The wedding reception of her ex-boyfriend is not where Callie wants to be. When she escapes to the balcony, she meets the mysterious Nick. Mesmerized by his inviting green eyes, she decides to forget reason for the first time in her life and they spend a passionate night together. But the next morning she is stunned to learn who Nick is?a famous billionaire and the brother of the bride! Callie leaves while he’s sleeping, not knowing that fate will reunite them again...
Georgie’s childhood friend Pierre has succeeded in the world of finance and become a billionaire any woman would fall for. But he left his mother behind and never visits her. His mother is very precious to Georgie, an orphan. Wanting to cheer up Pierre’s mother, Georgie lies and says that she and Pierre are engaged! Realizing she’s gotten herself into trouble, Georgie visits Pierre to tell him about the situation. Even if it was for his mother’s sake, he thinks she must have been crazy to tell such a lie!
If she wants to inherit her aunt’s farm, Peta must get married this week, but it's looking like her horrible cousin will inherit it instead. Feeling hopeless, Peta visits her cousin’s office in New York, but when she gets there, she collides with a man she’s never met. His name is Marcus Benson, and when he hears her story, he asks to marry her. Peta has no idea why a gorgeous billionaire wants to marry her, but he’s her last chance to save the farm and her only means to provide for her family.
Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths? Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols.
Why did almost one thousand highly educated "student soldiers" volunteer to serve in Japan's tokkotai (kamikaze) operations near the end of World War II, even though Japan was losing the war? In this fascinating study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the state manipulated the time-honored Japanese symbol of the cherry blossom to convince people that it was their honor to "die like beautiful falling cherry petals" for the emperor. Drawing on diaries never before published in English, Ohnuki-Tierney describes these young men's agonies and even defiance against the imperial ideology. Passionately devoted to cosmopolitan intellectual traditions, the pilots saw the cherry blossom not in militaristic terms, but as a symbol of the painful beauty and unresolved ambiguities of their tragically brief lives. Using Japan as an example, the author breaks new ground in the understanding of symbolic communication, nationalism, and totalitarian ideologies and their execution.
This tripartite study of the monkey metaphor, the monkey performance, and the 'special status' people traces changes in Japanese culture from the eighth century to the present. During early periods of Japanese history the monkey's nearness to the human-animal boundary made it a revered mediator or an animal deity closest to humans. Later it became a scapegoat mocked for its vain efforts to behave in a human fashion. Modern Japanese have begun to see a new meaning in the monkey--a clown who turns itself into an object of laughter while challenging the basic assumptions of Japanese culture and society.
Are we what we eat? What does food reveal about how we live and how we think of ourselves in relation to others? Why do people have a strong attachment to their own cuisine and an aversion to the foodways of others? In this engaging account of the crucial significance rice has for the Japanese, Rice as Self examines how people use the metaphor of a principal food in conceptualizing themselves in relation to other peoples. Emiko Ohnuki-Tierney traces the changing contours that the Japanese notion of the self has taken as different historical Others--whether Chinese or Westerner--have emerged, and shows how rice and rice paddies have served as the vehicle for this deliberation. Using Japan as an example, she proposes a new cross-cultural model for the interpretation of the self and other.
“We tried to live with 120 percent intensity, rather than waiting for death. We read and read, trying to understand why we had to die in our early twenties. We felt the clock ticking away towards our death, every sound of the clock shortening our lives.” So wrote Irokawa Daikichi, one of the many kamikaze pilots, or tokkotai, who faced almost certain death in the futile military operations conducted by Japan at the end of World War II. This moving history presents diaries and correspondence left by members of the tokkotai and other Japanese student soldiers who perished during the war. Outside of Japan, these kamikaze pilots were considered unbridled fanatics and chauvinists who willingly sacrificed their lives for the emperor. But the writings explored here by Emiko Ohnuki-Tierney clearly and eloquently speak otherwise. A significant number of the kamikaze were university students who were drafted and forced to volunteer for this desperate military operation. Such young men were the intellectual elite of modern Japan: steeped in the classics and major works of philosophy, they took Descartes’ “I think, therefore I am” as their motto. And in their diaries and correspondence, as Ohnuki-Tierney shows, these student soldiers wrote long and often heartbreaking soliloquies in which they poured out their anguish and fear, expressed profound ambivalence toward the war, and articulated thoughtful opposition to their nation’s imperialism. A salutary correction to the many caricatures of the kamikaze, this poignant work will be essential to anyone interested in the history of Japan and World War II.
This user-friendly Japanese language book is a complete course, pocket dictionary and Japanese phrasebook in one. Easy Japanese is designed for Japanese language beginners who are planning a visit to Japan or are already living there and wish to learn spoken Japanese quickly and easily--on their own or with a teacher. This book introduces all the basics of the spoken language with an emphasis on practical daily conversations and vocabulary. It enables you to begin efficiently communicating right away. Key features of Easy Japanese include: Structured, progressive lessons Focuses on daily communication Native-speaker audio recordings All dialogues are highly practical and authentic and illustrated with manga illustrations for easy memorization. Useful notes and explanations about the Japanese writing system, pronunciations and accents, greetings and requests, sentence structure, vocabulary, verb conjugations, honorific forms, idiomatic expressions and Japanese etiquette dos and don'ts are provided throughout the book. A useful Japanese dictionary of commonly-used words and phrases is included at the back.
Anthropological literature has traditionally been static and synchronic, only occasionally according a role to historical processes. but recent years have seen a burgeoning exchange between anthropology and history, each field taking on a powerful new dimension in consequence. Just what this means for anthropologists has not been clear, and this collection (eight core papers plus introduction and final commentary) introduces focus and direction to this interface between anthropology challenges several basic assumptions long held by anthropologists. Researchers can no longer be satisfied with approaches epitomized in 'the ethnographic present'. Society may be a bounded entity, but culture cannot be treated as such; a culture should be examined as it has interacted with other cultures and with its environment over time. Many traditionalists in anthropology, faced with these disturbing new challenges, fear the disintegration of the discipline; but these thoughtful papers demonstrate, on the contrary, its vitality, growth, and promise. In this volume, major figures in symbolic/semiotic anthropology offer various approaches to examining culture through time - culture mediated by history and history mediated by culture - in its complexity and dynamics. The eight core papers focus on particular cultures in various locales: Hawaii, Nepal, Spain, Japan, Israel, India, and Indonesia. No artifical unity - theoretical, thematic, or epistemological - has been imposed. The strength of the volume derives from a complementary diversity and tension, as each player, drawing on a particular culture, offers an original way of penetrating that culture's historical dimensions.
Will this womanizing chef serve her heart on a platter? Schoolteacher Elisabeth falls in love the moment she first sees Angus, a guest cooking instructor at her school. Due to her wounds from a past relationship, she knows his dreamy good looks and confident gray eyes are exactly what she needs to avoid at all costs. Especially since he’s rumored to be a womanizer. While she’s painstakingly trying to suppress her feelings, Angus starts coming on to her… And the more he pursues her, the more she’s ready to give in and be his!
Katherine’s friend has asked her to pretend to be his fiancé when he returns home to his family, the owners of Bishop Bank. Kat gives a stellar performance as Todd’s fiancé for the uptight and stuffy Bishop clan, but the moment she meets Daniel, the head of the family, she cannot tear her eyes away. He has perilously blue eyes and a perfect face… He’s supposed to be a boring banker, but his air of danger has captured Kat’s attention. So what is she to do when, at a family party, Daniel pulls her away for a smoldering interlude?
Will this womanizing chef serve her heart on a platter? Schoolteacher Elisabeth falls in love the moment she first sees Angus, a guest cooking instructor at her school. Due to her wounds from a past relationship, she knows his dreamy good looks and confident gray eyes are exactly what she needs to avoid at all costs. Especially since he’s rumored to be a womanizer. While she’s painstakingly trying to suppress her feelings, Angus starts coming on to her… And the more he pursues her, the more she’s ready to give in and be his!
The ratings for Dimi Anderson'’s cooking show have been low, and in her time slot, she’s competing with the sexy host of a gossip talk show. On air one day, a frustrated Dimi declares she will never date another man again. Realizing the show’s in trouble, the company sends producer Mitchell Knight to spice things up. Mitch introduces Dimi to a sexier wardrobe and a hot, unpredictable on-air assistant?himself. Promising to teach Dimi confidence and sex appeal, Mitch sets to work raising the show’s ratings. As they rise, Dimi’s resolve against dating falters as she finds herself falling hopelessly for Mitch!
Will a fake marriage be the solution to their problems? Frances finally has her dream home. However, she didn’t get off on the right foot with her handsome and wealthy new neighbor, Cabel. Frances won’t waste a second of her new life on an arrogant man who uses women for sex. But her new life takes a quick downturn when her employer declares bankruptcy and she loses her job. Cabel offers her a deal: he’ll help her out if she marries him!
Budding interior designer Cami has one weakness: she can never say no. Over and over she’s been forced to go on disastrous blind dates, much to the irritation of her carpenter, Tanner. One night her date abandons her in the mountains after his car breaks down! Alone in the darkness, all she can dream of is Tanner rescuing her… Will Tanner be able to rescue her from her terrible dates as well as her own compliant nature?
Will this womanizing chef serve her heart on a platter? Schoolteacher Elisabeth falls in love the moment she first sees Angus, a guest cooking instructor at her school. Due to her wounds from a past relationship, she knows his dreamy good looks and confident gray eyes are exactly what she needs to avoid at all costs. Especially since he’s rumored to be a womanizer. While she’s painstakingly trying to suppress her feelings, Angus starts coming on to her… And the more he pursues her, the more she’s ready to give in and be his!
He's the most gorgeous tour guide in the world!" Upon arriving in beautiful Monaco, Madeline arranges for a tour guide at the hotel she's staying at. A man who happens to be at the hotel calls out to her: "Shall I be your guide, then?" While she’s taken aback by the sudden proposition, the extraordinarily handsome figure makes her heart jump. On the other hand, the man is also pulled toward Madeline. "It seems she has no idea who I really am, the Duchy of Montagnarde's own Prince Dominic." Dominic decides to approach her without giving up his true identity.
I'll pay you one million euros to be my lover. But there will be no promises or confessions of love." Franco's words stunned Stacy out of her dreamlike state. While visiting the small, beautiful country of Monaco, Stacy meets the extraordinarily handsome Franco. He shows an interest in Stacy for some unknown reason and invites her out to dinner. Why me? she wonders. While in a state of confusion, she can't control the throbbing of her heart that his dangerous charm causes and accepts his invitation. But beneath this magnificent seduction, a sweet trap is lying in wait!
Georgie’s childhood friend Pierre has succeeded in the world of finance and become a billionaire any woman would fall for. But he left his mother behind and never visits her. His mother is very precious to Georgie, an orphan. Wanting to cheer up Pierre’s mother, Georgie lies and says that she and Pierre are engaged! Realizing she’s gotten herself into trouble, Georgie visits Pierre to tell him about the situation. Even if it was for his mother’s sake, he thinks she must have been crazy to tell such a lie!
Why did almost one thousand highly educated "student soldiers" volunteer to serve in Japan's tokkotai (kamikaze) operations near the end of World War II, even though Japan was losing the war? In this fascinating study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the state manipulated the time-honored Japanese symbol of the cherry blossom to convince people that it was their honor to "die like beautiful falling cherry petals" for the emperor. Drawing on diaries never before published in English, Ohnuki-Tierney describes these young men's agonies and even defiance against the imperial ideology. Passionately devoted to cosmopolitan intellectual traditions, the pilots saw the cherry blossom not in militaristic terms, but as a symbol of the painful beauty and unresolved ambiguities of their tragically brief lives. Using Japan as an example, the author breaks new ground in the understanding of symbolic communication, nationalism, and totalitarian ideologies and their execution.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.