In an open cart Elspeth Huxley set off with her parents to travel to Thika in Kenya. As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.
Elspeth Huxley captivated readers throughout the world with her 'memories of an African childhood' in THE FLAME TREES OF THIKA and THE MOTTLED LIZARD. In this final volume of her trilogy she tells the story of her adult life in Africa, in which the vigorously evoked personalities - from the pioneer Lord Delamere and Baroness Blixen to Jomo Kenyatta - blend with her supurb description of the social, cultural and political upheavals of the time. 'An accomplished story-teller, she weaves anecdotes, character sketches, political history together without losing her thread or the readers momentum. ' SUNDAY TIMES 'She evokes it all lovingly but astringently, especially the glittering, often scandelous life of the young aristocrats who lived in Happy Valley. ' DAILY EXPRESS
Growing up in Kenya in the early twentieth century, the brothers Matu and Muthegi are raised according to customs that, they are told, have existed since the beginning of the world. But when the 'red' strangers come, sunburned Europeans who seek to colonize their homeland, the lives of the two Kikuyu tribesmen begin to change in dramatic new ways. Soon, their people are overwhelmed by unknown diseases that traditional magic seems powerless to control. And as the strangers move across the land, the tribe rapidly finds itself forced to obey foreign laws that seem at best bizarre, and that at worst entirely contradict the Kikuyu's own ancient ways, rituals and beliefs.
Elspeth Huxley captivated readers throughout the world with her 'memories of an African childhood' in THE FLAME TREES OF THIKA and THE MOTTLED LIZARD. In this final volume of her trilogy she tells the story of her adult life in Africa, in which the vigorously evoked personalities - from the pioneer Lord Delamere and Baroness Blixen to Jomo Kenyatta - blend with her supurb description of the social, cultural and political upheavals of the time. 'An accomplished story-teller, she weaves anecdotes, character sketches, political history together without losing her thread or the readers momentum. ' SUNDAY TIMES 'She evokes it all lovingly but astringently, especially the glittering, often scandelous life of the young aristocrats who lived in Happy Valley. ' DAILY EXPRESS
Elspeth Huxley captivated readers throughout the world with her 'memories of an African childhood' in THE FLAME TREES OF THIKA and THE MOTTLED LIZARD. In this final volume of her trilogy she tells the story of her adult life in Africa, in which the vigorously evoked personalities - from the pioneer Lord Delamere and Baroness Blixen to Jomo Kenyatta - blend with her supurb description of the social, cultural and political upheavals of the time. 'An accomplished story-teller, she weaves anecdotes, character sketches, political history together without losing her thread or the readers momentum. ' SUNDAY TIMES 'She evokes it all lovingly but astringently, especially the glittering, often scandelous life of the young aristocrats who lived in Happy Valley. ' DAILY EXPRESS
In this marvelous anthology, Elspeth Huxley, our best and most popular writer on Africa, has drawn on her unparalleled knowledge of Kenya and its literature to present a fully rounded portrait of one of the most fascinating countries in the world. In nine sections focusing on exploration, travel, settlement, war, hunting, wildlife, environment, life-styles, and legend and poetry, using only first-hand accounts, she guides the reader through the story of Kenya from AD100 to the present with her characteristic candour and directness.
After Robert Peary claimed to have reached the North Pole in 1909, polar explorers looked toward the South. Robert Falcon Scott, whose 1901?1904 expedition into Antarctica's frozen shoulder had made him a celebrity in England, began plans to return. In June1910 the Terra Nova sailed toward the earth's underbelly. When Scott'søparty reached the South Pole on January 17,1912, after severe hardships, they discovered that the Norwegian explorer Roald Amundsen had beat them to it a month before. Demoralized, frozen, exhausted, and starved, they started to retrace their painful steps over the ice but were forced to stop only eleven miles from a supply depot. By a supreme act of will, the captain managed to write his last letters, which were found with the bodies in November. Elspeth Huxley draws on those letters and diaries in her luminous biography. It reaches back to Scott's first voyage to the Antarctic, introduces the charming sculptor he married in middle age after a whirlwind of self-doubt, and builds up to the last expedition?a marvel of teamwork?that will always be remembered for the nobility shown by men facing death. The story of Robert Falcon Scott is all the more interesting because he was a complex, self-questioning man whose conquest of the self was "a feat perhaps more admirable than the conquest of the Pole.
In Eating the Ocean Elspeth Probyn investigates the profound importance of the ocean and the future of fish and human entanglement. On her ethnographic journey around the world's oceans and fisheries, she finds that the ocean is being simplified in a food politics that is overwhelmingly land based and preoccupied with buzzwords like "local" and "sustainable." Developing a conceptual tack that combines critical analysis and embodied ethnography, she dives into the lucrative and endangered bluefin tuna market, the gendered politics of "sustainability," the ghoulish business of producing fish meal and fish oil for animals and humans, and the long history of encounters between humans and oysters. Seeing the ocean as the site of the entanglement of multiple species—which are all implicated in the interactions of technology, culture, politics, and the market—enables us to think about ways to develop a reflexive ethics of taste and place based in the realization that we cannot escape the food politics of the human-fish relationship.
Growing up in Kenya in the early twentieth century, the brothers Matu and Muthegi are raised according to customs that, they are told, have existed since the beginning of the world. But when the 'red' strangers come, sunburned Europeans who seek to colonize their homeland, the lives of the two Kikuyu tribesmen begin to change in dramatic new ways. Soon, their people are overwhelmed by unknown diseases that traditional magic seems powerless to control. And as the strangers move across the land, the tribe rapidly finds itself forced to obey foreign laws that seem at best bizarre, and that at worst entirely contradict the Kikuyu's own ancient ways, rituals and beliefs.
After the brutal murder of my brother, the Canadian justice system worked very diligently to ensure that the three people who I believe murdered him got off absolutely scot-free, never to be held responsible for their actions or spend one day in prison. And then the justice system again worked diligently to prevent my family and me from being able to do anything about it. This is a true accounting of what transpired during the past nine years since my brother's death and told in the only way I could tell it without being sent to prison for ignoring the conditions a Supreme Court judge bestowed upon me after the conclusion of the trial. In a country where courts are supposed to be open for public scrutiny, I however, as a secondary victim to murder, have been muzzled and handcuffed. It only goes to show how judges and Crown prosecutors, through their autonomy and independence, can introduce publication bans and court orders and are able to do whatever they please and make whatever rulings they wish, even if their behaviour and decisions are blatantly wrong. This is my story.
How thinking like an artist can improve our decision making and provide the perspective necessary to make better choices. Why are so many of our decisions regrettable, and what can we do about it? Decisionscape maps the surprising ways that our decisions are influenced and how thinking like an artist can help us deliberately arrange our perspective to make better choices. Introducing the concept of a “decisionscape,” Elspeth Kirkman blends art and science with insights from moral philosophy, sports, geopolitics, and elsewhere to explore decision making in a refreshingly original way. A broadly appealing and relatable book, Decisionscape asks us to confront the prejudices, blind spots, and hypocrisy in our day-to-day thinking. When we make choices, Kirkman explains, we act like an artist arranging objects on a canvas, using our system of perspective to compose a mental representation of the world. This decisionscape includes a foreground and background, a frame, a fixed viewpoint, and outside influences. Organized into four parts that unpack a different facet of the book’s organizing principle, Decisionscape shows how psychological distance dictates what we prioritize and diminish, how the big picture can often look different from its parts, how culture and context frame decisions, and how personal worldviews alter how we interpret information. Complex, timely, and breezy, Decisionscape addresses one of the most fundamental human experiences: making better decisions to live our best life.
Why read Sustaining Seas? It is as simple as this: the seas sustain all life. This edited book emerges from conversations across several disciplines, and including practitioners of different specialities (artists, writers, planners, policy makers) about how to sustain the seas, as they sustain us. Sustaining Seas: Oceanic space and the politics of care aims to build a better understanding of what it means to care for aquatic places and their biocultural communities. The book is truly interdisciplinary and brings together a wide range of authors including, academics from diverse fields (architecture, science, cultural studies, law), artists, fisheries managers, and Indigenous Traditional Owners. It provides readers with new theoretical framings, as well as grounded case studies with a wide geographical and cultural breadth. This book assumes that understanding complexity, including social, cultural, ecological and economic interconnections, is crucial to any solution. Sustaining the seas is one of the most pressing global challenges for the planet and all her inhabitants. How to do justice to this challenge is an exigency for all scholars, and how to represent the oceans is a guiding theme in the book that is addressed by scholars, artists, and practitioners.
Olivia Brandeis, a young anthropologist, could sense that trouble was brewing at Government House in the African colony of Chania. Eventually her suspicions are confirmed when the Governor, Sir Malcolm Macleod, is found strangled at his desk. And when the identity of the murderer is indicated, a terrifying series of vicious events ensues.
In an open cart Elspeth Huxley set off with her parents to travel to Thika in Kenya. As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.
Olivia Brandeis, a young anthropologist, could sense that trouble was brewing at Government House in the African colony of Chania. Eventually her suspicions are confirmed when the Governor, Sir Malcolm Macleod, is found strangled at his desk. And when the identity of the murderer is indicated, a terrifying series of vicious events ensues.
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