In the 1980s, two childhood friends from Jerusalem establish a medical equipment startup. Their hunger for success propels them to professional heights but erodes the emotional affinity between them. While the firm grows and does exceptionally well, personal conflicts between the two, symbolic of a social change, threaten to undermine their achievements. Spanning from 1968 until 2016, the plot follows the two entrepreneurs against the backdrop of Israeli history. Tensions between Sephardi and Ashkenazi Israelis, military conflicts, and, most importantly, the profound consequences--both positive and negative--of embracing capitalist values shape the lives of the protagonists. Intimate Solitude offers a distinct perspective on the changing nature of Israeli society, uncovering social and political undercurrents.
The association of Nazism with the symbol of ultimate evil – the devil – can be found in the works of Klaus and Thomas Mann, Else Lasker-Schüler, and Rolf Hochhuth. He appears either as Satan of the Judeo-Christian tradition, or as Goethe’s Mephisto. The devil is not only a metaphor, but a central part of the historical analysis. Barasch-Rubinstein looks into this phenomenon and analyzes the premise that the image of the devil had a substantial impact on Germans’ acceptance of Nazi ideas. His diabolic characteristics, the pact between himself and humans, and his prominent place in German culture are part of the intriguing historical observations these four German writers embedded in their work. Whether writing before the outbreak of WWII, during the war, or after it, when the calamities of the Holocaust were already well-known, they all examine Nazism in the light of the ultimate manifestation of evil.
The association of Nazism with the symbol of ultimate evil – the devil – can be found in the works of Klaus and Thomas Mann, Else Lasker-Schüler, and Rolf Hochhuth. He appears either as Satan of the Judeo-Christian tradition, or as Goethe’s Mephisto. The devil is not only a metaphor, but a central part of the historical analysis. Barasch-Rubinstein looks into this phenomenon and analyzes the premise that the image of the devil had a substantial impact on Germans’ acceptance of Nazi ideas. His diabolic characteristics, the pact between himself and humans, and his prominent place in German culture are part of the intriguing historical observations these four German writers embedded in their work. Whether writing before the outbreak of WWII, during the war, or after it, when the calamities of the Holocaust were already well-known, they all examine Nazism in the light of the ultimate manifestation of evil.
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