No One Gardens Alone tells for the first time the story of Elizabeth Lawrence (1904-1985). Like classic biographies of Emily Dickinson and Edna St. Vincent Millay, this fascinating book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and gardening writers of the twentieth century. "In this first biography of the renowned gardening writer Elizabeth Lawrence, Emily Herring Wilson reminds us that even quiet lives hold unsuspected passions. Written with graceful clarity, sensitivity, and empathy, this life is a perennial."--Linda H. Davis, author of Onward and Upward: A Biography of Katharine S. White Elizabeth Lawrence (1904-1985) lived a singular, often contradictory life. She was a traditional southerner; a successful, independent garden writer with her own newspaper column and numerous books to her credit; a dutiful daughter who cared for her elders and lived with her mother; a landscape architect; a passionate poet; a friend of literary figures like Eudora Welty and Joseph Mitchell; and a very private woman whose recently discovered letters illuminate aspects of her mystery. Lawrence earned many fans during her lifetime and gained even more after her death with the reissue of many of her classic books. When Emily Herring Wilson edited a collection of letters between Lawrence and famed New Yorker editor Katharine S. White in Two Gardeners, she found legions of readers who were eager to know more about the legendary Lawrence. Now, one hundred years after her birth, No One Gardens Alone tells for the first time the story of this fascinating woman. Like classic biographies of literary figures such as Emily Dickinson and Edna St. Vincent Millay, this book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and garden writers of the twentieth century.
No One Gardens Alone tells for the first time the story of Elizabeth Lawrence (1904-1985). Like classic biographies of Emily Dickinson and Edna St. Vincent Millay, this fascinating book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and gardening writers of the twentieth century. "In this first biography of the renowned gardening writer Elizabeth Lawrence, Emily Herring Wilson reminds us that even quiet lives hold unsuspected passions. Written with graceful clarity, sensitivity, and empathy, this life is a perennial."--Linda H. Davis, author of Onward and Upward: A Biography of Katharine S. White Elizabeth Lawrence (1904-1985) lived a singular, often contradictory life. She was a traditional southerner; a successful, independent garden writer with her own newspaper column and numerous books to her credit; a dutiful daughter who cared for her elders and lived with her mother; a landscape architect; a passionate poet; a friend of literary figures like Eudora Welty and Joseph Mitchell; and a very private woman whose recently discovered letters illuminate aspects of her mystery. Lawrence earned many fans during her lifetime and gained even more after her death with the reissue of many of her classic books. When Emily Herring Wilson edited a collection of letters between Lawrence and famed New Yorker editor Katharine S. White in Two Gardeners, she found legions of readers who were eager to know more about the legendary Lawrence. Now, one hundred years after her birth, No One Gardens Alone tells for the first time the story of this fascinating woman. Like classic biographies of literary figures such as Emily Dickinson and Edna St. Vincent Millay, this book reveals Lawrence in all her complexity and establishes her, at last, as one of the premier gardeners and garden writers of the twentieth century.
The Three Graces of Val-Kill changes the way we think about Eleanor Roosevelt. Emily Wilson examines what she calls the most formative period in Roosevelt's life, from 1922 to 1936, when she cultivated an intimate friendship with Marion Dickerman and Nancy Cook, who helped her build a cottage on the Val-Kill Creek in Hyde Park on the Roosevelt family land. In the early years, the three women—the "three graces," as Franklin Delano Roosevelt called them—were nearly inseparable and forged a female-centered community for each other, for family, and for New York's progressive women. Examining this network of close female friends gives readers a more comprehensive picture of the Roosevelts and Eleanor's burgeoning independence in the years that marked Franklin's rise to power in politics. Wilson takes care to show all the nuances and complexities of the women's relationship, which blended the political with the personal. Val-Kill was not only home to Eleanor Roosevelt but also a crucial part of how she became one of the most admired American political figures of the twentieth century. In Wilson's telling, she emerges out of the shadows of monumental histories and documentaries as a woman in search of herself.
From the Foreword by Maya Angelou InHope and DignityEmily Wilson and Susan Mullally have offered some answers to the question of Black survival. Wilson, a good and recognized poet, traveled her adopted State of North Carolina (she is originally from Georgia) talking to older Black women and listening to their responses. Interestingly, the women collected in this book appear to be speaking more to their ancestors and even to their unborn progeny than to Emily Wilson and therein must lie the book's success. For, since Wilson is White, it is natural to suspect anything Black people might say to her. (There is the old saying among Blacks: "If white people ask you where you are going tell them where you've been.") It is a compliment to Wilson to say that she was wise enough to pose her questions then stand aside so that the women could reflect privately on the pasts they have lived and even those they wished they had lived. Mullally's photographs are inspired and to the point. She has demonstrated as much sensitivity as Wilson and an equal amount of poetic curiosity. The subjects appear, as out of a mist, suddenly clear and clearly mistresses of their real and imagined times. They have overcome the cruel roles into which they had been cast by racism and ignorance. They have wept over their hopeless fate and defied destiny by creating hope anew. They have nursed, by force, a nation of hostile strangers, and wrung from lifetimes of mean servitude and third class citizenship a dignity of indescribable elegance. "If I had it to do over," Mrs. Bryant explains, "I would just as soon have the days of back yonder as today. I had. But I'm sure the children can have so much more and so much more easier till this is better days for living but not the kind of living we was brought up with. We had time to visit each other, and had time to go see the sick and didn't have no thoughts of putting nobody in the rest home. Maybe if there was four or five working on the farm, one could stay at the house and wait on that sick person. And it didn't put no bigger strain on them. Now it seems like they have keyed up themselves for fine houses, fine furniture, fine cars, fine everything until it takes them both to work [the wife and the husband]. But used to if the man had to be sick, the woman with the neighbor's aid could carry on. Or if the woman had to be sick, the neighbors would help do the chopping or do whatever she had been doing till she could get well. Now there's no way that no one hardly, the way they've got themselves stretched out for wanting so much, that they can carry on as well as we did. When mother stays at home with the children and works with them, like I did, you near about know them. No way hardly they can fool you or nothing. I'm not giving myself no pat, but nobody worked more hours than I did." These women are teachers comprehensively. Their accounts inform us that while life in North Carolina and in all the United States, has been hard for the Black woman (and man and child) it can be borne with dignity, and it can be changed by hope. Salutes to Wilson and Mullally, and humble thanks to all the women collected in this book. I understand them. They are my grandmothers. Author note:Emily Herring Wisonis a writer in Wonston-Salem, North Carolina. She is working with Margaret Supplee Smith on a history of women in North Carolina.Susan Mullally Clarkis a photographer in Greensboro, North Carolina, who is currently working on a photographic study of brothers and sisters. Wilson and Clark traveled more than 20,000 miles through the South in the course of interviewing, lecturing, and photographing forHope and Dignity.
The authors of It's a Chick Thing return, this time taking an in-depth look at what it means to have a personal style in the home, with tips on decorating, food preparation, and throwing the best possible parties. Original.
The Three Graces of Val-Kill changes the way we think about Eleanor Roosevelt. Emily Wilson examines what she calls the most formative period in Roosevelt's life, from 1922 to 1936, when she cultivated an intimate friendship with Marion Dickerman and Nancy Cook, who helped her build a cottage on the Val-Kill Creek in Hyde Park on the Roosevelt family land. In the early years, the three women—the "three graces," as Franklin Delano Roosevelt called them—were nearly inseparable and forged a female-centered community for each other, for family, and for New York's progressive women. Examining this network of close female friends gives readers a more comprehensive picture of the Roosevelts and Eleanor's burgeoning independence in the years that marked Franklin's rise to power in politics. Wilson takes care to show all the nuances and complexities of the women's relationship, which blended the political with the personal. Val-Kill was not only home to Eleanor Roosevelt but also a crucial part of how she became one of the most admired American political figures of the twentieth century. In Wilson's telling, she emerges out of the shadows of monumental histories and documentaries as a woman in search of herself.
From the Foreword by Maya Angelou InHope and DignityEmily Wilson and Susan Mullally have offered some answers to the question of Black survival. Wilson, a good and recognized poet, traveled her adopted State of North Carolina (she is originally from Georgia) talking to older Black women and listening to their responses. Interestingly, the women collected in this book appear to be speaking more to their ancestors and even to their unborn progeny than to Emily Wilson and therein must lie the book's success. For, since Wilson is White, it is natural to suspect anything Black people might say to her. (There is the old saying among Blacks: "If white people ask you where you are going tell them where you've been.") It is a compliment to Wilson to say that she was wise enough to pose her questions then stand aside so that the women could reflect privately on the pasts they have lived and even those they wished they had lived. Mullally's photographs are inspired and to the point. She has demonstrated as much sensitivity as Wilson and an equal amount of poetic curiosity. The subjects appear, as out of a mist, suddenly clear and clearly mistresses of their real and imagined times. They have overcome the cruel roles into which they had been cast by racism and ignorance. They have wept over their hopeless fate and defied destiny by creating hope anew. They have nursed, by force, a nation of hostile strangers, and wrung from lifetimes of mean servitude and third class citizenship a dignity of indescribable elegance. "If I had it to do over," Mrs. Bryant explains, "I would just as soon have the days of back yonder as today. I had. But I'm sure the children can have so much more and so much more easier till this is better days for living but not the kind of living we was brought up with. We had time to visit each other, and had time to go see the sick and didn't have no thoughts of putting nobody in the rest home. Maybe if there was four or five working on the farm, one could stay at the house and wait on that sick person. And it didn't put no bigger strain on them. Now it seems like they have keyed up themselves for fine houses, fine furniture, fine cars, fine everything until it takes them both to work [the wife and the husband]. But used to if the man had to be sick, the woman with the neighbor's aid could carry on. Or if the woman had to be sick, the neighbors would help do the chopping or do whatever she had been doing till she could get well. Now there's no way that no one hardly, the way they've got themselves stretched out for wanting so much, that they can carry on as well as we did. When mother stays at home with the children and works with them, like I did, you near about know them. No way hardly they can fool you or nothing. I'm not giving myself no pat, but nobody worked more hours than I did." These women are teachers comprehensively. Their accounts inform us that while life in North Carolina and in all the United States, has been hard for the Black woman (and man and child) it can be borne with dignity, and it can be changed by hope. Salutes to Wilson and Mullally, and humble thanks to all the women collected in this book. I understand them. They are my grandmothers. Author note:Emily Herring Wisonis a writer in Wonston-Salem, North Carolina. She is working with Margaret Supplee Smith on a history of women in North Carolina.Susan Mullally Clarkis a photographer in Greensboro, North Carolina, who is currently working on a photographic study of brothers and sisters. Wilson and Clark traveled more than 20,000 miles through the South in the course of interviewing, lecturing, and photographing forHope and Dignity.
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