Ein Kochbuch für mehr Lebensqualität: VIVAMAYR for life! Der Schlüssel zu langfristiger Gesundheit ist nicht das Fasten, sondern das richtige Essen, wusste schon F.X. Mayr. Anders als Diäten mit Ablaufdatum bringt das ganzheitliche VIVAMAYR-Prinzip unser Leben nachhaltig in Balance. Und dies mit leicht verdaulichen und vorwiegend vegetarischen Rezepten. Gemäß dem Motto "Gemüse ist unsere DNA" beschreiben die langjährigen VIVAMAYRKöche Emanuela Fischer und Stefan Mühlbacher die wirkungsvolle Kraft der pflanzlichen Küche. Auf die Inhaltsstoffe kommt es an! Die Rezepte aktivieren im Alltag, sind über viele Jahre erprobt, halten den Darm gesund und können einfach mit Fisch oder Fleisch ergänzt und bei Unverträglichkeiten bekömmlich abgewandelt werden.
This book examines the criminalisation of denials of genocide and of other mass atrocities in Europe and discusses the implications of protecting institutional historical memory through criminal law. The analysis highlights the tensions with free speech, investigating the relationship between criminal law and historical memory. The book paves the way for a broader discussion about fake news, ‘post-truth’ scenarios, and free expression in a digital world. The author underscores the need to protect well-founded factual records from the dangers of misinformation. Historical denialism and the related jurisprudence represent a key step in exploring this complex field. The book combines an interdisciplinary approach with criminal law methodology. It is primarily aimed at academics, practitioners and others who wish to deepen their understanding of historical denialism, remembrance laws, ‘speech crimes’ and freedom of expression. Emanuela Fronza is Senior Research Fellow in Criminal Law and Lecturer in International and European Criminal Law at the School of Law, University of Bologna. She is a Principal Investigator within the EU research consortium Memory Laws in European and Comparative Perspectives funded by HERA (Humanities in the European Research Area).
Con le immagini della nebbia che tutto avvolge e impedisce di scorgere oggetti e luoghi si apre il racconto di Emanuela Calura. La descrizione dimostra che questo fenomeno atmosferico, assai diffuso nelle zone del ferrarese, ci permette di spaziare con il pensiero, di fantasticare, creando una dimensione onirica che ci fa evadere dalla realtà. [...] Prendendo spunto da una visuale che nasconde contorni e connotati precisi, sei amici si ritrovano, dopo tanti anni, ad organizzare una gita in barca da Pontelagoscuro al Pontino. La nebbia diviene metafora di vita perché suscita il desiderio di superare una condizione contingente per incentivare il pensiero, la memoria rievocando un passato che li accomuna. In this short story by Emanuela Calura fog seems to be everywhere wrapping people, objects and places, changing perspectives on life as well as people’s line of sight. In spite of this cloaking fog so typical of Ferrara’s plain suburbs, people learn how to look beyond and concoct a life so far away from the experiences they go through in their town. [...] Starting from this need to go beyond, six friends meet after many years and plan to go from Pontelagoscuro to Il Pontino by boat. Fog is much more than a symbol, it is an everchanging condition which stimulates the need for a change, it is thought-provoking and it helps their memory to go back to the childhood they had spent together in those places.
What is symbolic representation? Since Hanna Pitkin’s seminal The Concept of Representation, the symbolic has been the least studied dimension of political representation. Innovatively adopting a discursive approach, this book - the first full-length treatment of symbolic representation - focuses on gender issues to tackle important questions such as: What are women and men symbols of, and how is gender constructed in policy discourse? It studies what functions symbolic representation fulfils in the construction of gender, what social roles get legitimized in policy discourse, and how this affects power constellations, ultimately revealing much about the relation between symbolic, descriptive, and substantive representation. Emanuela Lombardo and Petra Meier draw on theories of symbolic representation and gender, as well as rich primary material about political debates on labour and care issues, partnership and reproductive rights, gender violence, and quotas. Using this original data, the authors show that reconsidering symbolic representation from a discursive perspective makes explicit issues of (in)equality embedded within particular constructions, as well as their consequences for political representation and gender equality. This important exploration raises relevant new questions regarding the representation of gender that form valuable contributions to the fields of political science, political theory, sociology, and gender studies.
Lord, The Light of Your Love is Shining is a continuation of the author’s first book, My Journey Back to God. In this story, Emanuela recalls her personal testimony, including her struggles and how she changed her perspective to go on. As a believer, the author’s walk of life hasn’t been easy, but she relied on the study of the bible and in her belief that Jesus is real. After moving to another country, she found her call in scripture. When entering into Canada, she was met with a sponsor – a widowed man with 8 adult children – who later became her life partner. In this story, the author is confronted with a culture that is destroyed by English and French speaking people. Her love of the First Nation was woken up many years prior in her former home country of Switzerland, but here in Canada she felt the hate of this nation that has seemed to have lost their culture. Entering into the country as a stranger, she was forced to learn and speak English, which posed to be a struggle with her hard Swiss accent. This story in its entirety will show readers how important it is to be a believer in Jesus – He was the presence that guided her through these struggles, and became an important aspect of her new life in Canada. She was often comforted by the fact that everything happens in God’s plan, and knowing that He is the only one who makes it happen. However, this path in life is also covered in hate, such as racism ad xenophobia, amplifying the importance of putting God first and trusting Him through the many ups and downs we encounter in all walks of life. With all these difficult experience at hand, the author learned to look at life with a different outlook: “If God is for me, who can be against me?”
Available Open Access under CC-BY-NC licence. The need to stop rape is pressing and, since it is the outcome of a wide range of practices and institutions in society, so too must the policies be to stop it This important book offers a comprehensive guide to the international policies developed to stop rape , together with case study examples on how they work. The book engages with the law and criminal justice system, health services, specialised services for victim-survivors, educational and cultural interventions, as well as how they can best be coordinated. It is informed by theory and evidence drawn from scholarship and practice from around the world. The book will be of interest to a global readership of students, practitioners and policy makers as well as anyone who wants to know how rape can be stopped.
Systematically addresses the philosophical implications of the postcolonial. In this book, Emanuela Fornari systematically examines the philosophical implications of postcolonial studies. She considers postcolonial critique not as a school or a current of thought but rather as a multiform constellation thatfrom the celebrated Orientalism of Edward Said to the contributions of authors like Homi Bhabha, Gayatri Spivak, Ranajit Guha, and Dipesh Chakrabartyhas called into question the assumptions that underlie key concepts in the history of philosophy. Fornari addresses themes such as history and memory, borders, the subject, and translation, engaging classical authors such as Kant, Hegel, and Marx alongside more contemporary theorizations by authors such as Walter Benjamin, Michel Foucault, Jacques Derrida, Étienne Balibar, and Jacques Rancière. Fornaris book is purposeful in its construction, framed by themes she puts into motion and in which each considered thinker is set. The result is an investigation of philosophy and the postcolonial that does not rely on familiar associations and gestures, but rather rigorous, original theorizing of key concepts. This is a compelling book that displays mature, important thinking on some of our most pressing philosophical issues. John E. Drabinski, coeditor of Between Levinas and Heidegger
A discursive-sociological approach to the Europeanization of gender and other equality policies. Using largely unpublished empirical data covering twenty-nine European countries this book adopts a pluralistic perspective to explore the complex and often divergent gender and other equality policy outputs of Europeanization.
The association of Nazism with the symbol of ultimate evil – the devil – can be found in the works of Klaus and Thomas Mann, Else Lasker-Schüler, and Rolf Hochhuth. He appears either as Satan of the Judeo-Christian tradition, or as Goethe’s Mephisto. The devil is not only a metaphor, but a central part of the historical analysis. Barasch-Rubinstein looks into this phenomenon and analyzes the premise that the image of the devil had a substantial impact on Germans’ acceptance of Nazi ideas. His diabolic characteristics, the pact between himself and humans, and his prominent place in German culture are part of the intriguing historical observations these four German writers embedded in their work. Whether writing before the outbreak of WWII, during the war, or after it, when the calamities of the Holocaust were already well-known, they all examine Nazism in the light of the ultimate manifestation of evil.
The effects of the displacement of peoples--their forced migration, their deportation, their voluntary emigration, their movement to new lands where they made themselves masters over others, or became subjects of the masters of their new homes--reverberate down the years and are still felt today. The historical violence of the era of empire and colonies echoes in the literature of the descendants of those forcibly moved and the exiles that those processes have made. The voices of its victims are insistent in the literature that has come to be called “post-colonial.” Although the term “post-colonial” is insufficient to capture fully the depth and breadth of those writers that have been labeled by it (for it is itself something of a colonial instrument, ghettoizing writers in English who are still considered to be “foreign”), there is a common bond among the works of those novelists who understand the process of exile and see themselves as exiles--both from their homes and from themselves. In this eloquently argued book with meticulous theoretical groundwork, Dr. Cristina Dascalu presents a most lucid and concise examination of exile. In addition to her negotiation of the term “exile,” what is most original and significant about Imaginary Homelands of Writers in Exile is the selection of authors. Reaching across national (in terms of country of exile) and ethnic (in terms of region/religion of birth) boundaries, Dr. Dascalu elegantly shows the persistent relevance of the experience and implications of exile to the writing of fiction in the world today. Rushdie, Mukherjee, and Naipaul are very distinct authors whose works are not often discussed together in this context. Using Benedict Anderson’s notion of “unimagined communities,” among other critical lenses, she makes significant connections between the way exile functions as a theme and as a condition for their writing."--pub. desc.
What role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the early 1950s. During this period, the philologists Gianfranco Contini (1912-1990) and Erich Auerbach (1892-1957) played a crucial role in Pasolini’s re-thinking of ‘represented reality’, suggesting Dante as the best literary, authorial and political model for a generation of postwar Italian writers. This emerged first as ‘Dantean realism’ in Pasolini’s prose and poetry, after Contini’s interpretation of Dante and of his plurilingualism, and then as ‘figural realism’ in his cinema, after Auerbach’s concepts of Dante’s figura and ‘mingling of styles’. Following the evolution of Pasolini’s mimetic ideal from these formative influences through to La Divina Mimesis, Emanuela Patti explores Pasolini’s politics of representation in relation to the ‘national-popular’, the ‘questione della lingua’ and the Italian post-war debates on neorealism, while also providing a new interpretation of some of his major literary and cinematic works.
Mapping the European Public Sphere combines theoretical and empirical perspectives to address three relevant issues that are marking the European communicative landscape: the role of media and journalism in shaping the European debate, the function of public communication in promoting institutional activities, and the implications of processes of inclusion to and exclusion from the public sphere. The volume offers a timely reflection on the communicative arenas that are structuring the discourse on Europe and its future and provides a map of existing communicative spaces to provide a better understanding of the development of a European Public Sphere and to identify critical issues. Situated in a timely debate and providing well-grounded empirical evidence, the book will be particularly valuable to social scientists researching European integration issues. At the same time, the book is relevant to those actors who are studied in the research, in particular European institutions, media groups and NGOs.
The present volume attempts to critically evaluate claims that modern society may be read and understood as a network. Accepting that this perspective holds some potential, the question becomes how to best capitalize on it. To analyze society as a network means to respond not only to the “actual needs”, but also to highlight the "opportunities" and the "utilities", and to investigate whether society is increasingly relational or just perceived as such, as e.g. digital "social networks" and related concepts exemplify. From a strictly scientific perspective to answer the question "how to" read society as a network means to ask ourselves: a) if the conceptual categories (especially the concepts of structure and exchange) and the paradigms of traditional analysis (holism and individualism, both in the functionalist and the conflictive versions) are still sufficient; b) if new conceptual categories/theories/instruments are needed to represent more properly the reality we face: to investigate it, to explain it or, at least, to understand it. Starting from a reflection on already established social networks (Scott, 2003), the fundamental differences between groups and networks (Vergati, 2008), the logics of networks (Serra, 2003) as well as social capital formation and links (Di Nicola, 2006; Mutti, 1998), we seize the spatial dynamics, seemingly following opposite paths, but which revert to a common denominator: de-spatialization and re-spatialization, namely the processes of dematerialization of space(s) and its reconstruction by specific relational dynamics and forms. The study of networks is therefore not attributable to a single theory but to several theories converging towards a unique perspective (spaces) and logical reasoning (Serra, 2001) each one with its own uniqueness. The strength of this volume and the difference with respect to other attempts at explaining the Network Society lies in the multidimensional and interrelated perspectives it offers emerging from converging multidisciplinary perspectives (sociological, anthropological and linguistic), and from applications that the Network Society provides, namely, international (European Governance), institutional, public (linguistic landscape of the city of Rome) and mediated ones (communication technology).
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