From Orson Scott Card, the bestselling author of Ender's Game, and his daughter Emily Janice Card, comes a 384-page omnibus edition containing the first two books of an all-ages manga series! Out of deep space, a mysterious alien race known as "The Givers" came to Earth. They gave the human race the greatest technology ever seen—four giant towers known as Ladders that rose 36,000 miles into space. Each tower culminated in a space station that harnessed the energy of the Sun to power the entire planet. As suddenly as the Givers arrived, they vanished, leaving the human race with one solemn instruction: maintain and preserve the Ladders at all costs. Due to the unique alien construction of the Laddertop space stations, however, only a skilled crew of children could perform the maintenance necessary to keep the stations running. Twenty-five years later, back on Earth, competition is fierce to enter Laddertop Academy. Robbi and Azure, two eleven-year-old girls who are best friends, are among those vying for a spot at the prestigious academy. While one is rejected, the other takes off into space for the adventure of a lifetime. Yet soon, their destinies will collide, as they must decipher an alien message and solve an ancient mystery that could either save the Earth from invasion...or trigger its imminent destruction. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An original science fiction manga by the bestselling author of Ender's Game, Orson Scott Card, and his daughter, Emily Janice Card Twenty-five years ago, the alien Givers came to Earth. They gave the human race the greatest technology ever seen— four giant towers known as Ladders that rise 36,000 miles into space and culminate in space stations that power the entire planet. Then, for reasons unknown, the Givers disappeared. Due to the unique alien construction of the Laddertop space stations, only a skilled crew of children can perform the maintenance necessary to keep the stations up and running. Back on Earth, competition is fierce to enter Laddertop Academy. It is an honor few students will achieve. Robbi and Azure, two eleven-year-old girls who are the best of friends, are candidates for the Academy. They will become entangled in a dangerous mystery that may help them solve the riddle of the Givers...if it doesn't destroy the Earth first!
From Orson Scott Card, the bestselling author of Ender's Game, and his daughter Emily Janice Card, comes a 384-page omnibus edition containing the first two books of an all-ages manga series! Out of deep space, a mysterious alien race known as "The Givers" came to Earth. They gave the human race the greatest technology ever seen—four giant towers known as Ladders that rose 36,000 miles into space. Each tower culminated in a space station that harnessed the energy of the Sun to power the entire planet. As suddenly as the Givers arrived, they vanished, leaving the human race with one solemn instruction: maintain and preserve the Ladders at all costs. Due to the unique alien construction of the Laddertop space stations, however, only a skilled crew of children could perform the maintenance necessary to keep the stations running. Twenty-five years later, back on Earth, competition is fierce to enter Laddertop Academy. Robbi and Azure, two eleven-year-old girls who are best friends, are among those vying for a spot at the prestigious academy. While one is rejected, the other takes off into space for the adventure of a lifetime. Yet soon, their destinies will collide, as they must decipher an alien message and solve an ancient mystery that could either save the Earth from invasion...or trigger its imminent destruction. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Available for $27.50 before December 1992. A thumb-index guides readers to the major categories of social interaction. Every aspect has been reviewed for this edition, and new coverage includes electronic mail as well as sexual harassment in the workplace. Annotation copyrighted by Book News, Inc., Portland, OR
In its hard headed, richly documented concreteness, it is worth a thousand polemics." -- New York Times, from a review of the first edition "The Curse deserves a place in every women's studies library collection." -- Sharon Golub, editor of Lifting the curse of Menstruation "A stimulating and useful book, both for the scholarly and the general reader." -- Paula A. Treichler, co-author of A Feminist Dictionary
She signed up for the sisterhood, free cars, and the promise of a successful business of her own. Instead, she ended up with an addiction, broken friendships, and the rubble of a toppled pyramid . . . scheme. HEY, HUN: SALES SISTERHOOD, SUPREMACY, AND THE OTHER LIES BEHIND MULTILEVEL MARKETING is the eye-opening, funny, and dangerous personal story of author Emily Lynn Paulson rising to the top of the pyramid in the multilevel marketing (MLM) world, only to recognize that its culture and business practices went beyond a trendy marketing scheme and into the heart of white supremacy in America. A significant polemic on how MLMs operate, HEY, HUN expertly lays out their role in the cultural epidemic of isolation and the cult-like ideologies that course through their trainings, marketing, and one-on-one interactions. Equally entertaining and smart, Paulson’s first-person accounts, acerbic wit, and biting commentary will leave you with a new perspective on those “Hey Hun” messages flooding your inbox. “This book is a must-read for all women, especially those struggling with the deep ache to belong, be successful, or feel their self-worth. HEY, HUN is at once a cautionary tale, an educational service, and a vulnerable memoir. It’s essential reading for anyone considering joining, trying to escape, or healing from the toxic, culty structure that is MLM.” — Sarah Edmondson, actress, host of A Little Bit Culty podcast, author of Scarred: The True Story of How I Escaped NXIVM, the Cult That Bound My Life “Emily’s experience is so raw, honest, and relatable that HEY, HUN should be required reading for anyone involved with MLM—past, present, or future.” — Roberta Blevins, anti-MLM adovcate, host of the Life After MLM podcast, and star of the LulaRich documentary
The age-old tradition of pictorial illusionism known as trompe l’oeil (“deceive the eye”) employs visual tricks that confound the viewer’s perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l’oeil themes and motifs. The authors connect Cubist works to trompe l’oeil specialists of earlier centuries by juxtaposing more than one hundred Cubist paintings, drawings, and collages with related compositions by old masters. The informed and engaging texts trace the changing status of trompe l’oeil over the centuries, reveal Braque’s training in artisanal trompe l’oeil techniques as an integral part of his Cubist practice, examine the material used in Gris’s collages, and discuss the previously unstudied trompe l’oeil iconography within Cubist still lifes.
Jan Bowers lives in the right place. A lover of nature and the outdoors, an avid hiker and backpacker, she is surrounded by mountain ridges, peaks, and canyons of almost every description. In this book, she invites us to come along and find out why some of these places are special, why some of them stay in her mind long after she has returned to the workaday world of the city. Readers have come to expect the best from this writer, termed "a rare talent. . . uncommonly good at the craft" by Wilderness magazine. Her new book is filled with creeks and meadows, tiny ferns and towering oaks, bears and butterflies and Red-tailed Hawks. We see gray clouds clogging the sky in a canyon, "wildly, almost tastelessly romantic, as full of clouds as a tea kettle with steam," and we startle a female grouse and her half-dozen fuzzy chicks "exploding from underfoot like billiard balls scattered with a cue stick." Faced with the prospect of moving to another place, Bowers finds herself thinking about the familiar world in new and unfamiliar ways. Through her eyes, too, we see how an interest in nature and the outdoors developed from early childhood and how simple curiosity has led her to the most surprising discoveries. At odd and unexpected moments, her work also seems to bring new insights into herself and her life as a writer, a wife, and a mother. These pages promise a new adventure at every turn in the trail. For sheer terror, there's a climb up the face of Baboquivari, for laughs, there's the great bagworm caper, and for some quiet truths, there are themes of gain and loss, of connection and reconcilliation. Crunching through winter snow or sweating under summer sun, we know we're in the hands of an experienced guide. And we know we couldn't ask for a better companion.
This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.
Feminism, Self-Presentation, and Pinterest: The Labor of Wedding Planning argues that Pinterest, which has been largely criticized for perpetuating vapid stereotypical gender roles, is actually a dynamic digital curation tool that facilitates meaning-making around the important cultural event of the Western wedding. Emily S. Johnson, through a thorough examination of how aspiring brides use the platform to plan their weddings, found that Pinterest is a unique platform that offers brides the opportunity to construct their own wedding identity by engaging in creativity and exercising voice and agency during planning. Even if the content they are consuming does support tenets of patriarchy or gender roles, brides are able to make their own choices, rather than having their goals determined for them through societal or familial norms and expectations. The platform integrates both the online and offline “labors” of wedding planning as brides create meaning through the curation process and connect with the self as they execute their planning. Overall, Johnson argues that, far from the stereotypes of fantasizing about dream weddings and luxurious lifestyles that may be unrealistic, Pinterest gives brides increased ability to make their own, specialized vision come to life. Scholars of women’s studies, gender studies, communication, media studies, cultural studies, and rhetoric will find this book particularly useful.
Harlequin Desire brings you three new titles for one great price, available now! This Harlequin Desire bundle includes My Fair Billionaire by NEW YORK TIMES bestselling author Elizabeth Bevarly, Baby for Keeps by USA TODAY bestselling author Janice Maynard and A Bride for the Black Sheep Brother by Emily McKay. Look for 6 new compelling stories every month from Harlequin Desire!
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.” In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and bringing him home to her family, adopting two children from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays sets out to discover a new way of talking about race and of telling the truth as the author has lived it. "Black Is the Body is one of the most beautiful, elegant memoirs I've ever read. It's about race, it's about womanhood, it's about friendship, it's about a life of the mind, and also a life of the body. But more than anything, it's about love. I can't praise Emily Bernard enough for what she has created in these pages." --Elizabeth Gilbert WINNER OF THE CHRISTOPHER ISHERWOOD PRIZE FOR AUTOBIOGRAPHICAL PROSE NAMED A BEST BOOK OF THE YEAR BY NPR AND KIRKUS REVIEWS ONE OF MAUREEN CORRIGAN'S 10 UNPUTDOWNABLE READS OF THE YEAR
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