An “extremely intelligent, witty, nerdy, and oh-my-god over-the-top sexy” debut novel—first in a New Adult romance series (Fresh Fiction). Data, research, scientific formulae—Annabelle Coffey is completely at ease with all of them. Men, not so much. But that’s all going to change after she asks Dr. Charles Douglas, the postdoctoral fellow in her lab, to have sex with her. Charles is not only beautiful, he is also adorably awkward, British, brilliant, and nice. What are the odds he’d turn her down? Very high, as it happens. Something to do with that whole student/teacher/ethics thing. But in a few weeks, Annie will graduate. As soon as she does, the unlikely friendship that’s developing between them can turn physical—just until Annie leaves for graduate school. Yet nothing could have prepared either Annie or Charles for chemistry like this, or for what happens when a simple exercise in mutual pleasure turns into something as exhilarating and infernally complicated as love. “The smart characters and Annie’s earnestness as a heroine are so refreshing.” —Smart Bitches, Trashy Books
What is it like to grow up, live, work, shop and hang out next to one of the nation's largest university campuses? According to firsthand accounts of Ohio State neighbors, life in the University District is entertaining, fascinating and sometimes maddening. Stories range from picnics in the University Woods and chats from porch swings to riots filled with tear gas and zoning wars mired in acrimony. The century of stories in this book reflects the shifting demographics of the district and the struggle against urban decay. Take a stroll with editor Emily Foster as she celebrates the historic homes, landmarks, architecture and collegiate culture that belong to this neighborhood like no other.
In 1826 thirty-year-old Anna Briggs Bentley, her husband, and their six children left their close Quaker community and the worn-out tobacco farms of Sandy Spring, Maryland, for frontier Ohio. Along the way, Anna sent back home the first of scores of letters she wrote her mother and sisters over the next fifty years as she strove to keep herself and her children in their memories. With Anna's natural talent for storytelling and her unique, female perspective, the letters provide a sustained and vivid account of everyday domestic life on the Ohio frontier. She writes of carving a farm out of the.
In February 2006, Emily Foster ventured from Canada to China, following in the footsteps of her grandparents and great-grandparents, who had worked in China from 1920 to 1968. Throughout the course of her journey, Emily discovered a powerful new sense of family roots. She now shares her passionate account of their experiences to inspire others to make the most of life's adventures. Emily's great-grandparents left their Saskatchewan farm in 1920 and immigrated to Szechuan province, West China. Their daughter, Muriel Kitchen, grew up surrounded by missionary compound walls, amidst battling warlords, Japanese invasions, and the rise of Chinese Communism. After obtaining a nursing degree in Canada, and marrying Walton Tonge, Muriel returned to China with her new husband. They were expelled two years later by the Communist regime. Banned from China, Muriel, Walton, and their young children moved to Hong Kong. There, Muriel worked as the superintendent of an orphanage where she helped save the lives of many abandoned infants. The Banquet: My Grandma's Memories of China chronicles Muriel Tonge's unforgettable experiences in the East, and celebrates her tireless dedication to people in need.
Across the country, far too many young people age out of foster care into appalling circumstances. “Aging out” occurs when youth under the state’s custody are still in the foster care system when they reach either the age of majority or the end of extended foster care. Aging out refers to the moment in time when child welfare is no longer legally responsible for the youth, and the system abruptly stops providing services–usually when the youth turns either 18 or 21. Each year, thousands of youth age out of foster care, essentially legal orphans with no legal connection to family or a supportive network. Unfortunately, foster youth who go through the experience of aging out of foster care have statistically poor life prospects. Longitudinal studies across the country show very high rates of homelessness, incarceration, unemployment, and lack of access to health care among youth who aged out of foster care. These outcomes are disproportionately worse for Black, Native, and Brown youth, as well as queer and trans youth. This study is designed to understand the experiences of transition-age youth in their transition out of foster care and investigate: Why do poor outcomes for youth who age out of care persist? What are the current lived experiences of youth who age out of care? In what ways does child welfare continue to fall short for youth who age out of care?
How much can a life change in just five years? For Emily Christensen, that span began with her conversion to the Church of Jesus Christ of Latter-day Saints, and ended with the adoption of six children with special needs. In Keeping Kyrie, she shares the equally astonishing events in between: cochlear implant surgeries, marrying the man of her dreams, the loss of both parents, ovarian cancer, and fostering more than seventy children. At the heart of the story is her heroic effort to save the life of her youngest daughter, Kyrie (said Keer-ree-ay), who was born with Pierre Robin Sequence, a disorder where her lower face and airway were not properly formed. As a foster mom and then adoptive mother, Christensen has fought red tape and made tremendous sacrifices just to help her daughter breathe.
Tor.com Publishing's fourth ebook bundle contains all our novellas published in January 2016: The Drowning Eyes by Emily Foster, Patchwerk by David Tallerman, and Lustlocked by Matt Wallace. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book introduces human factors engineering (HFE) principles, guidelines, and design methods for medical device design. It starts with an overview of physical, perceptual, and cognitive abilities and limitations, and their implications for design. This analysis produces a set of human factors principles that can be applied across many design challenges, which are then applied to guidelines for designing input controls, visual displays, auditory displays (alerts, alarms, warnings), and human-computer interaction. Specific challenges and solutions for various medical device domains, such as robotic surgery, laparoscopic surgery, artificial organs, wearables, continuous glucose monitors and insulin pumps, and reprocessing, are discussed. Human factors research and design methods are provided and integrated into a human factors design lifecycle, and a discussion of regulatory requirements and procedures is provided, including guidance on what human factors activities should be conducted when and how they should be documented. This hands-on professional reference is an essential introduction and resource for students and practitioners in HFE, biomedical engineering, industrial design, graphic design, user-experience design, quality engineering, product management, and regulatory affairs. Teaches readers to design medical devices that are safer, more effective, and less error prone; Explains the role and responsibilities of regulatory agencies in medical device design; Introduces analysis and research methods such as UFMEA, task analysis, heuristic evaluation, and usability testing.
The sun shines bright in the old Kentucky home." So begins an American standard, first published as a minstrel song, that became dear to the hearts of millions and ultimately was enshrined as the Kentucky Derby's sonic centerpiece—a popular selling point for Kentucky tourism. Emily Bingham's masterful decoding of Stephen Foster's 1853 ballad reveals that the song was always about slavery and how white Americans wanted to remember it. Acknowledging her own entanglement in this legacy, Bingham takes readers on the journey of a melody, from its inception by a white northerner, to its enormous success on the blackface circuit, in recordings by Al Jolson and Bing Crosby, and on the pages of Margaret Mitchell's Gone with the Wind, to its countless screen appearances, including Shirley Temple movies, The Simpsons, and Mad Men. For almost two centuries, "My Old Kentucky Home" has never been just a song—it continues to be a resonant, changing emblem of America's original sin, whose blood-drenched shadow haunts us still. My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song investigates the tune's hidden history, lodged in the nation's cultural DNA, and ends with a startling solution for what to do with this artifact of race and slavery.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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