Italians found another way to engage with Shakespeare besides opera. In 1923, Italian intellectual Piero Gobetti wrote that his age would be remembered as a curious chapter in the reception history of Shakespeare, when the Bard got entangled with ideas of criminal anthropology. In fact, the uses of Shakespeare by Lombroso’s school are now forgotten. In the second half of the nineteenth century, Shakespeare began to be portrayed as a genius who anticipated the findings of the Italian Positivist School, or, alternatively, as an authority who could debunk them. Shakespeare’s own psyche and the characters of his plays were explored and pathologised. These studies occasionally percolated into the practices of courthouses, prisons, hospitals, and asylums, and had an impact on the performance of Shakespeare’s plays. This volume provides an edition of hitherto uncollected primary sources which document these uses of Shakespeare. Each text has a parallel English translation, and is introduced by a preface providing details about the context and its main discursive stances. The volume also features a critical introduction and explanatory notes.
Portraits in Early Modern English Drama studies the complex web of interconnections that grows out of the presentation of portraits as props in early modern English drama. Emanuel Stelzer considers this theory from the Elizabethan age up to the closing of the theatres. This book examines how the dramatic text and the subjectivities of the dramatis personae are shaped and changed through the process of observation and interpretation of pictures in the dramatic actions and dialogues. Unlike any previous study, it confronts when a portrait is clearly meant not to be a miniature. This also has bearings on the effect of the picture on the audience and in terms of genre expectation. Two important questions are interrogated in the book: What were the price and value of these portraits? and What were the strategies deployed by the playing companies to show women’s portraits in a theatre without actresses? This book will be of interest to different areas of research dealing with the history of drama and literature, material and visual culture studies, art history, gender studies, and performance studies.
A volume in honour of Angela Locatelli The book explores the significance of literary translation and interpretation, in the widest sense of terms, as multiple processes of meaning and cultural transfer, by investigating how and why literature can be considered as a repository and a disseminator of knowledge and values. Featuring essays by a number of scholars focusing on a wide range of literary and critical texts of different nations and cultures and encompassing the last three centuries, this book intends to offer a contribution to the study of translation and interpretation as literary processes of cultural and epistemic dissemination of knowledge from both a theoretical and a practical perspective.
Portraits in Early Modern English Drama studies the complex web of interconnections that grows out of the presentation of portraits as props in early modern English drama. Emanuel Stelzer considers this theory from the Elizabethan age up to the closing of the theatres. This book examines how the dramatic text and the subjectivities of the dramatis personae are shaped and changed through the process of observation and interpretation of pictures in the dramatic actions and dialogues. Unlike any previous study, it confronts when a portrait is clearly meant not to be a miniature. This also has bearings on the effect of the picture on the audience and in terms of genre expectation. Two important questions are interrogated in the book: What were the price and value of these portraits? and What were the strategies deployed by the playing companies to show women’s portraits in a theatre without actresses? This book will be of interest to different areas of research dealing with the history of drama and literature, material and visual culture studies, art history, gender studies, and performance studies.
Italians found another way to engage with Shakespeare besides opera. In 1923, Italian intellectual Piero Gobetti wrote that his age would be remembered as a curious chapter in the reception history of Shakespeare, when the Bard got entangled with ideas of criminal anthropology. In fact, the uses of Shakespeare by Lombroso’s school are now forgotten. In the second half of the nineteenth century, Shakespeare began to be portrayed as a genius who anticipated the findings of the Italian Positivist School, or, alternatively, as an authority who could debunk them. Shakespeare’s own psyche and the characters of his plays were explored and pathologised. These studies occasionally percolated into the practices of courthouses, prisons, hospitals, and asylums, and had an impact on the performance of Shakespeare’s plays. This volume provides an edition of hitherto uncollected primary sources which document these uses of Shakespeare. Each text has a parallel English translation, and is introduced by a preface providing details about the context and its main discursive stances. The volume also features a critical introduction and explanatory notes.
Oxidation of Organic Compounds: Medium Effects in Radical Reactions explores the role of solvents and of the composition of phase states in radical-chain processes involved in the oxidation of organic compounds. Organized into 10 chapters, this book begins with a discussion of the basic concepts relating to the mechanism involved in the oxidation of hydrocarbons and other organic compounds in liquid-phase reactions. Subsequent chapters detail some methods for studying the mechanism of oxidation reactions; role of solvation in chemical reaction kinetics; role of the medium in chain-initiation reactions; role of non-specific and specific solvation in chain-propagation and chain-termination reactions; and the role of solvation in chain-termination reactions in inhibitors. The influence of the solvent and the phase state of substances undergoing oxidation on the rates and mechanisms of individual elementary processes are also addressed. The last chapter examines the problem of the influence of the solid state of the polymer on the reactivity of radicals. This monograph will be valuable to scientific research workers, engineers, and engineering technologists specializing in the field of radical reactions and in particular in the oxidation of organic compounds.
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