The story of the vulnerable white person vanishing without trace into the harsh Australian landscape is a potent and compelling element in multiple genres of mainstream Australian culture. It has been sung in “Little Boy Lost,” brought to life on the big screen in Picnic at Hanging Rock, immortalized in Henry Lawson’s poems of lost tramps, and preserved in the history books’ tales of Leichhardt or Burke and Wills wandering in mad circles. A world-wide audience has also witnessed the many-layered and oddly strident nature of Australian disappearance symbolism in media coverage of contemporary disappearances, such as those of Azaria Chamberlain and Peter Falconio. White Vanishing offers a revealing and challenging re-examination of Australian disappearance mythology, exposing the political utility at its core. Drawing on wide-ranging examples of the white-vanishing myth, the book provides evidence that disappearance mythology encapsulates some of the most dominant and durable categories at the heart of white Australian culture, and that many of those ideas have their origin in colonial mechanisms of inequality and oppression. White Vanishing deliberately (and perhaps controversially) reminds readers that, while power is never absolute or irresistible, some narrative threads carry a particularly authoritative inheritance of ideas and power-relations through time.
Te Ha Tangata: The Breath of the People is a Human Library project on Homelessness. This initiative aimed to elevate their voices and challenge the stereotypes and stigma surrounding homelessness. This extraordinary book documents the projects journey and shares some of the incredibly moving stories that resulted.
The story of the vulnerable white person vanishing without trace into the harsh Australian landscape is a potent and compelling element in multiple genres of mainstream Australian culture. It has been sung in “Little Boy Lost,” brought to life on the big screen in Picnic at Hanging Rock, immortalized in Henry Lawson’s poems of lost tramps, and preserved in the history books’ tales of Leichhardt or Burke and Wills wandering in mad circles. A world-wide audience has also witnessed the many-layered and oddly strident nature of Australian disappearance symbolism in media coverage of contemporary disappearances, such as those of Azaria Chamberlain and Peter Falconio. White Vanishing offers a revealing and challenging re-examination of Australian disappearance mythology, exposing the political utility at its core. Drawing on wide-ranging examples of the white-vanishing myth, the book provides evidence that disappearance mythology encapsulates some of the most dominant and durable categories at the heart of white Australian culture, and that many of those ideas have their origin in colonial mechanisms of inequality and oppression. White Vanishing deliberately (and perhaps controversially) reminds readers that, while power is never absolute or irresistible, some narrative threads carry a particularly authoritative inheritance of ideas and power-relations through time.
Focusing in particular on the European borders, this volume brings together an interdisciplinary group of academics to consider questions of immigration and the free movement of people, linking control within the state to the role of the police and internal security. The contributors all take as the point of departure the significance of European governmentality within the Foucauldian meaning as opposed to the European governance perspective which is already well represented in the literature. They discuss the relation between control of borders, introduction of biometrics and freedom. The book makes available in English an analysis of an important and politically highly charged field from a major French critical perspective. It draws on different disciplines including law, politics, international relations and philosophy.
The Achaemenid Persian Empire (550-330 BCE) was a vast and complex sociopolitical structure that encompassed much of modern-day Turkey, Syria, Jordan, Israel, Egypt, Iraq, Iran, and Afghanistan, and included two dozen distinct peoples who spoke different languages, worshiped different deities, lived in different environments, and had widely differing social customs. This book offers a radical new approach to understanding the Achaemenid Persian Empire and imperialism more generally. Through a wide array of textual, visual, and archaeological material, Elspeth R. M. Dusinberre shows how the rulers of the empire constructed a system flexible enough to provide for the needs of different peoples within the confines of a single imperial authority and highlights the variability in response. This book examines the dynamic tensions between authority and autonomy across the empire, providing a valuable new way of considering imperial structure and development.
In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet. Janet lies murdered beneath the castle stairs, attired in her mother’s black lace wedding dress, lamented only by her pet jackdaw… Author Elspeth Barker masterfully evokes the harsh climate of Scotland in this atmospheric gothic tale that has been compared to the works of the Brontës, Edgar Allan Poe, and Edward Gorey. Immersed in a world of isolation and loneliness, Barker’s ill-fated young heroine Janet turns to literature, nature, and her Aunt Lila, who offers brief flashes of respite in an otherwise foreboding life. People, birds, and beasts move through the background in a tale that is as rich and atmospheric as it is witty and mordant. The family’s motto—Moriens sed Invictus (Dying but Unconquered)—is a well-suited epitaph for wild and courageous Janet, whose fierce determination to remain steadfastly herself makes her one of the most unforgettable protagonists in contemporary literature.
Here is a lovingly assembled, essential A-Z companion to Dorothy Dunnett’s brilliant Lymond Chronicles and the first five novels in the House of Niccolò series. Elspeth Morrison has re-created the author’s exhaustive original research, documenting her myriad sources and literary references. Foreign phrases are translated; poems and quotations presented in full; historical figures and events fleshed out; subtle allusions–and there are many–noted. From the origins of the Arabic drink qahveh to a recipe for quince paste, from the medical uses of ants and alum, to Zacco, Zenobia, and Zoroaster, this easy-to-use A-to-Z reference richly illuminates the intricacies of the complex and far-flung Renaissance world Dorothy Dunnett’s creations so colorfully inhabit.
This book offers a detailed and sensitive account of how parents experience different forms of baby loss, and subsequently make decisions about post-mortem examination. It also analyses some of the challenges professionals face when working in this highly sensitive field of medicine. It draws on data from an ESRC award-winning UK based study on the development of minimally invasive post-mortem to examine a range of sociologically pertinent issues relating to: ‘trauma’ ‘emotions’, ‘decisions’, ‘care’ ‘technology’ ‘memory’ and the role of ‘social and biological relationships’. By shedding light on this taboo aspect of healthcare, the book provides a highly original contribution to sociology, offering a comprehensive analysis of some of the most pressing concerns in the field to date.
From the lighthouse garden at Point Atkinson, British Columbia, to the long-vanished survival garden at Cape Spear, Newfoundland, Bradbury and Maddocks are entertained by more than 80 "ordinary" gardeners.
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