship, can isolate the exact moment in her life when things veered off course—the night she was irrevocably wronged by someone she looked up to. Eighteen years later, when Kerrie sees the very woman who destroyed her life on television, a fire ignites inside her. The stakes are high. The risks are perilous. But she’ll stop at nothing to achieve the retribution she deserves. Jordana Pierson is a gilded New Yorker who appears to have it all: wealth, glamour, a successful and handsome husband, and a thriving wedding concierge business. Her record is spotless. Her business is flourishing. No one knows the truth about her and the dark shadows of her past. No one, that is, except Kerrie. Exploring just how far someone will go for vengeance, Pretty Revenge is “a fun, twisty thrill ride about the dark side of female friendship” (PopSugar).
Two former best friends get a second chance to make things right in this emotional debut novel from the award-winning author of Some Women. Katherine Hill left her small New England hometown in pursuit of a dream. Now, twelve years later, she’s a high-powered cosmetics executive in Manhattan and a much glossier version of her former self, unrecognizable to her family and old friends. Not that she would know—she hasn’t been home in over a decade. Laney Marten always swore she’d never get “stuck” in Manchester, Vermont. No, she was destined to live out her glamorous big-city dreams. Instead, she wound up a young wife and mother. That was when her best friend ran out. When Katherine receives word of an inheritance from former neighbor Luella Hancock, she reluctantly returns home to the people and places she left behind. Tethered to their shared inheritance of Luella’s sprawling Victorian mansion, Katherine and Laney are forced to address their long-standing grudges. Through this, they come to understand that while life has taken them in different directions, ultimately the bonds of friendship and sisterhood still bind them together. But are some wounds too old and deep to mend?
An idyllic girlfriends' getaway is upended when lies and secrets come to the surface in this captivating women's fiction novel from the author of Some Women. On the surface, Sloane has the perfect life—an adoring husband, a precocious daughter, and enough financial security to be a stay-at-home mom. Still, she can’t help but feel as though something—or someone—is missing... Hillary has a successful career and a solid marriage. The only problem is her inability to conceive. And there’s a very specific reason why... As the wild-child daughter of old family money, Georgina has never had to accept responsibility for anything. So when she realizes an unexpected life change could tie her down forever, she does exactly what she’s always done: escape... When these three women unite for a three-week-long summer vacation in beautiful Lake George, New York, even with a serene location as their backdrop, the tensions begin to mount. And they quickly discover that no secret can be kept forever.
A new friendship forces a widow looking for a fresh start to confront her past in this compelling novel from the award-winning author of Some Women. While Allison Parker once savored the dynamic pace of city life, it has sadly lost its allure since her husband’s untimely death. Now, back to her hometown in the suburbs of New York accompanied by her ten-year-old son, Logan, Allison is ready to focus on her art career. She doesn’t anticipate that her past will resurface. But when the wife of her husband’s best friend from summer camp takes her under her wing, things begin to spin out of control. At one time, Charlotte Crane thought she had it all—a devoted husband, a beautiful little girl, and enough financial security to never have to worry. But behind her “perfect” facade lies a strained marriage and a fractured relationship with her sister. When “new girl” Allison arrives in Wincourt, Charlotte welcomes the chance to build a friendship. Before long, Charlotte begins to see her life through Allison’s eyes, and the cracks in her seemingly flawless existence become impossible to ignore. As Allison heals from the loss of her husband—even wondering if she might be ready to date again—Charlotte feels more distant from her loved ones than ever before. The emerging friendship between the two women appears to be just the antidote both of them so desperately need...until everything falls apart.
An engrossing novel that examines the intricacies of marriage, friendship, and the power of unexpected connections… Annabel Ford has everything under control, devoting her time to her twin boys and keeping her household running smoothly. But when her husband of a decade announces that he’s leaving, she’s blind-sided. And suddenly her world begins to unravel. Piper Whitley has always done her best to balance it all—raising her daughter Fern by herself while advancing her career as a crime reporter. Only now that she’s finally met the man of her dreams, Fern’s absentee father shows up, throwing everything into a tailspin. Married to the heir of a thriving media conglomerate, Mackenzie Mead has many reasons to count her blessings. But with an imperious mother-in-law—who’s also her boss—and a husband with whom she can no longer seem to connect, something has to give. On the surface, these three women may not have much in common, but just when they each need someone to lean on, their lives are thrust together, forming unlikely friendships that help each woman navigate her new reality.
An idyllic girlfriends' getaway is upended when lies and secrets come to the surface in this captivating women's fiction novel from the author of Some Women. On the surface, Sloane has the perfect life—an adoring husband, a precocious daughter, and enough financial security to be a stay-at-home mom. Still, she can’t help but feel as though something—or someone—is missing... Hillary has a successful career and a solid marriage. The only problem is her inability to conceive. And there’s a very specific reason why... As the wild-child daughter of old family money, Georgina has never had to accept responsibility for anything. So when she realizes an unexpected life change could tie her down forever, she does exactly what she’s always done: escape... When these three women unite for a three-week-long summer vacation in beautiful Lake George, New York, even with a serene location as their backdrop, the tensions begin to mount. And they quickly discover that no secret can be kept forever.
“A riveting tale of subterfuge, betrayal, and retribution set among the glittering world of New York’s elite.” —Liv Constantine, bestselling author of The Last Mrs. Parrish The name of the game is revenge—no matter the cost—in this emotionally charged thriller reminiscent of The Wife Between Us and The Perfect Nanny. Kerrie O’Malley, jobless and in an unfulfilling relationship, can isolate the exact moment in her life when things veered off course—the night she was irrevocably wronged by someone she looked up to. Eighteen years later, when Kerrie sees the very woman who destroyed her life on television, a fire ignites inside her. The stakes are high. The risks are perilous. But she’ll stop at nothing to achieve the retribution she deserves. Jordana Pierson is a gilded New Yorker who appears to have it all: wealth, glamour, a successful and handsome husband, and a thriving wedding concierge business. Her record is spotless. Her business is flourishing. No one knows the truth about her and the dark shadows of her past. No one, that is, except Kerrie. Exploring just how far someone will go for vengeance, Pretty Revenge is “a fun, twisty thrill ride about the dark side of female friendship” (PopSugar).
From the USA TODAY bestselling author of Pretty Revenge—a “gripping tale of subterfuge, betrayal, and retribution” (Liv Constantine, bestselling author of The Last Mrs. Parrish)—comes the story of a journalist obsessed with finding a crime novelist who disappears after a deadly attack on her beloved daughter. As a mother and a famous author, Ward DeFleur has it all. She lives in a beautiful estate in picture-perfect Connecticut, along with her teenage daughter, Stevie, where nothing can go wrong. Until, one night, when Stevie is brutally murdered and Ward’s entire world is shattered. Consumed by panic and grief, Ward vows never to put pen to paper again. Enter Bree Bennett. Bree is a recently-divorced, former-journalist-cum-housewife, desperate to fill her days with something other than Pilates classes and grocery shopping. So she decides to start writing for the town newspaper. What begins as Bree’s effort to tell Ward’s tragic narrative turns into a fixation with finding her favorite author. Unfortunately, Ward doesn’t want to be found. Even worse, Stevie’s killer is still on the loose… This harrowing tale of one woman’s infatuation and another woman’s fear is full of explosive surprises, perfect for fans of The Night Olivia Fell and Then She Was Gone.
Two former best friends get a second chance to make things right in this emotional debut novel from the award-winning author of Some Women. Katherine Hill left her small New England hometown in pursuit of a dream. Now, twelve years later, she’s a high-powered cosmetics executive in Manhattan and a much glossier version of her former self, unrecognizable to her family and old friends. Not that she would know—she hasn’t been home in over a decade. Laney Marten always swore she’d never get “stuck” in Manchester, Vermont. No, she was destined to live out her glamorous big-city dreams. Instead, she wound up a young wife and mother. That was when her best friend ran out. When Katherine receives word of an inheritance from former neighbor Luella Hancock, she reluctantly returns home to the people and places she left behind. Tethered to their shared inheritance of Luella’s sprawling Victorian mansion, Katherine and Laney are forced to address their long-standing grudges. Through this, they come to understand that while life has taken them in different directions, ultimately the bonds of friendship and sisterhood still bind them together. But are some wounds too old and deep to mend?
For most of the twentieth century, Jewish and/or politically leftist European psychoanalysts rarely linked their personal trauma history to their professional lives, for they hoped their theory—their Truth—would transcend subjectivity and achieve a universality not unlike the advances in the "hard" sciences. Contemporary Psychoanalysis and the Legacy of the Third Reich confronts the ways in which previously avoided persecution, expulsion, loss and displacement before, during and after the Holocaust shaped what was, and remains a dominant movement in western culture. Emily Kuriloff uses unpublished original source material, as well as personal interviews conducted with émigré /survivor analysts, and scholars who have studied the period, revealing how the quality of relatedness between people determines what is possible for them to know and do, both personally and professionally. Kuriloff’s research spans the globe, including the analytic communities of the United States, England, Germany, France, and Israel amidst the extraordinary events of the twentieth century. Contemporary Psychoanalysis and the Legacy of the Third Reich addresses the future of psychoanalysis in the voices of the second generation—thinkers and clinicians whose legacies and work remains informed by the pain and triumph of their parents' and mentors' Holocaust stories. These unprecedented revelations influence not only our understanding of mental health work, but of history, art, politics and education. Psychoanalysts, psychologists, psychiatrists, sociologists, cultural historians, Jewish and specifically Holocaust scholars will find this volume compelling.
An engrossing novel that examines the intricacies of marriage, friendship, and the power of unexpected connections… Annabel Ford has everything under control, devoting her time to her twin boys and keeping her household running smoothly. But when her husband of a decade announces that he’s leaving, she’s blind-sided. And suddenly her world begins to unravel. Piper Whitley has always done her best to balance it all—raising her daughter Fern by herself while advancing her career as a crime reporter. Only now that she’s finally met the man of her dreams, Fern’s absentee father shows up, throwing everything into a tailspin. Married to the heir of a thriving media conglomerate, Mackenzie Mead has many reasons to count her blessings. But with an imperious mother-in-law—who’s also her boss—and a husband with whom she can no longer seem to connect, something has to give. On the surface, these three women may not have much in common, but just when they each need someone to lean on, their lives are thrust together, forming unlikely friendships that help each woman navigate her new reality.
A new friendship forces a widow looking for a fresh start to confront her past in this compelling novel from the award-winning author of Some Women. While Allison Parker once savored the dynamic pace of city life, it has sadly lost its allure since her husband’s untimely death. Now, back to her hometown in the suburbs of New York accompanied by her ten-year-old son, Logan, Allison is ready to focus on her art career. She doesn’t anticipate that her past will resurface. But when the wife of her husband’s best friend from summer camp takes her under her wing, things begin to spin out of control. At one time, Charlotte Crane thought she had it all—a devoted husband, a beautiful little girl, and enough financial security to never have to worry. But behind her “perfect” facade lies a strained marriage and a fractured relationship with her sister. When “new girl” Allison arrives in Wincourt, Charlotte welcomes the chance to build a friendship. Before long, Charlotte begins to see her life through Allison’s eyes, and the cracks in her seemingly flawless existence become impossible to ignore. As Allison heals from the loss of her husband—even wondering if she might be ready to date again—Charlotte feels more distant from her loved ones than ever before. The emerging friendship between the two women appears to be just the antidote both of them so desperately need...until everything falls apart.
Grief and the Hero examines Achilles’ experience of the futility of grief in the context of the Iliad’s study of anger. No action can undo his friend Patroklos’ death, but the experience of death drives him to behave as though he can achieve something restorative. Rather than assuming that grief gives rise to anger, as most scholars have done, Grief and the Hero pays close attention to the poem’s representation of the origin of these emotions. In the Iliad, only Achilles’ grief for Patroklos is joined with the word pothê, “longing”; no other grief in the poem is described with this term. The Iliad depicts Achilles’ grief as the rupture of shared life—an insight that generates a new way of reading the epic. Achilles’ anguish drives him to extremes, oscillating between self-isolation and seeking communal expressions of grief; between weeping abundantly and relentlessly pursuing battle; between varied threats of mutilation, deeds of vengeance, and other vows. Yet his yearning for life shared with Patroklos is the common denominator. Here lies the profound insight of the Iliad. All of Achilles’ grief-driven deeds arise from his longing for life with Patroklos, and thus all of these deeds are, in a deep sense, futile. He yearns for something unattainable—undoing the reality of death. Grief and the Hero will appeal not only to scholars and students of Homer but to all humanists. Loss, longing, and even revenge touch many human lives, and the insights of the Iliad have broad resonance.
The story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and culture An unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia. Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed. As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. There is a broad consensus across European states and the EU that social and economic inequality is a problem that needs to be addressed. Yet inequality policy is notoriously complex and contested. This book approaches the issue from two linked perspectives. First, a focus on functional requirements highlights what policymakers think they need to deliver policy successfully, and the gap between their requirements and reality. We identify this gap in relation to the theory and practice of policy learning, and to multiple sectors, to show how it manifests in health, education, and gender equity policies. Second, a focus on territorial politics highlights how the problem is interpreted at different scales, subject to competing demands to take responsibility. This contestation and spread of responsibilities contributes to different policy approaches across spatial scales. We conclude that governments promote many separate equity initiatives, across territories and sectors, without knowing if they are complementary or contradictory. This outcome could reflect the fact that ambiguous policy problems and complex policymaking processes are beyond the full knowledge or control of governments. It could also be part of a strategy to make a rhetorically radical case while knowing that they will translate into safer policies. It allows them to replace debates on values, regarding whose definition of equity matters and which inequalities to tolerate, with more technical discussions of policy processes. Governments may be offering new perspectives on spatial justice or new ways to reduce political attention to inequalities.
This text presents foundations of correctional intervention, including overviews of the major systems of therapeutic intervention, diagnosis of mental illness, and correctional assessment and classification. Its detailed descriptions and cross-approach comparisons can help students prepare for a career in correctional counseling and can help working professionals better determine which techniques might be most useful in their particular setting. Divided into five parts: (1) A Professional Framework for Correctional Counseling; (2) Understanding the Special Challenges Faced by the Correctional Counselor in the Prison Setting; (3) Offender Assessment, Diagnosis, and Classification; (4) Contemporary Approaches to Correctional Counseling and Treatment, (5) Interventions for Special Populations, and (6) Putting it all together.
How Amazon combined branding and relationship marketing with massive distribution infrastructure to become the ultimate service brand in the digital economy. Amazon is ubiquitous in our daily lives—we stream movies and television on Amazon Prime Video, converse with Alexa, receive messages on our smartphone about the progress of our latest orders. In Buy Now, Emily West examines Amazon’s consumer-facing services to investigate how Amazon as a brand grew so quickly and inserted itself into so many aspects of our lives even as it faded into the background, becoming a sort of infrastructure that can be taken for granted. Amazon promotes the comfort and care of its customers (but not its workers) to become the ultimate service brand in the digital economy. West shows how Amazon has cultivated personalized, intimate relationships with consumers that normalize its outsized influence on our selves and our communities. She describes the brand’s focus on speedy and seamless ecommerce delivery, represented in the materiality of the branded brown box; the positioning of its book retailing, media streaming, and smart speakers as services rather than sales; and the brand’s image control strategies. West considers why pushback against Amazon’s ubiquity and market power has come mainly from among Amazon’s workers rather than its customers or competitors, arguing that Amazon’s brand logic fragments consumers as a political bloc. West’s innovative account, the first to examine Amazon from a critical media studies perspective, offers a cautionary cultural study of bigness in today’s economy.
In this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era.
Graphic Violence provides an innovative introduction to the relationship between violence and visual media, discussing how media consumers and producers can think critically about and interact with violent visual content. It comprehensively surveys predominant theories of media violence and the research supporting and challenging them, addressing issues ranging from social learning, to representations of war and terrorism, to gender and hyper-masculinity. Each chapter features original artwork presenting a story in the style of a graphic novel to demonstrate the concepts at hand. Truly unique in its approach to the subject and medium, this volume is an excellent resource for undergraduate students of communication and media theory as well as anyone interested in understanding the causes and effects of violence in media.
Pregnancy loss is profoundly complex, ambiguous, and alienating, but telling women who have procured abortions that they are murderers and sinners is not the best way forward. Magisterial teachings on abortion are too often presented as moral absolutes, when in fact moral absolutism distorts the rich wisdom of the Catholic intellectual tradition. This book initiates a new conversation about women’s experiences of miscarriage, stillbirth, and abortion, arguing that we need not approach these difficult life experiences in a simplistic way. Dr. Reimer-Barry argues that both the pro-life and pro-choice movements make important and valuable claims, yet each approach on its own is flawed. Drawing on the framework of reproductive justice together with Catholic social teaching, Dr. Reimer-Barry suggests a new way forward for abortion discourse that takes seriously the full human dignity of women and the intrinsic (though not absolute) value of prenatal life. She argues that instead of thinking of the Church as a moral teacher—with leaders in Rome or Washington, DC dictating to the consciences of the faithful—a better way to address the complexity of difficult pregnancy discernments would be to think of the Church as a community of support in the midst of and after difficult discernments; a community that seeks justice together and implements structural reforms while also providing spiritual care to those in need. What women deserve, is justice.
Collective insights from a diverse and global group of contemporary artists whose works challenge traditional representations of motherhood Picturing Motherhood Now brings together work by a range of contemporary artists who reimagine the possibilities for representing motherhood. Drawing on a range of feminisms, this exhibition catalogue challenges familiar archetypes of motherhood, construing motherhood as a multivalent term. The artists in the catalogue see motherhood as a lens through which to examine contemporary social issues. While focusing on art made in the past two decades, the catalogue also integrates work by significant pioneers, narrating an intergenerational and evolving story. This richly illustrated volume features painting, sculpture, photography, and installations by 30 contemporary artists, including Njideka Akunyili Crosby, Latoya Ruby Frazier, Titus Kaphar, and Aliza Nisenbaum, alongside works by feminist pioneers who inspired them, such as Louise Bourgeois, Alice Neel, and Betye Saar. Scholarly essays examine dimensions of matrilineage and contemporary art, enlarging our understanding of motherhood in today's culture. The catalogue also includes a roundtable conversation among artists and thinkers, animating the themes of the exhibition through a dynamic exchange.
Mauricio Umansky, real estate mogul, longtime fan favorite of The Real Housewives of Beverly Hills, and star of his own Netflix series Buying Beverly Hills inspires budding entrepreneurs and self-starters of all backgrounds with tips and strategies to find success at work and at home. After more than twenty years in the cutthroat real estate business, Mauricio Umansky has seen and heard it all. Now, he’s ready to share everything he’s learned throughout the highs and lows of his illustrious career in this part memoir, part leadership manifesto. From the challenges of his childhood to outgrowing his father’s textile company and falling out with his brother-in-law Rick Hilton, while also raising a family and maintaining a strong marriage for over twenty-five years, Umansky has plenty of advice and lessons for aspiring entrepreneurs and self-starters across all industries. By outlining his fundamental principles of success, Umansky will embolden those who are ready to work hard and are prepared to meet adversity head on, which requires endless stamina, grit, and determination. Each chapter will center around a specific piece of wisdom and offer insightful takeaways including: How to Play Hard and Work Harder, How to Find Your Professional and Personal Passions, How to be an Innovator Not an Imitator, The Art of the Sell, The Benefits of Remaining Positive, How to Achieve Balance, and so much more. Umansky’s journey has been anything but boring. It’s been unpredictable, exhilarating, and emotionally and physically demanding at times. In The Dealmaker, he imparts his hard-earned knowledge, along with strategies he’s taught himself, for anyone and everyone looking to build their own fruitful career and to find the happiness we all seek in life. Welcome to his exclusive and exciting world.
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