Worcester County on Marylands Eastern Shore boasts a landscape of inviting diversity, from the bustling beaches of the Atlantic to the beautiful Pocomoke River, from farmland and swampland to the Sinepuxent Bay. The countys unique heritage of quaint towns, gracious homes, summer resorts, and businesses past and present is cherished by those who have made the region their home and shaped its singular destiny.
Surveying key developments and open issues in cosmology for graduate students and researchers, this book focuses on the general concepts and relations that underpin the standard model of the Universe. It also examines anisotropic and inhomogeneous models, and deeper issues, such as quantum cosmology and the multiverse proposal.
In Rebels Wit Attitude, music writer and professor Iain Ellis throws a spotlight on the history of humor as a weapon of anti-establishment rebellion, paying tribute to the great rebel humorists in American rock history and investigating comedy and laughter as the catalyst and main expressive force in these artists' work. The performers who are the subject of Ellis's study are not merely funny people - they are those whose art exudes defiance and resistance, whether aimed at social structures and mores, political systems, aesthetic practices, or the music industry itself. Subversive rock humor has emerged as a formidable force of modern art, building a reputation for rock music as a rebellious - sometimes dangerous - form of expression that can dismay the adult mainstream as it empowers the youth culture. In this study of rock's impact on youth through the decades, Ellis proves that the most subversive rock humorists serve as the conscience of our culture. They chastise pretensions, satirize hypocrisy, and pour scorn on power, corruption, and lies. Discussing the work of iconic figures as diverse as Chuck Berry, Lou Reed, the Ramones, the Talking Heads, the Beastie Boys, Missy Elliott, Ellis examines the nature of the rock humorist, asking why and in what ways each performer uses humor as a weapon of resistance to various status quos. The commentary on these artists' work is the basis for a deeper discussion of the historical foundations and other socio-cultural contexts of humorous art, and Ellis delves into the larger issues of politics, nationality, geography, generation, art, social class, race, gender and sexuality that surround his subject. The chapters, divided by decade, include introductory sections outlining each decade's defining forces and contextual features. While lyrics constitute Ellis's primary field of analysis, his exploration goes well beyond that, moving into a discussion and interpretation of image, performance, product, and musical content.
Why do we worship as we do? What are the forgotten practices once central to many early Nazarene congregations? Because historical events and other factors have shaped and molded the various worship patterns found in local congregations, the way in which contemporary Nazarenes worship is no accident. Like other descendants of the American holiness movement, Nazarene worship is influenced by events predating our denominational forebears. This text explores the history behind current worship trends for a crucial reason: the very act of worship shapes and forms worshipers. Beliefs and attitudes are forged not merely by what is heard from the pulpit, but also by what is done bodily in the pew. Ellis examines the liturgical concerns and practice of John Wesley as well as those of early Nazarene pioneers in an attempt to address these issues. In so doing, the book provides a historical resource for denominational leaders, pastors, and congregations. At the same time, it aims to help congregations both to appreciate our rich ecclesial history and to critically evaluate current worship practices in order that they may truly be transformational.
Ignatius Costello, a Roman Catholic Priest known by his friends as Iggy, finds himself involved in a horrific situation which leads to his being indicted for 2nd degree murder. The trial and further experiences create a “cauldron” in his mind causing him to question his understanding of God and God’s creation of the universe. His Jewish lawyer suggests psychoanalysis. Enter psychologist June Noble who introduces Iggy to current scientific thinking which might be helpful in sorting out his confusion. Initially, he is only further confused. But ultimately, he realizes a world he never imagined for his celibate self and his faith.
Based on a true story: Mark begins his life in Eden, a remote North Auckland settlement. The story takes us through his boyhood, wending its way through much that life has in store for him. He samples forward offerings early in his life, all these experiences becoming embedded in his character – tempering it, changing it, a little at a time. Hardship, hunger and poverty bring disaster to those not able to adapt so he develops great resilience and an animal-like awareness which helps him quickly understand the directions he must take to win or regain advantage. He and his Eden peers are fiercely defensive; survival becomes an art form. Exposure to sex, drinking and violence in his tender years teaches him to constantly adjust his view of life as he steps cagily through it. He reaches out for his right to life – and its rewards – and pursues it with unashamed commitment as he develops survival strategies with no apology for selfish gain.
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